Dulwich Picture Gallery II

RKD STUDIES

Bibliography B


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Baarsen 2018
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Bachmann 1966
F. Bachmann, Die Landschaften des Aert van der Neer, Neustadt an der Aisch 1966

Bachmann 1982
F. Bachmann, Aert van der Neer, 1603/4–1677, Bremen 1982

Bachrach & Sandberg 1970
A. G. H. Bachrach and L. H. Sandberg, Schok der herkenning. Het Engelse landschap der Romantiek en zijn Hollandse Inspiratie, The Hague 1970 [exh. MH, The Hague/Tate Gallery, London 1970–71]

Bachrach & Sandberg 1971
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Bachstitz 1934
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Bader 1976
A. Bader, The Bible through Dutch eyes. From Genesis through the Apocrypha, Milwaukee 1976 [exh. Milwaukee Art Center]

Baer Cat. 1 refers to the catalogue in Baer 2009/1990, as do Baer B and Baer C

Baer 1990
R. Baer, ‘The paintings of Gerrit Dou (1613–1675)’, PhD, Institute of Fine Arts, New York 1990: see Baer 2009/1990

Baer 1996
R. Baer, ‘Dou, Gerrit [Gerard]’, in Turner 1996, ix, pp. 192–5

Baer 2000a
R. Baer with contrib. by A. K. Wheelock Jr and A. Boersma, Gerrit Dou, 1613–1675. Master Painter in the Age of Rembrandt, Washington/New Haven/London 2000 [exh. NGA, Washington/DPG/MH, The Hague 2000–2001 [NB Dutch version is different]]. See review: Gaskell 2000

Baer 2000b
R. Baer, ‘The Life and Art of Gerrit Dou’, in Baer 2000a, pp. 26–52

Baer 2009/1990
R. Baer, The Paintings of Gerrit Dou (1613–1675), i–iii, Ann Arbor [2009] [facsimile of Baer 1990]

Baes 1878
E. Baes, ‘Le séjour de Rubens et de Van Dyck en Italie. Mémoire en réponse à la question du concours de 1877’, Mémoires couronnés et autres mémoires publiés par l’Académie royale des sciences, des lettres et des Beaux-arts de Belgique, xxviii (1878), pp. 1–69

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Bailey 2007b
C. B. Bailey, ‘“The Indefatigable, Unclassifiable Art Lover”: Saint-Aubin’s Curiosité’, in Bailey 2007a, pp. 70–107

Baisier 2016
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Baker 1912
C. H. Collins Baker, Lely and the Stuart Portrait Painters. A Study of English Portraiture before and after Van Dyck, 2 vols, London 1912

Baker 1915
C. H. Collins Baker, ‘Nederlandsche Portretten in de Dulwich Gallery’, Onze Kunst 14 (1915), pp. 101–10

Baker 2009
C. Baker, review of Solkin 2009, Burl. Mag. 151 (2009), pp. 853–5

Baker 2010
C. Baker, ‘Exhibitions. Master drawings and paintings. London’, Burl. Mag. 152 (Sept. 2010), pp. 624–5

Bakker 1984
N. Bakker, I. Bergström, G. Jansen, S. H. Levie and S. Segal, Masters of Middelburg. Exhibition in the Honour of Laurens J. Bol, Amsterdam 1984 [exh. K. & V. Waterman B.V., Amsterdam]

Bakker 2000
H. Bakker, ‘Hemelse goden en goddelijke helden – het hele jaar rond op twee plafonds. Iconografische aspecten van “Goden en tekens van de dierenriem,”’ in Boonstra & Van den Hout 2000, pp. 20–43

Bakker 2004
B. Bakker, Landschap en Wereldbeeld van Van Eyck tot Rembrandt, Bussum 2004. See also Bakker 2012

Bakker 2008
P. Bakker, ‘Gezicht op Leeuwarden. Schilders in Friesland en de markt voor schilderijen in de Gouden Eeuw’, PhD, University of Amsterdam 2008

Bakker 2012
B. Bakker, Landscape and Religion from Van Eyck to Rembrandt, Farnham 2012 [transl. of Bakker 2004]

Baldini 2004
A. E. Baldini, ‘Le De regia sapientia de Botero et De la naissance, durée et chute des Estats de Lucinge’, Astérion 2 (2004) see https://doi.org/10.4000/asterion.92

Balis 1985
A. Balis, ‘Fabeluitbeeldingen in de 17de-eeuwse Vlaamse schilderkunst’, in C. Kruythooft (ed.), Zoom op zoo. Antwerp zoo focusing on Arts and Sciences, Antwerp 1985, pp. 259–75

Balis 1986
A. Balis, Rubens: Hunting Scenes, London/Oxford/New York 1986 (Corpus Rubenianum Ludwig Burchard, xviii (2))

Balis 1993
A. Balis, ‘The Val van Phaëton/The fall of Phaeton’, in Kockelberg & Huvenne 1993, pp. 164–7

Balis 1996a
A. Balis, ‘Boel, Pieter’, in Turner 1996, iv, pp. 221–2

Balis 1996b
A. Balis, ‘(2) Paul [Paulus] de Vos’, in Turner 1996, xxxii, pp. 705–7

Balis 2001
A. Balis, ‘Van Dyck’s drawings after the Antique’, in Vlieghe 2001, pp. 29–42

Balis 2006
A. Balis, ‘Venus en de Gratiën: een mythologisch schilderij van Justus van Egmont’, in Van der Stighelen 2006a, ii, pp. 613–29

Balis 2007
A. Balis, ‘Rubens en zijn atelier: een probleemstelling’, in Vander Auwera, Van Sprang & Rossi-Schrimpf 2007, pp. 30–51

Bandera, Liedtke & Wheelock 2012
S. Bandera, W. Liedtke and A.K. Wheelock Jr (eds), Vermeer. Il secolo d’oro dell’arte olandese, Milan 2012 [exh. Scuderie del Quirinale, Rome 2012–13)

Barber 1995
T. Barber, ‘Sir Peter Paul Rubens; 1577–1640; no. 115; George Villiers, 1st Duke of Buckingham’, in Hearn 1995, pp. 167–8

Barberis, Merlotti & Di Netro 2007
W. Barberis, A. Merlotti and T. R. di Netro, ‘I Savoia. Storia di una dinastia’, in Castelnuovo 2007, pp. 21–90

Barnes 1991/1986
S. J. Barnes, Van Dyck in Italy: 1621–1628, Ann Arbor 1991 [PhD, New York University 1986]

Barnes 2004
S. J. Barnes, ‘Van Dyck in Italy’, in Barnes, De Poorter, Millar & Vey 2004, pp. 143–235

Barnes, Boccardo, Di Fabio & Tagliaferro 1997
S. J. Barnes, P. Boccardo, C. di Fabio and L. Tagliaferro, Van Dyck a Genova. Grande pittura e collezionismo, Milan 1997 [exh. Palazzo Ducale, Genoa]

Barnes, De Poorter, Millar & Vey 2004
S. J. Barnes, N. De Poorter, O. Millar and H. Vey, Van Dyck. A Complete Catalogue of the Paintings, New Haven/London 2004

Barnes & Wheelock 1994
S. J. Barnes and A. K. Wheelock Jr (eds), Van Dyck 350, Washington/Hanover, N.H./London 1994 (Studies in the History of Art, xlvi; Symposium Papers, xxvi)

Barrett 2012
K. Barrett, Pieter Soutman. Life and œuvre, Amsterdam 2012 (Oculi. Studies in the arts of the Low Countries, xii)

Barth 1981
R. Barth, Rembrandt und seine Zeitgenossen. Handzeichnungen niederländischer und flämischer Meister des 17. Jahrhunderts aus dem Besitz der Kunstsammlungen zu Weimar. Ausstellung in der Kunsthalle am Theaterplatz, Weimar 1981 [exh. Kunsthalle, Weimar]

Bartoschek & Vogtherr 2004
G. Bartoschek and C. M. Vogtherr (eds), Zerstört – Entführt – Verschollen. Die Verluste der Preuβischen Schlösser im Zweiten Weltkrieg. Gemälde I, Potsdam 2004

Bartsch 1 see under the name of the artist in

Bartsch 1803–21
A. Bartsch, Le Peintre Graveur, 21 vols, Vienna 1803–21

Basan 1781
F. Basan, Collection de cent-vingt estampes, gravées d’après les tableaux & dessins qui composoient le cabinet de M. Poullain, Receveur Général des domaines du Roi, décédé en 1780, précédé d’un abrégé historique de la vie des auteurs qui la composent [...] exécutée sous la direction du sieur Fr. Basan, Paris 1781

Batchelor 2012
T. Batchelor (ed.), Dead Standing Things. Still Life Painting in Britain 1660–1740, London 2012 [exh. Tate Britain, London]

Bath 1999 see Sumner 1999

Bauch 1966
K. Bauch, Rembrandt Gemälde, Berlin 1966

Bauch 1967
K. Bauch, ‘Die Elsheimer-Ausstellung in Frankfurt am Main (II)’ [review of Held 1966], Kunstchronik 20 (1967), pp. 89–93

Baudouin 1977
F. Baudouin, ‘Rubens en de antieke kunst’, in Baudouin 2005, pp. 104–23 [originally in Hermeneus 49/3 (1977), pp. 158–75]

Baudouin 1988
F. Baudouin, ‘Vier afbeeldingen van het interieur der verdwenen Sint-Walburgiskerk te Antwerpen’, Bulletin Musées Royaux des Beaux-Arts de Belgique/Bulletin Koninklijke Musea voor Schone Kunsten van België 34–7 (1985–8), pp. 181–194

Baudouin 1992a
F. Baudouin, ‘De kruisoprichting van Pieter Paul Rubens’, in Goedleven 1992, pp. 43–96

Baudouin 1992b
F. Baudouin, ‘The Elevation of the Cross in Rubens’s work’, in Folie 1992, pp. 13–31

Baudouin 1992c
F. Baudouin et al., Van Bruegel tot Rubens. De Antwerpse schilderschool 1550–1650 (also in French: De Bruegel à Rubens. L´école de peinture anversoise), Antwerp 1992 [exh. Wallraf-Richartz-Museum, Cologne/KMSKA, Antwerp/Kunsthistorisches Museum, Vienna 1992–3. See also Mai & Vlieghe 1992 [NB these are different editions with different entries and essays]

Baudouin 1996
F. Baudouin, ‘Neefs [Neeffs]; (1) Pieter Neefs (i); (2) Ludovicus Neefs; (3) Pieter Neefs (ii)’, in Turner 1996, xxii, p. 718

Baudouin 2005
F. Baudouin, Rubens in Context. Selected Studies. Liber Memorialis, s.l. [2005]

Baudouin & Huvenne 1985
F. Baudouin and P. Huvenne, ‘Schilderkunst na de val van Antwerpen (1585)’, Openbaar Kunstbezit in Vlaanderen 23/4 (1985), pp. 121–60

Baumgärtel & Bürger 2005
B. Baumgärtel with K. Bürger, Ein Fest der Malerei. Die niederländischen und flämischen Gemälde des 16.–18. Jahrhunderts. Bestandskatalog der Gemäldesammlung museum kunst palast – Sammlung der Kunstakademie Düsseldorf, Leipzig [2005]

Baumstark 1974
R. Baumstark, ‘Ikonographische Studien zu Rubens Kriegs- und Friedensallegorien’, Aachener Kunstblätter 45 (1974), pp. 125–234

Baumstark 1980
R. Baumstark, Meisterwerke der Sammlungen des Fürsten von Liechtenstein. Gemälde, Zurich/Munich 1980

Baumstark 1985
R. Baumstark et al., Liechtenstein, the Princely Collections, New York 1985 [exh. MMA, New York 1985–6]

Baumstark 2007
R. Baumstark (ed.), Parmigianino. Die Madonna in der Alten Pinakothek, Ostfildern 2007 [exh. Alte Pinakothek, Munich 2007–8]

Baumstark 2009
R. Baumstark (ed.), Kurfürst Johann Wilhelms Bilder, 2 vols (i, Sammler und Mäzen; ii, Galerie und Kabinette), Munich 2009 [exh. Alte Pinakothek, Munich]

Bava 1995
A. M. Bava, ‘La collezioni di pittura e i grandi progetti decorativi’, in Romano 1995, pp. 211–64

Baycroft 2004
T. Baycroft, Culture, Identity and Nationalism. French Flanders in the Nineteenth and Twentieth Centuries, Woodbridge 2004 (Royal Historical Society Studies in History, n.s.)

Beaujean 2002
D. Beaujean, ‘Dusart, Cornelis’, in Saur, xxxi, 2002, pp. 239–40

Beaujean & Tanner 2014
D. Beaujean, based on the research material of P. Tanner, ed. by P. Tanner, Tobias Stimmer (continued), Ouderkerk aan den IJssel 2014 (Hollstein’s German engravings. Etchings and Woodcuts; 1400–1700, lxxx)

Beck 1991
H.-U. Beck, Künstler um Jan van Goyen. Maler und Zeichner, Doornspijk 1991 (Jan van Goyen, iv)

Beck 2002
H.-U. Beck, review of Wheelock 2001a, Master Drawings 40 (2002), pp. 265–8

Beckett 1951
R. B. Beckett, Lely, London 1951

Beelaerts van Blokland 1989
F. W. A. Beelaerts van Blokland et al., Paviljoen Welgelegen 1789–1989. Van buitenplaats van de bankier Hope tot zetel van de provincie Noord-Holland, Haarlem 1989

De Beer 1955
E. S. de Beer (ed.), The Diary of John Evelyn. Now first printed in full from the Manuscripts belonging to Mr. John Evelyn, 6 vols, Oxford 1955

De Beer 2002
G. de Beer, Ludolf Backhuysen (1630–1708). Sein Leben und Werk, Zwolle 2002

De Beer in preparation
Œuvre catalogue of Ludolf Bakhuizen in preparation

De Beer, Goossens & Van de Roemer 2004
G. de Beer, E.-J. Goossens and B. van de Roemer, Backhuysen aan het roer! Zeeschilder 1630–1708 / Backhuysen at the helm! Marine painter 1630–1708, Amsterdam 2004 [exh. Royal Palace, Amsterdam]

De Beer et al. 2019
G. de Beer, F. Ossing, J. van der Veen, F. Ossing, ed. by C. Dumas, The Golden Age of Dutch Marine Painting. The Inder Rieden Collection, 4 vols, Leiden 2019

Beherman 1988
T. Beherman, Godfried Schalcken, Paris 1988

De Belie 2015
L. De Belie, Rembrandt. Le Portrait de Nicolaes van Bambeeck (also in Dutch: Rembrandt. Portret van Nicolaes van Bambeeck), Milan/Brussels 2015 (Cahiers van de Koninklijke Musea voor Schone Kunsten van België, xviii)

Belkin 1998
K. L. Belkin, Rubens, London 1998

Belkin 2009
K. L. Belkin, Rubens. Copies and Adaptations from Renaissance and Later Artists. I. German and Netherlandish Artists, 2 vols, London 2009 (Corpus Rubenianum Ludwig Burchard, xxvi (1))

Belkin & Healy 2004
K. L. Belkin and F. Healy (eds), Een huis vol kunst. Rubens als verzamelaar (also in English: A House of Art. Rubens as Collector), Schoten 2004 [exh. Rubens House and Rubenianum, Antwerp]

Bellini 2012
P. Bellini, L'opera incisa di Giovanni Francesco Grimaldi, Bologna 2012

Bellini & Gritsay 2007
R. Bellini and N. Gritsay (eds), Rubens’s Ceres. Two Original Versions, Milan 2007 [exh. Hermitage, St Petersburg]

Bellori 1672/2005
G. P. Bellori, The Lives of the Modern Painters, Sculptors and Architects, transl. by A. Sedgwick Wohl, notes by H. Wohl, intro. by T. Montanari, Cambridge 2005

Belsey 1991
H. Belsey, ‘Echoes of a warmer clime. Adam Pynacker’, Apollo 132 (1991), pp. 417–18

Van Beneden 2009
B. van Beneden, ‘Willem van Haecht. An Erudite and Talented Copyist’, in Van Suchtelen & Van Beneden 2009, pp. 56–97

Van Beneden 2015
B. Van Beneden (ed.), Rubens privé. De meester portretteert zijn familie, Antwerp/Brussels 2015 [exh. Rubenshuis Antwerp]

Van Beneden forthcoming
B. Van Beneden, Rubens. Architecture and Sculpture. Sculpture and Designs for Decorative Art, forthcoming (Corpus Rubenianum Ludwig Burchard, xxii (5))

Benesch 1947a
O. Benesch, A Catalogue of Rembrandt’s Selected Drawings, London 1947

Benesch 1947b
O. Benesch, Rembrandt. Choix de dessins, Paris 1947

Benesch 1 see the numbers in

Benesch 1973
O. Benesch, enlarged and ed. by E. Benesch, The Drawings of Rembrandt. Complete Edition, 6 vols, London 1973 (1954–71)

Bentini 2011
J. Bentini et al. (eds), Seicento e Settecento. Pinacoteca Nazionale di Bologna. Catalogo generale, iv, Venice 2011

Bentley’s 1851
‘The Dulwich Gallery’, Bentley’s Miscellany 30 (July 1851), pp. 344–52

Berardi 1998
M. Berardi, Science into Art. Rachel Ruysch’s early development as a still-life painter,
Ann Arbor 1998 [PhD, University of Pittsburgh 1998]

Beresford 1998
R. Beresford, Dulwich Picture Gallery. Complete Illustrated Catalogue, London 1998. See review: Laing 1999

Beresford, Hassall & Ryder 1995
R. Beresford, C. Hassall and N. Ryder, ‘10 Nicolaes Berchem […] A Farrier and Peasants near Roman Ruins’ [DPG88], in Conserving 1995, pp. 22 (fig.), 54–5

Beresford & Plender 1995
R. Beresford and S. Plender, ‘11 Abraham Storck […] An English Yacht saluting a Dutch Man-of-War in the Port of Rotterdam’ [DPG608], in Conserving 1995, pp. 22 (fig.), 56–7

Van Berge 1987
M. van Berge-Gerbaud et al., Tableaux flamands et hollandais du Musée des Beaux-Arts de Quimper, Paris/Quimper 1987 [exh. Institut Néerlandais, Paris] (Collections flamandes et hollandaises des Musées de Province)

Berger 1972
R. W. Berger, ‘Rubens and Caravaggio: A source for a painting from the Medici Cycle’, AB 54 (1972), pp. 473–7

Bergsträsser 1979
G. Bergsträsser (cat.) and W. Beeh, E. Herzog and H. Vey (eds), Niederländische Zeichnungen, 16. Jahrhundert im Hessischen Landesmuseum Darmstadt, Darmstadt 1979 [Kunst in Hessen und am Mittelrhein: 18 + 19; Beiheft. Schriften der Hessischen Museen]

Bergvelt 1978
E. Bergvelt, ‘Het Hollandse landschap in de kunst’, in Het land van Holland. Ontwikkelingen in het Noord- en Zuidhollandse landschap, Amsterdam 1978 [exh. Amsterdams Historisch Museum], pp. 135–56 (also in Holland 10 (1978), pp. 135–56)

Bergvelt 1997
E. Bergvelt, ‘De koning en de kunst. De rol van de Vierde Klasse in het regeringsbeleid op het gebied van de beeldende kunsten, deel 2. Het Pantheon der Vierde Klasse (1816/1851)’, in W. P. Gerritsen (ed.), Het Koninklijk Instituut (1808–1851) en de bevordering van wetenschap en kunst, Amsterdam 1997, pp. 135–48

Bergvelt 1998
E. Bergvelt, Pantheon der Gouden Eeuw. Van Nationale Konst-Gallerij tot Rijksmuseum van Schilderijen (1798–1896), Zwolle 1998 [edited version of PhD, University of Amsterdam 1998]

Bergvelt 2004a
E. Bergvelt, ‘Een vorstelijk museum? De rol van de kunstverzameling aan het Haagse hof van koning Willem II (1840–1850)’, in J.-Chr. Klamt and K. Veelenturf (eds), Representatie. Kunsthistorische bijdragen over vorst, staatsmacht en beeldende kunst, opgedragen aan Robert W. Scheller, Nijmegen 2004, pp. 27–66

Bergvelt 2004b
E. Bergvelt, ‘De canon van de Gouden Eeuw. De collectie Van der Hoop en de opvattingen van Thoré-Bürger’, in Bergvelt, Filedt Kok & Middelkoop 2004, pp. 25–47, 196–204, 208–14

Bergvelt 2010
E. Bergvelt, ‘Potgieter’s “Rijksmuseum” and the public presentation of Dutch history in the National Museum (1800–1844)’, in L. Jensen, J. Leerssen and M. Mathijsen (eds), Free Access to the Past. Romanticism, Cultural Heritage and the Nation, Leiden/Boston 2010, pp. 171–95

Bergvelt 2011
E. Bergvelt, ‘The Rijksmuseum Amsterdam – ideals and reality (1798–1848)’, in E. Weisser-Lohmann (ed.), ‘Kunst’ und ‘Staat’, Munich 2011 (A. Gethmann-Siefert, B. Collenberg-Plotnikov, and E. Weisser-Lohmann (eds.), Kunst als Kulturgut, vol. 2), pp. 251–274

Bergvelt 2013
E. Bergvelt, ‘12. De Britse Parlementaire Enquête uit 1853. De “modernisering” van de National Gallery in Londen’, in: E. Bergvelt, D. J. Meijers and M. Rijnders (eds), Kabinetten, galerijen en musea. Het verzamelen en presenteren van naturalia en kunst van 1500 tot heden, Heerlen/Zwolle 2013 (3d edn), pp. 335–58

Bergvelt 2015
E. Bergvelt, ‘Patrons and Lovers of Art (1826–30): de ideale National Gallery van Pieter Christoffel Wonder en Sir John Murray’, in E. Bergvelt (ed.), P. C. Wonder (1777–1852). Een Utrechter in Londen, Eindhoven 2015 [exh. Centraal Museum Utrecht 2015–16], pp. 44–75

Bergvelt, Filedt Kok & Middelkoop 2004
E. Bergvelt, J. P. Filedt Kok and N. Middelkoop et al., De Hollandse meesters van een Amsterdamse bankier. De verzameling van Adriaan van der Hoop (1778–1854), Amsterdam/Zwolle 2004

Bergvelt & Kistemaker 1992a and 1992b
E. Bergvelt and R. Kistemaker (eds), De Wereld binnen Handbereik. Nederlandse kunst- en rariteitenverzamelingen, 1575–1735, 2 vols (a, essay volume; b, catalogue [exh. Amsterdams Historisch Museum]), Zwolle/Amsterdam 1992

Berlin 2006 see Rembrandt 2006

Berlin/Amsterdam/London 1991–2 see Brown, Kelch & Van Thiel 1991

Bernardini 2004
M. G. Bernardini (ed.), Anton van Dyck. Riflessi italiani, Milan 2004 [exh. Palazzo Reale, Milan]

Bernt 1948
W. Bernt, Die Niederländischen Maler des 17. Jahrhunderts, 3 vols, Munich [1948]

Bernt 1970
W. Bernt, The Netherlandish Painters of the Seventeenth Century, 3 vols, London 1970 [rev. edn, 19481]

Bernt 1980
W. Bernt, Die Niederländischen Maler und Zeichner des 17. Jahrhunderts, 5 vols, Munich 19804 [19481]

Berti 1979
L. Berti et al., Gli Uffizi. Catalogo generale, Florence 1979

Bevers & Sölter 2008
H. Bevers and U. Sölter, Niederländische Zeichnungen und Druckgraphik der Sammlung Christoph Müller im Berliner Kupferstichkabinett. Kritisches Bestandsverzeichniss, Berlin 2008

Białostocki 1970
J. Białostocki, ‘The eye and the window: realism and symbolism of light-reflections in the art of Albrecht Dürer and his predecessors’, Festschrift für Gert von der Osten, Cologne 1970, pp. 159–76

Białostocki 1988
J. Białostocki, The Message of Images. Studies in the History of Art, Vienna 1988

Białostocki 1988/1966
J. Białostocki, ‘Puer sufflans ignes’, in Białostocki 1988, pp. 139–44, 264–5 (originally published in Arte in Europa. Scritti di Storia dell’Arte in onore di Edoardo Arslan, 2 vols, Milan 1966, i, pp. 591–5, ii, figs 383–8)

Białostocki & Chudzikowski 1970
J. Białostocki and A. Chudzikowski et al., National Museum in Warsaw. Catalogue of Paintings. Foreign Schools, 2 vols, Warsaw 1969–70

Białostocki & Kołoszyńska 1974
J. Białostocki and I. Kołoszyńska (eds), Polska i Anglia. Stosunki kulturalno- artystyczne. Pamiętnik wystawy sztuki angielskiej, Warsaw 1974 [exh. Muzeum Narodowe, Warsaw]

Biavati 1977
G. Biavati et al., Rubens e Genova, Genoa 1977 [exh. Palazzo Ducale, Genoa 1977–8]

De Bie 1661/1971
C. de Bie, Het gulden cabinet vande edele vry schilder-const ontsloten door den lanck ghewenschten vrede tusschen de twee machtighe Croonen van Spaignien en Vrancryck, waer-inne begrepen is den ontsterffelijcken loff vande vermaerste constminnende geesten ende schilders van dese eeuw, hier inne meest naer het leven af-gebeldt, verciert met veel vermakelijcke rijmen ende spreucken, Antwerp 1661; facsimile with intro. by G. Lemmens, Doornspijk 1971

Biesboer 2006a
P. Biesboer et al., Nicolaes Berchem. In het licht van Italië, Haarlem/Ghent 2006 [exh. FHM, Haarlem/Kunsthaus, Zürich/Staatliches Museum, Schwerin 2006–7]

Biesboer 2006b
P. Biesboer, ‘Nicolaes Pietersz Berchem, meester-schilder van Haarlem’, in Biesboer 2006a, pp. 11–35

Biesboer & Pijl 2006
P. Biesboer and L. Pijl, ‘Catalogus van tentoongestelde schilderijen’, in Biesboer 2006a, pp. 134–46

Bijl & Kloek 2014
M. Bijl and W. Kloek, ‘A painting re-attributed to Aelbert Cuyp: connoisseurship and technical research’, Burl. Mag 156 (Feb. 2014), pp. 91–8

Bikker 2004
J. Bikker, ‘Imitation and originality in the history paintings of Rembrandt’s pupils’, in Kofuku 2004, pp. 69–84

Bikker 2004–5
J. Bikker, ‘Lucian’s Prometheus as a source for Jordaens and van Baburen’, Simiolus 31 (2004–5), pp. 46–53

Bikker 2009
J. Bikker, ‘“Sir Joan Reynst, his good acquaintance, neighbour, and landlord,” truth and fantasy in Houbraken’s life of Karel du Jardin’, Burl. Mag. 151 (2009), pp. 92–7

Bikker 2018
J. Bikker, High Society. Life-size, Standing and at Ffull-length, Amsterdam 2018 [exh. RM, Amsterdam]

Bikker, Bruijnen & Wuestman 2007
J. Bikker, Y. Bruijnen and G. Wuestman, with E. Korthals Altes, J. P. Filedt Kok and T. Dibbits, Dutch Paintings of the Seventeenth Century in the Rijksmuseum Amsterdam, i, Artists born between 1570 and 1600, Amsterdam 2007

Bikker, Weber & Wieseman 2014
J. Bikker, G. J. M. Weber and M. E. Wieseman et al., with contributions by M. Schapelhouman and A. Krekeler, Late Rembrandt, London/Amsterdam 2014 [exh. NG, London/RM, Amsterdam 2014–15]

Bilbao 2004 see Ciudad 2004

Bille 1961
C. Bille, De Tempel der Kunst of het Kabinet van den Heer Braamcamp, 2 vols, Amsterdam 1961

Billeter 1993
F. Billeter, Zur künstlerischen Auseinandersetzung innerhalb des Rubenskreises. Eine Untersuchung am Beispiel früher Historienbilder Jakob Jordaens’ und Anthonis van Dyck, Frankfurt etc. 1993

Binney 1970
M. Binney, ‘London’s first public gallery’, Country Life 147, no. 3804 (29 Jan. 1970), pp. 230–34

Birmingham 1989–90 see Wright 1989

Bisanz-Prakken 1993
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Biscoglio 1995
F. M. Biscoglio, ‘“Unspun” heroes: iconography of the spinning woman in the Middle Ages’, Journal of Medieval and Renaissance Studies 25/2 (1995), pp. 163–76

Bissell, Derstine & Miller 2005
R. Ward Bissell, A. Derstine and D. Miller, Masters of Italian Baroque Painting. The Detroit Institute of Arts, Detroit/London 2005

Blade 1980
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Blanc 1857–8
C. Blanc, Le trésor de la curiosité, tiré des catalogues de vente de tableaux, dessins, estampes, livres, marbres, bronzes, ivoires, terres cuites, vitraux, médailles, armes, porcelaines, meubles, émaux, laques et autres objets d’art. Avec diverses notes & notices historiques et biographiques, 2 vols, Paris 1857–8

Blanc 1861
C. Blanc, École hollandaise, 2 vols, Paris 1861 (Histoire des peintres de toutes les écoles, iv–v)

Blanc 2008
J. Blanc, Peindre et penser la peinture au XVIIe siècle. La théorie de l’art de Samuel van Hoogstraten, Bern etc. 2008

Blankert 1978/1965
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Blankert 1982
A. Blankert et al., Frozen Silence. Hendrick Avercamp 1585–1634. Barent Avercamp 1612–1679. Paintings from Museums and Private Collections, Amsterdam 1982 [exh. Provinciehuis, Zwolle 1982–3]

Blankert 1991
A. Blankert et al., Museum Bredius. Catalogus van de schilderijen en tekeningen, Zwolle/The Hague 19913 (19781; 19802)

Blankert 1996
A. Blankert, ‘Both, Jan’, in Saur, xiii, 1996, pp. 241–2

Blankert 1997
A. Blankert, ‘Looking at Rembrandt, past and present’, in Blankert & Blokhuis 1997, pp. 32–57

Blankert 1999
A. Blankert et al., Dutch Classicism in Seventeenth-century Painting, Rotterdam/Frankfurt 1999 [exh. BvB, Rotterdam/ Städelsches Kunstinstitut und Städtische Galerie, Frankfurt 1999–2000]

Blankert 2007
A. Blankert, ‘Herman van Swanevelt en de roem in de schilderkunst’, in Blankert & De Graaf 2007, pp. 10–19

Blankert & Blokhuis 1997
A. Blankert and M. Blokhuis et al., Rembrandt. A Genius and his Impact, Sydney/Zwolle 1997 [exh. National Gallery of Victoria, Melbourne/National Gallery of Australia, Canberra 1997–8]

Blankert & De Graaf 2007
A. Blankert and F. de Graaf et al., Het zuiden tegemoet. De landschappen van Herman van Swanevelt 1603–1655, Harderwijk/Woerden 2007 [exh. Stadsmuseum, Woerden]

Bleyerveld 2000
Y. Bleyerveld, Hoe bedriechlijk dat die vrouwen zijn. Vrouwenlisten in de beeldende kunst in de Nederlanden circa 1350–1650, Leiden 2000

Blunt 1980
A. Blunt, Art and Architecture in France, 1500 to 1700, Harmondsworth 19804 (19531)

Blunt & Croft-Murray 1957
A. F. Blunt and E. Croft-Murray, Venetian Drawings of the XVII and XVIII Centuries in the Collection of Her Majesty The Queen at Windsor Castle, London 1957

Bobak, Spring & Tasker 1995
S. Bobak, M. Spring and N. Tasker, ‘8 Aelbert Cuyp, Herdsmen with Cows’ [DPG128], in Conserving 1995, pp. 21 (fig.), 50–51

Bober, Boccardo & Boggero 2020
J. Bober, P. Boccardo and F. Boggero, A Superb Baroque: Art in Genoa, 1600–1750, Washington/ Princeton, N.J. 2020 [exh. NGA, Washington/ Scuderie del Quirinale, Rome 2020–21] [exh. in Rome postponed]

Bober & Rubinstein 1986
P. P. Bober and R. Rubinstein, with contrib. by S. Woodford, Renaissance Artists and Antique Sculpture. A Handbook of Sources, London/Oxford 1986

Boccardo 2004
P. Boccardo (ed.), L’età di Rubens. Dimore, committenti e collezionisti genovesi, Milan 2004 [exh. Palazzo Ducale/Galleria di Palazzo Rosso/Galleria Nazionale di Palazzo Spinola, Genoa]. See review: Brejon de Lavergnée 2004

Boccardo & Orlando 2004
P. Boccardo and A. Orlando, ‘Dipinti di Rubens a Genova e per Genova’, in Boccardo 2004, pp. 22–51

Boccia & Godoy 1987
L. G. Boccia and J. A. Godoy, ‘La armadura del Príncipe Emanuele Filiberto de Saboya (1588–1624)’, Reales Sitios. Revista del Patrimonio Nacional 24 (1987), no. 93, pp. 57–68

Bock 1996
H. Bock et al., Gemäldegalerie Berlin. Gesamtverzeichnis, Berlin 1996

Bock & Gaehtgens 1987
H. Bock and T. W. Gaehtgens (eds), Holländische Genremalerei im 17. Jahrhundert, Berlin 1987 (Jahrbuch Preussischer Kulturbesitz, Sonderband 4)

Bock & Rosenberg 1930
E. Bock and J. Rosenberg, Die niederländischen Meister. Beschreibendes Verrzeichnis sämtlicher Zeichnungen […], 2 vols, Berlin 1930 (Staatliche Museen zu Berlin. Die Zeichnungen alter Meister im Kupferstichkabinett)

Bockemühl 1991
M. Bockemühl, Rembrandt. 1606–1669. Das Rätsel der Erscheinung, Cologne 1991

Bodart 1970a
D. Bodart, Louis Finson (Bruges, avant 1580–Amsterdam, 1617), Brussels 1970 (Académie Royale de Belgique. Classe des Beaux-arts, ser. 2, vol. xii, fasc. 4)

Bodart 1970b
D. Bodart, Les peintres des Pays-Bas méridionaux et de la principauté de Liège à Rome au XVIIème siècle, 2 vols, Brussels 1970 (Études d'histoire de l'art [de l’Institut historique belge de Rome], ii)

Bodart 1977
D. Bodart, Rubens e la pittura fiamminga del Seicento nelle collezioni pubbliche fiorentine / Rubens et la peinture flamande du XVIIème siècle dans les collections publiques florentines, Florence 1977 [exh. Palazzo Pitti, Florence]

Bodart 1985
D. Bodart, Rubens, Milan 1985

Bodart 1990
D. Bodart et al., Pietro Paolo Rubens (1577–1640), [Rome] 1990 [exh. Palazzo della Ragione, Padua/Palazzo delle Esposizioni, Rome/Società per le belle Arti ed Esposizione permanente, Milan]

Bode 1889
W. Bode, ‘Antoon van Dyck in der Liechtenstein-Galerie’, Die Graphischen Künste 12 (1889), pp. 39–52

Bode 1906a
W. Bode, Rembrandt und seine Zeitgenossen. Charakterbilder der grossen Meister der holländischen und vlämischen Malerschule im siebzehnten Jahrhundert, Leipzig 1906

Bode 1906b
W. Bode, ‘Anton van Dyck als Mitarbeiter von Rubens’, in Bode 1906a, pp. 255–82

Bode 1909
W. von Bode, transl. by M. L. Clarke, Great Masters of Dutch and Flemish Painting, London 1909 [transl. of the rev. edn of Bode 1906a]

Bode 1920
W. von Bode, Adam Elsheimer. Der römische Maler deutscher Nation, Munich [1920]

Bode 1924
W. von Bode, Adriaen Brouwer. Sein Leben und seine Werke, Berlin 1924

Bode & Hofstede de Groot 1897–1905
W. Bode with C. Hofstede de Groot, Rembrandt. Beschreibendes Verzeichniss seiner Gemälde, mit den [595] heliographischen Nachbildungen. Geschichte seines Lebens & seiner Kunst, 8 vols, Paris 1897–1905 (i, 1897; ii, 1897; iii, 1899; iv, 1900; v, 1901; vi, 1901; vii, 1902; viii, 1905)

Boggero & Manzitti 1997
F. Boggero and C. Manzitti, ‘L’eredità di Van Dyck a Genova’, in Barnes, Boccardo, Di Fabrio & Tagliaferro 1997, pp. 105–31

Bok 1997a
M. J. Bok, ‘Jan Both’, in Spicer & Orr 1997, pp. 377–8, 437

Bok 1997b
M. J. Bok, ‘Gerard van Honthorst’, in Spicer & Orr 1997, pp. 382–3, 438

Bok 1997c
M. J. Bok, ‘Cornelis van Poelenburch’, in Spicer & Orr 1997, pp. 387–8, 439

Bok 1997d
M. J. Bok, ‘Herman Saftleven the Younger’, in Spicer & Orr 1997, pp. 388–9, 439–40

Bol 1956
L. J. Bol, ‘Een Middelburgse Breughel-groep, v: Christoffel van den Berghe: bloemen en landschap, recuperatie voor een schilder die zijn oeuvre verloor’, OH 71 (1956), pp. 183–95

Bol 1973
L. J. Bol, Die holländische Marinemalerei des 17. Jahrhunderts, Brunswick 1973

Bol 1981–2
L. J. Bol, ‘“Goede Onbekenden.” Hedendaagse herkenning en waardering van verscholen, voorbijgezien en onderschat talent. Karel Slabbaert’, Tableau 4 (1981–2), pp. 582–8

Bol 1982
L. J. Bol, ‘Goede onbekenden’. Hedendaagse herkenning en waardering van verscholen, voorbijgezien en onderschat talent, Utrecht 1982

Bomford, Sumner & Waterfield 1993
K. Bomford, A. Sumner and G. Waterfield (eds), Rembrandt van Rijn. Girl at a Window (Paintings and their Context, iv), London 1993 [exh. DPG]

Bomford & Waterfield 1992
K. Bomford and G. Waterfield (eds), Treasures of a Polish King. Stanislaus Augustus as Patron and Collector, London 1992 [exh. DPG]

Van den Boogert 1999a
B. van den Boogert, C. Dumas, L. van Oosterzee and P. Schatborn, Goethe & Rembrandt. Zeichnungen aus Weimar. Aus den graphischen Beständen der Kunstsammlungen zu Weimar, ergänzt durch Werke aus dem Goethe-Nationalmuseum, Amsterdam 1999 [exh. Rembrandt House Museum, Amsterdam]

Van den Boogert 1999b
B. van den Boogert (ed.), Rembrandt’s Treasures, Zwolle/Amsterdam 1999 [exh. Rembrandt House Museum, Amsterdam 1999–2000]

Boon 1992
K. G. Boon, The Netherlandish and German Drawings of the XVth and XVIth Centuries of the Frits Lugt Collection, 3 vols, Paris 1992

Boon & Verbeek 1964
K. G. Boon and J. Verbeek, Van Ostade – De Passe, Amsterdam [1964] (Hollstein’s Dutch & Flemish etchings, engravings and woodcuts, ca. 1450–1700, xv)

Boonstra & Van den Hout 2000
J. Boonstra and G. van den Hout (eds), In de wolken. Jacob de Wit als plafondschilder, Amsterdam 2000 [exh. Bijbels Museum, Amsterdam]

Borea & Gasparri 2000
E. Borea and C. Gasparri (eds), L’idea del bello. Viaggio per Roma nel Seicento con Giovan Pietro Bellori, 2 vols, Rome 2000 [exh. Palazzo delle Esposizioni and Teatro dei Dioscuri, Rome]

Borean 2009
L. Borean, ‘Dalla galleria al “museo”: un viaggio attraverso pitture, disegni e stampe nel collezionismo veneziano del Settecento’, in Borean & Mason 2009, pp. 3–47

Borean & Mason 2009
L. Borean and S. Mason (eds), Il collezionismo d’arte a Venezia. Il settecento, Venice 2009

Borger 1996
E. Borger, De Hollandse kortegaard. Geschilderde wachtlokalen uit de Gouden Eeuw, Zwolle Naarden 1996 [exh. Vestingmuseum, Naarden]

Borggrefe & Lüpkes 2005
H. Borggrefe and V. Lüpkes (eds), Hans Vredeman de Vries und die Folgen. Ergebnisse des in Kooperation mit dem Muzeum Historyczne Miasta Gdańska durchgeführten internationalen Symposions am Weserrenaissance-Museum Schloß Brake (30. Januar bis 1. Februar 2004), Marburg 2005 (Studien zur Kultur der Renaissance, iii)

Borggrefe, Lüpkes, Huvenne & Van Beneden 2002
H. Borggrefe, V. Lüpkes, P. Huvenne and B. Van Beneden (eds), Hans Vredeman de Vries und die Renaissance im Norden, Munich 2002 [exh. Weserrenaissance-Museum Schloss Brake/KMSKA, Antwerp]

Bos 1996aL. Bos, ‘Ruisdael, Jacob (Isaacsz.) van’, in Turner 1996, xxvii, pp. 324–30

Bos 1996b
L. Bos, ‘Swanevelt, Herman van [Herman d’Italie; Monsieur Herman]’, in Turner 1996, xxx, pp. 60–61

Boschma 1988
C. Boschma et al. (eds), Meesterlijk vee. Nederlandse veeschilders 1600–1900, The Hague/Zwolle 1988 [exh. Dordrechts Museum, Dordrecht/Fries Museum, Leeuwarden 1988–9]

Bosman 2019
M. Bosman, Rembrandts plan. De ware geschiedenis van zijn faillissement, Amsterdam 2019

Boston/Toledo 1993–4 see Sutton & Wieseman 1993

Boström 1949
K. Boström, ‘Peep-show or case’, Kunsthistorische Mededelingen van het Rijksbureau voor Kunsthistorische Documentatie ’s-Gravenhage 4 (1949), pp. 21–4

Botana 2011
F. Botana, The Works of Mercy in Italian Medieval Art (c. 1050–c. 1400), Turnhout 2011 (Medieval Church Studies, xx)

Botero 1590
G. Botero, Della ragione di stato. Libri dieci, Rome 1590

Botero 1598/1990
G. Botero (ed. L. Firpo), Della ragion di stato e, Delle cause della grandezza delle città, Bologna 1990 (Venice 15981)

Bott 1977
G. Bott et al., Peter Paul Rubens, 1577–1640. Katalog I. Rubens in Italien. Gemälde, Ölskizzen, Zeichnungen. Triumph der Eucharistie. Wandteppiche aus dem Kölner Dom, Cologne 1977 [exh. Wallraf-Richartz-Museum in the Kunsthalle, Cologne]

Bottineau 1956–8
Y. Bottineau, ‘L’Alcazar de Madrid et l’inventaire de 1686: aspects de la Cour d’Espagne au XVIIe siècle’, Bulletin Hispanique 58 (1956), pp. 421–52; 60 (1958), pp. 30–61, 145–79, 289–326, 450–83

Boudon-Machuel 2005
M. Boudon-Machuel, ‘L’œuvre de Rubens, modèle pour les sculpteurs? Les cas de Van Opstal et de Du Quesnoy’, in Heck 2005, pp. 103–12

Bouverie 1890
[H. M. Bouverie, 5th Earl of Radnor], Catalogue of Pictures at Longford Castle and Categorical List of Family Portraits (re-numbered and arranged by H.M.R.), s.l. [printed in Salisbury] 1890

Bouverie 1928
H. M. Pleydel Bouverie (Countess of Radnor), Catalogue of the Earl of Radnor’s Collection of Pictures, s.l. [19285; rev. by Jacob, 6th Earl of Radnor; 19103; 18901]

Bouverie & Squire 1909
H. M. P.[leydel] Bouverie, Countess of Radnor, and W. B. Squire, with a preface by Jacob, 6th Earl of Radnor, Catalogue of the Pictures in the Collection of the Earl of Radnor, 2 vols, London 1909. See also Bouverie 1890

Boyer 1929
F. Boyer, ‘Un inventaire inédit des antiques de la Villa Médicis (1598)’, Revue archéologique ser. 5, 30 (1929), pp. 256–70

Boyer 1967
F. Boyer, ‘Les collections de François de Laborde-Méréville (1761–1802)’, Bulletin de la Société de l’Histoire de l’Art français (1967), pp. 141–52

Bowen & Imhof 2008
K. L. Bowen and D. Imhof, Christopher Plantin and engraved book illustrations in sixteenth-century Europe, Cambridge 2008

Bradford & Braham 1991
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Braham 1988
H. Braham, Rubens. Paintings, Drawings, Prints in the Princes Gate Collection, London 1988 [exh. Courtauld Institute Gallery, London 1988–9]. See review: Logan 1991

Brakensiek & Polfer 2009
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Braun 1966
H. Braun, ‘Gerard und Willem van Honthorst’, PhD, University of Göttingen 1966

Bray 1836
Mrs [A. E.] Bray, A Description of the part of Devonshire bordering on the Tamar and the Tavy: its natural history, manners, customs, superstitions, scenery, antiquities, biography of eminent persons, &c. &c. in a series of letters to Robert Southey, esq., 3 vols, London 1836

Bredius 1884–7
A. Bredius, ‘De gildeboeken van St. Lucas te Middelburg’, Obreen 1877–90, vi (1884–7), pp. 106–264

Bredius 1913–14
A. Bredius, ‘Der Stillebenmaler Abraham Calraet (auch van Calraet)’, Kunstchronik 25 (1913–14), cols 93–4

Bredius 1915
A. Bredius, ‘Rembrandtiana’, OH 33 (1915), pp. 126–8

Bredius 1915–16a
A. Bredius, ‘De stilleven-schilder Abraham (van) Calraet. (1642–1722)’, Oude Kunst 1 (1915–16), pp. 90–91

Bredius 1915–16b
A. Bredius, ‘Aelbert Cuyp of Abraham (van) Calraet. Antwoord aan Dr. Hofstede de Groot’, Oude Kunst 1 (1915–16), pp. 186–8

Bredius 1915–16c
A. Bredius, ‘Een laatste woord over de Calraet Kwestie’, Oude Kunst 1 (1915–16), pp. 293–4

Bredius 1915–22
A. Bredius with O. Hirschmann, Künstler-Inventare. Urkunden zur Geschichte der holländischen Kunst des XVIten, XVIIten und XVIIIten Jahrhunderts, 8 vols, The Hague 1915–22 (Quellenstudien zur holländischen Kunstgeschichte, v–vii, x–xiv)

Bredius 1916–17a
A. Bredius, ‘Een Calraet-tentoonstelling’, Oude Kunst 2 (1916–17), pp. 105–9 (figs.)

Bredius 1916–17b
A. Bredius, ‘Een Calraet-tentoonstelling. Erratum, en aanvulling’, Oude Kunst 2 (1916–17), p. 159

Bredius 1917a
A. Bredius, ‘The still-life Painter Abraham Calraet. Abraham Calraet, van Calraet or Kalraat’, Burl. Mag. 30 (1917), pp. 172–9

Bredius 1917b
A. Bredius, ‘De schilder François Ryckhals’, OH 35 (1917), pp. 1–11

Bredius 1919
A. Bredius, ‘Further light upon the Painter Calraet (Kalraet)’, Burl. Mag. 35 (1919), p. 120

Bredius 1933
A. Bredius, ‘Gerrit Willemsz. Horst’, OH 50 (1933), pp. 1–8

Bredius 1935
A. Bredius, Rembrandt schilderijen. 630 afbeeldingen, Utrecht 1935

Bredius & Gerson 1969
A. Bredius, rev. H. Gerson, Rembrandt. The Complete Edition of the Paintings, London 19693 (19351)

Bredius & Hofstede de Groot 1915–16
[eds] ‘Aelbert Cuyp of Abraham van Kalraet?’:

C. Hofstede de Groot, ‘Ook een slotwoord’, and A. Bredius, ‘Kantteekeningen hierop’, Oude Kunst 1 (1915–16), p. 314. See also Editors 1915–16 and 1916–17

Bredius & Moes 1903
A. Bredius and E. W. Moes, ‘De Schilders Camphuysen’, OH 21 (1903), pp. 193–219

Brejon de Lavergnée 2004
A. Brejon de Lavergnée, review of Boccardo 2004, Burl. Mag. 146 (2004), pp. 427–9

Brejon de Lavergnée, Foucart & Reynaud 1979
A. Brejon de Lavergnée, J. Foucart and N. Reynaud, Catalogue sommaire illustré des peintures du Musée du Louvre, i. Ecoles flamande et hollandaise, Paris 1979

Brème 1985
D. Brème, in Oursel, Schnapper & Foucart 1985, p. 148, no. 108 (Jean-Baptiste Santerre)

Briels 1997
J. Briels, Vlaamse schilders en de dageraad van Hollands Gouden Eeuw 1585–1630, met biografieën als bijlage, Antwerp 1997

Briganti, Trezzani & Laureati 1983a
G. Briganti, L. Trezzani and L. Laureati, I Bamboccianti. Pittori della vita quotidiana a Roma nel Seicento, Rome 1983

Briganti, Trezzani & Laureati 1983b
G. Briganti, L. Trezzani and L. Laureati, The Bamboccianti. The Painters of Everyday Life in Seventeenth-century Rome, Rome 1983

Brigstocke 1982
H. Brigstocke, William Buchanan and the 19th-century Art Trade: 100 Letters to his Agents in London and Italy, [London] 1982

Brigstocke 1992
H. Brigstocke, review of Frankfurt 1992 exh. (see also Schleier 1992), Burl. Mag. 134 (1992), pp. 827–9

Van den Brink & Helmus 1997
P. van den Brink and L. Helmus (eds), Album Discipulorum J. R. J. van Asperen de Boer, Zwolle 1997

Van den Brink & Lindemann 2012
P. van den Brink and B. W. Lindemann (eds), Cornelis Bega. Eleganz und raue Sitten, Stuttgart 2012 [exh. Suermondt-Ludwig-Museum, Aachen/Gemäldegalerie, Berlin]

Van den Brink, Taatgen & Becker 2011
P. van den Brink, with A. Taatgen and H. Becker, Joos van Cleve. Leonardo des Nordens, Stuttgart 2011 [exh. Suermondt-Ludwig-Museum, Aachen]

Brinkmann & Sander 1999
B. Brinkmann and J. Sander, Deutsche Gemälde vor 1800 im Städel, Frankfurt 1999 (Deutsche Gemälde vor 1800 in bedeutenden Sammlungen. Illustriertes Gesamtverzeichnis, i)

British Institution 1815
A Catalogue Raisonné of the Pictures now exhibiting at the British Institution. Printed with a sincere desire to assist the […] directors in turning the public attention to those […] pieces which they have […] selected with the […] intention of affording the most favourable contrast to modern art. etc. (A Catalogue raisonné of the Pictures now exhibiting in Pall Mall) [By R. Smirke, R.A.], [London, 1815]. See also Account 1824 and London 1815

Brochhagen 1957
E. Brochhagen, ‘Karel Dujardins späte Landschaften’, Bulletin des Musées Royaux des Beaux Arts 6 (1957), pp. 236–55

Brochhagen 1958
E. Brochhagen, ‘Karel Dujardin. Ein Beitrag zum Italianismus in Holland im 17. Jahrhundert’, PhD, University of Cologne 1958

Broekman 2010
I. Broekman, ‘Constantijn Huygens, de kunst en het hof’, PhD, University of Amsterdam 2010

Brom 1957
G. Brom, Schilderkunst en litteratuur in de 16e en 17e eeuw [in Nederland], Utrecht/Antwerp [1957]

Brongers 1964
G. A. Brongers, Nicotiana tabacum. The history of Tobacco and Tobacco smoking in the Netherlands, Groningen 1964

Broos 1977
B. P. J. Broos, Index to the Formal Sources of Rembrandt’s Art, Maarssen 1977

Broos 1987
B. Broos, Meesterwerken in het Mauritshuis, The Hague 1987

Broos 1996a
B. P. J. Broos, ‘Bakhuizen [Backhuysen; Bakhuisen; Bakhuyzen], Ludolf’, in Turner 1996, iii, pp. 84–6

Broos 1996b
B. P. J. Broos, ‘Borssom [Boresom; Borssum], Anthonie van’, in Turner 1996, iv, pp. 439–40

Broos 1999
B. Broos, ‘Rembrandt and his picturesque universe. The artist’s collection as a source of inspiration’, in Van den Boogert 1999b, pp. 90–139

Broos, Brown, Stampfle, Sayre & Schatborn 1996
B. P. J. Broos, C. Brown, F. Stample, E. A. Sayre and P. Schatborn, ‘Rembrandt (Harmensz.) van Rijn [Rhyn]’, in Turner 1996, xxvi, pp. 152–79

Broos & Schapelhouman 1993
B. Broos and M. Schapelhouman, Nederlandse tekenaars geboren tussen 1600 en 1660, Amsterdam/Zwolle 1993 (Oude tekeningen in het bezit van het Amsterdams Historisch Museum, waaronder de collectie Fodor, iv)

Broos & Wheelock 1995
B. Broos and A. K. Wheelock Jr, with contrib. by A. Blankert and J. Wadum, Johannes Vermeer, The Hague/Washington/Zwolle 1995 [exh. MH, The Hague/NGA, Washington, 1995–6]

Brosens 2011
K. Brosens, Rubens. Subjects from History. The Constantine Series, London/Turnhout 2011 (Corpus Rubenianum Ludwig Burchard, xiii (3))

Broulhiet 1938
G. Broulhiet, Meindert Hobbema (1638–1709), Paris 1938

Broun 1994/1987
F. Broun, Sir Joshua Reynolds’ Collection of Paintings, 2 vols in 1 vol., Ann Arbor 1994 [PhD, Princeton University 1987]

Brouwer 2010
M. Brouwer, De Gouden Eeuw van Gesina ter Borch, Zwolle 2010 [exh. Stedelijk Museum, Zwolle 2010–11)

Brown 1974
C. Brown, The Abbé Scaglia adoring the Virgin and Child by Anthony van Dyck, London 1974 (Painting in Focus, ii), n.p. [exh. NG, London]

Brown 1976
C. Brown, Art in Seventeenth Century Holland, London 1976 [exh. NG, London]

Brown 1979
C. Brown, ‘Peace and War’. Minerva Protects Pax from Mars, London 1979 (Painting in Focus) [exh. NG, London]

Brown 1980
C. Brown, Rembrandt. The Complete Paintings, 2 vols, London 1980 (19791 It. edn)

Brown 1981
C. Brown, Scholars of Nature. The Collecting of Dutch paintings in Britain 1610–1857, Hull 1981 [exh. Ferens Art Gallery, Hull]

Brown 1982
C. Brown, Van Dyck, Oxford 1982

Brown 1983
C. Brown, Rubens, Samson and Delilah. Acquisition in Focus, London 1983 [exh. NG, London]

Brown 1984
C. Brown, Scenes of Everyday Life. Dutch Genre Painting of the Seventeenth Century, London/Boston 1984

Brown 1986
C. Brown, Dutch Landscape. The Early Years, Haarlem and Amsterdam, 1590–1650, London 1986 [exh. NG, London]

Brown 1991a
C. Brown, The Drawings of Anthony van Dyck, New York 1991

Brown 1991b
[C. Brown,] Brief Encounters. Rubens: Van Dyck. Samson and Delilah. A Display at the National Gallery, London 1991 [exh. NG, London]

Brown 1992a
C. Brown, ‘Anton van Dyck – eine Werk- und Lebensskizze’, in Mai & Vlieghe 1992, pp. 143–50

Brown 1992b
C. Brown et al., Rembrandt. His Teachers and his Pupils, Tokyo 1992 [exh. Bunkamura Museum of Art, Tokyo/Kawamura Memorial Museum of Art, Chiba/Yamaguchi Prefectural Museum of Art]

Brown 1993
C. Brown, ‘Introduction: Rembrandt’s studio practice’, in Bomford, Sumner & Waterfield 1993, pp. 6–13

Brown 1994
C. Brown, ‘Anthony van Dyck at work: “The Taking of Christ” and “Samson and Delilah,”’ Wallraf-Richartz-Jahrbuch. Jahrbuch für Kunstgeschichte 55 (1994), pp. 43–54

Brown 1996
C. Brown, Rubens’s Landscapes, London 1996 (Making & Meaning ) [exh. NG, London 1996–7]

Brown 1998
C. Brown, ‘Revising the canon: the collector’s point of view’, Simiolus 26 (1998), pp. 201–12

Brown 2001
B. L. Brown (ed.), The Genius of Rome, 1592–1623, London 2001 [exh. RA, London/Palazzo Venezia, Rome]

Brown 2002
J. Brown, ‘Artistic Relations between Spain and England 1604–1655’, in Brown & Elliott 2002, pp. 41–68

Brown & Elliott 2002
J. Brown and J. Elliott, The Sale of the Century. Artistic Relations between Spain and Great Britain, 1604–1655, New Haven/London/Madrid 2002 [exh. Museo Nacional del Prado, Madrid]

Brown, Haverkamp-Begemann & Müller-Hofstede 1990
C. Brown, E. Haverkamp-Begemann and J. Müller-Hofstede, Anthony van Dyck 1599–1641, s.l. 1990 [exh. Sogo Museum of Art, Yokohama/ Shizuoka Prefectural Museum of Art, Shizuoka/Kintetsu Museum of Art, Osaka]

Brown, Van Camp & Vogelaar 2019
C. Brown, A. Van Camp and C. Vogelaar et al., Young Rembrandt, Oxford 2019 (also in Dutch: Jonge Rembrandt, Zwolle 2019) [exh. Museum De Lakenhal, Leiden/Ashmolean Museum, Oxford, 2019–20]

Brown, Kelch & Van Thiel 1991

C. Brown, J. Kelch and P. van Thiel, Rembrandt. The Master and his Workshop. Paintings, New Haven/London 1991 [exh. Gemäldegalerie, Berlin/RM, Amsterdam/NG, London 1991–2]

Brown & Vlieghe 1999
C. Brown and H. Vlieghe, with contrib. by F. Baudouin et al., Van Dyck, 1599–1641, London/Antwerp 1999 [exh. KMSKA, Antwerp/RA, London]

Browning 1899
The Letters of Robert Browning and Elizabeth Barrett Barrett [sic] 1845–6, 2 vols, London 1899

Bruges 1956 see L’Art 1956

Bruegel 1980
Bruegel. Een dynastie van schilders, Brussels 1980 [exh. Paleis voor Schone Kunsten, Brussels]

Brunetti 1956
E. Brunetti, ‘Situazione de Viviano Codazzi’, Paragone 7/79 (1956), pp. 48–69

Brunswick 2004 see Büttner & Heinen 2004

Brusco 1768
[G. Brusco], Description des beautés de Gênes et de ses environs […], Genoa 1768

Brusco 1773
G. Brusco, Description des beautés de Gênes, Genoa 1773

Brusco 1781
[G. Brusco], Description des beautés de Gênes et de ses environs […], Genoa 1781

Brusco 1788
[G. Brusco], Description des beautés de Gênes et de ses environs, Genoa 1788

Brussels 2007–8 see Vander Auwera, Van Sprang & Rossi-Schrimpf 2007

Brussels/Kassel 2012–13 see Vander Auwera & Schaudies 2012

Brussels/London 2014–15 see Van Hout 2014

Bruyn 1982–9
J. Bruyn et al., A Corpus of Rembrandt Paintings, 3 vols, The Hague 1982–9 [i, 1625–31, 1982; ii, 1631–4, 1986; iii, 1635–42, 1989]. See also Van de Wetering 2005 (iv) and Van de Wetering 2011 (v), Van de Wetering 2015 and 2017 (vi)

Bruyn 1985
J. Bruyn, ‘De Meester van Paulus en Barnabas (Jan Mandyn?) en een vroeg werk van Pieter Aertsen’, in Rubens and his World 1985, pp. 17–29

Bruyn 1986 see Bruyn 1982–9

Bruyn 1987
J. Bruyn, review of Sumowski 1983–94, ii (1983), OH 101 (1987), pp. 222–34

Bruyn 1989 see Bruyn 1982–9

Bruyn 1995
J. Bruyn, review of Sumowski 1983–94, iv (c. 1989), and v (c. 1990), OH 109 (1995), pp. 101–12

Bruyn 1996
J. Bruyn, review of Sumowski 1983–94, vi (1994), OH 110 (1996), pp. 165–73

De Bruyn 1980
J.-P. De Bruyn, ‘De samenwerking van Daniël Seghers en Erasmus II Quellinus’, Jaarboek KMSKA (1980), pp. 261–329

De Bruyn 1988
J.-P. De Bruyn, Erasmus II Quellinus (1607–78). De schilderijen met catalogue raisonné, Freren 1988 (Vlaamse schilders uit de tijd van de grote meesters, iv)

De Bruyn & Op de Beeck 2003
E. De Bruyn and J. Op de Beeck et al., De zotte schilders. Moraalridders van het penseel rond Bosch, Bruegel en Brouwer, Ghent 2003 [exh. Centrum voor Oude Kunst ’t Vliegend Peert, Mechelen]

De Bruyn & Vézilier-Dussart 2014
J.-P. De Bruyn and S. Vézilier-Dussart (eds), Erasmus Quellinus in de voetsporen van Rubens, Ghent 2014 [exh. Musée départemental de Flandre, Cassel]

De Bruyn Kops 1965
C. J. de Bruyn Kops, ‘De Amsterdamse verzamelaar Jan Gildemeester Jansz.’, Bulletin van het Rijksmuseum 13 (1965), pp. 79–114

De Bruyn Kops 1987
C. J. de Bruyn Kops, ‘Jan Wijnants’, in Sutton 1987a, p. 523

Bryson, Holly & Moxey 1991
N. Bryson, M. A. Holly and K. Moxey, Visual Theory. Painting and Interpretation, Cambridge 1991

Buchan 1980
M. B. Buchan, The Paintings of Pieter Aertsen, Ann Arbor/London 1980 [PhD, New York University 1975]

Buchanan 1824
W. Buchanan, Memoirs of Painting, with a chronological history of the importation of pictures by the great masters into England since the French Revolution, 2 vols, London 1824

Buckeridge 1706
B. Buckeridge, ‘An essay towards an English-School, with the lives and characters of above 100 painters’, in R. de Piles, The Art of Painting, and the Lives of the Painters: containing, a compleat treatise of painting, designing, and the use of prints: with reflections on the works of the most celebrated painters, and of the several schools of Europe, as well ancient as modern: being the newest, and most perfect work of the kind extant/done from the French of Monsieur de Piles; to which is added […], London 1706, pp. 398–480

Buckeridge 1754
B. Buckeridge, ‘An Essay towards an English School of Painters’, in R. de Piles, The Art of Painting, with the lives and characters of above 300 of the most eminent painters: containing a complete treatise of painting, designing, and the use of prints, with reflections on the works of the most celebrated masters, and of several Schools of Europe, as well ancient as modern. Being the most perfect work of the kind extant. transl. from the French of De Piles. To which is added, an essay towards an English school, London [1754] 3rd edn; 17061, in which is now first inserted the life of Sir Godfrey Kneller, by the late B. Buckeridge, Esq., who wrote the greatest part of the English school, pp. 354–439. See also

Buck, Müller & Mallach 2019
S. Buck, J. Müller with M. Mallach, Rembrandt’s Mark, Dresden/London 2019 [exh. Kupferstich-Kabinett, Staatliche Kunstsammlungen Dresden]

Budapest 2014–15 see Ember 2014

Buddensieg 1977
T. Buddensieg, ‘Simson und Dalila von Peter Paul Rubens’, in Grisebach & Renger 1977, pp. 328–45

Bühren 1998
R. van Bühren, Die Werke der Barmherzigkeit in der Kunst des 12.–18. Jahrhunderts. Zum Wandel eines Bildmotivs vor dem Hintergrund neuzeitlicher Rhetorikrezeption, Hildesheim/Zürich/New York 1998

Bürger 2007
K. Bürger, ‘Carel van Falens. Een vaardige, vaak bedrieglijk knappe imitator van Philips Wouwerman’, Bulletin van het Rijksmuseum 55 (2007), pp. 332–51

Bürger, W. see Thoré-Bürger

Büttner 2006a
N. Büttner, ‘Aristocracy and noble business. Some remarks on Rubens’s financial affairs’, in Van der Stighelen 2006a, i, pp. 67–78

Büttner 2006b
N. Büttner, Herr P. P. Rubens. Von der Kunst, berühmt zu werden, Göttingen 2006 (Rekonstruktion der Künste, vii)

Büttner 2018a
N. Büttner, Rubens. Allegories and Subjects from Literature, 2 vols, London 2018 (Corpus Rubenianum Ludwig Burchard, xii)

Büttner 2018b

N. Büttner, ‘Rubens, Peter Paul (Pietro Pauolo)’, in Saur, c, 2018, pp. 38–43

Büttner 2019
N. Büttner, Rubens. Genre Scenes, London/Turnhout 2019 (Corpus Rubenianum Ludwig Burchard, xvii)

Büttner & Dörr 2011
N. Büttner and Chr. Dörr, ‘Jan Wijnants oder die Kunst sich selbst zu kopieren. Kunsthistorische und kunsttechnologische Überlegungen zu einer wiederentdeckten Landschaft mit Herde’, Kunstgeschichte. Open peer reviewed journal 2011 see urn:nbn:de:0009-23-28544 (since 24 Nov. 2011)

Büttner & Heinen 2004
N. Büttner and U. Heinen et al., Peter Paul Rubens. Barocke Leidenschaften, Munich 2004 [exh. Herzog-Anton-Ulrich-Museum, Brunswick]

Buijnster-Smets 1995
L. Buijnsters-Smets, Jan Massys. Een Antwerps schilder uit de zestiende eeuw, Zwolle 1995

Buijs & Van Berge-Gerbaud 1991
H. Buijs, M. van Berge-Gerbaud and P. Durey, Tableaux flamands et hollandais du Musée des Beaux-Arts de Lyon, Paris/Lyon 1991 (Collections flamandes et hollandaises des Musées de Province) [exh. Musée des Beaux-Arts de Lyon/Institut Néerlandais, Paris 1991–2]

Buijsen 1998
E. Buijsen et al., Haagse Schilders in de Gouden Eeuw. Het Hoogsteder Lexicon van alle schilders werkzaam in Den Haag 1600–1700, The Hague/Zwolle 1998 [exh. Haags Historisch Museum, The Hague 1998–9]

Buijsen, Dumas & Manuth 2012
E. Buijsen, C. Dumas and V. Manuth (eds), Face Book. Studies on Dutch and Flemish Portraiture of the 16th–18th Centuries. Liber Amicorum presented to Rudolf E. O. Ekkart on the occasion of his 65th birthday, Leiden 2012

Buijsen & Grijp 1994
E. Buijsen and L. P. Grijp et al., The Hoogsteder Exhibition of Music and Painting in the Golden Age, The Hague/Zwolle 1994 [exh. Hoogsteder & Hoogsteder, The Hague/Hessenhuis, Antwerp]

Buist 1974
M. G. Buist, At Spes non Fracta. Hope & Co., 1770–1815. Merchant bankers and diplomats at work, The Hague 1974

Buitenleven 1716
Het vermaaklyk buitenleven, of de zingende en speelende boerenvreugd. Met zangkunst verrykt, en tot gemak der speelers op de G sleutel gesteld, Haarlem 1716

Bulletin 1972
Bulletin National Galleries of Scotland, 1972, no. 1

Bullocke 2009
S. Bullocke, ‘No. 19. Jan van Kessel the Elder […] The Fable of the Fox and the Stork’, in Van Haeften 2009, n.p.

Buma 1994
J. H. Buma, François Ryckhals (1609–1647). Een schilderende magiër uit Middelburg, Goes 1994. See review: Meijer 1995

Bungarten 2005
G. Bungarten, J. H. Füsslis (1741–1825) ‘Lectures on Painting’. Das Modell der Antike und die moderne Nachahmung, Berlin 2005

Burchard 1926
L. Burchard, ‘Skizzen des jungen Rubens’, Sitzungsberichte der Berliner kunstgeschichtlichen Gesellschaft, Berlin, 8 Oct. 1926, pp. 1–4

Burchard 1932
L. Burchard, [under ‘Notizen und Nachrichten’] review of Kieser 1931, Zeitschrift für Kunstgeschichte 1 (1932), p. 86

Burchard 1950
[L. Burchard], A Loan Exhibition of Works by Peter Paul Rubens, Kt., London 1950 [exh. Wildenstein & Co., London]

Burchard & D’Hulst 1963
L. Burchard and R.-A. d’Hulst, Rubens Drawings, 2 vols, Brussels 1963

Burger-Wegener 1976
C. Burger-Wegener, ‘Johannes Lingelbach, 1622–1674’, PhD, Freie Universität Berlin 1976

Burke 1976
J. D. Burke, Jan Both: Paintings, Drawings and Prints, New York/London 1976 [PhD, Harvard University 1972]

Burnett 1969
D. G. Burnett, ‘Landscapes of Aelbert Cuyp’, Apollo 89 (1969), pp. 372–80

Buscaroli Fabbri 1991
B. Buscaroli Fabbri, Carlo Cignani. Affreschi, dipinti, disegni, Bologna 1991

Bussmann & Schilling 1998a
K. Bussmann and H. Schilling (eds), 1648. War and Peace in Europe, 3 vols (i, catalogue; ii [essay volume I] Politics, Religion, Law and Society; iii [essay volume II] Art and Culture), Osnabrück etc. 1998 [exh. Westfälisches Landesmuseum, Münster/Kulturgeschichtliches Museum and Kunsthalle Dominikanerkirche, Osnabrück 1998–9]

Bussmann & Schilling 1998b
K. Bussmann and H. Schilling (eds), 1648. Krieg und Frieden in Europa, 3 vols. See Bussmann & Schilling 1998a [with partly different text]

Butterwick 1998
R. Butterwick, Poland’s Last King and English Culture, Oxford 1998

Buvelot 2004
Q. Buvelot, with contrib. by C. Vermeeren, Royal Picture Gallery Mauritshuis. A Summary Catalogue, The Hague/Zwolle 2004

Buvelot 2009
Q. Buvelot, Jacob van Ruisdael schildert Bentheim (also in English: Jacob van Ruisdael paints Bentheim), The Hague/Zwolle 2009 [exh. MH, The Hague]

Buvelot & Buijs 2002
Q. Buvelot and H. Buijs, with introductory essay by E. Reitsma, A Choice Collection. Seventeenth-century Dutch Paintings from the Frits Lugt Collection, The Hague/Zwolle 2002 [exh. MH, The Hague, organized by the Fondation Custodia, Paris]

Buvelot, Hilaire & Zeder 1998
Q. Buvelot, M. Hilaire and O. Zeder, Tableaux flamands et hollandais du Musée Fabre de Montpelllier. Collections flamandes et hollandaises des Musées de Province, Paris/Montpellier 1998 [exh. Institut Néerlandais, Paris/Musée Fabre, Montpellier]


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