Dulwich Picture Gallery II

RKD STUDIES

Biblliography R – S


Radnor see Bouverie

Ram 2020
M. Ram, ‘Catalogue’ in cat. Constable 2020, pp. 76–200

Rambaud 1964–71
M. Rambaud, Documents du minutier central concernant l’histoire de l’art (1700–1750), 2 vols, Paris 1964–71

Ratti 1780
C. G. Ratti, Instruzione di quanto puo’ vedersi di piu’ bello in Genova in pittura, scultura, ed architettura ecc., 2 vols, Genoa 1780

Raupp 1987
H.-J. Raupp, ‘Adriaen Brouwer als Satiriker’, in Bock & Gaehtgens 1987, pp. 225–51

Raux 2012
S. Raux, ‘From Mariette to Joullain. Provenance and value in eighteenth-century French auction catalogues', in Feigenbaum & Reist 2012, pp. 86–103

Rearick 2001
W. R. Rearick, Il disegno veneziano del Cinquecento, Milan 2001 (Biblioteca Electa. Saggistica universale illustrata)

Rech & Janson 2012
A. Rech and J. Janson, ‘Musical Instruments in Vermeer’s Paintings: The Virginals http://www.essentialvermeer.com/music/vermeer_and_virginals.html (June 22, 2012)

Van Regteren Altena 1926
I. Q. van Regteren Altena, ‘I. van Moscher’, OH 43 (1926), pp. 18–28

Van Regteren Altena 1931
I. Q. van Regteren Altena, ‘Moscher (Mosker), I. van’, in Thieme & Becker, xxv, 1931, p. 177

Van Regteren Altena 1936
J. Q. van Regteren Altena, The Drawings of Jacques de Gheyn, i, Amsterdam 1936

Van Regteren Altena 1983
I. Q. van Regteren Altena, Jacques de Gheyn. Three generations, 3 vols, The Hague 1983

Reid & Maniura 1994
A. Reid and R. Maniura (eds), Edward Alleyn. Elizabethan actor, Jacobean gentleman, London 1994 [exh. DPG 1994–5]

Reinhard-Felice 2003
M. Reinhard-Felice (ed.), Sammlung Oskar Reinhart ‘Am Römerholz’ Winterthur: Gesamtkatalog, Basel 2003

Reiss 1953a
S. Reiss in Editorial 1953, pp. 33–4

Reiss 1953b
S. Reiss, ‘Aelbert Cuyp’, Burl. Mag. 95 (1953), pp. 42–7

Reiss 1973
S. Reiss, Aelbert Cuyp in British Collections, London 1973 [exh. NG, London]

Reiss 1975
S. Reiss, Aelbert Cuyp, London 1975

Rembrandt 2006
Rembrandt. Genie auf der Suche, Cologne/Berlin 2006 [exh. Gemäldegalerie, Berlin]. See also Van de Wetering 2006a

Rémy 1776
P. Remy, Catalogue de Tableaux précieux […] qui composent le Cabinet de feu M. Blondel de Gagny […], Paris 1776 [Lugt 2616]

Renger 1981
K. Renger, ‘“Sine Cerere et Baccho friget Venus.” Zu bacchischen Themen bei Rubens’, in Rubens 1981, pp. 105–35

Renger 1983
K. Renger, ‘Rubens’ “Laurentiusmarter.” Eine unbekannte Entwurfszeichnung’, in Essays 1983, pp. 205–8

Renger 1985
K. Renger, ‘Alte Liebe, gleich und ungleich. Zu einem satirischen Bildthema bei Jan Massys’, in Cavalli-Björkman 1985b, pp. 35–46

Renger 1986
K. Renger with a contrib. by H. von Sonnenburg, Adriaen Brouwer und das niederländische Bauerngenre, 1600–1660, Munich 1986 [exh. Alte Pinakothek, Munich]

Renger 1987
K. Renger, ‘Adriaen Brouwer. Seine Auseinandersetzung mit der Tradition des 16. Jahrhunderts’, in Bock & Gaehtgens 1987, pp. 253–82

Renger 1994
K. Renger, ‘Rubens-Stücke. Die Anstückungen von Münchner “Silen” und “Schäferszene,”’ Wallraf-Richartz-Jahrbuch. Jahrbuch für Kunstgeschichte 55 (1994), pp. 171–84

Renger 1996
K. Renger, ‘Brouwer, Adriaen [Adriaan]’, in Turner 1996, iv, pp. 870–73

Renger & Denk 2002
K. Renger and C. Denk, Flämische Malerei des Barock in der Alten Pinakothek, Munich/Cologne 2002

Retford 2011
K. Retford, ‘“Peculiarly happy at taking Likenesses”: Zoffany & British portraiture’, in Postle 2011, pp. 100–123, 251–2 (no. 71)

Reynolds 1984G. Reynolds, The Later Paintings and Drawings of John Constable, 2 vols, New Haven/London 1984 (Studies in British Art)

Reznicek 1956
E. K. J. Reznicek, ‘Jan Harmensz. Muller als tekenaar’, NKJ 7 (1956), pp. 65–120

Reznicek 1961
E. K. J. Reznicek, Die Zeichnungen von Hendrick Goltzius. Mit einem beschreibenden Katalog, 2 vols, Utrecht 1961

Reznicek 1968
E. K. J. Reznicek, ‘Bartholomäus Spranger als Bildhauer’, in Kosegarten & Tigler 1968, pp. 370–75, figs CLXX–CLXXIII

Reznicek 1980–81
E. K. J. Reznicek, ‘Jan Harmensz. Muller as Draughtsman: Addenda’, Master Drawings 18 (1980), pp. 115–33; 19 (1981), pp. 460–61

Reznicek 1990
E. K. J. Reznicek, ‘The Significance of a Table Leg: Some Remarks on Gerard Honthorst’s Steadfast Philosopher’, Hoogsteder Mercury (1990), no. 11, pp. 22–27

Ricardi di Netro & Gentile 2000
T. Ricardi di Netro and L. C. Gentile (eds), “Gentilhuomini Christiani e Religiosi Cavalieri.” Nove secoli dell’Ordine di Malta in Piemonte, Milan 2000

Richardson 1982
H. Richardson, ‘A Ferdinand Bol in Ireland and Rembrandt’s Danaë’, Studies. An Irish Quarterly Review of Letters, Philosophy & Science 71 (1982), pp. 227–45

Rice 1985
E. F. Rice, Saint Jerome in the Renaissance, Baltimore/London 1985

Richter & Sparkes 1880
J. P. Richter and J. C. L. Sparkes, Catalogue of the Pictures in the Dulwich College Gallery with biographical notices of the painters, London 18802 [2nd edn of Sparkes 18761]

Richter & Sparkes 1892
[J. P. Richter and J. C. L. Sparkes,] Catalogue of the Pictures in the Gallery of Alleyn’s College of God’s Gift at Dulwich with biographical notices of the painters, London 18923 [this catalogue has the new inventory numbers which are still being used]

Richter & Sparkes 1905
[J. P. Richter and J. C. L. Sparkes,] Catalogue of the Pictures in the Gallery of Alleyn’s College of God’s Gift at Dulwich with biographical notices of the painters, London 19054

Te Rijdt 2012
R. J. te Rijdt, ‘Het toeval helpt een beetje. Tibout Regters – Jan Verkolje – Dominicus van Tol’, in Buijsen, Dumas & Manuth 2012, pp. 465–72

Ripa 1603
C. Ripa, Iconologia Overo Descrittione Di Diverse Imagini cauate dall'antichità, & di propria inuentione / Trouate, & dichiarate Da Cesare Ripa Pervgino [...] – Di nuouo reuista, & dal medesimo ampliata di 400. & pi Imagini, Rome 1603

Ripps 2011
M. J. Ripps, ‘Bond Street picture dealers and the international trade in Dutch old masters, 1882–1914’, PhD Oxford University 2011

Robels 1983
H. Robels, Niederländische Zeichnungen vom 15. bis 19. Jahrhundert im Wallraf-Richartz-Museum Köln, Cologne 1983 (Kataloge des Wallraf-Richartz-Museums Graphische Sammung, i)

Robels 1989
H. Robels, Frans Snyders. Stilleben- und Tiermaler, 1579–1657, Munich 1989

Robinson 1979
W. W. Robinson, ‘Preparatory Drawings by Adriaen van de Velde’, Master Drawings 17 (1979), pp. 3–23

Robinson 1990
M. S. Robinson, Van de Velde. A catalogue of the paintings of the Elder and the Younger Willem van de Velde, 2 vols, Greenwich 1990

Robinson 1996
W. W. Robinson, ‘Velde, Adriaen van de’, in Turner 1996, xxxii, pp. 144–6

Robinson, Wilson & Silver 1980
F. W. Robinson, W. H. Wilson, with contrib. by L. Silver, Catalogue of the Flemish and Dutch Paintings 1400–1900 [John and Mable Ringling Museum of Art], Sarasota, Fla. 1980

La Rocca 1940
L. La Rocca, Il principe sabaudo Emanuele Filiberto, grande ammiraglio di Spagna e vicerè di Sicilia. Con documenti inediti, Turin 1940

Rodee 1967
H. D. Rodee, ‘Rubens’ treatment of Antique armor’, AB 99 (1967), pp. 223–30

Roe 1932
F. Gordon Roe, ‘London’s Forgotten Gallery’, Connoisseur 90, no. 374 (Oct. 1932), pp. 257–62

Roe 2006
S. Roe, Oil Paintings in Public Ownership in Cambridgeshire: The Fitzwilliam Museum, London 2006

Roethlisberger 1961
M. Roethlisberger, Claude Lorrain. The paintings, 2 vols, New Haven 1961 (Yale Publications in the History of Art, xiii)

Roethlisberger 1968a
M. Roethlisberger, Claude Lorrain. The drawings, 2 vols, Berkeley/Los Angeles 1968 (California Studies in the History of Art, viii)

Roethlisberger 1968b
M. Roethlisberger, ‘Da Bril a Swanevelt. Tondi olandesi di paesaggio, 1600–1650’, Palatino 12 (1968), pp. 387–93

Roethlisberger 1969
M. Roethlisberger, Bartholomäus Breenbergh. Handzeichnungen, Berlin 1969 (Disegno. Studien zur Geschichte der Europäischen Handzeichnung, i)

Roethlisberger 1981
M. Roethlisberger, Bartholomeus Breenbergh. The paintings, Berlin/New York 1981

Roethlisberger & Bok 1993
M. G. Roethlisberger and M. J. Bok, Abraham Bloemaert and his Sons. Paintings and prints, 2 vols, Doornspijk 1993 (Aetas Aurea. Monographs on Dutch and Flemish painting, xi)

Roethlisberger & Cecchi 1975
M. Roethlisberger and D. Cecchi, L’Opera completa di Claude Lorrain, Milan 1975

Rønberg & De la Fuente Pedersen 2006
L.B. Rønberg and E. De la Fuente Pedersen et al., Rembrandt? The master and his workshop, [Copenhagen] 2006 [exh. Statens Museum for Kunst, Copenhagen]

Romano 1995
G. Romano (ed.), Le Collezioni di Carlo Emanuele I di Savoia, Turin 1995 (Arte in Piemonte, ix)

Rome 2012 see Bandera, Liedtke & Wheelock 2012

Rooses 1886–92
M. Rooses, L’Œuvre de P. P. Rubens. Histoire et description de ses tableaux et dessins, 5 vols, Antwerp 1886–92 (vol. i, 1886; vol. ii, 1888; vol. iii, 1890; vol. iv, 1890; vol. v, 1892) (facsimile Soest 1977)

Rooses 1903
M. Rooses, Rubens’ leven en werken, Amsterdam/Antwerp/Ghent 1903

Rooses 1907
M. Rooses, ‘Van Dijck’s leer- en reisjaren’, Onze Kunst 6/12 (1907), pp. 1–13

Rooses & Ruelens 1887–1909
M. Rooses and C. Ruelens, Codex Diplomaticus Rubenianum. Correspondance de Rubens et documents épistolaires concernant sa vie et ses œuvres, 6 vols, Antwerp 1887–1909 [NB: vol. i is by C. Ruelens]

Rosand & Muraro 1976
D. Rosand and M. Muraro, Titian and the Venetian Woodcut, Washington 1976 [exh. NGA, Washington/Dallas Museum of Fine Art/Detroit Institute of Arts 1976–7]

Roscam Abbing 1992
M. Roscam Abbing, ‘De trompe-l’œil-anekdote over Rembrandts dienstmeisje van Roger de Piles (1635–1709)’, Kroniek van het Rembrandthuis 1992, no. 2, pp. 2–22

Roscam Abbing 1993a
M. Roscam Abbing, ‘On the Provenance of Rembrandt’s Girl at a Window, its First Owner, and an Intriguing Anecdote’, in Bomford, Sumner & Waterfield 1993, pp. 19–24

Roscam Abbing 1993b
M. Roscam Abbing, ‘Rembrandts “De Heilige Familie” van Roger de Piles (1635–1709)’, Kroniek van het Rembrandthuis 1993, no. 2, pp. 9–14

Roscam Abbing 1999
M. Roscam Abbing, Rembrant toont sijn konst. Bijdragen over Rembrandt-documenten uit de periode 1648–1756, Leiden 1999

Rosen 2008
J. Rosen, ‘Adonis in Jerusalem. Rubens, Snyders and the Dynamics of Collaboration’, Revue Belge d'Archéologie et d'Histoire de l'Art 77 (2008), pp. 91–100

Rosen 2010
J. Rosen, Soldiers at Leisure. The guardroom scene in Dutch genre painting of the Golden Age, Amsterdam 2010

Rosen 2013
J. Rosen, ‘Fantasy caves: Dutch grotto painting of the Golden Age’, in Ch. Dumas et al. (eds), Liber Amicorum Marijke de Kinkelder. Collegiale bijdragen over landschappen, marines en architectuur, The Hague 2013, pp. 291–304

Rosenbaum 1928
H. Rosenbaum, ‘Der junge van Dyck (1615–21)’, PhD, Ludwig-Maximilian University, Munich 1928

Rosenberg 1905
A. Rosenberg, P. P. Rubens. Des Meisters Gemälde in 551 Abbildungen, Stuttgart/Leipzig 1905 (Klassiker der Kunst, v)

Rosenberg 1906
A. Rosenberg, Rembrandt, des Meisters Gemälde in 565 Abbildungen, Stuttgart/Leipzig 1906, 2d edn (Klassiker der Kunst, ii). See also Rosenberg & Valentiner 1909

Rosenberg 1911
A. Rosenberg (ed.), P. P. Rubens. Des Meisters Gemälde in 551 Abbildungen, Stuttgart/Leipzig 19113. See also Oldenbourg 1921

Rosenberg 1928
J. Rosenberg, Jacob van Ruisdael, Berlin 1928

Rosenberg 1948
J. Rosenberg, Rembrandt, 2 vols, Cambridge, Mass. 1948

Rosenberg 1964
J. Rosenberg, Rembrandt. Life & Work, London 1964

Rosenberg, Jansen & Giltaij 1992
P. Rosenberg, G. Jansen and J. Giltaij, Chefs-d’œuvre de la peinture française des musées néerlandais, XVIIe–XVIIIe siècles / French Paintings from Dutch Collections, 1600–1800, Rotterdam 1992 [exh. Musée des Beaux-Arts, Dijon/Institut Néerlandais, Paris/BvB, Rotterdam 1992–3]

Rosenberg & Prat 1996
P. Rosenberg and L.-A. Prat, Antoine Watteau. 1684–1721. Catalogue raisonné des dessins, 3 vols, Milan 1996

Rosenberg, Slive & Ter Kuile 1966
J. Rosenberg, S. Slive and E. H. ter Kuile, Dutch Art and Architecture:1600 to 1800, Harmondsworth 1966

Rosenberg, Slive & Ter Kuile 1977
J. Rosenberg, S. Slive and E. H. ter Kuile, Dutch Art and Architecture:1600–1800, Harmondsworth (rev. edn) 19773 (19661)

Rosenberg & Valentiner 1909
A. Rosenberg and W. R. Valentiner, Rembrandt, des Meisters Gemälde in 643 Abbildungen, Stuttgart/Leipzig 1906, 3rd edn (Klassiker der Kunst, ii). See also Rosenberg 1906

Rosenthal 2005
L. Rosenthal, Gender, Politics, and Allegory in the Art of Rubens, Cambridge, etc. 2005

Rossini 2006
O. Rossini, Ara Pacis, Milan 2006

Rott 2002
H. W. Rott, Rubens. Palazzi di Genova. Architectural drawings and engravings, 2 vols, London/Turnhout 2002 (Corpus Rubenianum Ludwig Burchard, xxii (1–2))

Rotterdam 1953–4 see Ebbinge Wubben, Fierens & Haverkamp Begemann 1953

Rotterdam/Frankfurt 2004–5 see Giltaij 2004

Rowlands 1977
J. Rowlands, Rubens. Drawings and sketches. Catalogue of an exhibition at the Department of Prints and Drawings in the British Museum, London 1977 [exh. BM, London]

Roy 1992
A. Roy, Gérard de Lairesse (1640–1711), Paris 1992

Roy 1999a
A. Roy, ‘The National Gallery Van Dycks: Technique and Development’, National Gallery Technical Bulletin (1999), no. 20 (Painting in Antwerp and London: Rubens and Van Dyck), pp. 50–88

Roy 1999b
A. Roy, ‘Rubens’s “Peace and War,” National Gallery Technical Bulletin (1999), no. 20 (Painting in Antwerp and London: Rubens and Van Dyck), pp. 89–95

Royal 1951
Royal Museum of Fine Arts. Catalogue of Old Foreign Paintings, Copenhagen 1951

Royalton-Kisch 1999
M. Royalton-Kisch, The Light of Nature. Landscape drawings and watercolours by Van Dyck and his contemporaries, London 1999 [exh. BM, London]

Royalton-Kisch 2010
M. Royalton-Kisch, Catalogue of Drawings by Rembrandt and his School in the British Museum, 2010, online: https://www.britishmuseum.org/collection/term/BIB6822 (July 2, 2020)

Royalton-Kisch [based on Benesch 1973]
http://rembrandtcatalogue.net

Rubens 1977 see D’Hulst 1977

Rubens 1981
Zentralinstitut für Kunstgeschichte and Bayerische Staatsgemäldesammlungen (eds), Peter Paul Rubens. Werk und Nachruhm [Gewidmet dem Andenken an Ulla Krempel], Munich 1981

Rubens 2003
Peter Paul Rubens. A touch of brilliance. Oil sketches and related works from the State Hermitage Museum and the Courtauld Institute Gallery, Munich, etc. 2003 [exh. Hermitage Rooms, Courtauld Institute of Art, London 2003–4]. See review: White 2003a

Rubens 2004
Rubens, Paris/Ghent 2004 [exh. Palais des Beaux-Arts, Lille]. See review: Van Hout 2004c

Rubens 2006
Rubens and the Netherlands / Rubens en de Nederlanden, Zwolle 2006 [NKJ 55 (2004)]

Rubens and his world 1985
Rubens and his world. Bijdragen […] opgedragen aan Prof. Dr. Ir. R.-A. d’Hulst naar aanleiding van het vijfentwintigjarig bestaan van het Nationaal Centrum voor de Plastische Kunsten in de 16de en 17de Eeuw, Antwerp 1985

Runia 2001
E. Runia, cat. no. 11, ‘Christoffel van den Berghe […], Winterlandschap, c. 1615–1620’ in Van Suchtelen 2001, pp. [94–5], and p. 160

Ruskin 1843
A graduate of Oxford [J. Ruskin], Modern Painters: their superiority in the art of Landscape painting to all the ancient masters proved by examples of the True, the Beautiful, and the Intellectual from the works of Modern artists, especially from those of J. M. W. Turner, Esq. RA, London 1843; see http://www.lancaster.ac.uk/fass/ruskin/empi/1stedition/1a003.htm (Oct. 4, 2020)

Ruskin 1873
J. Ruskin, Modern Painters, 5 vols, London 1873; see https://www.gutenberg.org/files/44329/44329-h/44329-h.htm. See also Cook & Wedderburn 1903–12/2009–10

Russell 1996a
M. Russell, ‘Peeters, Bonaventura, I’, in Turner 1996, xxiv, pp. 323–4

Russell 1996b
M. Russell, ‘(2) Abraham Storck’, in Turner 1996, xxix, pp. 720–21

Rutgers 2008
J. Rutgers, ‘Rembrandt in Italië. Receptie en verzamelgeschiedenis / Rembrandt in Italy. Reception and history of collecting’ (with a summary in English), PhD, Utrecht University 2008

Ruurs 1982
R. Ruurs, ‘Saenredam: constructies’, OH 96 (1982), pp. 97–122

Ruurs 1983
R. Ruurs, ‘Pieter Saenredam: zijn boekenbezit en zijn relatie met de landmeter Pieter Wils’, OH 97 (1983), pp. 59–68

Ruurs 1987
R. Ruurs, Saenredam. The art of perspective, Amsterdam/Philadelphia/Groningen 1987 (Oculi. Studies in the arts of the Low Countries, i)

Van Ruyven-Zeman, Leesberg & Van der Stock 2003
Z. van Ruyven-Zeman with M. Leesberg, ed. by J. van der Stock and M. Leesberg, The Wierix Family, pt iii, Rotterdam 2003 (Hollstein’s Dutch & Flemish etchings, engravings and woodcuts 1450–1700, lxi)

Rye 1972 see High 1972

De Rynck 2009
P. De Rynck, Het Rubenshuis. Het ongeschreven verhaal van De Vrienden en de collectie, Louvain 2009


Sadion 2009
M. Sadion et al., Ni tout à fait la même, ni tout à fait une autre, ou des chefs-d’œuvre comme modèles, Epinal 2009 [exh. Musée de l’Image, Epinal]

Safarik & Pujia 1996
E. A. Safarik, with the assistance of C. Pujia, The Colonna Collection of Paintings. Inventories 1611–1795, Munich, etc. 1996 (Documents for the history of collecting: Italian inventories, ii)

Salerno 1977–80
L. Salerno, Pittori di paesaggio del seicento a Roma / Landscape Painters of the Seventeenth Century in Rome, 3 vols, Rome 1977–80 (vols i and ii, 1977–8; vol. iii, 1980)

Salomon 2010
X. F. Salomon, Masterpieces of European Painting from Dulwich Picture Gallery, New York 2010 [exh. The Frick Collection, New York]

Salomon 2012
X. F. Salomon, Van Dyck in Sicily. 1624–1625 painting and the plague, London/Milan 2012 [exh. DPG]

Salomon 2014
X. F. Salomon, Veronese, London 2014 [exh. NG, London]

Salomon 2016
X. F. Salomon, ‘Van Dyck in Sicilia, Il ritratto di Desiderio Segno’, in Simonetti & Zanelli 2016, pp. 6–39

Salomon 2017
X. F. Salomon, ‘Murillo’s Self-Portraits: a Sketch’, in Salomon & Treves 2017, pp. 8–67

Salomon & Treves 2017
X. F. Salomon, L. Treves et al., Murillo. The self-portraits, New York/New Haven/London 2017 [exh. The Frick Collection, New York/ NG, London 2017–18]

Sander & Brinkmann 1995
J. Sander and B. Brinkmann, Niederländische Gemälde vor 1800 im Städel, Frankfurt 1995 (Niederländische Gemälde vor 1800 in bedeutenden Sammlungen. Illustriertes Gesamtverzeichnis, i)

Sass 1971
E. K. Sass, Comments on Rembrandt’s Passion Paintings and Constantijn Huygens’s Iconography, Copenhagen 1971 (Det Kongeliges Danske Videnskabernes Selskab Historisk-Filosofiske Skrifter, 5, 3)

Saur
Saur Allgemeines Künstlerlexikon. Die Bildenden Künstler aller Zeiten und Völker, Munich/Leipzig 1992– . See also AKLONLINE (Allgemeines Künstlerlexikon - Internationale Künstlerdatenbank – Online): https://www.degruyter.com/view/db/akl

Saur 1999–2000
Saur Allgemeines Künstlerlexikon. Bio-bibliographischer Index A-Z / The Artists of the World. Bio-bibliographical index A–Z / Encyclopédie universelle des artistes. Index bio-bibliographique A–Z / Enciclopedia universale degli artisti. Indice bio-bibliografico A–Z / Enciclopedia universal de los artistas. Indice bio-bibliográfico A–Z, 10 vols, Munich/Leipzig 1999–2000

Saward 1981
S. V. Saward, Rubens’ Medici cycle, Ann Arbor 1981 [PhD, Bryn Mawr College]

Saxer 1959
V. Saxer, Le culte de Marie Madeleine en Occident des origines à la fin du moyen âge, 2 vols, Auxerre/Paris 1959 (Cahiers d’archéologie et d’histoire, iii)

S. B. 1932 see B. 1932

Scailliérez 1991
C. Scailliérez, Joos van Cleve au Louvre, Paris 1991 [exh. Louvre, Paris]

Schaar 1956
E. Schaar, ‘Zu den Berchem-Zeichnungen in den Musées Royaux des Beaux-Arts zu Brüssel’, Bulletin KMSKB 5 (1956), pp. 209–20

Schaar 1958
E. Schaar, Studien zu Nicolaes Berchem, Cologne 1958 [PhD, University of Cologne 1957]

Schacht & Meiner 1999
M. Schacht and J. Meiner, Onder den Oranje boom. Niederländische Kunst und Kultur im 17. Und 18. Jahrhundert an deutschen Fürstenhöfen. Katalogband, Munich 1999 [exh. Kaiser Wilhelm Museum, Krefeld/Schloß Oranienbaum 1999]. Also in Dutch: Nederlandse kunst en cultuur aan Duitse vorstenhoven in de zeventiende en achttiende eeuw, Apeldoorn 1999 [exh. Paleis Het Loo, Apeldoorn 1999–2000]

Schadee 1994
N. I. Schadee (ed.), Rotterdamse meesters uit de Gouden Eeuw, Rotterdam/Zwolle 1994 [exh. Historisch Museum Rotterdam 1994–5]

Schaeffer 1909
E. Schaeffer (ed.), Van Dyck. Des Meisters Gemälde in 537 Abbildungen, Stuttgart/Leipzig 1909. See also Glück 1931

Schaeps & Van der Veen 2014
J. Schaeps and J. van der Veen (eds), Leiden viert feest! Hoogtepunten uit een academische collectie, Leiden 2014 [exh. Rembrandt House Museum, Amsterdam]

Schama 1987
S. Schama, ‘Dutch Landscapes: Culture as Foreground’, in Sutton 1987a, pp. 64–83

Schama 1999
S. Schama, Rembrandt’s Eyes, New York 1999

Schatborn 1975
P. Schatborn, ‘“De Hut” van Adriaen van de Velde’, Bulletin van het Rijksmuseum 23 (1975), pp. 159–65

Schatborn 1981
P. Schatborn, Figuurstudies. Nederlandse tekeningen uit de 17de eeuw (also in English: Dutch figure Drawings from the Seventeenth Century), The Hague 1981 [exh. RPK, Amsterdam/NGA, Washington 1981–2]

Schatborn 2001
P. Schatborn with an essay by J. Verberne, Drawn to Warmth. 17th-century Dutch artists in Italy, Amsterdam/Zwolle 2001 [exh. RM, Amsterdam]

Schatborn 2010
P. Schatborn, Rembrandt and his Circle. Drawings in the Frits Lugt Collection, 2 vols, Bussum/Paris 2010

Schatborn & Hinterding 2019
P. Schatborn and E. Hinterding, ed. by P. Lamers-Schütze, Rembrandt. The complete drawings and etchings, Cologne 2019. See also Manuth, De Winkel & Van Leeuwen 2019

Schavemaker 2001
E. Schavemaker, ‘Dubois (du Bois), Guillam (Willem)’, in Saur, xxx, 2001, pp. 52–3

Schawe 2006
M. Schawe, Alte Pinakothek. Altdeutsche und altniederländische Malerei, Munich 2006

Scheele & Kanzenbach 2008
F. Scheele and A. Kanzenbach (eds), Ludolf Backhuysen. Emden 1630–Amsterdam 1708, Munich/Berlin 2008 (Veröffentlichungen des Ostfriesischen Landesmuseum Emden, xxvii) [exh. Ostfriesisches Landesmuseum and Emder Rüstkammer, Emden 2008–9]

De Scheemaker 2000
J. de Scheemaker, ed. by D. de Hoop Scheffer, Joachim Wtewael to Frans van den Wyngaerde, Rotterdam/Amsterdam 2000 (Dutch and Flemish etchings, engravings and woodcuts ca. 1450–1700, lv)

Scheller 1969
R.W. Scheller, ‘Rembrandt en de encyclopedische kunstkamer’, OH 84 (1969), pp. 81–147

Scheltema 1853
P. Scheltema, Rembrand: redevoering over het leven en de verdiensten van Rembrand van Rijn met eene menigte geschiedkundige bijlagen meerendeels uit echte bronnen geput, Amsterdam 1853 (French edn 1866)

Van Schendel, Cleveringa, Haak & Röell 1956
A. F. E. van Schendel, J. L. Cleveringa, B. Haak and D. C. Röell, Rembrandt. Tentoonstelling ter herdenking van de geboorte van Rembrandt op 15 juli 1606. Schilderijen, s.l. 1956 [exh. RM, Amsterdam/BvB, Rotterdam]

De Schepper 1953
L. De Schepper, Hemiksem. De Scheldeoever, nijverheid en lusthuizen, Antwerp 1953

De Schepper 1957
L. De Schepper, Oud- en nieuw Hemiksem met de Sint-Bernardusabdij, Antwerp 1957

Schlapeit-Beck 1987
D. Schlapeit-Beck, ‘Frauenarbeit und Stand der Technologie als Thema der Malerei: das Motiv der spinnenden Frau’, Kritische Berichte 15/2 (1987), pp. 20–31

Schleier 1992
M. Newcome Schleier, Kunst in der Republik Genua, 1528–1815, Frankfurt 1992 [exh. Schirn Kunsthalle, Frankfurt]. See review: H. Brigstocke 1992

Schloss 1982
C. Skeeles Schloss, Travel, Trade and Temptation. The Dutch Italianate harbor scene, 1640–1680, Ann Arbor 1982 [PhD, Yale University 1978] (Studies in Baroque Art History, iii)

Schloss 1983
C. Schloss, ‘The early Italianate genre paintings by Jan Weenix (ca. 1642–1719)’, OH 97 (1983), pp. 69–97

Schmid 2018
V. I. Schmid et al., The Orléans Collection, New Orleans [exh. New Orleans Museum of Art 2018–9]

Schmidt 1968
M. Schmidt, Der Basler Medeasarkophag. Ein Meisterwerk spätantoninischer Kunst, Tübingen [1968] (Monumenta artis antiquae, iii)

Schmidt 1981
W. Schmidt, Studien zur Landschaftskunst Jacob van Ruisdaels. Frühwerke und Wanderjahre, Hildesheim/New York 1981 (Studien zur Kunstgeschichte, xv)

Schmidt-Degener 1908
F. Schmidt-Degener, Adriaen Brouwer et son évolution artistique, Brussels 1908

Schnackenburg 1981
B. Schnackenburg, Adriaen van Ostade, Isack van Ostade. Zeichnungen und Aquarelle. Gesamtdarstellung mit Werkkatalogen, 2 vols, Hamburg 1981

Schnackenburg 1984
B. Schnackenburg, ‘Das Bild des bäuerlichen Lebens bei Adriaen van Ostade’, in Vekeman & Müller Hofstede 1984, pp. 30–42

Schnackenburg 1992
B. Schnackenburg, ‘Die Anfänge von Thomas Adriaensz. Wyck (um 1620–1677) als Zeichner und Maler’, OH 106 (1992), pp. 143–56

Schnackenburg 1996a
B. Schnackenburg, Gemäldegalerie Alte Meister. Gesamtkatalog. Staatliche Museen Kassel, 2 vols, Mainz 1996

Schnackenburg 1996b
B. Schnackenburg, ‘Dusart [du Sart], Cornelis’, in Turner 1996, ix, pp. 456–7

Schnackenburg 1996c
B. Schnackenburg, ‘Ostade, van; (1) Adriaen van Ostade; (2) Isack [Isaac; Isaak; Isak] van Ostade’, in Turner 1996, xxiii, pp. 609–15

Schnackenburg 2005
B. Schnackenburg, ‘Jacques de l’Ange, ein flämischer Maler zwischen Jan Cossiers und Matthias Stom. Zum Nachtstuck in Antwerpen und Neapel um 1640, mit einem Werkverzeichnis’, Wallraf-Richartz-Jahrbuch 66 (2005), pp. 109–38

Schnackenburg 2016
B. Schnackenburg, Jan Lievens: Friend and Rival of the Young Rembrandt: with a catalogue raisonné of his early Leiden work 1623–1632, Petersberg 2016

Schneider 1926
H. Schneider, ‘Jonson (Janssens) van Ceulen […], Cornelis II’, in Thieme & Becker, xix, 1926, p. 144

Schneider 1932
H. Schneider, Jan Lievens. Sein Leben und seine Werke, Haarlem 1932. See also Schneider & Ekkart 1973

Schneider 1993
C. P. Schneider, ‘Death by Interpretation: Rembrandt’s Girl with Dead Peacocks’, in Cavalli-Björkman 1993a, pp. 55–67

Schneider & Ekkart 1973
H. Schneider with a suppl. by R. E. O. Ekkart, Jan Lievens. Sein Leben und seine Werke, Amsterdam 1973 (reprint of Schneider 1932)

Scholten 1904
H. J. Scholten, Musée Teyler à Haarlem. Catalogue raisonné des dessins des écoles française et hollandaise, Haarlem 1904

Scholten 2006
F. Scholten, ‘Rubens’ werkplaats-academie of de ghemeynschap die onse Consten van Schildry ende Belthouwery t’samen hebben’, in Rubens 2006, pp. 34–53

Scholten 2010
F. Scholten, Artus Quellinus. Sculptor of Amsterdam, Amsterdam 2010

Scholz 1985
H. Scholz, Brouwer invenit. Druckgraphische Reproduktionen des 17.–19. Jahrhunderts nach Gemälden und Zeichnungen Adriaen Brouwers, Marburg 1985 (Studies zur Kunst und Kulturgeschichte, iii)

Schoon & Paarlberg 2000
P. Schoon and S. Paarlberg (eds), Greek Gods and Heroes in the Age of Rubens and Rembrandt, Athens/Dordrecht 2000 [exh. National Gallery, Athens /Alexandros Soutzos Museum, Athens/Dordrechts Museum 2000–2001]

Schoon & Sluiter 1998
P. Schoon and G. Sluiter et al., Arent de Gelder (1645–1727). Rembrandts laatste leerling, Ghent 1998 [exh. Dordrechts Museum/Wallraf-Richartz-Museum, Cologne 1998–9]

Schreuder 1989
M. Schreuder, ‘De kunstverzameling van Henry Hope’, in Beelaerts van Blokland 1989, pp. 92–122

Schröder & Bisanz-Prakken 2009
K. A. Schröder and M. Bisanz-Prakken (eds), Das Zeitalter Rembrandts, Vienna/Ostfildern 2009

Schröder & Widauer 2004
K. A. Schröder and H. Widauer (eds), Peter Paul Rubens, Ostfildern-Ruit 2004 [exh. Albertina, Vienna]

Schroder 2009
T. Schroder, British and Continental Gold and Silver in the Ashmolean Museum, 3 vols, Oxford 2009

De Schryver & Van de Velde 1972
A. De Schryver and C. Van de Velde, Catalogus van de schilderijen. Stad Gent. Oudheidkundig Museum Abdij van de Bijloke, Ghent 1972

Schuckman 1992a
C. Schuckman (D. de Hoop Scheffer ed.), Cornelis de Visscher, Cornelis Visscher, Hendrick Jansz Visscher, Lambert Visscher, Roosendaal 1992 (Hollstein’s Dutch & Flemish etchings, engravings and woodcuts, ca. 1450–1700, xl)

Schuckman 1992b
C. Schuckman (D. de Hoop Scheffer ed.), Johannes [de] Visscher to Robert van Voerst, Roosendaal 1992 (Hollstein’s Dutch & Flemish etchings, engravings and woodcuts, ca. 1450–1700, xli)

Schuckman 1993
C. Schuckman (D. de Hoop Scheffer ed.), Lucas Vorsterman I, Roosendaal/Amsterdam 1993 (Hollstein’s Dutch and Flemish etchings, engravings and woodcuts ca. 1450–1700, xliii)

Schuckman 1995–6
C. Schuckman (D. de Hoop Scheffer ed.), Maarten de Vos, 3 vols, Rotterdam/Amsterdam 1995–6 (Hollstein’s Dutch & Flemish etchings, engravings and woodcuts, 1450–1700, xliv–xlvi)

Schuckman 1996
C. Schuckman, ‘Vos, Marten (Maarten; Maerten) de’, in Turner 1996, xxxii, pp. 708–12

Schulz 1978
W. Schulz, Cornelis Saftleven 1607–1681. Leben und Werke. Mit einem kritischen Katalog der Gemälde und Zeichnungen, Berlin 1978

Schulz 1982
W. Schulz, Herman Saftleven 1609–1685. Leben und Werke. Mit einem kritischen Katalog der Gemälde und Zeichnungen, Berlin/New York 1982

Schulz 1996
W. Schulz, ‘Herman Saftleven II’, in Turner 1996, xxvii, pp. 516–19

Schulz 2002
W. Schulz, Aert van der Neer, Doornspijk 2002 (Aetas Aurea. Monographs on Dutch & Flemish painting, xviii)

Schulze 1998
S. Schulze (ed.), Innenleben. Die Kunst des Interieurs. Vermeer bis Kabakov, Ostfildern-Ruit 1998 [exh. Städelsches Kunstinstituut und Städtische Galerie, Frankfurt]

Schumacher 2006
B. Schumacher, Philips Wouwerman (1619–1668). The horse painter of the Golden Age, 2 vols, Doornspijk 2006 (Aetas Aurea. Monographs on Dutch & Flemish painting, xx)

Schwartz 1983
G. Schwartz, ‘Jan van der Heyden and the Huydecopers of Maarsseveen’, Getty Museum Journal 11 (1983), pp. 197–220

Schwartz 1985
G. Schwartz, Rembrandt. His life, his paintings. A new biography with all accessible paintings illustrated in colour, Harmondsworth, etc. 1985 (19841; Dutch edn)

Schwartz 2004
L. A. Schwartz, The Dutch Drawings in the Teyler Museum. Artists born between 1740 and 1800, Haarlem/Ghent/Doornspijk 2004

Schwartz 2006
G. Schwartz, Rembrandt’s Universe. His art, his life, his world, London 2006

Schwartz & Bok 1990
G. Schwartz and M. J. Bok, Pieter Saenredam. The painter and his time, The Hague/Maarssen 1990 (original Dutch edn 1989)

Scott 2013
K. Scott, ‘Screen Wise, Screen Play: Jacques de Lajoue and the Ruses of Rococo’, Art History 36 (2013), pp. 568–607

Scott, Dugan & Paschetto 1994
C. R. Scott, O. H. Dugan & J. Paschetto (eds), Paintings from Europe and the Americas in the Philadelphia Museum of Art. A concise catalogue, Philadelphia 1994

Scott & Hillyard 2019
J. Scott and H. Hillyard, with contrib. by D. de Witt and F. Gottwald, Rembrandt’s light, London 2019 [exh. DPG, 2019–20]

Seelig 1999
G. Seelig, ‘Cuyp, Aelbert Jacobsz’, in Saur, xxiii, 1999, pp. 235–7

Seelig 2006
G. Seelig, ‘Berchems werken in Frankrijk in de achttiende eeuw’, in Biesboer 2006a, pp. 59–68

Seelig 2010
G. Seelig, with contrib. by K. Binzer and E. Dullaart, Die holländische Genremalerei in Schwerin. Bestandskatalog Staatliches Museum Schwerin, Petersberg 2010

Seelig 2017
L. Seelig, ‘3. Superb craftmanship in Antwerp. Baroque goldsmith’s work in competition with the visual arts’, in S. Dupré and C. Göttler (eds), Knowledge and Discernment in the Early Modern Arts, London/New York 2017, pp. 91–124

Segal, Ellens & Dik 2006
S. Segal with M. Ellens and J. Dik, The Temptations of Flora. Jan van Huysum, 1682–1749 (also in Dutch: De verleiding van Flora…), Zwolle/Delft/Houston 2006 [exh. Museum Het Prinsenhof, Delft/Museum of Fine Arts, Houston 2006–7]

Seifert 2005
C. T. Seifert, ‘Beiträge zu Leben und Werk des Lindauer Malers Jakob Ernst Thomann von Hagelstein (1588–1653)’, Wissenschaftliches Jahrbuch Zeppelin Museum Friedrichshafen 2005, pp. 100–111

Seifert 2011
C. T. Seifert, Pieter Lastman. Studien zu Leben und Werk. Mit einem kritischen Verzeichnis der Werke mit Themen aus der artike Mythologie und Historie, Petersberg 2011 (Studien zur internationalen Architektur- und Kunstgeschichte, lxxxviii)

Seifert 2018
C. T. Seifert et al., Rembrandt. Britain’s discovery of the master, Edinburgh 2018 [exh. NGS, Edinburgh]

Seilern 1955
A. Seilern, Flemish Paintings and Drawings at 56 Princes Gate London S.W.7 [collection of Count A. Seilern], London 1955

Seilern 1971
A. Seilern, Corrigenda & Addenda to the Catalogue of Paintings & Drawings at 56 Princes Gate, London SW7, London 1971

De Séjournet 1994
M.-E. de Séjournet, ‘La vie et l’œuvre de Philippe-Auguste Immenraet (1627–1679)’, PhD, Louvain University 1994

Sellink & Leesberg 2001
M. Sellink and M. Leesberg, Philips Galle, 4 vols, Rotterdam 2001 (The New Hollstein: Dutch and Flemish etchings, engravings and woodcuts 1450–1700, x)

Sennewald & Hrnčiřík 2018
R. Sennewald in cooperation with P. Hrnčiřík, Pieter Snayers, 1592–1667. Battle painter of the 17th century, Berlin 2018

Senenko 2009
M. Senenko, The Pushkin State Museum of Fine Arts Collection of Dutch Paintings, XVII–XIX Centuries, Moscow/Amsterdam 2009

Sérullaz 1978
A. Sérullaz, Rubens, ses maîtres, ses élèves. Dessins du musée du Louvre, Paris 1978 [exh. Louvre, Paris]

Settis 2009
S. Settis, ‘Teatro degli affetti. Rubens e van Dyck, circa 1627–1629’, in Tempestini & Settis 2009, pp. 6–38

Ševčík, Bartilla & Seifertová 2012
A. K. Ševčík (ed.), S. Bartilla and H. Seifertová, National Gallery in Prague. Dutch paintings of the 17th and 18th centuries. Illustrated summary catalogue, Prague 2012 (Illustrated summary catalogues of the collection of Old Masters. Old European art. Netherlandish art, I/3)

Sewter & White 1972
A. C. Sewter and D. M. White, ‘Variations on a Theme of Titian’, Apollo 95 (Feb. 1972), pp. 88–95

Seymour 1733–5
R. Seymour, A Survey of the Cities of London and Westminster, Borough of Southwark, and Parts Adjacent, 2 vols, 1733–5

Sframeli 2003
M. Sframeli (ed.), The Myth of Aphrodite / Il mito di Afrodite, Milan 2003 [exh. Nicosia Municipal Arts Centre]

Shand 2008
W. Shand, ‘Edmund Harman c. 1509–1577’, in I. Burn (ed.), Notable Barber Surgeons, London 2008, pp. 31–57

Shaw 1967
J. Byam Shaw, Paintings by Old Masters at Christ Church Oxford, Oxford 1967

Shaw 1968
J. Byam Shaw, Paintings by Old Masters at Christ Church Oxford. A selection, Oxford 1968

Shaw 1976
J. Byam Shaw, Drawings by Old Masters at Christ Church, Oxford, 2 vols, Oxford 1976

Shawe-Taylor 2000
D. Shawe-Taylor, Dulwich Picture Gallery. A visitor’s guide, London 2000

Shawe-Taylor 2010
D. Shawe-Taylor, with contrib. by J. Scott, Dutch Landscapes, London 2010
[exh. The Queen’s Gallery, Holyroodhouse Palace, Edinburgh/The Queen’s Gallery, London 2010–11]

Shawe-Taylor & Scott 2007
D. Shawe-Taylor and J. Scott, Bruegel to Rubens. Masters of Flemish painting, London 2007 [exh. The Queen’s Gallery, Holyroodhouse Palace, Edinburgh/The Queen’s Gallery, London 2007–8]

Shawe-Taylor, Senzoku & Dejardin 1999
D. Shawe-Taylor, N. Senzoku and I. A. C. Dejardin, Old Master Paintings from the Dulwich Picture Gallery, [London] 1999 [exh. Isetan Museum of Art, Tokyo/Hiroshima Museum of Art. Hiroshima/Koriyama City Museum of Art, Fukushima/Daimaru Museum, Umeda-Osaka/Yamanashi Prefectural Museum of Art/Okazaki City Museum, Aichi]

Shipp 1954
H. Shipp, ‘Rubens’ Modello for “Venus, Mars and Cupid,”’ Apollo 59 (April 1954), p. 94

Shop Talk 1995
Shop Talk. Studies in honor of Seymour Slive presented on his seventy-fifth birthday, Cambridge, Mass. 1995

Sick 1930
I. von Sick, Nicolaes Berchem. Ein Vorläufer des Rokoko, Berlin 1930

Siefert 1993a
H. Siefert, Zum Ruhme des Helden. Historien- und Genremalerei des 17. und 18. Jahrhunderts aus den Beständen der Alten Pinakothek, Munich 1993 [exh. Alte Pinakothek, Munich]

Siefert 1993b
H. Siefert, ‘Die Werkstätten – Vier Generationen flandrisch-franzözischer Schlachtenmaler’, in Siefert 1993a, pp. 21–33, 58–9

Silver 1984
L. Silver, The Paintings of Quinten Massys with Catalogue Raisonné, Oxford 1984

Simon 1927–30
K. E. Simon, Jacob van Ruisdael: eine Darstellung seiner Entwicklung, Berlin [1930, 19271]

Simonetti & Zanelli 2003a
F. Simonetti and G. Zanelli (eds), Joos van Cleve e Genova. Intorno al ritratto di Stefano Raggio, Florence 2003 [exh. Galleria nazionale di Palazzo Spinola, Genoa]

Simonetti & Zanelli 2003b
F. Simonetti and G. Zanelli (eds), Indagini tecniche sulle opere genovesi di Joos van Cleve. Giornata internazionale di studi, 13 marzo 2003, Florence 2003

Simonetti & Zanelli 2016
F. Simonetti and G. Zanelli (eds), Van Dyck tra Genova e Palermo. Liechtenstein – The Princely Collections e Palazzo Spinola, Genoa 2016 [exh. Galleria Nazionale di Palazzo Spinola, Genoa 2016–17]

Simson & Winner 1979
O. von Simson and M. Winner (eds), Pieter Bruegel und seine Welt, Berlin 1979 [colloquium Berlin 1975]

Sir James 1943a
Editorial, ‘Sir James Thornhill’s Collection’, Burl. Mag. 82 (June 1943), pp. 133–6

Sir James 1943b
[Shorter Notice] ‘Sir James Thornhill’s Collection: a postscript’, Burl. Mag. 83 (Aug. 1943), p. 207

Sitt 2007
M. Sitt, with collaboration of G. Walczak, Die deutschen, englischen, französischen, italienischen und spanischen Gemälde, 1350–1800 (Die Gemälde der alten Meister), Cologne 2007 (Die Sammlungen der Hamburger Kunsthalle, i)

Slama & Prohaska 2008
I. Slama and W. Prohaska, ‘Van Dycks Bildnis eines geharnischtes Mannes’, Technologische Studien Kunsthistorisches Museum [Wien] 5 (2008), pp. 140–61

Slatkes 1978
L. J. Slatkes (ed.), The Illustrated Bartsch Netherlandish Artists, i, New York 1978

Slatkes 1992
L. J. Slatkes, Rembrandt. Catalogo completo dei dipinti, Florence 1992 (I gigli dell’arte. Archivi di arte antica e moderna)

Slatkes 1996
L. J. Slatkes, ‘Honthorst, Gerrit [Gérard] (Hermansz.) van [Gherardo delle Notti; Gherardo Fiammingo]’, in Turner 1996, xiv, pp. 727–32

Slavicĕk 2000
L. Slavicĕk, Flemish Paintings of the 17th and 18th Centuries, Prague 2000 (The National Gallery in Prague. Illustrated summary catalogues of the collection of Old Masters. Old European art. Netherlandish art, I/2)

Slive 1952
S. Slive, ‘Art historians and Art Critics – II. Huygens on Rembrandt’, Burl. Mag. 94 (1952), pp. 260–64

Slive 1953
S. Slive, Rembrandt and his Critics 1630–1730, The Hague 1953

Slive 1965
S. Slive, Drawings of Rembrandt with a Selection of Drawings by his Pupils and Followers, 2 vols, New York 1965

Slive 1970
S. Slive, Frans Hals, 3 vols, London/New York 1970

Slive 1995
S. Slive [and Jakob Rosenberg], Dutch Painting 1600–1800, New Haven/London 1995 [sections were previously published as pts i and ii of Rosenberg, Slive & Ter Kuile 1966]

Slive 2001
S. Slive, Jacob van Ruisdael. A complete catalogue of his paintings, drawings and etchings, New Haven/London 2001

Slive 2005
S. Slive, Jacob van Ruisdael. Master of landscape, London 2005 [exh. Los Angeles County Museum of Art/Philadelphia Museum of Art/RA, London 2005–6]

Slive 2011
S. Slive, Jacob van Ruisdael. Windmills and water mills, Los Angeles 2011 [exh. J. Paul Getty Museum, Los Angeles]

Slive & Hoetink 1981
S. Slive and H. R. Hoetink, Jacob van Ruisdael, Amsterdam 1981 [exh. MH, The Hague/Fogg Art Museum, Cambridge, Mass. 1981–2]

Sluijter 1980
E.-J. Sluijter, ‘Een zaalbeschildering van Gerard Hoet in “De Slangenburg”: de liefdesgeschiedenis van Aeneas en Dido’, Nederlandse kunstnijverheid en interieurkunst [Festschrift Th. H. Lunsingh Scheurleer], Haarlem 1981 [NKJ 31 (1980), pp. 299–316]

Sluijter 1988
E. J. Sluijter, ‘Schilders van “cleyne, subtile ende curieuse dingen.” Leidse “fijnschilders” in contemporaine bronnen’, in Sluijter, Enklaar & Nieuwenhuizen 1988, pp. 14–55

Sluijter 1989
E. J. Sluijter, ‘Een zelfportret en “De schilder en zijn atelier”: het aanzien van Jan van Mieris’, LKJ 8 (1989), pp. 287–307

Sluijter 1991
E. J. Sluijter, ‘Over fijnschilders en “betekenis.” Naar aanleiding van Peter Hecht, De Hollandse fijnschilders [Hecht 1989] , OH 105 (1991), pp. 50–63

Sluijter 2000
E. J. Sluijter, ‘In wedijver met de Gouden Eeuw: de gebroeders Van Strij en hun illustere voorgangers’, in Dumas 2000, pp. 100–137

Sluijter 2006
E. J. Sluijter, Rembrandt and the Female Nude, Amsterdam 2006

Sluijter 2009
E. J. Sluijter, ‘Introduction. Determining value on the art market in the Golden Age: an introduction’, in Tummers & Jonckheere 2009, pp. 6–28

Sluijter 2015
E. J. Sluijter, Rembrandt’s Rivals. History painting in Amsterdam, 1630–1650, Amsterdam 2015 (Oculi, Studies in the arts of the Low Countries, xiv)

Sluijter, Enklaar & Nieuwenhuizen 1988
E. J. Sluijter, M. Enklaar and P. Nieuwenhuizen (eds), Leidse fijnschilders. Van Gerrit Dou tot Frans van Mieris de Jonge, 1630–1760, Zwolle/Leiden 1988 [exh. Stedelijk Museum De Lakenhal, Leiden]

Sluijter-Seijffert 1984
N. C. Sluijter-Seijffert, ‘Cornelis van Poelenburch (ca. 1593–1667)’, PhD, Leiden University 1984

Sluijter-Seijffert 1996
N. C. Sluijter-Seijffert, ‘Poelenburch [Poelenburg; Poelenburgh], Cornelis van’, in Turner 1996, xxv, pp. 65–8

Sluijter-Seijffert 2006
N. C. Sluijter-Seijffert, ‘The school of Cornelis van Poelenburch’, in A. Golahny, M. M. Mochizuki and L. Vergara (eds), In his Milieu. Essays on Netherlandish art in memory of John Michael Montias, Amsterdam 2006, pp. 441–53

Sluijter-Seijffert 2012
N. C. Sluijter-Seijffert, ‘Cornelis van Poelenburch als portretschilder’, in Buijsen, Dumas & Manuth 2012, pp. 161–6

Sluijter-Seijffert 2016
N. C. Sluijter-Seijffert, Cornelis van Poelenburch. 1594/5–1667. The paintings, Amsterdam 2016 (Oculi. Studies in the arts of the Low Countries, xv)

Sluiter 1997
G. Sluiter, review of Moltke 1994, OH 111 (1997), pp. 69–74

Smallegange 2009
P. J. Smallegange, ‘De verbeelding van burgerdeugden. Het interieur van het vooroorlogse stadhuis te Middelburg’, De Wete 38/4 (2009), pp. 14–24 (https://www.hkwalcheren.nl/pdf/01.04.2011_16:58DeWete_38_4_StadhuisInterieur.pdf (July 10, 2020)

De Smedt, Van Regteren Altena & Swillens 1961
[B. H. J. de Smedt,] I. Q. van Regteren Altena and P. T. A. Swillens, Catalogue raisonné of the Works by Pieter Jansz. Saenredam published on the Occasion of the Exhibition Pieter Jansz. Saenredam, Utrecht 1961 [exh. Centraal Museum, Utrecht]

Smetham 1891
J. Smetham, Letters of James Smetham, with an Introductory Memoir (ed. S. Smetham and W. Davies), London/New York 1891

Smith 1829–42
J. Smith, A Catalogue Raisonné of the Works of the most Eminent Dutch, Flemish, and French Painters; in which is included a short biographical notice of the artists, with a copious description of their principal pictures; a statement of the prices at which such pictures have been sold at public sales on the continent and in England; a reference to the galleries and private collections, in which a large portion are at present; and the names of the artists by whom they have been engraved; to which is added, a brief notice of the scholars & imitators of the great masters of the above schools: by John Smith, dealer in pictures, late of Great Marlborough Street, 9 vols, London 1829–42 (i, 1829; ii, 1830; iii, 1831; iv, 1833; v, 1834; vi, 1835; vii, 1836; viii, 1837; ix, 1842)

Smith 1969
G. Smith, ‘Rubens’ Altargemälde des Hl. Ignatius von Loyola und des Hl. Franz Xaver für die Jesuitenkirche in Antwerpen’, Jahrbuch der Kunsthistorischen Sammlungen in Wien 65, N.F. 29 (1969), pp. 39–60

Snoep, Meyerman & Thiels 1973
D. P. Snoep, A. M. Meyerman and C. Thiels, Adriaen van der Werff. Kralingen 1659–1722 Rotterdam, Rotterdam 1973 [exh. Historisch Museum, Rotterdam]

Sørensen 2001
M. Pinault Sørensen, Sur le vif. Dessins d’animaux de Pieter Boel, Paris 2001 [exh. Louvre, Paris]

Soler del Campo 2009
A. Soler del Campo (ed.), The Art of Power. Royal armor and portraits from imperial Spain / El arte del poder. Armaduras y retratos de la España imperial, Madrid 2009 [exh. NGA, Washington]

Solkin 2009
D. Solkin (ed.), with contrib. by G. Faroult et al., Turner and the Masters, London 2009 [exh. Tate Britain, London/Grand Palais, Paris/Museo Nacional del Prado, Madrid 2009–10]. See review: Baker 2009

Solkin & Simpson 2009
D. Solkin and P. Simpson, ‘Turner and the North’, in Solkin 2009, pp. 142–67, 229

Soly & Van de Wiele 1999
H. Soly and J. Van de Wiele, Carolus. Keizer Karel V 1500–1558, Ghent 1999 [exh. Kunsthal Sint-Pietersabdij, Ghent 1999–2000]

Somerville 1975
J. Somerville, ‘The world of Aelbert Cuyp’, Country Life 158, no. 4070 (July 1975), pp. 32–4

Somov 1901
A. Somov, Ermitage Impérial. Catalogue de la galerie des tableaux. Deuxième partie: écoles néerlandaises et école allemande, St Petersburg 1901

Sonnenburg 1995
H. von Sonnenburg, Rembrandt/Not Rembrandt in the Metropolitan Museum of Art: Aspects of Connoisseurship, vol. 1, Paintings: Problems and Issues, New York 1995 [exh. MMA, New York 1995–6]. See also Liedtke 1995

Sparkes 1876
J. C. L. Sparkes, A Descriptive Catalogue of the Pictures in the Dulwich College Gallery: with biographical notices of the painters, London 1876

Sparkes & Carver 1890
J. C. L. Sparkes and A. J. Carver, Catalogue of the Cartwright Collection and other Pictures and Portraits at Dulwich College […] with descriptive and biographical notes […], London 1890

Spencer-Longhurst 1993
P. Spencer-Longhurst, The Barber Institute of Fine Arts. Handbook, Birmingham 1993

Spicer & Orr 1997
J. A. Spicer and L. F. Orr et al., Masters of Light. Dutch painters in Utrecht during the Golden Age, Baltimore/San Francisco/New Haven/London 1997 [exh. Fine Arts Museums of San Francisco/Walters Art Gallery, Baltimore/NG, London 1997–8]

Spies 2005
M. Spies, ‘Die Bildnisse Annas von Sachsen’, Nassauische Annalen 116 (2005), pp. 237–48

Spies & Van Schaik 2008
P. Spies and K. van Schaik (eds), A Farewell to Ronald de Leeuw. His favourite acquisitions for the Rijksmuseum, Amsterdam 2008

Spring 2001
M. Spring, ‘Pigments and Color Change in the Paintings of Aelbert Cuyp’, in Wheelock 2001a, pp. 64–73

Spring & Keith 2009
M. Spring and L. Keith, ‘Aelbert Cuyp’s Large Dort: Colour Change and Conservation’, National Gallery Technical Bulletin (2009), no. 30. pp. 71–85

Spruyt 1829
C. Spruyt (ed.), Lithographies d’après les principaux tableaux de la collection de S.A.S. Monseigneur le Prince Auguste d’Arenberg, avec le catalogue descriptif, Brussels 1829

Stainton & White 1987
L. Stainton and C. White, Drawing in England from Hilliard to Hogarth, London 1987 [exh. BM, London]

Starcky & Rottermund 2011
E. Starcky and A. Rottermund, L'aigle blanc. Stanislas Auguste, dernier roi de Pologne, collectionneur et mécène au siècle des Lumières. Une histoire du goût au XVIIIe–XIXe siècles, Paris 2011 [exh. Musée National du Palais de Compiègne]

Staring 1921
A. Staring, ‘Gerard Sanders’ portret van Archibald Hope’, Rotterdams Jaarboekje 9 (1921), pp. 42–8

Starkey 1991
D. Starkey (ed.), Henry VIII. A European court in England, London 1991

Stechow 1948
W. Stechow, ‘Jan Baptist Weenix’, The Art Quarterly 11 (1948), pp. 181–98

Stechow 1960
W. Stechow, ‘Significant Dates on some Seventeenth Century Dutch Landscape Paintings’, OH 75 (1960), pp. 79–92

Stechow 1965a
W. Stechow, ‘Über das Verhältnis zwischen Signatur und Chronologie bei einigen holländischen Künstler des 17. Jahrhunderts’, in H. Ladendorf (ed.), Festschrift Dr. h.c. Eduard Trautscholdt zum siebzigsten Geburtstag am 13. Januar 1963, Hamburg 1965, pp. 111–17

Stechow 1965b
W. Stechow, ‘Jan Wijnants: View of the Heerengracht, Amsterdam’, Bulletin of the Cleveland Museum of Art, 52 (1965), pp. 164–73

Stechow 1966
W. Stechow, Dutch Landscape Painting of the Seventeenth Century, London 19661 [reprint 1981]

Stechow 1968
W. Stechow, Dutch Landscape Painting of the Seventeenth Century, London 1968 (19661)

Stechow 1973–4
W. Stechow, ‘An Early Landscape by David Teniers’, Allen Memorial Art Museum Bulletin, 31/1 (1973–4), pp. 1, 22–33

Stechow 1981 see Stechow 1966

Stefes 1997
A. Stefes, ‘Nicolaes Pietersz Berchem (1620–1683). Die Zeichnungen’, 3 vols, PhD, University of Bern 1997

Stefes 2006a
A. Stefes, ‘Nicolaes Berchem als tekenaar’, in Biesboer 2006a, pp. 97–115

Stefes 2006b
A. Stefes, ‘Catalogus van tentoongestelde tekeningen’, in Biesboer 2006a, pp. 147–52

Stefes 2011
A. Stefes, Niederländische Zeichnungen 1450–1850, 3 vols, Cologne/Weimar/Vienna 2011 (Die Sammlungen der Hamburger Kunsthalle, Kupferstichkabinett, iii)

Steinberg 1983
L. Steinberg, The Sexuality of Christ in Renaissance Art and in Modern Oblivion, New York 1983

Steinberg 2012
S. Steinberg, Rubens, Venus, and Adonis. Anatomy of a Tragedy, Jerusalem 2012 [exh. Israel Museum, Jerusalem]

Steinborn 1977
B. Steinborn, ‘“Galleria Sławnych” Tomasza Rehdigera’ / ‘Thomas Rehdigers’s “Gallery of the Famous,”’ Roczniki Sztuki Slaskiej 11 (1977), pp. 29–65 (with Engl. and German summaries)

Steinborn 2006
B. Steinborn, Katalog zbiorów malarstwa niderlandzkiego / Catalogue of the Collection of Netherlandish Painting, Wrocław 20062

Steingräber 1986
E. Steingräber, Alte Pinakothek München, Munich 1986

Steland 1988a
A. C. Steland, ‘Beobachtungen zu frühen Zeichnungen des Jan Both und zum Verhältnis zwischen Jan Both und Jan Asselijn in Rom vor 1641’, Niederdeutsche Beiträge zur Kunstgeschichte 27 (1988), pp. 115–38

Steland 1988b
A. C. Steland, ‘Thomas Wijck als italienisierender Zeichner. Beobachtungen zu Herkunft, Stil und Arbeitsweise’, Wallraf-Richartz-Jahrbuch. Westdeutsches Jahrbuch für Kunstgeschichte 48–9 (1988), pp. 215–47

Steland 2001–2
A. C. Steland, ‘Studien zu Herman van Swanevelt: Zeichnungen zu Fresken und Gemälden’, OH 115 (2001–2), pp. 19–60

Steland 2010
A. C. Steland, Herman van Swanevelt (um 1603–1655). Gemälde und Zeichnungen, 2 vols, Petersberg 2010 (Studien zur internationalen Architektur- und Kunstgeschichte, lxxvii)

Stewart 1981
J. D. Stewart, review of McNairn 1980, Burl. Mag. 123 (1981), pp. 120–23

Stewart 1986
J. D. Stewart, review of Brown 1982, Revue d’Art Canadienne/Canadian Art Review 13 (1986), pp. 138–41

Stewart 1988
J. D. Stewart, review of Freedberg 1984, RACAR (Revue d’art canadienne/Canadian Art Review) 15/1 (1988), pp. 74–5

Stewart 2000
J. D. Stewart, ‘Reflections on eroticism, love and the antique in Van Dyck’s art’, Apollo 152 (Aug. 2000), pp. 26–33

Stewart 2004
J. D. Stewart, ‘Crossing the “North–South Divide”: The Young Lievens, Van Dyck, Rubens and Rembrandt; Connections and Influences’, in Manuth & Rüger 2004, pp. 188–201

Van der Stighelen 1990
K. Van der Stighelen, De portretten van Cornelis Vos (1584/5–1651): een kritische catalogus, Brussels 1990 (Verhandelingen van de Koninklijke Academie voor Weetenschappen, Letteren en Schone Kunsten van België; Klasse de Schone Kunsten 52, no. 51)

Van der Stighelen 1996
K. Van der Stighelen, ‘(1) Cornelis de Vos’, in Turner 1996, xxxii, pp. 702–5

Van der Stighelen 1998
K. Van der Stighelen, Van Dyck, Tielt 1998

Van der Stighelen 2006a
K. van der Stighelen (ed.), Munuscula Amicorum. Contributions on Rubens and his colleagues in honour of Hans Vlieghe, 2 vols, Turnhout 2006

Van der Stighelen 2006b
K. Van der Stighelen, ‘Anton van Dyck en Zaventem: een apart verhaal over het ontstaan en nabestaan van twee enigmatische schilderijen’, in Van der Stighelen 2006a, ii, pp. 379–422

Van der Stighelen, Magnus & Watteeuw 2010
K. Van der Stighelen, H. Magnus and B. Watteeuw (eds), Pokerfaced. Flemish and Dutch Baroque faces unveiled, Turnhout 2010

Stil und Überlieferung 1967
Stil und Überlieferung in der Kunst des Abendlandes. Akten des 21. Internationalen Kongresses für Kunstgeschichte in Bonn 1964, 3 vols, Berlin 1967

Stockholm 1992–3 see Cavalli-Björkman 1992

Stoter & Lange 2018
M. Stoter and J. Lange (eds), Rembrandt & Saskia. Liefde in de Gouden Eeuw (also in German: Rembrandt & Saskia. Liebe im goldenen Zeitalter), Leeuwarden/Zwolle 2018 [exh. Fries Museum, Leeuwarden/Gemäldegalerie Alte Meister, Museumslandschaft Hessen Kassel 2018–19]

Strange 1769
R. Strange, A Descriptive Catalogue of a Collection of Pictures selected from the Roman, Florentine, Lombard, Venetian,Neapolitan, Flemish, French and Spanish Schools, to which are added, Remarks on the Principal Painters and their Works. With a catalogue of thirty-two drawings from capital paintings of great masters, collected and drawn during a journey of several years in Italy, London 1769

Stranger’s Companion see Ambulator 1774

Van Straten & Moerman 2005
R. van Straten and I. Moerman, Rembrandts Leidse tijd 1606–1632, Leiden 2005 (also in German: Rembrandts Weg zur Kunst 1606–1632, Berlin 2006)

Strauss & Van der Meulen 1979
W. L. Strauss and M. van der Meulen (eds), with the assistance of S. A. C. Dudok van Heel and P. J. M. de Baar, The Rembrandt Documents, New York 1979

Strech 1996
A. Strech, ‘Druckgraphik nach Bartolomäus Spranger (1546–1611). Kupferstiche 1573–1610 (Text und Katalog)’, 2 vols, PhD, Freie Universität Berlin 1996

Strinati & Vodret 1998a
C. Strinati and R. Vodret et al., Caravaggio and his Italian Followers from the Collections of the Galleria Nazionale d’Arte Antica di Roma, Venice 1998 [exh. Wadsworth Atheneum, Hartford, Conn.]

Strinati & Vodret 1998b
C. Strinati and R. Vodret, ‘Spada, Novelli, van Campen … new theories and old issues concerning other Caravaggesque paintings in the Galeria Nazionale d’Arte Antica’, in Strinati & Vodret 1998a, pp. 20–39

Stroo 1985
C. Stroo, ‘De iconografie van de Heilige Walburga in Vlaanderen’, Jaarboek KMSKA (1985), pp. 189–276

Stryienski 1913
C. Stryienski, La galerie du Régent, Philippe, duc d’Orléans, Paris 1913

Stukenbrock 2006
C. Stukenbrock, ‘no. 90 Jan Weenix’, in Mai, Paarlberg & Weber 2006, p. 296

Van Suchtelen 2001
A. van Suchtelen, with contrib. by F. J. Duparc, P. van der Ploeg and E. Runia, Winters van weleer. Het Hollandse winterlandschap in de Gouden Eeuw, The Hague/Zwolle 2001 [exh. MH, The Hague 2001–2]

Van Suchtelen 2009
A. van Suchtelen, ‘Collecting within the picture frame’, in Van Suchtelen & Van Beneden 2009, pp. 99–117

Van Suchtelen & Van Beneden 2009
A. van Suchtelen and B. Van Beneden, Room for Art in Seventeenth-Century Antwerp, Antwerp/The Hague/Zwolle [exh. Rubens House, Antwerp/MH, The Hague 2009–10]

Van Suchtelen 2018
A. van Suchtelen et al., Jan Steen en de historieschilderkunst (also in English: Jan Steen’s Histories), The Hague/Zwolle 2018 [exh. MH, The Hague]

Sullivan 1984
S. A. Sullivan, The Dutch Gamepiece, Totowa, N.J./Montclair, N.J. 1984

Sullivan 1996
S. A. Sullivan, ‘Hamilton, Philipp Ferdinand de’, in Turner 1996, xiv, p. 111

Sumner 1993
A. Sumner, ‘Influence and interpretation: the legacy of Rembandt’s Girl at a Window’, in Bomford, Sumner & Waterfield 1993, pp. 28–47

Sumner 1994a
A. Sumner, Hatchlands Park Surrey. Paintings from Dulwich Picture Gallery on loan to the National Trust, Hatchlands Park, Surrey, [leaflet; 1994; exh. Hatchlands Park, Surrey]

Sumner 1994b
A. B. Sumner, Girl at a Window (DPG163), in Waterfield & Brown 19942, pp. 100–102, no. 26. See also White 1985

Sumner 1999
A. Sumner, The Northern Eye. Dutch and Flemish landscape paintings from Dulwich Picture Gallery, [leaflet/poster; Bath] 1999 [exh. Holburne Museum, Bath]

Sumowski 1983–94
W. Sumowski, Gemälde der Rembrandt-Schüler, 6 vols, Landau/Pfalz 1983–94
(vol. i, 1983; vol. ii, 1983; vol. iii, 1986; vol. iv, c. 1989; vol. v, c. 1990; vol. vi, 1994)

Sumowski & Strauss 1979–
W. Sumowski and W. L. Strauss, Drawings of the Rembrandt School, i– , New York 1979–
(i, 1979; ii, 1979; iii, 1980; iv, 1981; v, 1981; vi, 1982; vii, 1983; viii, 1984; ix, 1985; x, 1992)

Sutton 1954
D. Sutton, Flemish Painting at the Royal Academy, Brussels 1954 (special issue of Les Arts plastiques 6/6 (1954)

Sutton 1984a
P. Sutton (ed.), Masters of Seventeenth-century Dutch Genre Painting, Philadelphia 1984 [exh. Philadelphia Museum of Art/Gemäldegalerie, Berlin/RA, London]

Sutton 1984b
D. Sutton, ‘Aspects of British Collecting. Part III. IX The lure of the Antique; X Amateurs and scholars; XI Paris – Londres; XII A wealth of pictures; XIII. The Orleans Collection’, Apollo 119 (May 1984), no. 267, pp. 312–21 (IX), 322–33 (X), 334–45 (XI), 346–56 (XII), 357–72 (XIII)

Sutton 1986
P. C. Sutton, A Guide to Dutch Art in America, Grand Rapids, Mich./Kampen 1986

Sutton 1987a
P. C. Sutton et al., Masters of 17th-century Dutch Landscape Painting, Boston 1987 [exh. RM, Amsterdam/Museum of Fine Arts, Boston/Philadelphia Museum of Art 1987–8]

Sutton 1987b
P. C. Sutton, ‘Jan van der Heyden […]’, in Sutton 1987a, pp. 342–3

Sutton 1987c
P. C. Sutton, ‘Meindert Hobbema […]’, in Sutton 1987a, p. 345

Sutton 1987d
P. C. Sutton, ‘Aert van der Neer […]’, in Sutton 1987a, p. 381

Sutton 1987e
P. C. Sutton, ‘Herman Saftleven […]’, in Sutton 1987a, pp. 475–6

Sutton 1992
P. C. Sutton, Dutch & Flemish Seventeenth-century Paintings. The Harold Samuel Collection, London 1992

Sutton 1993
P. C. Sutton, ‘Introduction: Painting in the Age of Rubens’, in Sutton & Wieseman 1993, pp. 12–105

Sutton 1998
P. C. Sutton, Pieter de Hooch, 1629–1684, New Haven/London 1998 [exh. DPG/Wadsworth Atheneum, Hartford, Conn. 1998–9]

Sutton 2004
P. C. Sutton, ‘Introduction’, in Sutton & Wieseman 2004, pp. 14–41

Sutton 2006
P. C. Sutton et al., Jan van der Heyden (1637–1712), New Haven/London 2006 [exh. Bruce Museum of Arts and Science, Greenwich, Conn./RM, Amsterdam 2006–7]

Sutton & Loughman 1994
P. C. Sutton and J. Loughman, El siglo de oro del paisaje Holandés, Madrid 1994 [exh. Fundación Colección Thyssen-Bornemisza, Madrid]

Sutton & Wieseman 1993
P. C. Sutton and M. E. Wieseman et al., The Age of Rubens, Boston/Ghent 1993 [exh. Museum of Fine Arts, Boston/Toledo Museum of Art, Toledo, O. 1993–4]

Sutton & Wieseman 2004
P. C. Sutton, M. E. Wieseman, with N. Van Hout, Drawn with the Brush. Oil sketches by Peter Paul Rubens, New Haven/London 2004 [exh. Bruce Museum of Arts and Science, Greenwich, Conn./Cincinnati Art Museum, Cincinnati, O./Berkeley Art Museum 2004–5, Berkeley, Calif.]

Svennningsen 2013
J. Svenningsen, ‘The Classification of Drawings in the So-called Rubens’ “Cantoor,”’ Master Drawings 51 (2013), pp. 349–59

Sweeny 1972
B. Sweeny, John G. Johnson Collection. Catalogue of Flemish and Dutch paintings, Philadelphia 1972

Szanto 2003
M. Szanto, ‘The fortunes of a northern artist in seventeenth-century Paris: the forgotten years of Herman van Swanevelt’, Burl. Mag. 145 (2003), pp. 199–205

Szanto 2007
M. Szanto, ‘“Monsier Armand” en de wereld van de Parijse kunstliefhebbers – de kring van Passart’, in Blankert & De Graaf 2007, pp. 72–5


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