Dulwich Picture Gallery II

RKD STUDIES

Billiography H – I


Haacke 1968
W. Haacke, Am Klavier. Werke europäischer Maler aus sechs Jahrhunderten, Königstein im Taurus 1968

Haak 1969
B. Haak, Rembrandt. His Life, Work and Times, London 1969

Haak 1976
B. Haak, Rembrandt. Drawings, London 1976 (19741 German edn)

Haak 1984
B. Haak, The Golden Age: Dutch painters of the seventeenth century, New York 1984 [bibliography by Ellinoor Bergvelt and Michiel Jonker, pp. 512–24]

Haarlem/Zürich/Schwerin 2006–7 see Biesboer 2006a

Haberland 1996a
I. Haberland, ‘Huysum, van’, in Turner 1996, xv, pp. 45–7

Haberland 1996b
I. Haberland, ‘Seghers, Daniel’, in Turner 1996, xxviii, pp. 363–4

Hadjinicolaou 2016
Y. Hadjinicolaou, Denkende Körper – formende Hände. Handeling in Kunst und Kunsttheorie der Rembrandtisten, Berlin 2016

Van Haeften 2009
Johnny Van Haeften, Dutch and Flemish Old Master Paintings, London 2009 [n.p.]

Härting 1983
U. A. Härting, Studien zur Kabinettbildmalerei des Frans Francken II., 1581–1642. Ein repräsentativer Werkkatalog, Hildesheim 1983

Härting 1989
U. Härting, Frans Francken der Jüngere (1581–1642). Die Gemälde mit kritischem Œuvrekatalog, 2 vols, Freren 1989 (Flämische Maler im Umkreis der grossen Meister, ii)

Hagedorn 1762
[C. L. von Hagedorn], Betrachtungen über die Mahlerey, 2 vols, Leipzig 1762

The Hague 1970 see Bachrach & Sandberg 1970

Hairs 1955
M. L. Hairs, Les peintres flamands de fleurs au XVIIe siècle, Paris/Brussels 1955

Hairs 1957
M.-L. Hairs, ‘Collaboration dans les tableaux de fleurs flamands’, La Revue belge d´archéologie et d´histoire de l´art 26 (1957), pp. 149–62

Hairs 1964
M.-L. Hairs, ‘Daniel Seghers aux Musées Royaux des Beaux-Arts’, Bulletin Musées Royaux des Beaux-Arts de Belgique / Bulletin Koninklijke Musea voor Schone Kunsten van België 13 (1964), pp. 205–14

Hairs 1965
M.-L. Hairs, Les peintres flamands de fleurs au XVIIe siècle, Paris 19652 (19551)

Hairs 1977
M.-L. Hairs, Dans le sillage de Rubens. Les peintres d’histoire anversois au XVIIe siècle, Liège 1977 (Bibliothèque de la Faculté de philosophie et lettres de l'Université de Liège: publications exceptionnelles, iv)

Hairs 1985
M.-L. Hairs with D. Finet, Les peintres flamands de fleurs au XVIIe siècle, 2 vols, Brussels 1985

Hall 1846–7
S. C. Hall (ed.), Gems of European Art: the best pictures of the best schools, 2 vols, London 1846–[7]

Hall 1921
E. T. Hall, 1921 Supplement to the Catalogue. Dulwich Picture Gallery, [London 1921]

Hall 1922
E. T. Hall, 1922 Supplement to the Catalogue. Dulwich Picture Gallery, [London 1922]

Hall 1994
E. Hall, The Arnolfini Betrothal. Medieval marriage and the enigma of Van Eyck’s double portrait, Berkeley/Los Angeles/London 1994

Van Hall 1963
H. van Hall, Portretten van Nederlandse beeldende kunstenaars / Portraits of Dutch Painters and other Artists of the Low Countries. Specimen of an iconography. Repertorium, Amsterdam 1963

Hand 1980
J. O. Hand, ‘Joos van Cleve: The Early and Mature Paintings’, Ann Arbor 1980 [PhD, Princeton University 1978]

Hand 1996
J. O. Hand, ‘Joos van Cleve [van der Beke]’, in Turner 1996, vii, pp. 423–6

Hand 2004
J. O. Hand, Joos van Cleve.The Complete Paintings, New Haven/London 2004

Hand, Metzger & Spronk 2006
J. O. Hand, C. A. Metzger and R. Spronk, Prayers and Portraits. Unfolding the Netherlandish Diptych, New Haven/London 2006 [exh. NGA, Washington/KMSKA, Antwerp, in association with Harvard University Museums, Cambridge, Mass. 2006–7]

Harris 1973
J. Harris, ‘The Link between a Roman second-century sculptor, Van Dyck, Inigo Jones and Queen Henrietta Maria’, Burl. Mag. 115 (1973), pp. 526–30

Harris 1999
R. Harris et al., Paintings from Dulwich Picture Gallery, [London] 1999 [leaflet; exh. Lothbury Gallery, NatWest Group, London]

Hartley 1990
C. Hartley, Rubens and Printmaking, Cambridge 1990 [exh. Fitzwilliam Museum, Cambridge]

Harwood 1985
L. B. Harwood, ‘Revelling in Contemplation: Adam Pynacker (ca. 1620–1673) and British Collectors’, Country Life 178/1 (22 Aug. 1985), pp. 486–8

Harwood 1988
L. B. Harwood, Adam Pynacker (c. 1620–1673), Doornspijk 1988 (Aetas Aurea. Monographs on Dutch and Flemish Painting, vii)

Harwood 1991
L. B. Harwood, Reflections on Italy. Adam Pynacker, London 1991 [exh. Richard L. Feigen & Co., London]

Harwood 1994
L. B. Harwood, A Golden Harvest. Paintings by Adam Pynacker, Williamstown, Mass. 1994 [exh. Sterling and Francine Art Institute, Williamstown/John and Mable Ringling Museum, Sarasota, Fla. 1994–5]

Harwood 1996a
L. B. L. Harwood, ‘Aert [Aernout] van der Neer’, in Turner 1996, xxii, pp. 719–20

Harwood 1996b
L. B. L. Harwood, ‘Pynacker [Pijnacker], Adam’, in Turner 1996, xxv, pp. 754–7

Harwood 1996c
L. B. L. Harwood, ‘Wijnants [Wynants], Jan [Johannes]’, in Turner 1996, xxxiii, pp. 178–9

Harwood 2002
L. B. Harwood, with contrib. by C. Brown and A. C. Steland, Inspired by Italy. Dutch landscape painting 1600–1700, London 2002 [exh. DPG]

Haskell 1976
F. Haskell, Rediscoveries in Art. Some aspects of taste, fashion and collecting in England and France, Ithaca, N.Y. [1976]

Haskell & Penny 1982
F. Haskell and N. Penny, Taste and the Antique. The lure of Classical sculpture 1500–1900, New Haven/London 19822 (19811)

Haskins 1993
S. Haskins, Mary Magdalen. Myth and Metaphor, London 1993

Hassall, Plender & Spring 1995
C. Hassall, S. Plender and M. Spring, ‘7 Aelbert Cuyp, View on a Plain’ [DPG4], in Conserving 1995, pp. 20 (fig.), 48–9

Van Hasselt 1977
C. van Hasselt, Rembrandt et ses contemporains. Dessins hollandais du dix-septième siècle. Collection Frits Lugt. Institut néerlandais Paris, New York/Paris 1977 [exh. Pierpont Morgan Library, New York/Institut Néerlandais, Paris 1977–8]

Hatchlands 1994 see Sumner 1994a

Van Haute 1999
B. Van Haute, David III Ryckaert. A seventeenth-century Flemish painter of peasant scenes, Turnhout 1999

Van Haute 2008
B. Van Haute, ‘Willem Bartsius and the art of Dutch history painting’, OH 121 (2008), pp. 215–44

Havard & Sparkes 1885
H. Havard, The Dutch School of Painting, transl. G. Powell, London etc. 1885 (The Fine-Art Library, ed. J. C. L. Sparkes)

Haverkamp-Begemann 1967
E. Haverkamp-Begemann, ‘Purpose and Style: Oil Sketches of Rubens, Jan Brueghel, Rembrandt’, in Stil und Überlieferung 1967, iii, pp. 104–13 and figs iii/14–17

Haverkamp-Begemann 1971
E. Haverkamp-Begemann, ‘The Sketch: its functions in the hands of three masters: Rubens, Rembrandt, Jan Brueghel’, Art News Annual (1971), no. 37, pp. 57–74

Haverkamp-Begemann 1978
E. Haverkamp-Begemann (ed.), Wadsworth Atheneum Paintings. Catalogue I. The Netherlands and the German-speaking countries. Fifteenth–Nineteenth centuries, Hartford, Conn. 1978

Haverkamp-Begemann 1998
E. Haverkamp-Begemann, ‘no. 14. Aelbert Cuyp […] Orpheus charming the animals’, in sale catalogue Naumann 1998, pp. 72–8

Haverkamp-Begemann 1999
E. Haverkamp-Begemann et al., Fifteenth- to Eighteenth-century European Drawings. Central Europe, The Netherlands, France, England, New York/Princeton, N.J. 1999 ([MMA] The Robert Lehman Collection; vii)

Haverkorn van Rijsewijk 1897
P. Haverkorn van Rijsewijk, ‘De schilders Adriaan en Frans Verwilt’, OH 15 (1897), pp. 51–63

Haydon 1817
[B. R. Haydon], ‘Art. X. Descriptive and critical catalogues of the most splendid collections of works of art in Great Britain. Catalogue of the pictures bequeathed to God’s Gift College, Dulwich, in the County of Surrey, by the late Sir Francis Bourgeois, R.A. &c. &c. as they are now arranged in the new Gallery erected for their reception; with brief remarks on some of the most interesting’, Annals of the Fine Arts for MDCCCXVI [1816], 1 (1817), pp. 370–401

Hazlitt 1816/1930–34
William Hazlitt, ‘The Life of Thomas Holcroft’ (1816), in The Complete Works of William Hazlitt, 21 vols, rev. and augm. edn by P. P. Howe after the edn of A. R. Waller and A. Glover [London 1902–6], London 1930–34, iii (Memoirs of the late Thomas Holcroft), 1932

Hazlitt 1824
[W. Hazlitt,] Sketches of the Principal Picture-galleries in England. With a criticism on “Marriage a-la-Mode”, London 1824

Hazlitt 1843
W. Hazlitt, Criticisms on Art, and Sketches of the Picture Galleries of England. With catalogues of the principal galleries, now first collected. Ed. by his son, London 1843

HdG
C. Hofstede de Groot, Beschreibendes und kritisches Verzeichnis der Werke der hervorragendsten holländischen Maler des XVII.ten Jahrhunderts, nach dem Muster von John Smith’s Catalogue Raisonné zusamengestellt, 10 vols, Esslingen am Neckar 1907–28

English edn:
C. Hofstede de Groot, transl. and ed. E. G. Hawke, A Catalogue raisonné of the works of the most eminent Dutch painters of the seventeenth century. Based on the work of John Smith, 8 vols, London 1907–27

[i, 1907 (Engl. edn 1907); ii, 1908 (Engl. edn 1909); iii, 1910 (Engl. edn 1910); iv, 1911 (Engl. edn 1912); v, 1912 (Engl. edn 1913); vi, 1915 (Engl. edn 1916); vii, 1918 (Engl. edn 1923); viii, 1923 (Engl. edn 1927); ix, 1926 [NB: no Engl. edn]); x, 1928 [NB: no Engl. edn]]. See also Hofstede de Groot

Healy 1997
F. Healy, Rubens and the Judgement of Paris. A question of choice, Turnhout 1997 (Pictura nova. Studies in 16th- and 17th-century Flemish Painting and Drawing, iii)

Healy 2001a
F. Healy, ‘Images of The Madonna and Child and The Holy Family in Van Dyck’s œuvre’, in Vlieghe 2001, pp. 89–112

Healy 2001b
F. Healy, ‘Die Venus in der niederländischen Kunst des 16. und 17. Jahrhunderts’, in Denk, Paul & Renger 2001, pp. 50–73

Healy 2004
F. Healy, ‘Das Unerwartete wahrnehmen, da zu Erwartende interpretieren: Die Liebe sehen, wie Rubens sie malte’, in Büttner & Heinen 2004, pp. 39–48

Hearn 1995
K. Hearn (ed.), Dynasties. Painting in Tudor and Jacobean England 1530–1630, London 1995 [exh. Tate Gallery, London 1995–6]

Hearn 2003
K. Hearn, ‘The English career of Cornelius Jonson’, LKJ 13 (2003; Dutch and Flemish Artists in Britain 1550–1800), pp. 113–29

Hearn 2009
K. Hearn (ed.) et al., Van Dyck and Britain, London 2009 [exh. Tate Britain, London]

Hearn 2014
K. Hearn, untitled typescript about Cornelius Johnson van Ceulen and II, London 2014 [DPG564 file]

Hearn 2015
K. Hearn, Cornelius Johnson, London 2015 [exh. NPG, London]

Hearn 2016
K. Hearn, ‘The national & professional identities of Cornelius Johnson’ in Hearn, Town & David 2016, pp. 8–15

Hearn 2020
K. Hearn, ‘“Curiously painted, drawn, & understood.” Adriaen Hanneman’s portrait of Cornelius Johnson and his wife and son’, in Dumas, Ekkart & Van de Puttelaar 2020, pp. 163–70

Hearn, Town & David 2016
K. Hearn, E. Town and J. David, intro. by M. Weiss, Cornelius Johnson, 1593–1661. Painter to king & country, London 2016 [exh. The Weiss Gallery, London]

Hebel & Wagner 2011
U. J. Hebel and C. Wagner, Pictorial Cultures and Political Iconographies. Approaches, perspectives, case studies from Europe and America, Berlin/New York 2011

Hecht 1989
P. Hecht, De Hollandse fijnschilders: Van Gerard Dou tot Adriaen van der Werff, Amsterdam/Maarssen/The Hague 1989 [exh. RM, Amsterdam]

Heck 2005
M.-C. Heck (ed.), Le Rubénisme en Europe aux XVIIe et XVIIIe siècles, Turnhout 2005 (proceedings of a conference Lille 1–2 April 2004)

Heenk 1998
L. Heenk, Rembrandt and his Influence on Eighteenth-century German and Austrian Printmakers / Rembrandt – Seine Verwandlung in der deutschen und österreichischen Graphik des 18. Jahrhunderts, Amsterdam 1998 [exh. Rembrandt House Museum, Amsterdam/Museum Carolino Augusteum, Salzburg/Augustinermuseum, Freiburg im Breisgau 1998–9]

Heijenga-Klomp 1991
M. W. Heijenga-Klomp, ‘Jacob van Staverden en Caspar van Wittel, twee schilders van Amersfoort te Rome’, Flehite. Tijdschift voor verleden en heden van Oost Utrecht […] 21 (1991), pp. 34–49

Heiland 1969
S. Heiland, ‘Two Rubens paintings rehabilitated’, Burl. Mag. 111 (1969), pp. 421–7

Heinen 1996
U. Heinen, Rubens zwischen Predigt und Kunst. Der Hochaltar für die Walburgenkirche in Antwerpen, Weimar 1996 [PhD, University of Cologne 1994]. See review: K. L. Belkin, Historians of Netherlandish Art Review https://hnanews.org/hnar/reviews/rubens-zwischen-predigt-und-kunst-der-hochaltar-fur-die-walburgenkirche-antwerpen/ (since May 2000). See review: H. Vlieghe, Simiolus 25 (1997), pp. 250–52

Heinen 2009
U. Heinen, ‘Loyalität. Diplomatie. Religion – Peter Paul Rubens’ Beitrag zum Überleben der Habsburgischen Niederlande’, in Finckh & Hartje-Grave 2009, pp. 10–31

Heinen 2011
U. Heinen, ‘Rubens’s Pictorial Peacekeeping Force: Negotiating through “Visual Speech-Acts,”’ in Hebel & Wagner 2011, pp. 32–61

Heinz 1967
G. Heinz, ‘Studien über Jan van den Hoecke und die Malerei der Niederländer in Wien’, Jahrbuch der kunsthistorischen Sammlungen in Wien 63 (1967), pp. 109–64

Held 1957
J. S. Held, ‘Artis Pictoriae Amator, an Antwerp Art Patron and His Collection’, Gazette des Beaux-Arts 50 (1957), pp. 53–84, reprinted in

Held 1958
J. S. Held, ‘Artis Pictoriae Amator. An Antwerp art patron and his collection’, in Gombrich, Held & Kurz 1950–58, pp. 317–48

Held 1959
J. S. Held, Rubens. Selected drawings with an introduction and a critical catalogue, 2 vols, London 1959

Held 1966
J. Held, Adam Elsheimer. Werk, künstlerische Herkunft und Nachfolge, Frankfurt 1966 [exh. Städelsches Kunstinstitut, Frankfurt 1966–7]

Held 1972
J. S. Held, ‘Rubens and the Vita Beati P. Ignatii Loiolae of 1609’, in Martin 1972b, pp. 93–134

Held 1978
J. S. Held, ‘Rubens in Italy: a critical view’ [review of Jaffé 1977], Apollo 108 (Aug. 1978), pp. 134–7

Held 1980
J. S. Held, The Oil Sketches of Peter Paul Rubens. A critical catalogue, 2 vols, Princeton, N.J. See reviews: Logan 1981 and Jaffé 1982

Held 1981
J. S. Held, ‘Rubens’ Ölskizzen. Ein Arbeitsbericht’, in Rubens 1981, pp. 47–67

Held 1983a
J. S. Held, ‘The case against the Cardiff “Rubens” cartoons’, Burl. Mag. 125 (1983), pp. 132–6

Held 1983b
J. S. Held, ‘Further Data on Pieter Crijnse Volmarijn’, in Essays 1983, pp. 102–5

Held 1983c
J. S. Held, [under ‘Letters’] ‘The Cardiff cartoons’, Burl. Mag. 125 (1983), p. 361

Held 1986
J. Held, Rubens. Selected Drawings, Oxford 1986

Held 1990
J. S. Held, ‘Van Dyck’s oil sketches’, in Wheelock, Barnes & Held 1990, pp. 326–9

Held 1991
J. S. Held, review of Garff & De la Fuente Pedersen 1988, Master Drawings 29 (1991), pp. 416–30

Held 1994
J. S. Held, ‘Van Dyck’s relationship to Rubens’, in Barnes & Wheelock 1994, pp. 62–76

Held 2002
J. S. Held, ‘Caritas. Modelle einer Leidenschaft in den Bildkünsten der Frühen Neuzeit’, in Keazor 2002, pp. 89–115

Helmus 1999
L. M. Helmus, Schilderkunst tot 1850, 2 vols, Utrecht 1999 (De verzamelingen van het Centraal Museum Utrecht, v)

Hemingway 1992
A. Hemingway, Landscape Imagery and Urban Culture in Early Nineteenth-century Britain, Cambridge 1992

Hendrikman 2012
L. Hendrikman, Bonnefantenmuseum. Collectie Nederlandse en Duitse schilderkunst 1500–1800, Maastricht 2012

Hendrikman 2014
L. Hendrikman, ‘The Fall of Man’, in Dutch Art in Detail, Works of Art from Seven Centuries, Eindhoven 2014, pp. 64–72

Hendrikman 2015
L. Hendrikman, ‘Pieter Coecke and his contemporaries. The circle of Jan van Hemessen and the Maastricht Fall of man’, paper read at the MMA conference Grand Design: Pieter Coecke van Aelst and the Renaissance, New York, 10–11 Jan. 2015

Henning 1987
M. Henning, Die Tafelbilder Bartholomäus Sprangers (1546–1611). Höfische Malerei zwischen ‘Manierismus’ und ‘Barock’, Essen 1987 (Kunst, Geschichte und Theorie, viii)

Hennus 1936
M. F. Hennus, ‘De Galerij te Dulwich’, Maandblad voor Beeldende Kunsten 13 (1936), pp. 162–71

Herremans 2019
V. Herremans, Architectural Sculpture, London 2019 (Corpus Rubenianum Ludwig Burchard, xxii (4))

Herrmann 1936
H. Herrmann, Untersuchungen über die Landschaftsgemälde des Peter Paul Rubens, Stuttgart [1936]

Hermann-Fiore 1979
K. Hermann-Fiore, ‘Rubens und Dürer’, in Hubala 1979a (ed.), Rubens. Kunstgeschichtliche Beiträge, Konstanz 1979 (Persönlichkeit und Werk, iv), pp. 101–28

Van der Heyden 1690
J. van der Heyden and J. van der Heyden II, Beschryving der nieuwlijks uitgevonden en geoctrojeerde slang-brand-spuiten, en haare wijze van brand-blussen, tegenwoordig binnen Amsterdam in gebruik zijnde, Amsterdam 1690 (Engl. transl. of the 1735 edn by L. S. Multhauf, Canton 1996)

Heyning 2018
K. Heyning, Zeeuwse meesters uit de Gouden Eeuw. Een selectie uit de Goedaert Collectie, Zwolle 2018 [exh. Stadhuismuseum Zierikzee 2018–19]

High 1972
High Life – Low Life; David Teniers the Younger, Rye 1972 [exh. Rye Art Gallery, Rye, Kent]

Hillegers 2017
J. Hillegers, ‘The Lambert years: Govert Flinck in Leeuwarden, ca. 1629– ca. 1633’, in Dickey 2017, pp. 44–65

Hind, i – see the relevant volumes in Hind & Popham 1915–32

Hind & Popham 1915–32
A. H. Hind and A. E. Popham, Catalogue of Drawings by Dutch and Flemish Artists Preserved in the Department of Prints and Drawings in the British Museum, 5 vols, London 1915–32 (vol. i (1915), Drawings by Rembrandt and his school; vol. ii (1923), Drawings by Rubens, Van Dyck and other artists of the Flemish school of the XVII century; vol. iii (1926), Dutch drawings of the XVII century (A–M); vol. iv (1931), Dutch drawings of the XVII century (N–Z and anonymous); vol. v (1932), Dutch and Flemish drawings of the XV and XVI centuries)

Hind 1923
A. M. Hind, ‘Rubens as etcher’, Print Collector’s Quarterly 10/1 (1923), pp. 61–80

Hind 1931
A. M. Hind, Dutch Drawings of the XVII Century [N–Z and Anonymous], London 1931 (Catalogue of Drawings by Dutch and Flemish Artists preserved in the Department of Prints and Drawings in the British Museum, iv)

Hinterding & Horsch 1989
E. Hinterding and F. Horsch, ‘“A small but choice collection”: the art gallery of King Willem II of the Netherlands (1792–1849)’, Simiolus 19 (1989), pp. 4–122

Hirschfelder 2008
D. Hirschfelder, Tronie und Porträt in der niederländischen Malerei des 17. Jahrhunderts, Berlin 2008

Hobbs 2004
T. Hobbs, John Scarlett Davis: a Biography, Woonton 2004

Hodnett 1978
E. Hodnett, Francis Barlow. First master of English book illustration, London/Berkeley (CA) 1978

Höper 1996
C. Höper, ‘Spranger [Sprangher, Sprangers, Spranghers], Bartholomäus [Barthollomeus, Bartolomaeus, Bartholomeus]’, in Turner 1996, xxix, pp. 428–31

Hoet 1752
G. Hoet, Catalogus of naamlyst van schilderyen, met derzelver pryzen [...] zoo in Holland als op andere Plaatzen in het openbaar verkogt. Benevens een Verzameling van Lysten van verscheyden nog in wezen zynde cabinetten, 2 vols, The Hague 1752. See also Terwesten 1770

Hoes 1988
J. Hoes, ‘“Het vee zooals het is en niet anders”: De reputatie van Paulus Potter (1625–1654)’, in Boschma 1988, pp. 87–100

Hofrichter 1996
F. Fox Hofrichter, ‘Haarlem (ii) artistic community’, in Turner 1996, xiii, pp. 894–6

Hofstede de Groot 1893a
C. Hofstede de Groot, Arnold Houbraken und seine ‘Groote Schouburgh’ kritisch beleuchtet, The Hague 1893 (Quellenstudien zur holländischen Kunstgeschichte, i)

Hofstede de Groot 1893b
C. Hofstede de Groot, Sammlung Schubart früher Dresden jetzt München: eine Auswahl von Werken alter Meister aus dieser Sammlung, Munich [1893]

Hofstede de Groot 1906
C. Hofstede de Groot, Die Urkunden über Rembrandt neu herausgegeben und commentirt, The Hague 1906 (Quellenstudien zur holländischen Kunstgeschichte, iii)

Hofstede de Groot 1912
C. Hofstede de Groot, ‘Nieuw ontdekte Rembrandts, ii’, Onze Kunst 11/pt 22 (1912), pp. 173–88

Hofstede de Groot 1926
C. Hofstede de Groot, ‘Kalraet (Calraet, Kalraat), Abraham van’, Thieme & Becker, xix, 1926, pp. 482–4. See also HdG

Hollestelle 1961
J. Hollestelle, De steenbakkerij in de Nederlanden tot omstreeks 1560. Brickmaking in the Netherlands up to 1560, Assen 1961 [PhD, Utrecht University]

Hollestelle 1976
J. Hollestelle, De steenbakkerij in de Nederlanden tot omstreeks 1560. Brickmaking in the Netherlands up to 1560, Arnhem 1976

Holliday 2002
P. J. Holliday, The Origins of Roman Historical Commemoration in the Visual Arts, Cambridge 2002

Hollstein 1949–2010
F. W. H. Hollstein, Dutch and Flemish Etchings, Engravings and Woodcuts, ca. 1450–1700, vols i–lxxii, Amsterdam 1949–2010

Hollstein 1949
F. W. H. Hollstein, Abry–Berchem, Amsterdam [1949] (Dutch and Flemish Etchings, Engravings and Woodcuts ca. 1450–1700, i)

Hollstein 1952
F. W. H. Hollstein, Douffet–Floris, Amsterdam [1952] (Dutch and Flemish Etchings, Engravings and Woodcuts ca. 1450–1700, vi)

Hollstein 1953a
F. W. H. Hollstein, Goltzius–Heemskerck, Amsterdam [1953] (Dutch and Flemish Etchings, Engravings and Woodcuts ca. 1450–1700, viii)

Hollstein 1953b
F. W. H. Hollstein, Heer–Kuyl, Amsterdam [1953] (Dutch and Flemish Etchings, Engravings and Woodcuts ca. 1450–1700, ix)

Hollstein 1954
F. W. H. Hollstein, Leyster–Matteus, Amsterdam [1954] (Dutch and Flemish Etchings, Engravings and Woodcuts ca. 1450–1700; xi)

Hollstein 1955
F. W. H. Hollstein, Cornelisz.–Dou, Amsterdam 1955 (Dutch and Flemish Etchings, Engravings and Woodcuts ca. 1450–1700; v)

Hollstein 1956
F. W. H. Hollstein, Meer–Ossenbeeck, Amsterdam [1956] (Dutch and Flemish Etchings, Engravings and Woodcuts ca. 1450–1700, xiv)

Holman-Hunt see Hunt

Honig 1988
E. A. Honig, ‘Quirijn Gerritsz. Van Brekelenkam [...]’, in Sluijter, Enklaar & Nieuwenhuizen 1988, pp. 80–83

Honig 1996
E. A. Honig, ‘Brekelenkam, Quiringh [Quirijn] (Gerritsz.) van’, in Turner 1996, iv, pp. 740–41

Hoock 2004
H. Hoock, ‘Old Masters and the English School. The Royal Academy of Arts and the notion of a national gallery at the turn of the nineteenth century’, Journal of the History of Collections 16/1 (2004), pp. 1–18

Hoogewerff 1933
G. Hoogewerff, ‘Een schilderij en een teekening van Jan Both’, Oudheidkundig Jaarboek 4th series 2 (1933), pp. 35–7

Hoogewerff 1952
G. J. Hoogewerff, De Bentvueghels, The Hague 1952 (Utrechtse bijdragen tot de kunstgeschiedenis, i)

Hoogewerff 1957–9
G. J. Hoogewerff, ‘Madonne dipinte da Antonio van Dyck in Italia (1622–1624)’, Mitteilungen des Kunsthistorischen Institutes in Florenz 8–9 (1957–9), pp. 179–83

Van Hoogstraten 1678
S. van Hoogstraten, Inleyding tot de hooge schoole der schilderkonst: anders de zichtbaere werelt. Verdeelt in negen leerwinkels, yder bestiert door eene zanggodinnen [...], Rotterdam 1678 [reprint Doornspijk 1969]

De Hoop Scheffer & Keyes 1983
D. de Hoop Scheffer and G. S. Keyes (ed. K. G. Boon), Christoffel van Sichem I to Herman Specht, Amsterdam 1983 (Hollstein’s Dutch and Flemish Etchings, Engravings and Woodcuts, ca. 1450–1700, xxvii)

De Hoop Scheffer & Keyes 1984
D. de Hoop Scheffer and G. S. Keyes (ed. K. G. Boon), Louis Spirinx to M. Suys, Blaricum 1984 (Hollstein’s Dutch and Flemish Etchings, Engravings and Woodcuts, ca. 1450–1700, xxviii)

Horn 2000
H. J. Horn, The Golden Age Revisited. Arnold Houbraken’s great theatre of Netherlandish painters and paintresses, 2 vols, Doornspijk 2000

Horst 2013
D. R. Horst, Willem van Oranje, Amsterdam 2013

Houbraken 1718–21
A. Houbraken, De groote schouburgh der Nederlantsche konstschilders en schilderessen [...] zijnde een vervolg op het schilderboek van K. van Mander, 3 vols, The Hague 1718–21 (i, 1718; ii, 1719; iii, 1721)

Houbraken 1753
A. Houbraken, De groote Schouburgh der Nederlantsche konstschilders en schilderessen. Waar van ’er veele met hunne Beeltenissen ten Tooneel verschynen, [...] zynde een vervolg op het Schilderboek van K. v. Mander, 3 vols, The Hague 1753 [1718–211; reprint Amsterdam 1976]

Houssaye 1848
A. Houssaye, Histoire de la peinture flamande et hollandaise, 2 vols, Paris 1848

Houston/Louisville 1999–2000 see Dejardin, Shawe-Taylor & Waterfield 1999

Van Hout 2004a
N. Van Hout (ed.), Copyright Rubens. Rubens en de grafiek, Ghent/Amsterdam 2004 [exh. KMSKA, Antwerp/Musée national des beaux-arts du Québec, Quebec City 2004–5]

Van Hout 2004b
N. Van Hout, ‘Etste Rubens zelf? Een slinkend œuvre’, in Van Hout 2004a, pp. 70–75

Van Hout 2004c
N. Van Hout, review of Rubens 2004 (Lille 2004), Burl. Mag. 146 (2004), pp. 425–7

Van Hout 2014
N. Van Hout et al., Rubens and his Legacy, London 2014 [exh. BOZAR, Centre for Fine Arts, Brussels/RA, London 2014–15]

Hove/Lincoln/Sudbury 1993 see Wilcox 1993

Howarth 1985
D. Howarth, Lord Arundel and his Circle, New Haven/London 1985

Howarth 1991
D. Howarth, ‘Van Dyck triumphant in Washington’ [review of Washington 1990–91], Apollo 133 (Jan. 1991), pp. 38–41

Howarth 1997
D. Howarth, Images of Rule. Art and politics in the English Renaissance, 1485–1649, Basingstoke/London 1997

Howarth 2009
J. Howarth, The Steenwyck Family as Masters of Perspective. Hendrick Van Steenwyck the Elder (c. 1550–1603), Hendrick Van Steenwyck the Younger (1580/82–1649), Susanna Van Steenwyck (dates unknown, active 1639–c. 1660), Turnhout 2009 (Pictura nova. Studies in 16th and 17th Century Flemish Painting and Drawing, xii)

Hubala 1979a
E. Hubala (ed.), Rubens. Kunstgeschichtliche Beiträge, Konstanz 1979 (Persönlichkeit und Werk, iv)

Hubala 1979b
E. Hubala, ‘Figurenerfindung und Bildform bei Rubens. Beiträge zum Thema: Rubens als Erzähler’, in Hubala 1979a, pp. 129–85

Huber 2001
B. Huber, ‘Dürck, Friedrich’, in Saur, xxx, 2001, p. 289

Huemer 1977
F. Huemer, Portraits, Brussels/London/Philadelphia 1977 (Corpus Rubenianum Ludwig Burchard, xix (1))

Hürkey 1995
E. J. Hürkey, with contrib. by I. Bürgy-de Ruijter, Kunst, Kommerz, Glaubenskampf. Frankenthal um 1600, Worms 1995 [exh. Erkenbert-Museum, Frankenthal]

Hughes 1977
J. Hughes, ‘“For a woman’s charms are the greatest there are, and defeated even him whom the great world could not defeat,”’ Preview. City of York Art Gallery Bulletin 30 (May 1977), pp. 1027–31

Hughes 1980
A. Hughes, ‘Naming the unnameable: An iconographical problem in Rubens’s Peace and War’, Burl. Mag. 122 (1980), pp. 157–65

Huhtamäki & Waller 2002
U. Huhtamäki and M Waller, Netherlandish Painting of the 17th Century from the Collections of the Sinebrychoff Art Museum in Helsinki, Poznan 2002 [exh. Muzeum Narodowe, Poznan]

Huidobro & Boega Vega 2015
C. Huidobro and I. Boega Vega et al., Rubens, Van Dyck y la Edad de Oro del grabado flamenco, Madrid 2015 [exh. Biblioteca Nacional de España, Madrid]

Huiskamp 1998
M. Huiskamp, ‘“For the honour and reputation of this city and the glory of its scions”: War and Peace in the town and city halls of the Low Countries’, in Bussmann & Schilling 1998a, ii, pp. 547–54

Hull 1981 see Brown 1981

De Hullu 1915
J. de Hullu, ‘De porceleinhandel der Oost-Indische Compagnie en Cornelis Pronk als haar teekenaar’, OH 33 (1915), pp. 50–62

D’Hulst 1968
R.-A. D’Hulst, Olieverfschetsen van Rubens uit Nederlands en Belgisch openbaar bezit, s.l. 1968

D’Hulst 1970
R.-A. d’Hulst, Pieter Crijnse Volmarijn, een Rotterdamse navolger van de Antwerpse schilderschool uit de 17de eeuw, Brussel 1970 (Mededelingen van de Koninklijke Vlaamse Academie voor Wetenschappen, Letteren en Schone Kunsten van België; Klasse de Schone Kunsten, xxxii, 1970, no. 1)

D’Hulst 1974
R.-A. d’Hulst, Jordaens Drawings, 4 vols, Brussels 1974 (Monographs of the Nationaal Centrum voor de plastische kunsten van de XVIde en XVIIde eeuw, v)

D’Hulst 1977
R.-A. d’Hulst et al., P. P. Rubens. Paintings – Oilsketches [sic] Drawings, Antwerp 1977 [exh. KMSKA, Antwerp]

D’Hulst 1982
R.-A. d’Hulst, Jacob Jordaens, Antwerp 1982

D’Hulst 1993
R.-A. d’Hulst, Jacob Jordaens (1593–1678). Deel II. Tekeningen en Prenten (also in English: Jacob Jordaens (1593–1678). Volume II, Drawings and prints), Brussels 1993, for vol. i see D’Hulst, De Poorter & Vandenven 1993

D’Hulst 1996
R.-A. d’Hulst, ‘Jordaens, Jacob, the elder’, in Turner 1996, xvii, pp. 648–54

D’Hulst, De Poorter & Vandenven 1993
R.-A. d’Hulst, N. De Poorter and M. Vandenven, Jacob Jordaens (1593–1678). Deel I. Schilderijen en Wandtapijten (also in English: Jacob Jordaens (1593–1678).Vol. I, Paintings and tapestries), Brussels 1993, for vol. ii see D’Hulst 1993

D’Hulst & Vandenven 1989
R.-A. d’Hulst and M. Vandenven, Rubens. The Old Testament, London/New York 1989 (Corpus Rubenianum Ludwig Burchard, iii)

D’Hulst & Vey 1960
R.-A. d’Hulst and H. Vey, Antoon van Dyck. Tekeningen en olieverfschetsen, Antwerp 1960 [exh. Rubens House, Antwerp/BvB, Rotterdam]

Humfrey 2007
P. Humfrey, Titian: the Complete Paintings, Ghent 2007 (The Classical Art Series, i)

Humfrey 2015
P. Humfrey, ‘The 3rd Duke of Bridgewater as a collector of Old Master paintings’, Journal of the History of Collections 27 (2015), pp. 211–25

Humfrey 2019
P. Humfrey, The Stafford Gallery. The greatest art collection of Regency London, London 2019

Hunt 1905
W. Holman Hunt, Pre-Raphaelitism and the Pre-Raphaelite Brotherhood, 2 vols, London/New York 19051

Hunt 1913
W. Holman Hunt, Pre-Raphaelitism and the Pre-Raphaelite Brotherhood, 2 vols, London 19132

Huvenne 1990
P. Huvenne, with I. Kockelbergh and B. Van Beneden (eds for Dutch); J. Luckhardt with M. Beilmann (eds for German), Jan Boeckhorst, 1604–1668. Medewerker van Rubens/ Maler der Rubenszeit, Freren 1990 [exh. Rubens House, Antwerp/Westfälisches Landesmuseum für Kunst und Kulturgeschichte, Münster]

Huvenne 1993a
P. Huvenne, ‘Over Rubens’ Cantoor, Panneels en de Kopenhaagse Cantoortekeningen / On Rubens’ Cantoor, Panneels and the Copenhagen Cantoor Drawings’, in Kockelberg & Huvenne 1993, pp. 16–37

Huvenne 1993b
P. Huvenne, ‘Maria Immaculata /The Virgin Immaculate’, in Kockelberg & Huvenne 1993, pp. 214–19

Huygens 1633
C. Huygens, Latin couplet on Jacob de Gheyn’s Portrait, The Hague, Royal Library, ms. KA. 43a, Z, fol. 6v (Strauss & Van der Meulen 1979, p. 97, Doc. 1633/1)

Huyghe & Van Puyvelde 1954
R. Huyghe, L. Van Puyvelde et al., Flandres, Espagne, Portugal du XVe au XVIIe siècle, [Bordeaux 1954] [exh. Galerie des Beaux-Arts, Bordeaux]

Huys Janssen, Luca & Sonoc 2016
P. Huys Janssen, A. Luca and A. Sonoc, Van Eyck, Brueghel, Jordaens. Meesterwerken uit Roemenië / Van Eyck, Brueghel, Jordaens. Masterpieces from Romania, ’s-Hertogenbosch 2016 [exh. Noordbrabants Museum, ’s-Hertogenbosch]

Hymans 1899
H. Hymans, ‘Antoine van Dyck et l’exposition de ses œuvres à Anvers […]’, i and ii, Gazette des Beaux-Arts 41/22 (1899), pp. 226–40, 320–32


Ikegami 1986
C. Ikegami (ed.), Old Master Paintings from the Dulwich Picture Gallery, London 1986 [exh. Isetan Museum of Art, Tokyo/Shizuoka Prefectural Museum of Art/The Daimaru Museum, Osaka/Takashimaya, Yokohama 1986–7]

Illustrated Souvenir 1938
17th Century Art in Europe. An illustrated souvenir of the exhibition of 17th century art in Europe at the Royal Academy of Arts, London 1938, London 1938. See also Waterhouse 1938

ILN 1852
Illustrated London News, 28 Aug. 1852

Imiela & Hamann-MacLean 1968
H.-J. Imiela and R. Hamann-MacLean, Werke alter Meister aus Privatbesitz [Sammlung Hans Klenk Mainz], Mainz 1968 (Kleine Schriften der Gesellschaft für bildende Kunst in Mainz, 37) [exh. Kunstgeschichtlichen Institut der Johannes Gutenberg-Universität, Mainz]

Ingamells 1989
J. Ingamells, The Wallace Collection, Catalogue of Pictures, iii, French before 1815, London 1989

Ingamells 1992
J. Ingamells, The Wallace Collection, Catalogue of Pictures, iv, Dutch and Flemish, London 1992

Ingamells 2008
J. Ingamells, Dulwich Picture Gallery. British, London 2008


Cookies disclaimer

Our site saves small pieces of text information (cookies) on your device in order to deliver better content and for statistical purposes. You can disable the usage of cookies by changing the settings of your browser. By browsing our website without changing the browser settings you grant us permission to store that information on your device.
I agree