Dulwich Picture Gallery II

RKD STUDIES

Bibliography E – G


Ebbinge Wubben, Fierens & Haverkamp Begemann 1953
J. C. Ebbinge Wubben, P. Fierens and E. Haverkamp Begemann, Olieverfschetsen van Rubens, Rotterdam 1953 [exh. Boymans, Rotterdam 1953–4]

Ebert 2009
B. Ebert, Simon und Isaack Luttichuys. Monographie mit kritischem Werkverzeichnis, Berlin/Munich 2009

Ebert 2012
B. Ebert, ‘“Littlehouse” in Cambridge. Das Frühwerk von Simon Luttichuys (1610–1661) in neuem Licht’, in Buijsen, Dumas & Manuth 2012, pp. 243–52

Ebert 2013
A. Ebert, Adriaen van Ostade und die komische Malerei des 17. Jahrhunderts, Berlin/Munich 2013

Edinburgh 1950 see Waterhouse 1950

Edinburgh 2018 see Seifert 2018

Edinburgh/London 2001 see Williams 2001

Editorial 1945
Editorial, ‘Sir Joshua Reynolds’ collection of pictures, i,’ Burl. Mag. 86 (June 1945), pp. 132–4; ii, 87 (Sept. 1945), pp. 210–17; iii, 87 (Nov. 1945), pp. 263–73

Editorial 1953
Editorial, ‘Dutch pictures at the Royal Academy’, Burl. Mag. 95 (1953), pp. 33–4

Editorial 1983
Editorial, ‘The Cardiff cartoons’, Burl. Mag. 125 (1983), p. 131

Editors 1915–16
Editors, ‘Slotwoord’ [including a poem by W. Martin], ‘De Cuyp–Calraet kwestie’, Oude Kunst 1 (1915–16), p. 386 (see Bredius 1915–16 and 1916–17)

Editors 1916–17
Editors, ‘Een voluit gemerkt perzikstilleven van A. v. Calraet’, Oude Kunst 2 (1916–17), p. 9 see Bredius 1915–16 and 1916–17

Edwards 1996
J. Edwards, Alexandre-Joseph Paillet. Expert et marchand de tableaux à la fin du XVIIIe siècle, Paris 1996

Eekhout 2014
M. Eekhout, ‘Furies in beeld. Herinneringen aan gewelddadige innames van steden tijdens de Nederlandse Opstand op zeventiende-eeuwse schilderijen’, De Zeventiende Eeuw 30 (2014), pp. 243–66

Van den Eerenbeemd 2006
A. van den Eerenbeemd, ‘De italianiserende tekeningen van Adriaen van de Velde’, Delineavit et sculpsit (2006), no. 30, pp. 1–64

Egerton 1998
J. Egerton, The British School. National Gallery Catalogues, London 1998

Eidelberg 1997
M. P. Eidelberg, ‘An album of drawings from Rubens’ studio’, Master Drawings 35 (1997), pp. 234–66

Eidelberg 2004
M. P. Eidelberg et al., Watteau et la fête galante, Paris 2004 [exh. Musée des Beaux-Arts, Valenciennes]

Van Eikema Hommes 2004
M. van Eikema Hommes, Changing Pictures. Discoloration in 15th–17th-century oil paintings, London 2004 [Amsterdam 20021]

Van Eikema Hommes 2012
M. van Eikema Hommes, Art and Allegiance in the Dutch Golden Age. The ambitions of a wealthy widow in a painted chamber by Ferdinand Bol, Amsterdam 2012

Van Eikema Hommes & Kolfin 2014
M. van Eikema Hommes and E. Kolfin, De Oranjezaal in Huis ten Bosch. Een zaal uit loutere liefde, Zwolle 2013

Eikemeier 1972
P. Eikemeier, Adriaen van der Werff (1659–1722). Hofmaler des Kurfürsten Johann Wilhelm von der Pfalz, Munich 1972 [exh. Alte Pinakothek, Munich]

Eisele 2000
K. Eisele, Jan Wijnants (1631/32–1684). Ein Niederländischer Maler der Ideallandschaft im Goldenen Jahrhundert. Mit umfassenden Oeuvrekatalog, Stuttgart 2000 (Bont’sche Bibliothek für Kunst und Kulturgeschichte, i)

Ekkart 1974
R. E. O. Ekkart et al., Leids kunst-legaat. Kunst en historie rondom ‘Ars Aemula Naturae’, Leiden 1974

Ekkart 1995
R. E. O. Ekkart, Nederlandse portretten uit de 17e eeuw. Eigen collectie Museum Boymans-van Beuningen Rotterdam / Dutch Portraits from the Seventeenth Century. Own collection, Museum Boymans-van Beuningen Rotterdam, Rotterdam 1995

Ekkart 1996a
R. E. O. Ekkart, ‘Hanneman, Adriaen’, in Turner 1996, xiv, pp. 139–40

Ekkart 1996b
R. Ekkart, ‘Jonson [Janson; Johnson] van Ceulen, Cornelis [Cornelius], I’, in Turner 1996, xvii, pp. 644–6

Ekkart 1996c
R. Ekkart, ‘Moor, Karel de’, in Turner 1996, xxii, p. 50

Ekkart 1996d
R. Ekkart, ‘Visscher, Cornelis (de)’, in Turner 1996, xxxii, pp. 622–3

Ekkart 1998a
R. Ekkart, ‘Adriaen Hanneman’, in Buijsen 1998, pp. 155–61

Ekkart 1998b
R. Ekkart, ‘Gerard van Honthorst’, in Buijsen 1998, pp. 174–9

Ekkart 1998c
R. E. O. Ekkart, ‘Cleve (Beke; Cleef), Joos van (van der; Joes; Joost)’, in Saur, xix, 1998, pp. 550–52

Ekkart 1998d
R. Ekkart, Pieter Nason’, in Buijsen 1998, pp. 212–17, 332

Ellens & Segal 2006
M. Ellens and S. Segal, ‘Jan van Huysum: zijn leven en familie’, in Segal, Ellens and Dik 2006, pp. 15–26

Elliott 2000
D. B. Elliott, Charles Fairfax Murray. The Unknown Pre-Raphaelite, Lewes 2000

Ellis 1947
M. Ellis, An Exhibition of Fifty-one Pictures from the Gregynog, Dulwich College and other Collections, Aberystwyth 1947 [exh. National Library of Wales, Aberystwyth] (Sir Gerald Kelly, R.A., art advisor to the Dulwich Governors, was responsible for the Dulwich selection. […] The Catalogue was also prepared by Miss [Megan] Ellis)

Ellis, Roe & Smith 2006
A. Ellis, S. Roe and J. A. Smith, Oil Paintings in Public Ownership in Essex, London 2006 (Oil Paintings in Public Ownership)

Eloy 2007
S. Eloy, ‘“Je laisse au Musée de Paris toute ma collection de tableaux.” Genèse du legs de Louis La Caze au musée du Louvre’, in Faroult 2007, pp. 150–61

Elsig 2009
F. Elsig, L’art et ses marchés. La peinture flamande et hollandaise (XVIIe–XVIIIe siècles) au Musée d’art et d’histoire de Genève, [vol. 2] Paris 2009 [exh. Musée d’art et d’histoire de Genève 2009–10; NB: on the cassette, Catalogue raisonné des peintures flamandes et hollandaises (du XVe au XVIIIe siècle; vol. 1: La Naissance des genres. La peinture des anciens Pays-Bas (avant 1620), Paris 2005]

Ember 2014
I. Ember (ed.) with N. Koruhely, J. Tátrai and A. Vécsey, Rembrandt and the Dutch Golden Age, Budapest 2014 [exh. Szépművészeti Múzeum, Budapest 2014–15]

Ember & Urbach 2000
I. Ember and Z. Urbach (eds), Museum of Fine Arts Budapest. Old Masters’ Gallery. Summary Catalogue. Volume 2: Early Netherlandish, Dutch and Flemish Paintings, Budapest 2000

Emiliani 1989
A. Emiliani, with a note by A. Stanzani, Le storie di Romolo e Remo di Ludovico Agostino e Annibale Carracci in Palazzo Magnani a Bologna, Bologna 1989

Endedijk 1998
L. Endedijk, Hollandse molens. Typologie van molens en vormen van gebruik, Amsterdam 1998

Enklaar 1996
M. Enklaar, ‘Arnold Houbraken’, in Turner 1996, xiv, pp. 794–95

Ertz 1986
K. Ertz, Josse de Momper der Jüngere (1564–1635). Die Gemälde mit kritischem Oeuvrekatalog / Josse de Momper the Younger (1564–1635). The paintings with critical catalogue raisonné, Freren 1986

Ertz, Schütz & Wied 2003
K. Erntz, K. Schütz, A. Wied et al., Das flämische Landschaft 1520–1700, Lingen 2003 [exh. Villa Hügel, Essen/Kunsthistorisches Museum, Vienna 2003–4]

Esdaile, Fox-Strangways & Hake 1930–55
K. A. Esdaile, G. S. Holland Fox-Strangways (6th Earl of Ilchester) and H. M. Hake (eds), ‘Vertue note books’, 7 vols, Walpole Society 18 (vol. i, 1930), 20 (vol. ii, 1932), 22 (vol. iii, 1934), 24 (vol. iv, 1936), 26 (vol. v, 1938), 29 (index vols i–v, 1947), 30 (vol. vi, 1955)

Eskelinen & Santala 2005
K. Eskelinen and M. Santala, ‘The Crucifixion – the painting’s relation to comparable works’ and ‘The conservation of a 16th century panel painting’, in Kuojärvi-Närhi, Santala, Tanhuanpää & Forss 2005, pp. 96–121

Essays 1983
Essays in Northern European Art Presented to Egbert Haverkamp-Begemann on his Sixtieth Birthday, Doornspijk 1983

Essays Van Dyck 1983
Essays on van Dyck, Ottawa 1983 [offprint of Racar 10/1 (1983)]

Evans 2014
M. Evans, with S. Calloway and S. Owens, Constable. The making of a master, London 2014 [exh. Victoria & Albert Museum, London 2014–15]

Evans, Fučíková & Campbell 1991
R. J. W. Evans, E. Fučíková and M. Campbell, The Stylish Image. Printmakers to the court of Rudolf II, Edinburgh 1991 [exh. NGS, Edinburgh]

Evelyn, John see De Beer 1955

Evening Mail inventory 1790–91
‘The Arts [inventory of Mr Desenfans collection; 340 pictures]’, Evening Mail, pt 1, 31 Dec. 1790–3 Jan. 1791 (no. 289); pt 2, 3–5 Jan. 1791 (no. 290); pt 3, 5–7 Jan. 1791 (no. 291)

Evers 1943
H. G. Evers, Rubens und sein Werk. Neue Forschungen, Brussels 1943 (Arbeiten und Forschungen des Deutschen Instituts in Brüssel, i)


Fabiański 1995
M. Fabiański, ‘Spranger and Italian painting. Mannerism versus early Baroque in Central Europe’, Apollo 141 (March 1995), pp. 20–24

Fabri & Lombaerde 2018
R. Fabri and P. Lombaerde, based on a manuscript by F. Baudouin (1920–2005), Rubens. The Jesuit Church of Antwerp, London/Turnhout 2018 (Corpus Rubenianum Ludwig Burchard, xxii (3))

Fagnart & Lecocq 2017
L. Fagnart and I. Lecocq (eds), Arts et artistes du Nord à la cour de François Ier, Paris 2017

Failla 2003
M. B. Failla, ‘Il principe Emanuele Filiberto di Savoia. Collezioni e committenze tra ducato sabaudo, corte spagnola e viceregno di Sicilia’, in M. B. Failla and C. Goria, Committenti d’età barocca. Le collezioni del principe Emanuele Filiberto di Savoia a Palermo e la decorazione di Palazzo Taffini d’Acceglio a Savigliano, Turin 2003, pp. 13–112

Failla 2007
M. B. Failla, ‘2.32; Anton van Dyck […] Il principe Emanuele Filiberto di Savoia, 1624’, in Favaro 2007, pp. 44–5

Farington 1978–98
J. Farington [1793–1821], The Diary of Joseph Farington; K. Garlick and A. Macintyre (eds), vols i–vi; K. Cave (ed.), vols vii–xvi; vol. xvii (index by E. Newby), New Haven/London 1978–98

Faroult 2007
G. Faroult with S. Eloy (eds), La collection La Caze. Chefs-d’œuvre des peintures des XVIIe et XVIIIe siècles. Catalogue complet de la collection sur cédérom, Paris 2007 (Histoire des collections du musée du Louvre) [exh. Louvre, Paris/Musée des Beaux-Arts, Pau/Wallace Collection, London 2007–8]

Favaro 2007
S. Favaro (ed.), La reggia di Venaria e i Savoia. Arte, magnificenza e storia di una corte europea. Catalogo, Turin/London 2007 [exh. Palazzo della Venaria Reale, Turin 2007–8]. See also Castelnuovo 2007

Feigenbaum & Reist 2012
G. Feigenbaum and I. Reist (eds), Provenance. An alternate history of art, Los Angeles 2012

Ferino-Pagden, Prohaska & Schütz 1991
S. Ferino-Pagden, W. Prohaska and K. Schütz, Die Gemäldegalerie des Kunsthistorischen Museums in Wien. Verzeichnis der Gemälde, Vienna 1991

Festschrift 1914
Festschrift des Münchener Altertums-Vereins zur Erinnering an das 50 jähr. Jubiläum, Munich 1914

Fichtner 1976
P. Sutter Fichtner, ‘Dynastic marriage in sixteenth-century Habsburg diplomacy and statecraft: an interdisciplinary approach’, American Historical Review 81 (1976), pp. 243–65

Filedt Kok, Halsema-Kubes & Kloek 1986
J. P. Filedt Kok, W. Halsma-Kubes and W. T. Kloek (eds), Kunst voor de beeldenstorm, The Hague 1986 [exh. RM, Amsterdam]

Filedt Kok et al. 1994–5
J. P. Filedt Kok, ‘Jan Harmensz. Muller as printmaker – I’; (with E. Hinterding and J. van der Waals), – II; – III Catalogue, Print Quarterly 11/3 (1994), pp. 223–64, 11/4 (1994), pp. 351–78, 12/1 (1995), pp. 3–29

Finaldi 1999
G. Finaldi (ed.), Orazio Gentileschi at the Court of Charles I, Bilbao 1999 [exh. NG, London/Museo de Bellas Artes, Bilbao/Museo Nacional del Prado, Madrid]

Finberg 1922
A. J. Finberg, ‘A chronological list of portraits by Cornelius Johnson, or Jonson’, Walpole Society 10 (1922), pp. 1–37

Finckh & Hartje-Grave 2009
G. Finckh and N. Hartje-Grave, Freiheit, Macht, Pracht. Niederländische Kunst im 17. Jahrhundert, Wuppertal 2009 [exh. Von der Heydt-Museum, Wuppertal]

Finckh & Hartje-Grave 2012
G. Finckh and N. Hartje-Grave (eds), Peter Paul Rubens, Wuppertal 2012 [exh. Von der Heydt-Museum, Wuppertal]

Flagg 1893
J. B. Flagg, The Life and Letters of Washington Allston, London 1893

Fleischer 1989
R. E. Fleischer, Ludolf de Jongh (1616–1679). Painter of Rotterdam, Doornspijk 1989 (Ars picturae, i)

Fletcher 1969
J. Fletcher, Rubens, London/New York 1969 (19681)

Flis 2011
N. Flis, ‘The drawings of Francis Barlow: From apprenticeship to Aesop’s Fables, 1648–66’, Master Drawings 49 (2011), pp. 479–532

Flis & Hunter 2011
N. Flis and M. Hunter, Francis Barlow. Painter of birds and beasts, [London] 2011 [exh. Clandon Park, Surrey (National Trust)]

Foister 1994
S. Foister, ‘Edward Alleyn’s collection of paintings’, in Reid & Maniura 1994, pp. 33–61

Foister 1997
S. Foister, ‘Young Gainsborough and the English taste for Dutch landscape’, in S. Foister, R. Jones and O. Meslay, Young Gainsborough, London 1997 [exh. NG, London/Castle Museum, Norwich/Laing Art Gallery, Newcastle], pp. 3–11

Folie 1992
J. Folie (ed.), Peter Paul Rubens’s Elevation of the Cross. Study, examination and treatment, Brussels 1992 (Bulletin de Institut royal du patrimoine artistique/Koninklijk Instituut voor het Kunstpatrimonium, xxiv)

Fontain & Couché 1786-1808
L. A. de Bonafous de Fontain (l’abbé de) and J. Couché, Galerie du Palais Royal gravée d’après les tableaux des différentes écoles qui la composent, avec un abrégé de la vie des peintres & une description historique de chaque tableau, 3 vols, Paris 1786–1808

Van Fossen 1969
D. R. van Fossen, ‘The paintings of Aert de Gelder’, PhD, Harvard University 1969

Foucart 1981
J. Foucart, ‘35, [Jan Victors,] Isaac blessing Jacob, c. 1640s or early 1650s’, in Blankert 1980, pp. 162–3

Foucart 1987
J. Foucart (ed.), Musée du Louvre. Nouvelles acquisitions du Département des Peintures (1983–1986), Paris 1987

Foucart 1988
J. Foucart, Peintres rembranesques au Louvre, Paris 1988 (Les dossiers du département des peintures, xxxv) [exh. Louvre, Paris 1988–9]

Foucart & Foucart-Walter 2009
J. Foucart and É. Foucart-Walter, Catalogue des peintures flamandes et hollandaises du musée du Louvre, Paris 2009

Foucart & Lacambre 1977
J. Foucart and J. Lacambre, Le siècle de Rubens dans les collections publiques françaises, Paris 1977 [exh. Grand Palais, Paris 1977–8]

Foucart-Walter 2001
E. Foucart-Walter, Pieter Boel, 1622–1674. Peintre des animaux de Louis XIV. Le fonds des études peintes des Gobelins (Les dossiers du musée du Louvre, lx), Paris 2001 [exh. Louvre, Paris]

Fowler to be published
Œuvre catalogue of Carel de Moor II

Franits 1992
Wayne Franits, ‘The pursuit of love: The theme of the Hunting Party at Rest in seventeenth-century Dutch art’, Konsthistorisk Tidskrift 61 (1992), pp. 106–15

Franits 1997
W. Franits (ed.), Looking at Seventeenth-century Dutch Art. Realism reconsidered, Cambridge/New York/Melbourne 1997

Franits 2011
W. E. Franits, ‘Living in the lap of luxury: Vermeer, his admirers and his patrons’, in Wieseman 2011, pp. 124–51

Frank 1993
K. Frank, ‘Barlow, Francis’, in Saur, vii, 1993, p. 88

Frankfurt 1992 see Schleier 1992

Frankfurt 1998 see Schulze 1998

Frankfurt 2003 see Giltaij 2003

Freedberg 1981
D. Freedberg, ‘The origins and rise of the Flemish Madonnas in Flower Garlands. Decoration and devotion’, Münchner Jahrbuch der bildenden Kunst 3 F. [3rd series] 32 (1981), pp. 115–50

Freedberg 1984
D. Freedberg, Rubens. The Life of Christ after the Passion, London/New York 1984 (Corpus Rubenianum Ludwig Burchard, vii)

Freedberg 1995
D. Freedberg, Peter Paul Rubens, Oil paintings and oil sketches, New York 1995 [exh. Gagosian Gallery, New York]

Freeden, Hantsch & Scherf 1931–55
P. H. Hantsch and A. Scherf (eds) with A. Chroust (vol. i) and M. H. von Freeden, based on the work of P. H. Hantsch, A. Scherf and A. Chroust (vol. ii), Quellen zur Geschichte des Barocks in Franken unter dem Einfluss des Hauses Schönborn, 2 vols, Augsburg 1931; Würzburg 1955

Frensemeier 2001
M. Frensemeier, Studien zu Adriaen van de Velde (1636–1672), Bonn 2001 (Berichte aus der Kunstgeschichte) [PhD, Rheinische Friedrich-Wilhelms-Universität Bonn 1998]

Friedlander 1972
M. J. Friedländer, H. Pauwels, assisted by M. Gierts, ‘Joos van Cleve’, in Joos van Cleve, Jan Provost, Joachim Patenier, 2 vols, Leiden 1972–3 (Early Netherlandish Painting, ixa; 19311), i, 1972, pp. 17–47, 52–74, figs 13–120

Friesen 1999
I. E. Friesen, ‘Saints as Helpers in Dying: The Hairy Holy Women Mary Magdalene, Mary of Egypt, and Wilgefortis in the Iconography of the Late Middle Ages’, in E. E. DuBruck and B. I. Gusick (eds), Death and Dying in the Middle Ages, New York etc. 1999 (Studies in the humanities. Literature – Politics – Society, xlv), pp. 239–56

Friesen 2011
H. I. Friesen et al. (eds), Von Schönheit und Tod. Tierstillleben von der Renaissance bis zur Moderne, Karlsruhe/Heidelberg/Berlin 2011 [exh. Staatliche Kunsthalle, Karlsruhe 2011–12]

Frimmel 1894
T. von Frimmel, Verzeichnis der Gemälde in Gräflich Schönborn-Wiesentheid’schem Besitze, Pommersfelden 1894

Fritzsche 2013
C. Fritzsche, ‘Aenschouwer. Zur Kunstbetrachtung in schriftlichen Quellen und Bildern’, in Fritzsche, Leonhard & Weber 2013, pp. 236–61

Fritzsche, Leonhard & Weber 2013
C. Fritzsche, K. Leonhard and G. J. M. Weber (eds), Ad fontes! Niederländische Kunst des 17. Jahrhunderts in Quellen, Petersberg 2013

Fuchs 2014
J. Fuchs, ‘Over Weyermans reizen naar Engeland, en over de schilder Jan Frans van Son’, Mededelingen van de stichting Jacob Campo Weyerman 37/1 (2014), pp. 1–12

Fuhring 2001
P. Fuhring (ed.), Rubens, Silver Ewer and Basin. Theodoor I Rogiers. Donation by Pierre and Colette Bauchau, Brussels [2001]

Fulton 1996
T. Fulton, ‘Camphuyzen [Camphuysen], Govert [Govaert] (Dircksz.)’, in Turner 1996, v, pp. 544–5

Fuseli & Knowles 1831
H. Fuseli and J. Knowles (ed.), The Life and Writings of Henry Fuseli, Esq. M.A. R.A., Keeper, and Professor of Painting to the Royal Academy in London; member of the first class of the Academy of St. Luke at Rome. The former written, and the latter edited by John Knowles, F.R.S., corresponding member of the Philosophical Society at Rotterdam, his executor, 3 vols, London 1831. See http://www.gutenberg.org/files39890-h/39890-h.htm

Fusenig 2005
T. Fusenig, ‘Neeffs und Co. – Die Antwerpener Architekturmalerei im frühen 17. Jahrhundert’, in Borggrefe & Lüpkes 2005, pp. 143–51

Fusenig & Heinen 2016
T. Fusenig and U. Heinen, ‘St. Walburga’s Church (Sint-Walburgiskerk)’, in Baisier 2016, pp. 156–61 and pp. 162–67, cat. nos 42–4


Gaba-van Dongen 2006
A. Gaba-van Dongen, ‘Alledaags & Buitengewoon. De gebruiks- en pronkvoorwerpen van Willem Kalf’, in Giltaij, Van den Brink & Meijer 2006, pp. 24–35

Gachard 1877
M. Gachard, Histoire politique et diplomatique de Pierre-Paul Rubens, Brussels 1877

Gaddi 2010
S. Gaddi (ed.), Rubens e i fiamminghi, Milan 2010 [exh. Villa Olmo, Como]

Gaehtgens 1987
B. Gaehtgens, Adriaen van der Werff, 1659–1722, Munich 1987. See review: M. Royalton- Kisch, Burl. Mag. 131 (1989), pp. 41–2

Gage 1987
J. Gage, J. M. W. Turner. A wonderful range of mind, New Haven/London 1987

Galavics 2006–7
G. Galavics, ‘Niederländer in Wien – Auftraggeber aus Ungarn. Ein unbekanntes Modello für ein Altarbild des Rubens-Schülers Jan Thomas (1669)’, Wiener Jahrbuch für Kunstgeschichte 55/56 (2006–7), pp. 209–23

Galen 1998
H. Galen, Johann Bockhorst. Der Maler aus Münster zur Zeit des Westfälischen Friedens, Münster 1998 [exh. Stadtmuseum Münster]

Galen 2012
M. Galen, Johann Boeckhorst. Gemälde und Zeichnungen, Hamburg 2012

Garff & De la Fuente Pedersen 1988
J. Garff and E. de la Fuente Pedersen, Rubens Cantoor. The drawings of Willem Panneels. A critical catalogue, 2 vols, Copenhagen 1988. See review: Held 1991

Garton, Grimm & Van der Grinten 2005
R. Garton, G. V. Grimm and G. V. van der Grinten, Rembrandt und die englischen Malerradierer des 19. Jahrhunderts / Rembrandt and the English Painter-Etchers of the 19th Century, Bedburg-Hau 2005 [exh. Museum Schloss Moyland]

Gaskell 2000
I. Gaskell, ‘Washington, London and The Hague, Gerrit Dou’ [review of Baer 2000a], Burl. Mag 142 (2000), pp. 533–5

Gaskell 2018
I. Gaskell, review of Jonker & Bergvelt 2016, Historians of Netherlandish Art Reviews (May 2018), https://hnanews.org/hnar/reviews/dutch-and-flemish-paintings-dulwich-picture-gallery/

Gatenbröcker 2004
S. Gatenbröcker, ‘Rubens in Salzdahlum – Rubens und Braunschweig. Anmerkungen zu seiner Wahrnehmung in 17. und 18. Jahrhundert’, in Büttner & Heinen 2004, pp. 83–8

Gavazza, Nepi Sciré & Rotondi Terminiello 1995
E. Gavazza, G. Nepi Sciré and G. Rotondi Terminiello (eds), Bernardo Strozzi. Genova 1581/82–Venezia 1644, Milan 1995 [exh. Palazzo Ducale, Genoa]

Van Gelder 1943
H. E. van Gelder, ‘Marginalia bij Rembrandt I. De pendant van Maurits Huygens’, OH 60 (1943), pp. 33–4

Van Gelder 1946
J. G. van Gelder, ‘A. Calraet, niet Cuyp’, Kunsthistorische Mededelingen van het Rijksbureau voor Kunsthistorische Documentatie 1 (1946), pp. 7–8

Van Gelder 1950
J. G. van Gelder, ‘The Rembrandt Exhibition at Edinburgh’, Burl. Mag. 92 (1950), pp. 327–9

Van Gelder 1951
J. G. van Gelder, ‘Rubens in Holland in de zeventiende eeuw’, NKJ 3 (1951), pp. 102–50

Van Gelder 1953a
H. E. van Gelder, ‘Rembrandts portretjes van M. Huygens en J. de Gheyn III’, OH 68 (1953), p. 107

Van Gelder 1953b
Van Gelder, in Editorial 1953, pp. 33–4

Van Gelder 1957
H. E. van Gelder, Ikonografie van Constantijn Huygens en de zijnen, The Hague 1957 (Ikonografieën van bekende Nederlanders, i)

Van Gelder 1959a
J. G. van Gelder, ‘Anthonie van Dyck in Holland in de zeventiende eeuw’, Bulletin des Musées royaux des beaux-arts de Belgique 8 (1959), pp. 43–86

Van Gelder 1959b
H. E. van Gelder, ‘Constantijn Huijgens en Rembrandt’, OH 74 (1959), pp. 174–9

Van Gelder 1971
J. G. van Gelder, ‘Jan de Bisschop 1628–1671’, OH 86 (1971), pp. 201–88

Van Gelder 1974
J. G. van Gelder, ‘Het kabinet van de heer Jaques Meijers’, Rotterdams Jaarboekje 2 (1974), pp. 167–83. See also http://rjb.x-cago.com/GARJB/1974/12/19741231/GARJB-19741231-0190/story.pdf

Van Gelder 1978
J. G. van Gelder, ‘(Shorter Notices) Rubens Marginalia I’, Burl. Mag. 120 (1978), pp. 455–7, figs 11–14

Van Gelder & De Groot 1977
J. G. van Gelder and J. M. de Groot et al., Aelbert Cuyp en zijn familie. Schilders te Dordrecht: Gerrit Gerritsz. Cuyp, Jacob Gerritsz. Cuyp, Benjamin Gerritsz. Cuyp, Aelbert Cuyp. Schilderijen/tekeningen, Dordrecht 1977 [exh. Dordrechts Museum 1977–8]

Van Gelder & Jost 1972
J. G. van Gelder and I. Jost, ‘Doorzagen op Aelbert Cuyp’, NKJ 23 (1972), pp. 223–39

Van Gelder, Jost & Andrews 1985
J. G. van Gelder and I. Jost; K. Andrews (ed.), Jan de Bisschop and his Icones & Paradigmata. Classical antiquities and Italian drawings for artistic instrumentation in seventeenth century Holland, 2 vols [vol. ii is a reprint of Signorum veterum icones, before 1689, and Paradigmata graphices variorum artificum Voor-beelden der teken-konst van verscheyde meesters, The Hague 1671], Doornspijk 1985

Van Gelder & Van der Veen 1999a
R. van Gelder and J. van der Veen, ‘Collecting in the time of Rembrandt. Art and curiosa in the seventeenth century’, in Van den Boogert 1999b, pp. 10–31

Van Gelder & Van der Veen 1999b
R. van Gelder and J. van der Veen, ‘A collector's cabinet in the Breestraat. Rembrandt as a lover of art and curiosities’, in Van den Boogert 1999b, pp. 32–89

Gemar-Koeltzsch 1995
E. Gemar-Koeltzsch ed. by K. Ertz and C. Nitze-Ertz, Luca-Bild-Lexikon. Holländische Stillebenmaler im 17. Jahrhundert, 3 vols, Lingen 1995

Génard 1863
P. Génard et al. (ed.), Inscriptions funéraires et monumentales de la province d'Anvers : arrondissement d'Anvers / Verzameling der graf- en gedenkschriften van de provincie Antwerpen: Arrondissement Antwerpen, vol. ii, Antwerp 1863

Génard 1865–6
P. Génard, ‘De nalatenschap van P. P. Rubens’ / ‘La succession de P. P. Rubens’, Antwerpsch Archievenblad 2 (1865–6), pp. 69–179

Genoa 1977–8 see Biavati 1977

Genoa 2001 see Marcenaro & Boragina 2001

Genoa 2004 see Boccardo 2004

Van Gent 2008
J. van Gent (ed.), ‘Catalogus schilderijen tot 1800’, in Middelkoop, Van Gent & Reichwein 2008, pp. 195–270

Van Gent & Pastoor 1991
J. van Gent and G. M. C. Pastoor, ‘Het tijdperk van de Rechters’, in Tümpel 1991, pp. 66–87. See also Van Gent & Pastoor 1994

Van Gent & Pastoor 1994
J. van Gent and G. M. C. Pastoor, ‘Die Zeit der Richter’, in Tümpel 1994, pp. 66–87 (translation of Van Gent & Pastoor 1991)

Gentleman’s Magazine 1745
R., ‘Sir, Dulwich, June 4, 1745’, Gentleman’s Magazine 15 (1745), pp. 426–7

Georgievska-Shine 2002
A. Georgievska-Shine, ‘On Juno and her semblance in Rubens’ Ixion’, Artibus et Historiae 23/46 (2002), pp. 119–26

Gerdts & Stebbins 1979
W. H. Gerdts and T. E. Stebbins Jr, ‘A Man of Genius’. The art of Washington Allston (1779–1843), Boston 1979 [exh. Museum of Fine Arts, Boston/Pennsylvania Academy of the Fine Arts, Philadelphia 1979–80]

Gerhardt 2007
R. E. Gerhardt, ‘The Van Musscher family of artists’, OH 120 (2007), pp. 107–29

Gerhardt & Griep-Quint 2012
R. E. Gerhardt and F. Griep-Quint, Michiel van Musscher (1645–1705). De weelde van de Gouden Eeuw (also in English: Michiel van Musscher (1645–1705). The wealth of the Golden Age), Zwolle 2012 [exh. Museum Van Loon, Amsterdam]

Gerlagh 1997
B. Gerlagh, ‘Het leven van Cornelis Pronk’, in Kooijmans, De Jong & Brokken 1997, pp. 35–66

Gersaint 1747
E. F. Gersaint, Catalogue Raisonné, des Bijoux [] Tableaux [] provenans de la Succession de M. Angran, Vicomte de Fonspertuis, Paris 1747 (auction Dec. 1747 and 4 March ff. 1748) [Lugt 682]

Gerson 1942/1983
H. Gerson, Ausbreitung und Nachwirkung der holländischen Malerei des 17. Jahrhunderts, Amsterdam 19832 (intro. by B. W. Meijer, 90 figs; Haarlem 19421)

Gerson 1953a
H. Gerson, Rembrandt’s Influence in the 17th Century. Catalogue of a loan exhibition at the Matthiesen Gallery, London 1953 [exh. The Matthiesen Gallery, London]

Gerson 1953b
H. G.[erson], in Editorial 1953, pp. 33–4

Gerson 1953c
H. Gerson, ‘Dutch landscape’, Burl. Mag. 95 (1953), pp. 47–52

Gerson 1968
H. Gerson, Rembrandt Paintings, Amsterdam 1968

Gerson & Goodison 1960
H. Gerson and J. W. Goodison, Fitzwilliam Museum Cambridge. Catalogue of Paintings, i, Dutch and Flemish, Cambridge 1960

Gerson & Ter Kuile 1960
H. Gerson and E. H. ter Kuile, Art and Architecture in Belgium, 1600–1800, Harmondsworth 1960

Gestman Geradts 2017
J. Gestman Geradts, ‘De verrassende achtergrond van Charles en David de Hooch’, OH 130 (2017), pp. 111–22

Gibson 2000
W. S. Gibson, Pleasant Places. The rustic landscape from Bruegel to Ruisdael, Berkeley/Los Angeles/London 2000

Giepmans 2004
S. E. Giepmans, ‘Het strandgezicht in de zeventiende eeuw: een inleiding’, in Giepmans, Kos & Van ’t Zelfde 2004, pp. 9–57

Giepmans, Kos & Van ’t Zelfde 2004
S. E. Giepmans, A. Kos and R. van ’t Zelfde, Hollandse stranden in de Gouden Eeuw, Katwijk 2004 [exh. Katwijks Museum]

Gifford 2008
E. M. Gifford, ‘Lievens’ technique: “Wonders in smeared paint, varnishes, and oils,”’ in Wheelock 2008, pp. 40–53

Gilles, Kowalczyk & Rutgers 2003
M. Gilles, B. A. Kowalczyk and J. Rutgers, Rembrandt et les peintres-graveurs italiens de Castiglione à Tiepolo, Ghent 2003 [exh. Musée départemental d’art ancien et contemporain, Épinal 2003–4]

Giltaij 1977
J. Giltaij, ‘Guillam Du Bois als tekenaar’, OH 91 (1977), pp. 144–65

Giltaij 1980
J. Giltaij, ‘De tekeningen van Jacob van Ruisdael’, OH 94 (1980), pp. 141–208

Giltaij 1983
J. Giltaij, Schilderkunst uit de eerste hand. Olieverfschetsen van Tintoretto tot Goya / Malerei aus erster Hand. Ölskizzen von Tintoretto bis Goya, Rotterdam 1983 [exh. BvB, Rotterdam/Herzog-Anton-Ulrich-Museum, Brunswick 1983–4]

Giltaij 1987
J. Giltaij, ‘[J. van Ruisdael] Waterfall with Castle and a Hut, c. 1665’, in Sutton 1987a, pp. 450–51

Giltaij 1988
J. Giltaij, De tekeningen van Rembrandt en zijn school in het Museum Boymans-van Beuningen, Rotterdam 1988

Giltaij 1999
J. Giltaij, Ruffo en Rembrandt. Over een Siciliaanse verzamelaar in de zeventiende eeuw die drie schilderijen bij Rembrandt bestelde, Zutphen 1999 [PhD, Free University, Amsterdam 1997]

Giltaij 2000
J. Giltaij, Honderdvijftig jaar er bij en er af. De collectie oude schilderkunst van het Museum Boijmans Van Beuningen Rotterdam 1849 tot 1999, Rotterdam/Zutphen 2000

Giltaij 2003
J. Giltaij, Rembrandt Rembrandt, Frankfurt/Kyoto/Wolfratshausen 2003 [exh. Städelsches Kunstinstitut und Städtische Galerie, Frankfurt]. See also Kyoto 2002–3 and Giltaij & Shinji 2002

Giltaij 2004
J. Giltaij et al., Senses and Sins. Dutch painters of daily life in the seventeenth century (also in Dutch: Zinnen en minnen. Schilders van het dagelijks leven in de zeventiende eeuw; also in German: Der Zauber des Alltäglichen. Holländische Malerei von Adriaen Brouwer bis Johannes Vermeer), Ostfildern-Ruit 2004 [exh. BvB, Rotterdam/ Städelsches Kunstinstitut und Städtische Galerie, Frankfurt 2004–5]

Giltaij 2006
J. Giltaij, ‘Willem Kalf in Rotterdam en Parijs: de boerderijstillevens’, in Giltaij, Van den Brink & Meijer 2006, pp. 36–41

Giltaij 2009
J. Giltaij, ‘Tekeningen van Jan (I) van der Meer van Haarlem’, OH 122 (2009), pp. 145–54

Giltaij 2018
J. Giltaij, Titus. Zoon van Rembrandt, Zwolle 2018

Giltaij 2020
J. Giltaij, ‘Weer nieuwe tekeningen van Jacob van Ruisdael’, in Dumas, Ekkart & Van de Puttelaar 2020, pp. 148–55

Giltaij, Van den Brink & Meijer 2006
J. Giltaij, P. van den Brink and F. G. Meijer, Willem Kalf 1619–1693, Munich/Berlin, Rotterdam/Aachen 2006 [exh. BvB, Rotterdam/Suermondt-Ludwig Museum, Aachen 2006–7]

Giltaij & Jansen 1988
[J. Giltaij and G. Jansen], Een gloeiend palet. Schilderijen van Rembrandt en zijn school / A Glowing Palette. Paintings of Rembrandt and his School, Rotterdam 1988 [exh. BvB, Rotterdam]

Giltaij & Jansen 1991
J. Giltaij and G. Jansen (eds), Perspectives. Saenredam and the architectural painters of the 17th century, Rotterdam 1991 [exh. BvB, Rotterdam]

Giltaij & Kelch 1996
J. Giltaij and J. Kelch, Lof der Zeevaart. De Hollandse zeeschilders van de 17e eeuw, Rotterdam 1996 (also in English: Praise of Ships and the Sea. The Dutch Maritime Painters of the 17th Century, Rotterdam/Berlin 1996; also in German: Herren der Meere – Meister der Kunst. Das holländische Seebild im 17. Jahrhundert, Ghent 1996) [exh. BvB, Rotterdam/ Gemäldegalerie im Bodemuseum, Berlin 1996–7]

Giltaij & Shinji 2002
J. Giltaij and H. Shinji, Rembrandt Rembrandt, Kyoto 2002 [exh. Kyoto National Museum 2002–3]. See also Giltaij 2003

Ginnings 1970
R. J. Ginnings, ‘The art of Jan Baptist Weenix and Jan Weenix’, PhD, University of Delaware 1970

Glen 1977
T. L. Glen, Rubens and the Counter Reformation. Studies in his religious paintings between 1609 and 1620, New York/London 1977 [PhD, Princeton University 1975]

Glück 1920–21
G. Glück, ‘Rubens’ Liebesgarten’, Jahrbuch der Kunsthistorischen Sammlungen in Wien 35 (1920–21), pp. 49–98 (repr. in Glück 1933a, pp. 82–153)

Glück 1923
G. Glück, ‘VII. Rubens’ Kreuzaufrichtungsaltar’, in Clemen 1923, ii, pp. 161–82

Glück 1931
G. Glück (ed.), Van Dyck. Des Meisters Gemälde in 571 Abbildungen, London [19312] [1st edn: see Schaeffer 1909] (Klassiker der Kunst in Gesamtausgaben, xiii)

Glück 1933a
G. Glück (L. Burchard and R. Eigenberger, eds), Aus drei Jahrhunderten europäischer Malerei. Gesammelte Aufsätze, 2 vols, Vienna 1933 (i: Rubens, Van Dyck, und ihr Kreis)

Glück 1933b
G. Glück, ‘Van Dycks Anfänge. Der Heilige Sebastian im Louvre zu Paris’, in Glück 1933a, pp. 275–87, 408–10 [notes by L. Burchard] [orig. in Zeitschrift für bildende Künste 59 (1925–6), pp. 257–64]

Glück 1940
G. Glück, ‘Rubens as portrait painter’, Burl. Mag. 76 (1940), pp. 172–83

Glück & Haberditzl 1928
G. Glück and F. M. Haberditzl, Die Handzeichnungen von Peter Paul Rubens, Berlin 1928

Gockel 1998
B. Gockel, ‘Zum politischen Gehalt der Farbe im Werk Thomas Gainsboroughs’, Im Blickfeld. Jahrbuch der Hamburger Kunsthalle. Re-visionen des politischen (1998), pp. 57–77

Gockel 1999
B. Gockel, Kunst und Politik der Farbe. Gainsboroughs Portraitmalerei, Berlin 1999

Goedde 1997
L. O. Goedde, ‘Naturalism as convention. Subject, style, and artistic self–consciousness in Dutch landscape’, in Franits 1997, pp. 129–43, 231–3

Goedleven 1992
E. Goedleven (ed.), De Kruisoprichting van Pieter Paul Rubens, Brussels 1992

Goetghebeur, Guislain-Wittermann & Masschelein-Kleiner 1992
N. Goetghebeur, R. Guislain-Wittermann and L. Masschelein-Kleiner, ‘Painting technique’, in Folie 1992, pp. 119–60

Goldberg 1978
N. L. Goldberg, John Crome the Elder, 2 vols, Oxford 1978

Goldkuhle, Krueger & Schmidt 1982
F. Goldkuhle, I. Krueger and H. M. Schmidt, Rheinisches Landesmuseum Bonn. Gemälde bis 1900, Cologne 1982

Gombrich, Held & Kurz 1950–58
E. Gombrich, J. S. Held and O. Kurz, Essays in Honor of Hans Tietze 1880–1954, Paris 1950–58

Van Gool 1750–51
J. van Gool, De nieuwe Schouburg der Nederlantsche kunstschilders en schilderessen: waer in de levens- en kunstbedrijven er tans levende en reets overleedene schilders, die van Houbraken, noch eenig ander schrijver, zijn aengeteekend, verhaelt worden, 2 vols, The Hague 1750–51 [reprint Soest 1971]

Goosens 2001
M. E. W. Goosens, Schilders en de markt. Haarlem 1605–1635, The Hague 2001 [PhD, Leiden University]

Goossens 2015
E.-J. Goossens, F. Gottwald, E. Kok, H. Kunde, T. van der Molen, P. Schatborn, E. J. Sluijter and V. Vlasic, Govert Flinck. Reflecting history, Cleves 2015 [exh. Museum Kurhaus Kleve-Ewald Mataré Sammlung, Cleves]

Gordon 1996
G. Gordon, ‘(1) Jan [Johannes; Johannis] Vermeer van Haarlem II [the elder]’ [NB: according to RKD this is Jan Vermeer van Haarlem I], in Turner 1996, xxxii, p. 270

Gottlieb 1960
C. Gottlieb, ‘The mystical window in paintings of the Salvator Mundi’, Gazette des Beaux-Arts 102/56 (1960), pp. 313–32

Gottwald 2011
F. Gottwald, Das Tronie – Muster, Studie und Meisterwerk. Die Genese einer Gattung der Malerei vom 15. Jahrhundert bis zu Rembrandt, Berlin/Munich 2011 (Kunstwissenschaftliche Studien, clxiv)

Graham 1695
R. Graham, ‘A Short Account of the most Eminent Painters both Ancient and Modern […]’, in C. A. du Fresnoy, De arte graphica / The Art of Painting […], transl. J. Dryden, London 1695, pp. 227–349

Graham-Dixon 1996
A. Graham-Dixon, ‘Rubens and Van Dyck’, in idem, Paper Museum. Writings about Painting, Mostly, London [1996], pp. 302–7

Grancsay 1946
S. V. Grancsay, ‘Arms and armor in paintings by David Teniers the Younger’, Journal of the Walters Art Gallery 9 (1946), pp. 23–40

Grant 1952
M. H. Grant, Flower Paintings through Four Centuries. A descriptive catalogue of the collection formed by Major the Honourable Henry Rogers Broughton, including A Dictionary of Flower Painters from the XVIth to the XIXth Century, Leigh-on-Sea, Essex 1952

Grant 1954
M. H. Grant, Jan van Huysum, 1682–1749, including a Catalogue Raisonné of the Artist’s Fruit and Flower Paintings, Leigh-on-Sea, Essex 1954

Greenwich/Cincinnati/Berkeley 2004–5 see Sutton & Wieseman 2004

Gregori 1994
M. Gregori et al., Uffizi e Pitti. I dipinti delle gallerie fiorentine, Udine 1994

Greindl 1944
E. Greindl, Corneille de Vos. Portraitiste flamand (1584–1651), Brussels 1944

Greindl 1983
E. Greindl, Les peintres flamands de nature morte au XVIIe siècle, Sterrebeek 1983 [rev. edn 19561]

Griffiths 1998
A. Griffiths with R. A. Gerard, The Print in Stuart Britain 1603–1689, London 1998 [exh. BM, London]

Grisebach & Renger 1977
L. Grisebach and K. Renger (eds), Festschrift für Otto von Simson zum 65. Geburtstag, Frankfurt/Berlin/Vienna 1977

Gritsay & Babina 2008
N. Gritsay and N. Babina, Seventeenth- and Eighteenth-century Flemish Painting. State Hermitage Museum Catalogue, St Petersburg 2008

Grossmann 1948
F. Grossmann, ‘Rubens et Van Dyck à la Dulwich Gallery’, Les Arts plastiques 2 (1948), pp. 47–60

Grossman 1957a
F. Grossmann, ‘Flemish paintings at Bruges’, Burl. Mag. 99 (1957), pp. 3–9

Grossmann 1957b
F. Grossmann, [under ‘Letters’] ‘Flemish Paintings at Bruges’ [reaction to Norris 1957], Burl. Mag. 99 (1957), pp. 126–7

Grosvenor 2011
B. Grosvenor (ed.), Finding Van Dyck. Newly discovered and rarely seen works by Van Dyck and his followers, London 2011 [exh. Philip Mould, London]

Grove Art Online
Grove Art Online is based on Turner 1996 and is part of Oxford Art Online: see http://www.oxfordartonline.com.access.authkb.kb.nl/subscriber

Gudlaugsson 1956–7
S. J. Gudlaugsson, ‘Jacob van Staver(d)en’, OH 71 (1956), pp. 170–71 and ‘Addenda Jacob van Staver(d)en’, OH 72 (1957), pp. 125–6 (addenda)

Gudlaugsson 1974
S. J. Gudlaugsson et al., Gerard Ter Borch. Zwolle 1617–Deventer 1681, The Hague 1974 [exh. MH, The Hague]

Guiffrey 1882
J. Guiffrey, Antoine van Dyck. Sa vie et son œuvre, Paris 1882

Guillaud 1986
J. and M. Guillaud, Rembrandt. The human form and spirit, Paris/New York 1986

Guratzsch 1998
H. Guratzsch (ed.), Maximilian Speck von Sternburg. Ein Europäer der Goethezeit als Kunstsammler, Leipzig 1998


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