Dulwich Picture Gallery II

RKD STUDIES

Bibliography T – V


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Talley 1981
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Talley 1983
M. K. Talley, ‘“Small, usual, and vulgar things”: still-life painting in England 1635–1760’, The Walpole Society 49 (1983), pp. 133–223

Tapié 1990
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Van Thiel 1967–8
P. J. J. van Thiel, ‘Marriage Symbolism in A Musical Party by Jan Miense Molenaer’, Simiolus 2 (1967–8), pp. 90–99

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Thiels 1994
C. Thiels, ‘Adriaen van der Werff, schilder van kamerstukken’, in Schadee 1994, pp. 153–64, 245–52, 261–5, nos 70–78

Thieme & Becker 1907–50
U. Thieme and F. Becker, Allgemeines Lexikon der bildenden Künstler: von der Antike bis zur Gegenwart, 37 vols, Leipzig 1907–50

Thiéry 1787
L. V. Thiéry, Guide des amateurs et des étrangers voyageurs à Paris, ou description raisonnée de cette ville, de sa banlieue, & de tout ce qu’elle contiennent de remarquable, 2 vols, Paris 1787

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Third Way 1994
Third Way 16/10 (Jan. 1994), p. 22

Thompson 1910–12
H. Y. Thompson, Pictures in the Dulwich Gallery. Princess Victoria Series, 3 vols, London 1910–12

Thompson, Brigstocke & Thomson 1972
C. Thompson, with contrib. by H. Brigstocke and D. Thomson, Pictures for Scotland. The National Gallery of Scotland, [Edinburgh] and its collection: a study of the changing attitude to painting since the 1820s, Edinburgh 1972

Thoré-Bürger 1858–60
W. Burger [T. Thoré], Musées de la Hollande, 2 vols (i, Amsterdam et La Haye. Études sur l’école hollandaise; ii, Musée van der Hoop, à Amsterdam et Musée de Rotterdam), Paris 1858–60

Thoré-Bürger 1859
W. Burger [T. Thoré], Galerie d’Arenberg à Bruxelles avec le catalogue complet de la collection, Paris/Brussels/Leipzig 1859 (Études sur les peintres hollandais et flamands)

Thuillier 2000
J. Thuillier, Sébastien Bourdon 1616–1671. Catalogue critique et chronologique de l’œuvre complet, Paris 2000 [exh. Musée Fabre, Montpellier/Galerie de l’ancienne Douane, Strasbourg 2000–2001]

Thuiskomst 2018
Thuiskomst van een meesterwerk. Het Laurentius-altaarstuk van Maarten van Heemskerck [leaflet] (also in English: A Masterpiece comes Home. The St Lawrence Altarpiece by Maarten van Heemskerck [leaflet]), Alkmaar 2018 [exh. Grote Kerk Alkmaar/Stedelijk Museum Alkmaar]

Van Tichelen & Vlieghe 1990
I. Van Tichelen and H. Vlieghe, ‘Jan Boeckhorst en de tapijtkunst’, in Huvenne 1990, pp. 109–17

Tiegel-Hertfelder 1994
P. Tiegel-Hertfelder with a contribution on conservation by P. M. Hildenbeck-Fritz, David Teniers d. J. 1610–1690. Verzeichnis sämtlicher Werke von David Teniers d. J. im Besitz der Staatlichen Mussen Kassel, Gemäldegalerie Alte Meister, Kassel 1994 (Monographische Reihe/Staatliche Museen Kassel, vi)

Tietze & Tietze-Conrat 1938
H. Tietze and E. Tietze-Conrat, ‘Titian’s woodcuts’, Print Collector's Quarterly 25 (1938), pp. 333–60

Tietze & Tietze-Conrat 1944
H. Tietze and E. Tietze-Conrat, The Drawings of the Venetian Painters in the 15th and 16th Centuries, New York 1944

Tietze-Conrat 1932
E. Tietze-Conrat, ‘Van Dyck’s Samson and Delilah’, Burl. Mag. 61 (1932), p. 246 (4 figs)

Tieze 2004
A. Tieze, Anton Goubau (1616–1698), Stuttgart 2004 (Bonte’sche Bibliothek für Kunst- und Kulturgeschichte, iii)

Tieze 2009
A. Tieze, Flämische Gemälde im Städel Museum, 1550–1800, 2 vols, Petersberg/Frankfurt 2009 (Kataloge der Gemälde im Städel Museum Frankfurt am Main, x)

Tinagli 1997
P. Tinagli, Women in Italian Renaissance Art. Gender, Representation, Identity, Manchester/New York 1997

Tissink & De Wit 1987
F. Tissink and H. F. de Wit, Gorcumse schilders in de Gouden Eeuw, Gorinchem 1987

Tokyo/Shizuoka/Osaka/Yokohama 1986–7 see Ikegami 1986

Tollebeek 1998
J. Tollebeek, ‘Historical representation and the nation-state in romantic Belgium (1830–1850)’, Journal of the History of Ideas 59 (1998), pp. 329–53. See also http://www.jstor.org/stable/3653979 (Sept. 13, 2017)

Toynbee 1950 and 1958
M. R. Toynbee, ‘Adriaen Hanneman and the English Court in Exile’, Burl. Mag. 92 (1950), pp. 73–80, and ‘Adriaen Hanneman and the English Court in Exile: A Further Note’, Burl. Mag. 100 (1958), pp. 249–50

Trautscholdt 1966
E. Trautscholdt, ‘Beiträge zu Cornelis Dusart’, NKJ 17 (1966), pp. 171–200

Trezzani 1983a
L. Trezzani, ‘Antoine Goubau’, in Briganti, Trezzani & Laureati 1983b, pp. 295–9, figs 12.1–4

Trezzani 1983b
L. Trezzani, ‘Thomas Wijck’, in Briganti, Trezzani & Laureati 1983b, pp. 222–37, figs 7.1–16

Trezzani 1983c
L. Trezzani, ‘Jacob van Staveren’, in Briganti, Trezzani & Laureati 1983b, pp. 336–9, figs 15.1–5

Trezzani 1983d
L. Trezzani, ‘Andries and Jan Both’, in Briganti, Trezzani & Laureati 1983b, pp. 194–221, figs 6.1–36

Trezzani 1996a
L. Trezzani, ‘Jan Both’, in Turner 1996, iv, pp. 486–9

Trezzani 1996b
L. Trezzani, ‘(1) Thomas Wijck’, in Turner 1996, xxxiii, pp. 175–6

Trnek 1986
R. Trnek, Die Niederländer in Italien. Italianisante Niederländer des 17. Jahrhunderts aus Österreichischem Besitz, Salzburg 1986 [exh. Residenzgalerie, Salzburg/Gemäldegalerie der Akademie der bildenden Künste, Vienna]

Trnek 1989
R. Trnek, Gemäldegalerie der Akademie der bildenden Künste in Wien. Illustriertes Bestandsverzeichniss, Vienna 1989

Trnek 1992
R. Trnek, Die Holländische Gemälde des 17. Jahrhunderts in der Gemäldegalerie der Akademie der bildenden Künste in Wien, Vienna/Cologne/Weimar 1992

Trnek 2000
R. Trnek et al., Rubens und die flämische Barockmalerei in der Gemäldegalerie der Akademie der bildenden Künste Wien. Ein Begleiter für den Besucher, Vienna 2000

Tümpel 1986
C. Tümpel with contrib. by A. Tümpel, Rembrandt. Mythos und Methode, Königstein im Taunus 1986

Tümpel 1991
C. Tümpel et al., Het Oude Testament in de Schilderkunst van de Gouden Eeuw, Zwolle/Amsterdam/Jerusalem 1991 [exh. Joods Historisch Museum, Amsterdam/Israel Museum, Jerusalem]. See also Tümpel & De Beer 1994

Tümpel 1993
C. Tümpel, incl. chapters by A. Tümpel [rev. and emended text and catalogue ed. by I. Gaskell], Rembrandt. All paintings in colour, Antwerp/New York 1993

Tümpel & De Beer 1994
C. Tümpel and G. de Beer (eds), Im Lichte Rembrandts. Das Alte Testament im Goldenen Zeitalter der niederländischen Kunst, Zwolle 1994 [exh. Westfälisches Landesmuseum, Münster 1994–5]. See also Tümpel 1991

Van Tuinen 2017
I. van Tuinen, ‘“Portrait of the Artist in His Studio,” (MM-103)’, in Wheelock 2017. See http://www.theleidencollection.com/archives/artwork/Michiel_van_Musscher_MM-103_2017-01.pdf

Tummers 2013
A.Tummers (ed.), Frans Hals. Oog in oog met Rembrandt, Rubens en Titiaan, Haarlem/Rotterdam 2013 [exh. FHM, Haarlem]

Tummers & Jonckheere 2009
A. Tummers and K. Jonckheere (eds), Art Market and Connoisseurship. A closer look at paintings by Rembrandt, Rubens and their contemporaries, Amsterdam 2009

Tummers, Kolfin & Hillegers 2017
A. Tummers, E. Kolfin and J. Hillegers (eds), De kunst van het lachen. Humor in de Gouden eeuw [also in English: The Art of Laughter. Humour in Dutch paintings of the Golden Age, Zwolle/Haarlem 2017 [exh. FHM, Haarlem 2017–18]

Turin 2007–8 see Favaro 2007 and Castelnuovo 2007

Turner 1996
J. Turner (ed.), The Dictionary of Art, 34 vols, London 1996

Turner 2002
S. Turner, ed. by C. Depauw, Anthony van Dyck, 9 vols, Rotterdam/Amsterdam 2002 (The new Hollstein. Dutch and Flemish etchings, engravings and woodcuts 1450–1700, xi (I-IX))

Turner 2006
J. Shoaf Turner, with contrib. by F. Stampfle and foreword by C. E. Pierce Jr, Dutch Drawings in The Pierpont Morgan Library. Seventeenth to nineteenth centuries, 2 vols, New York 2006

Turner & Bartrum 2012
S. Turner and G. Bartrum, Wenceslaus Hollar, 9 vols, Ouderkerk aan den IJssel 2009–12 (The new Hollstein. German engravings, etchings and woodcuts, 1400–1700, ix (I-IX))

Tyers 2014
I. Tyers, ‘Tree-ring analysis of 12 panel paintings from the Dulwich Picture Gallery’, s.l. Nov. 2014 (Dendrochronological Consultancy Limited, Report 709)


Úbeda de los Cobos 2005
A. Úbeda de los Cobos (ed.), Paintings for the Planet King. Philip IV and the Buen Retiro Palace, Madrid/London 2005 [exh. Museo Nacional del Prado, Madrid]

Uffenbach 1753–54
Z. C. von Uffenbach, Merkwürdige Reisen durch Niedersachsen Holland und Engelland, 3 vols, Ulm/Memmingen 1753 (vols i and ii) and Ulm 1754 (vol. iii)

Uppenkamp & Van Beneden 2011
B. Uppenkamp and B. Van Beneden, with a contrib. by P. Lombaerde, Palazzo Rubens. The master as architect, Brussels 2011 [exh. Rubens House, Antwerp]

Urbach 1983
S. Urbach, ‘Preliminary Remarks on the Sources of the Apostle Series of Rubens and van Dyck’, in Essays Van Dyck 1983, pp. 5–22


Vaes 1924
M. Vaes, ‘Le Séjour de Van Dyck en Italie (Mi-novembre 1621–Automne 1627)’, Bulletin de l’Institut historique belge de Rome 4 (1924), pp. 163–234 [transcription in Larsen 1975]

Valcanover 1965
F. Valcanover, All the Paintings of Titian, 4 vols, London 1965 (from the Italian)

Valenciennes 2004 see Eidelberg 2004

Valentiner 1905
W. R. Valentiner, Rembrandt und seine Umgebung, Strassburg 1905 (Zur Kunstgeschichte des Auslandes, xxix)

Valentiner 1907
W. R. Valentiner, ‘Opmerkingen over enkele schilderijen van Rembrandt’, Onze Kunst 11 (1907), pp. 157–68

Valentiner 1921
W. R. Valentiner, Rembrandt. Wiedergefundene Gemälde (1910–1920), Stuttgart/Berlin 1921 (Klassiker der Kunst, xxvii)

Valentiner 1933
W. R. Valentiner, ‘Zum Werk Gerrit Willemsz. Horst’s’, OH 50 (1933), pp. 241–9

Valentiner 1956
W. R. Valentiner, Rembrandt and his Pupils. A loan exhibition, Raleigh 1956 [exh. North Carolina Museum of Art, Raleigh]

Valotaire 1920
M. Valotaire, Musée d’Angers. Ses plus belles œuvres de peinture, Angers 1920

Vandamme 1988
E. Vandamme et al., Catalogus Schilderkunst Oude Meesters, Antwerp 1988

Vandenbroeck 1987
P. Vandenbroeck, Over wilden en narren, boeren en bedelaars. Beeld van de andere, vertoog over het zelf, Antwerp 1987 [exh. KMSKA, Antwerp]

Vandenbroeck 2003
P. Vandenbroeck, ‘Genre Painting as a Collective Process of Inversive Self-definition, c. 1400–c.1800’, Jaarboek KMSKA (2003), pp. 136–93

Vautier 1996
D. Vautier, ‘Ommeganck, Balthasar-Paul’, in Turner 1996, xxiii, pp. 438–9

Van der Veen 1992
J. van der Veen, ‘Liefhebbers, handelaren en kunstenaars. Het verzamelen van schilderijen en papierkunst’, in Bergvelt & Kistemaker 1992a, pp. 117–34, 298–300

Van der Veen 1997
J. van der Veen, ‘Faces from Life: Tronies and portraits in Rembrandt’s painted œuvre’, in Blankert & Blokhuis 1997, pp. 69–80

Van der Veen 2006
J. van der Veen, ‘Hendrick Uylenburgh’s art business. Production and trade between 1625 and 1655’, in Lammertse & Van der Veen 2006, pp. 116–205

Van der Veen 2019a
J. van der Veen, ‘Ludolf Backhuysen’, in De Beer et al. 2019, iii, pp. 907–11

Van der Veen 2019b
J. van der Veen, ‘Aelbert Cuyp’, in De Beer et al. 2019, ii, pp. 627–31

Van der Veen 2019c
J. van der Veen, ‘Johannes Lingelbach’, in De Beer et al. 2019, ii, pp. 567–71

Van der Veen 2019d
J. van der Veen, ‘Adam Pijnacker’, in De Beer et al. 2019, iii, pp. 859–63

Van der Veen 2019e
J. van der Veen, ‘Abraham Storck’, in De Beer et al. 2019, iii, pp. 977–9

Van der Veen 2019f
J. van der Veen, ‘Willem van de Velde the Younger’, in De Beer et al. 2019, iii, pp. 791–7

Van der Veen 2019g
J. van der Veen, ‘Abraham de Verwer’, in De Beer et al. 2019, i, pp. 315–21

Van der Veen 2019h
J. van der Veen, ‘Justus de Verwer’, in De Beer et al. 2019, iii, pp. 729–30

Vegelin van Claerbergen 2006
E. Vegelin van Claerbergen (ed.), David Teniers and the Theatre of Painting, London 2006 [exh. Courtauld Institute of Art, London 2006–7]

Vekeman & Müller Hofstede 1984
H. Vekeman and J. Müller Hofstede, Wort und Bild in der niederländischen Kunst und Literatur des 16. und 17. Jahrhunderts, Erftstadt 1984

Van de Velde 1982
C. Van de Velde et al., Het aards paradijs. Dierenvoorstellingen in de Nederlanden van de 16de en 17de eeuw, Antwerp 1982

Van de Velde 1996a
C. Van de Velde, ‘Snayers, Pieter’, in Turner 1996, xxviii, p. 898

Van de Velde 1996b
C. Van de Velde, ‘(2) Jerome [Hieronymus] Wierix’, in Turner 1996, xxxiii, p. 169

Van de Velde 2014
H. Van de Velde, Papegaai, ’t Cierlijk schoon van haare veeren [exh. Rockoxhuis, Antwerp 2014–15]

Veldman 1977
I. M. Veldman, review of C. Hülsen & H. Egger, Die römischen Skizzenbücher van Marten van Heemskerck, 2 vols, Berlin 1913-16 (facsimile Soest 1975), Simiolus 9 (1977), pp. 106-113

Veldman 2007
I. Veldman, ‘Pieter Isaacsz. and Art on Paper – Drawings and Prints after his Designs’, in Noldus & Roding 2007, pp. 58–73

Veldman 2016
I. M. Veldman, ‘Mor […], Anthonis […]’, in Saur, xc, 2016, pp. 394–5

Veldman 2018a
I. M. Veldman, ‘Pynacker […], Adam […]’, in Saur, lxxxvii, 2018, p. 195

Veldman 2018b
I. M. Veldman, ‘Romeyn […], Willem’, in Saur, xcix, 2018, p. 341

Veldman 2020
I. M. Veldman, ‘Swanevelt […], Herman […] van’, in Saur, cvii, 2020, p. 269

Veldman forthcoming – a
I. M. Veldman, ‘Victors (Victoor; Victoors; Victers; Fictor; Fictoor; Ficters, etc.), Jan (Hans; Johan; Johannes), in AKLONLINE, Saur forthcoming

Veldman forthcoming – b
I. Veldman, ‘Michal, the Woman at the Window (1640) by Jan Victors’, Simiolus (forthcoming)

Veldman & De Hoop Scheffer 1976
I. Veldman and D. de Hoop Scheffer (ed. K. G. Boon), Andries Pauli (Pauwels) to Johannes Rem, Amsterdam 1976 (Hollstein; Dutch and Flemish etchings, engravings and woodcuts ca. 1450–1700, xvii)

Verdi 2003
R. Verdi et al., Saved! 100 years of the National Collections Fund, London 2003 [exh. Hayward Gallery, London 2003–4]

Vergara 1995
A. Vergara, ‘The “Room of Rubens” in the collection of the 10th Admiral of Castile’, Apollo 140 (Feb. 1995), pp. 34–9

Vergara 1999
A. Vergara, Rubens and his Spanish Patrons, Cambridge 1999

Vergara 2001
A. Vergara, Las Tres Gracias de Rubens, Madrid 2001

Vergara 2008
A. Vergara (ed.) with T. Posada Kubissa and M. Westermann, Rembrandt. Pintor de historias, Madrid 2008 [exh. Museo Nacional del Prado, Madrid, 2008–9]

Vergara & Lammertse 2012
A. Vergara and F. Lammertse (eds), The Young Van Dyck, London 2012 (also in Spanish: El joven Van Dyck, Madrid 2012) [exh. Museo Nacional del Prado, Madrid 2012–13]

Vergara & Westermann 2003
A. Vergara with M. Westermann, Vermeer y el interior holandés, Madrid 2003 [exh. Museo Nacional del Prado, Madrid]

Verheggen 2006
E. M. F. Verheggen, Beelden voor passie en hartstocht. Bid- en devotieprenten in de Noordelijke Nederlanden, 17de en 18de eeuw, Zutphen 2006

Verhoef 1994
M. Verhoef, ‘“Brantjes” en “Maneschijntjes”; over lichteffecten in de nacht’, in Schadee 1994, pp. 125–31

Vermeeren 1997
C. Vermeeren, ‘“Tot reddinge van hare naarlatenschap.” De lotgevallen van de schilderijenverzameling van Frederik Hendrik en Amalia’, in Van der Ploeg & Vermeeren 1997, pp. 61–75, 254–5

Vermet 1995
B. Vermet, ‘Tableaux de Dirck van Delen (v. 1604/1605–1671) dans les musées français’, Revue du Louvre 43/3 (1995), pp. 30–44

Vermet 1996
B. Vermet, ‘Delen, Dirck (Christiaensz.) van’, in Turner 1996, viii, pp. 662–3

Vermeule 1966
C. C. Vermeule III, The Dal Pozzo-Albani Drawings of Classical Antiquities in the Royal Library at Windsor Castle, Philadelphia 1966 (Transactions of the American Philosophical Society n.s. lvi, 2), pp. 5–77

Vermeylen & De Clippel 2012
F. Vermeylen and K. De Clippel, ‘Rubens and Goltzius in dialogue. Artistic exchanges between Antwerp and Haarlem during the Revolt’, De Zeventiende Eeuw. Cultuur in de Nederlanden in interdisciplinair perspectief 28 (2012), pp. 138–60

Vertue Note books see Esdaile, Fox-Strangways & Hake 1930–55

De Vesme 1885
A. de Vesme, Van Dyck. Peintre de portraits des Princes de Savoie avec le fac-similé d'un autographe inédit de l'artiste, Turin 1885, offprint of Miscellanea di Storia Italiana, s. II, IX (XXIV; 1885), pp. 101–53

Vey 1955
H. Vey, ‘Van-Dyck-Studien’, PhD, Cologne University 1955

Vey 1956
H. Vey, ‘De tekeningen van Anthonie van Dyck in het Museum Boymans, II’, Bulletin Museum Boymans 7 (1956), pp. 82–91

Vey 1962
H. Vey, Die Zeichnungen Anton van Dycks, 2 vols, Brussels 1962 (Monographien des ‘Nationaal Centrum voor de Plastische Kunsten van de XVIde en XVIIde eeuw’, i)

Vey 2004
H. Vey, ‘Van Dyck in Antwerp and Brussels’, in Barnes, De Poorter, Millar & Vey 2004, pp. 237–416

Vienna 1977a see Mitsch 1977

Vienna 1977b see Klauner & Heinz 1977

Vienna 2004 see Schröder & Widauer 2004

Vivian 1962
F. Vivian, ‘Joseph Smith and Giovanni Antonio Pellegrini’, Burl. Mag. 104 (1962), pp. 330–33

Vivian 1971
F. Vivian, Il console Smith, mercante e collezionista, Vicenza 1971 (Saggi e studi di storia dell’arte, xiv)

Vlieghe 1967
H. Vlieghe, ‘Grisailles van Erasmus Quellin in bloemstukken van Daniël Seghers. Een rechtzetting’, Bulletin des Musées Royaux des Beaux-Arts de Belgique/Bulletin der Koninklijk Musea voor Schone Kunsten van België 16 (1967), pp. 295–302

Vlieghe 1970
H. Vlieghe, ‘Teniers, David II, schilder’, in Nationaal Biografisch Woordenboek, iv, Brussels 1970, col. 809–25

Vlieghe 1972
H. Vlieghe, Gaspar de Crayer, sa vie et ses œuvres, 2 vols, Brussels 1972 (Monographies du ‘Nationaal Centrum voor de plastische kunsten van de XVIde en XVIIde eeuw’, iv)

Vlieghe 1972–3
H. Vlieghe, Saints, 2 vols, Brussels 1972–3 (Corpus Rubenianum Ludwig Burchard, viii)

Vlieghe 1977a
H. Vlieghe, De schilder Rubens, Utrecht/Antwerp 1977

Vlieghe 1977b
H. Vlieghe, ‘Een weinig gekend schilderij van Rubens te Antwerpen: “Sint-Willibrordus in verering voor Maria, Moeder Gods,”’ Jaarboek KMSKA (1977), pp. 235–52 (with English summary)

Vlieghe 1977c
H. Vlieghe, ‘Une grande collection anversoise du dix-septième siècle: le cabinet d’Arnold Lunden, beau-frère de Rubens’, Jahrbuch der Berliner Museen N.F. 19 (1977), pp. 172–204

Vlieghe 1978
H. Vlieghe, review of Jaffé 1977, Burl. Mag. 120 (1978), pp. 471–3

Vlieghe 1983
H. Vlieghe, ‘The identity of the painter of the Cardiff cartoons: a proposal’, Burl. Mag. 125 (1983), pp. 350–56

Vlieghe 1987a
H. Vlieghe, ‘The Cardiff cartoons: Boeckhorst, after all’, Burl. Mag. 129 (1987), pp. 598–9

Vlieghe 1987b
H. Vlieghe, Rubens. Portraits of Identified Sitters painted in Antwerp, London 1987 (Corpus Rubenianum Ludwig Burchard, xix (2))

Vlieghe 1990a
H. Vlieghe, ‘Evolutie van de Antwerpse monumentale historie- en portretschilderkunst ten tijde van Jan Boeckhorst’, in Huvenne 1990, pp. 48–62

Vlieghe 1990b
H. Vlieghe, ‘Jan Boeckhorst als Mitarbeiter’, in Huvenne 1990, pp. 75–86

Vlieghe 1996b
H. Vlieghe, ‘Crayer, Gaspar [Caspar] de’, in Turner 1996, viii, pp. 125–7

Vlieghe 1996c
H. Vlieghe, ‘Erasmus Quellinus (ii)’, in Turner 1996, xxv, pp. 809–11

Vlieghe 1996d
H. Vlieghe, ‘Thomas (van Yperen), Jan [Johannes]’, in Turner 1996, xxx, p. 744

Vlieghe 1996e
H. Vlieghe, ‘David Teniers II’, in Turner 1996, xxx, pp. 461–4

Vlieghe 1996f
H. Vlieghe, ‘Rubens, Peter Paul’, in Turner 1996, xxvii, pp. 287–303

Vlieghe 1998a
H. Vlieghe, Flemish art and architecture 1585–1700, New Haven/London 1998

Vlieghe 1998b
H. Vlieghe, ‘Further thoughts on the use of drawings in Gaspar de Crayer’s workshop’, Master Drawings 36 (1998), pp. 83–90

Vlieghe 2000
H. Vlieghe, ‘The execution of Flemish paintings between 1550 and 1700: a survey of the main stages’, in Vlieghe, Balis & Van de Velde 2000, pp. 195–211

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H. Vlieghe (ed.), Van Dyck 1599–1999. Conjectures and Refutations, Turnhout 2001

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H. Vlieghe, David Teniers the Younger (1610–1690). A biography, Turnhout 2011 (Pictura nova, xvi)

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H. Vlieghe, review of Vander Auwera & Schaudies 2012 and Brussels/Kassel 2012–13, Burl. Mag 155 (2013, no. 1318), pp. 58–9

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H. Vlieghe, A. Balis & C. Van de Velde (eds), Concept, Design & Execution in Flemish Painting (1550–1700), Turnhout 2000

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H. Vlieghe, C. Stroo and H. van Gelder, Vlaamse meesters. Zes eeuwen schilderkunst, Leuven/Zwolle 2004

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C. Vogelaar et al., Rembrandt & Lievens in Leiden, ‘een jong en edel schildersduo’/‘A pair of young and noble painters’, Zwolle/Leiden 1991 [exh. Leiden, Stedelijk Museum De Lakenhal 1991–2]

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C. Vogelaar and G. Korevaar et al., Rembrandt’s Mother. Myth and reality (also in Dutch: Rembrandts moeder. Mythe en werkelijkheid), Leiden/Zwolle 2005 [exh. Stedelijk Museum De Lakenhal, Leiden 2005–6]

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C. M. Vogtherr, ‘Jean de Jullienne as a collector of paintings’, in Vogtherr & Tonkovich 2011, pp. 10–27

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C. M. Vogtherr, ‘Antoine Pesne’s “Samson and Delilah”: the genesis of a morceau de reception for the Academy in Paris’, Burl. Mag. 155, no. 1322 (2013), pp. 304–9

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C. M. Vogtherr and J. Tonkovich et al., Jean de Jullienne. Collector & connoisseur, London 2011 [exh. Wallace Collection, London]

Voigt 2005
K. C. Voigt, Staatliche Kunsthalle Karlsruhe, Munich/Berlin 2005

Volk 1980a
M. Crawford Volk, ‘Rubens in Madrid and the decoration of the Salón Nuevo in the Palace’, Burl. Mag. 122 (1980), pp. 168–80

Volk 1980b
M. Crawford Volk, ‘New light on a seventeenth-century collector: the Marquis of Leganés’, AB 62 (1980), pp. 256–68

Volk 1981
M. Crawford Volk, ‘Rubens in Madrid and the decoration of the King’s summer apartments’, Burl. Mag. 123 (1981), pp. 513–29

Vondráčková & Třeštík 2006–7
M. Vondráčková and J. Třeštík, ‘Johann Jakob Hartmann Allegory of Water and Allegory of Earth, new acquisitions in the collections of the National Gallery in Prague’, Bulletin of the National Gallery in Prague 16/17 (2006–7), pp. 76–83

Voorhelm Schneevogt 1873
C. G. Voorhelm Schneevogt, Catalogue des estampes gravées d’après P. P. Rubens, avec l’indication des collections où se trouvent les tableaux et les gravures, Haarlem 1873

Vos 1978
R. Vos, Lucas van Leyden, Bentveld/Maarssen 1978

Vosmaer 1868
C. Vosmaer, Rembrandt Harmens van Rijn. Sa vie et ses œuvres, The Hague 1868

Vosmaer 1877
C. Vosmaer, Rembrandt. Sa vie et ses œuvres, The Hague 18772 (18681 rev. and enlarged)

De Vries 1984
L. de Vries, Jan van der Heyden, Amsterdam 1984

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L. de Vries, ‘Heyden, Jan van der’, in Turner 1996, xiv, pp. 503–4

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A. de Vries with contrib. by Q. Buvelot, Passie voor schilderijen. De verzameling Steengracht van Duivenvoorde, Voorschoten/Leiden 2012 [exh. Kasteel Duivenvoorde, Voorschoten]


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