Dulwich Picture Gallery II

RKD STUDIES

Bibliography N – P


Naemlyst 1767
Naemlyst van een fraey kabinet teekeningen en kunstprenten [...] benevens eenigen kunstige schilderyen, alles nagelaten door den kunstschilder, den heer Gerard Sanders [1767], Rotterdam 1767 (auction 5 Aug. 1767– Sept. 1767) [Lugt 1631]

Nakamura 2004
T. Nakamura, ‘Rembrandt’s Blinding of Samson: a work for artistic amulation with Rubens?’, in Kofuku 2004, pp. 123–38

Nannen 1985
H. Nannen, with contrib. by B. Broos et al., Ludolf Backhuysen. Emden 1630–Amsterdam 1708. Ein Versuch, Leben und Werk des Künstlers zu beschreiben, Emden 1985 [exh. Emden]

Nash 1995
J. Nash, ‘The face at the window, or, The Viewer Viewed: observations on a central theme in Rembrandt’s art’, in Shop Talk 1995, pp. 184–6, 376

Natalis, Homann & Melion 2003–7
H. Natalis, F. A. Homann and W. S. Melion, Annotations and meditations on the gospels, 3 vols, Philadelphia 2003–7

NACF Annual Report 1991
National Art Collections Fund Annual Report 87 (1991), p. 157 [Gerard van Honthorst, Jacob de Witt, DPG652]

Naumann 1909
H. Naumann, ‘Die gräflich Schall-Riaucoursche Gemäldesammlung in Schloss Gaussig’, Zeitschrift für bildende Kunst 20 (1909), pp. 1–14

Nederlanders te Rome 1954
Nederlanders te Rome. Tentoonstelling van XVIde en XVIIde eeuwse tekeningen uit de colelctie van Dr. A. Welcker en het Prentenkabinet der Rijksuniversiteit, Leiden 1954 [exh. Printroom of the Leiden University]

Nelson 1998
K. Nelson, Jacob Jordaens. Design for Tapestry, Turnhout 1998 (Pictura nova, v)

Neumeister 2003a
M. Neumeister, Das Nachtstück mit Kunstlicht in der niederländischen Malerei und Graphik des 16. und 17. Jahrhunderts. Ikonographische und koloristische Aspekte, Petersberg 2003

Neumeister 2003b
M. Neumeister, ‘III. Das Nachtstück mit Kunstlicht als künstlerisches Markenzeichen – Zum Oeuvre von Godfried Schalcken (1643–1706)’, in Neumeister 2003a, pp. 339–57, 364–8

Neumeister 2005
M. Neumeister with C. Haeseler, Holländische Gemälde im Städel 1550–1800, vol. i: Künstler geboren bis 1615, Petersberg 2005

Neumeister 2009
M. Neumeister, Alte Pinakothek. Flämische Malerei, Munich/Ostfildern 2009

Nevola 2000
F. Nevola, Soane’s Favourite Subject: the Story of Dulwich Picture Gallery, London 2000 [exh. DPG]

Neve 1971
C. Neve, ‘“An early painter of foule and ffishes”. Francis Barlow (about 1626–1704)’, Country Life 149, 3853 (15 April 1971), pp. 884–6

The New Hollstein. Dutch & Flemish Etchings, Engravings and Woodcuts 1450–1700, various places of publication, 1993–

New Orleans 2018–9 see Schmid 2018

New York 2010 see Salomon 2010

Newcastle upon Tyne 1983 see Wright 1983

NG 1947 see London/Leeds 1947–53

Nicolaisen 2012
J. Nicolaisen with R. Beck, Niederländische Malerei 1430–1800. Museum der bildenden Künste Leipzig, Leipzig 2012

Nichols 2003
L.W. Nichols, ‘“Pinceelen en Oly-verwe”. Schilderijen 1600–1617’, in Leeflang & Luijten 2003, pp. 264–305, 327–32

Niederstein 1931
A. Niederstein, ‘Das graphische Werk des Bartholomäus Spranger’, Repertorium für Kunstwissenschaft 52 (1931), pp. 7–33

Niemeijer 1965
J.W. Niemeijer, ‘P. C. Wonder in Engeland. Aanvullende gegevens in verband met de compositieschets van Sir John Murray's Kunstgalerij in het Rijksprentenkabinet’, Bulletin van het Rijksmuseum 13 (1965), pp. 115–23

Niemeijer 1968
J.W. Niemeijer (ed.), De verzameling van A. Schwarz. Nederlandse tekeningen, [Amsterdam 1968] [exh. RPK, Amsterdam]

Niemeijer 1969
J.W. Niemeijer, ‘De ateliernalatenschap van het Rotterdamse schildersgeslacht Van Nijmegen’, Bulletin van het Rijksmuseum 17 (1969), pp. 59–111

Niemeijer 1982
J.W. Niemeijer, ‘De kunstverzameling van John Hope (1737–1784)’, in Verzamelen in Nederland, Haarlem 1982 [NKJ 32 (1981)), pp. 127–232

Nieuwstraten 1965
J. Nieuwstraten, ‘De ontwikkeling van Herman Saftlevens kunst tot 1650. Spiegel van stromingen in de Nederlandse landschapschilderkunst’, NKJ 16 (1965), pp. 81–117

Noldus & Roding 2007
B. Noldus and J. Roding (eds), Pieter Isaacsz. (1568–1625). Court Painter, Art Dealer and Spy, Turnhout 2007

Norman 1986
A. V. B. Norman, Wallace Collection catalogues. European arms and armour. Supplement, London 1986

Norris 1933
C. Norris, ‘The Rubens exhibition at Amsterdam’, Burl. Mag. 63 (1933), pp. 229–30

Norris 1957
C. Norris, [under ‘Letters’] ‘Flemish Paintings at Bruges’, Burl. Mag. 99 (1957), pp. 125–6. See also Grossmann 1957a and b

North 1996
R. North, Cornelius Jonson van Ceulen; A Dutch Gentleman, 1657. Conservation Record. Technical Examination. Courtauld Institute Galleries and Treatment Report, London 1996 (DPG564 file)

Northcote 1830
J. Northcote, The Life of Titian: with anecdotes of the distinguished persons of his time, 2 vols, London 1830

Norwich 1988 see Moore 1988

Nowak 2012
A. Nowak, ‘The mother and nursing child: versions of mothers as depicted in seventeenth-century Dutch painting’, 2 vols, Thesis master Dutch Art in European Context, University of Amsterdam June 2012

Nys 2006
W. Nys (ed.), Zilver uit Antwerpen, Antwerp 2006 [exh. Zilvermuseum Sterckshof, Antwerp-Deurne 2006–7]


Obreen 1877–90
F. D. O. Obreen, Archief voor Nederlandsche kunstgeschiedenis [...], 7 vols, Rotterdam 1877–90

Oka 1985–6
Y. Oka, ‘De herkomst van Pronks porcelein ontwerpen’, Antiek 20/2 (1985–6), pp. 69–76

Oldenbourg 1921
R. Oldenbourg with an introduction by A. Rosenberg, P. P. Rubens, Des Meisters Gemälde, Stuttgart 19214 (Klassiker der Kunst). See also Rosenberg 1911

Oldenbourg 1922
R. Oldenbourg; W. von Bode (ed.), Peter Paul Rubens. Sammlung der von Rudolf Oldenbourg veröffentlichten oder zu Veröffentlichung vorbereiteten Abhandlungen über den Meister, Munich/Berlin, 1922

Oliver 2005
L. Oliver et al., ‘The Evolution of Rubens’s Judgement of Paris (NG 194)’, National Gallery Technical Bulletin (2005), no. 26, p. 4–22

O’Neill 1981
M. O’Neill, Les peintures de l’école française des XVIIe et XVIIIe siècles. Musée des Beaux-Arts d’Orléans, 2 vols, Nantes 1981 [PhD, Paris-Sorbonne 1980]

Orange 1964
The Orange and The Rose. Holland and Britain in the Age of Observation 1600–1750, London 1964 [exh. Victoria & Albert Museum, London]

Orlando 2004
A. Orlando, ‘no. 2, I miracoli del beato Ignazio di Loyala’, in Boccardo 2004, pp. 58–9

Orso 1986
S. N. Orso, Philip IV and the Decoration of the Alcázar of Madrid, Princeton (NJ) 1986

Osborne 2011
T. Osborne, ‘A new theory on the identification of the ‘Portland Portrait’ as Abbé Scaglia, in Grosvenor 2011, pp. 53–9

Ost 2008
H. Ost, ‘Peter Paul Rubens’ Madonna mit dem Papagei’, Wallraf-Richartz Jahrbuch 69 (2008), pp. 229–56

Østby, Leif see Willoch 1973

Ostrowski 1977/1981
J. K. Ostrowski, Van Dyck et la peinture génoise du XVIIe siècle aux sources du Baroque dans un milieu artistique italien, Krakow 1981 [PhD, Un. Jagiellonski, Krakow 1977]. See also https://digi.ub.uni-heidelberg.de/diglit/ostrowski1981

Ottawa 1980 see McNairn 1980

Ottley 1818
W. Y. Ottley, Engravings of the most noble the Marquis of Stafford’s collection of pictures in London, arranged according to schools, and in chronological order, with remarks on each picture; the executive part under the management of Peltro William Tomkins, Esq. historical engraver to Her Majesty, 4 parts in 2 vols, London 1818

Oursel, Schnapper & Foucart 1985
H. Oursel, A. Schnapper and J. Foucart et al., Au Temps de Watteau, Fragonard et Chardin. Les Pays-Bas et les peintres français du XVIIIe siècle, Lille 1985 [exh. Musée des Beaux-Arts, Lille]

Oxford/London 1988 see Cleaver, White & Wood 1988

Ozzola 1953
L. Ozzola, La Galleria di Mantova. Palazzo Ducale con 212 illustrazioni, Mantua 1953


Paarlberg 2002
S. Paarlberg (ed.), Jacob Gerritsz. Cuyp (1594–1652), Dordrecht 2002 [exh. Dordrechts Museum]

Paarlberg 2020
S. Paarlberg, ‘“eenige liggende en staande Koeijen … als door A. Cuip”. De opleving van het veestuk in Dordrecht rond Jacob van Strij’, in Dumas, Ekkart & Van de Puttelaar 2020, pp. 234–49

Painting 2006
Painting in Haarlem 1500–1850: the collection of the Frans Hals Museum, Ghent 2006

Paintings 1951
Paintings selected from the collections in The Ashmolean Museum, Oxford [1951]

Paintings 1954
Paintings from the Dulwich College Picture Gallery, London 1954

Paintings 1972
Paintings from the Dulwich College Picture Gallery, London 1972 (revised edn of 19541)

Pallucchini & Rossi 1990
R. Pallucchini and P. Rossi, Tintoretto. L’opera completa, 3 vols (vol. i: I ritratti; vols ii and iii: Le opere sacre e profane, I and II) Milan 1990 (orig. edn 1974–1982)

Panofsky 1972
E. Panofsky, Studies in Iconology. Humanistic Themes in the Art of the Renaissance, New York/Boulder, Colo. 1972 (19391)

Paris 1952–3 see Portrait 1952

Paris/Dublin/Washington 2017–18 see Waiboer 2017

Parker & Mathey 1957
K. T. Parker and J. Mathey, Antoine Watteau. Catalogue complet de son œuvre dessiné, 2 vols, Paris 1957

Passavant 1836/1978
J. D. Passavant, Tour of a German artist in England. With notices of private galleries, and remarks on the state of art, 2 vols, East Ardsley 1978 (London 18361; orig. German edn Frankfurt 1833)

Pastoor 1991
G. M. C. Pastoor, ‘Bijbelse historiestukken in particulier bezit’, in Tümpel 1991, pp. 122–33

Patmore 1823
[P. G. Patmore,] ‘British Galleries of Art. – no. vi. Dulwich College’ [part 1], New Monthly Magazine and Literary Journal 7 (1823), pp. 568–75; and [part 2] in 8 (1823), pp. 67–76

Patmore 1824a
[P. G. Patmore], British Galleries of Art, London 1824

Patmore 1824b
[P. G. Patmore], Beauties of the Dulwich Picture Gallery, London 1824

Pattison 1884
M. Pattison, Claude Lorrain. Sa vie et ses oeuvres d’après des documents inédits, Paris 1884

PCC (Picture Collection Committee) see Minutes 1859–

Peacock 2000a
J. Peacock, ‘Van Dyck’s Virgin and Child at Dulwich. Forgotten meanings’, Apollo 152 (Aug. 2000), pp. 34–8

Peacock 2000b
J. Peacock, ‘Looking at Van Dyck’s Scipio in its Contexts’, Art History 23 (2000), pp. 262–89

Peeters 1999
M. Peeters, ‘Antoon van Dyck’, Openbaar Kunstbezit in Vlaanderen 37/2 (1999)

Pelletier, Slatkes & Stone-Ferrier 1994
S. W. Pelletier, L. J. Slatkes, L. A. Stone-Ferrier, A. van Ostade. Etchings of Peasant Life in Holland’s Golden Age, Athens 1994 [exh. Georgia Museum of Art, Athens/Spencer Museum of Art, Lawrence/University of Michigan Museum of Art, Ann Arbor 1994–5]

Pennington 1982
R. Pennington, A descriptive catalogue of the etched work of Wenceslaus Hollar; 1607–1677, Cambridge etc. 1982

Penny 2008
N. Penny, The sixteenth century Italian paintings. Volume II, Venice 1540–1600, London 2008 (National Gallery catalogues)

Penny Magazine 1841a
‘Gratuitous Exhibitions of Pictures. Dulwich College’, The Penny Magazine 10 (1841), no. 586, pp. 193–4 [Cuyp, now follower of Aelbert Cuyp, DPG192]

Penny Magazine 1841b
‘Gratuitous Exhibitions of Pictures. Dulwich College’, The Penny Magazine 10 (1841), no. 592, pp. 241–3 [Van Dyck; DPG90]

Penny Magazine 1841c
‘Gratuitous Exhibitions of Pictures. Dulwich College’, The Penny Magazine 10 (1841), no. 595, pp. 265–6 [Ostade; DPG115]

Penny Magazine 1841d
‘Gratuitous Exhibitions of Pictures. Dulwich College’, The Penny Magazine 10 (1841), no. 598, pp. 289–91 [Wouwerman; DPG182]

Pepper 1984
D. S. Pepper, Guido Reni. A complete catalogue of his works with an introductory text, Oxford 1984

Percival 2012
M. Percival, Fragonard and the Fantasy Figure. Painting the Imagination, Farnham/Burlington 2012

Petrucci 2005
F. Petrucci (ed.), Mola e il suo tempo. Pittura di figura a Roma dalla Collezione Koelliker, Milan 2005 [exh. Palazzo Chigi, Ariccia]

Pevsner 1940
N. Pevsner, Academies of art. Past and Present, Cambridge 1940

PGC (Picture Gallery Committee) see Minutes 1859–

Phagan & Eiland 1996
P. Phagan and W. U. Eiland (eds), Images of Women in Seventeenth-Century Dutch Art. Domesticity and the Representation of the Peasant, Athens 1996 [exh. Georgia Museum of Art, Athens]

Phillips 1911
C. Phillips, ‘Rubens or Van Dyck?’, Art Journal (Aug. 1911), pp. 237–40

Phillips 1997
D. Phillips, Exhibiting Authenticity, Manchester/New York 1997

Piazza 2016
S. Piazza (ed.), La Sicilia dei Viceré nell’età degli Asburgo (1516–1700). La difesa dell’isola, le città capitali, la celebrazione della monarchia, Palermo 2016

Pichon 1880
J. Pichon, Vie de Charles-Henry Conte d’Hoym, Ambassadeur de Saxe-Pologne en France et célèbre amateur de livres 1694–1736, 2 vols, Paris 1880

Piggott 2008
J. Piggott et al., Dulwich College. A history, 1616–2008, London 2008

Pigler 1956
A. Pigler, Barockthemen. Eine Auswahl von Verzeichnissen zur Ikonographie des 17. und 18. Jahrhunderts, 2 vols, [Budapest] 1956

Pigler 1974
A. Pigler, Barockthemen. Eine Auswahl von Verzeichnissen zur Ikonographie des 17. und 18. Jahrhunderts, 3 vols, Budapest 1974 [19561]

Pignatti 1966
T. Pignatti, Le pitture di Paolo Veronese nella chiesa di S. Sebastiano in Venezia, Milan 1966

Pignatti 1976
T. Pignatti, Veronese, 2 vols, Venice 1976

De Piles 1708
R. de Piles, Cours de peinture par principes, Paris 1708

De Piles 1715
R. de Piles, Abregé de la vie des peintres, avec reflexions sur leur ouvrages, Paris 1715

Pio 1724/1977
N. Pio; C. Engass and R. Engass (eds), Le vite di pittori, scultori ed architetti [Cod. ms. Capponi 257] [1724], Vatican City 1977 (Studi e testi, 278)

Pijl 2006
L. Pijl, ‘De schilderijen van Nicolaes Berchem: invloeden en ontwikkeling’, in Biesboer 2006a, pp. 73–93

Pijl 2007
L. Pijl, ‘De tekeningen van Herman van Swanevelt – een overzicht’, in Blankert & De Graaf 2007, pp. 48–61

Pijl 2012a
L. Pijl, ‘Heyden (Heijde; Heijden; Heyde), Jan van der’, in Saur, lxxiii, 2012, pp. 47–50

Pijl 2012b
L. Pijl, ‘Hooch (Hoogh; Hooghe), Carel (Charles; Charles Cornelisz.; Karel) de’, in Saur, lxxiv, 2012, pp. 424–5

Piron 2016
P. Piron, Belgische beeldende kunstenaars van de 19e tot de 21e eeuw, 2 vols, Antwerp 2016

Plender 1993
S. Plender, ‘The Development of Rembrandt’s Girl at a Window’, in Bomford, Sumner & Waterfield 1993, pp. 48–53

Plender 2004
S. Plender, Conservation Record of DPG143, Feb. 2004 (DPG143 file)

Plietzsch 1960
E. Plietzsch, Holländische und flämische Maler des XVII. Jahrhunderts, Leipzig 1960

Van der Ploeg 2005
P. van der Ploeg, ‘An exceptional painting by Rubens newly acquired’, Mauritshuis in Focus 18/2 (2005), pp. 6–21

Van der Ploeg & Vermeeren 1997
P. van der Ploeg and C. Vermeeren et al., Princely Patrons. The collection of Frederick Henry of Orange and Amalia of Solms in The Hague, The Hague/Zwolle 1997 [exh. MH, The Hague 1997–8]

Plomer & Kilvert 1944
[Ref. F.] Kilvert’s Diary, 1870–1879. Selections from the diary of the Rev. Francis Kilvert chosen, edited & introduced by William Plomer, London/Oxford 1944

Plomp 1997
M. C. Plomp, The Dutch Drawings in the Teyler Museum. Volume II: Artists born between 1575 and 1630, Haarlem/Ghent/Doornspijk 1997

Plomp 2001
M. C. Plomp, Hartstochtelijk verzameld. 18de-eeuwse Hollandse verzamelaars van tekeningen en hun collecties, Paris/Bussum 2001 [exh. Teylers Museum, Haarlem/Institut Néerlandais, Paris 2001–2]

Plomp 2020
M. Plomp, ‘John Constable en de oude meesters’, in Cat Constable Bussum/Haarlem 2020 [exh. Teylers Museum, Haarlem 2020–1], pp. 46–65

Plutarch 2015
Plutarch, transl. J. Dryden, Plutarch’s Lives: Life of Romulus, New York 2015. See also http://knarf.english.upenn.edu/Plutarch/romulus.html

Te Poel & Van den Brink 2005
P. te Poel and P. van den Brink, ‘De Zondeval. Meester van Paulus en Barnabas (werkzaam in Antwerpen, ca. 1530–1560)’, Bulletin van de Vereniging Rembrandt 15/3 (2005), pp. 13–15

Pointon 1993
M. Pointon, Hanging the Head. Portraiture and social formation in eighteenth-century England, New Haven/London 1993

Polleross 1988
F. B. Polleross, Das sakrale Identifikationsporträt. Ein höfischer Bildtypus vom 13. bis zum 20. Jahrhundert, 2 vols, Worms 1988

Pollmer 2004
A. Pollmer, ‘Catalogus van de schilderijen in de verzameling van Adriaan van der Hoop’, in Bergvelt, Filedt Kok & Middelkoop 2004, pp. 135–95

Pommier & Le Brun 1992/1793
E. Pommier (ed. and postscript), Jean-Baptiste-Pierre Le Brun. Réflexions sur le Muséum national 14 Janvier 1793, Paris 1992

De Poorter 2004
N. De Poorter, ‘Van Dyck in Antwerp and London. The first Antwerp Period’, in Barnes, De Poorter, Millar & Vey 2004, pp. 15–142

De Poorter, Jansen & Giltaij 1990
N. De Poorter, G. Jansen and J. Giltaij, Rubens en zijn tijd / Rubens and his Age, Rotterdam [1990] [exh. BvB, Rotterdam]

Popham & Fenwick 1965
A. E. Popham and K. M. Fenwick, European Drawings (and two Asian Drawings) in the Collection of the National Gallery of Canada, Toronto 1965 (The National Gallery of Canada Catalogue, iv; European Drawings)

Portrait 1952
Le portrait dans l’art flamand de Memling à Van Dyck, Brussels 1952 [exh. Orangerie, Paris 1952–3]

Porzio 1998
F. Porzio (ed.), Da Caravaggio e Ceruti. La scena di genere e l'immagine dei pitocchi nella pittura italiana, Milan 1998 [exh. Museo di S. Giulia, Brescia]

Postle 1995
M. Postle, Sir Joshua Reynolds. The subject pictures, Cambridge/New York/Melbourne 1995

Postle 1998
M. Postle, Angels & Urchins. The fancy picture in 18th-century British art, Nottingham/London 1998 [exh. Djanogly Art Gallery, University of Nottingham/Kenwood House, London]

Postle 2011
M. Postle (ed.), Johan Zoffany RA. Society observed, New Haven/London 2011 [exh. Yale Center for British Art, New Haven/RA, London 2011–12]

Potter-Hennessey 1989
P. Potter-Hennessey, ‘Portrait of Giovanni Vincenzo Imperiale. The National Gallery of Art, Washington, D.C.’, paper for Van Dyck Seminar Dr. Arthur Wheelock, 8 May 1989

Potterton 1986
H. Potterton, Dutch Seventeenth and Eighteenth Century Paintings in the National Gallery of Ireland, Dublin 1986

Powell 1998
C. Powell, Italy in the Age of Turner. “The Garden of the World”, London 1998 [exh. DPG]

Preston 2001
F. L. Preston, ‘Gersaint on Rembrandt: À son seul génie’, Dutch Crossing 25/2 (2001), pp. 200–220

Priem 1997
R. Priem, ‘The “most excellent collection” of Lucretia Johanna van Winter: the years 1809–22, with a catalogue of the works purchased’, Simiolus 25 (1997), pp. 103–235

Priem 2012
R. Priem, ‘Een “begaaft en seer ijverich man”: Willem Thielen en zijn echtgenote Maria de Fraeye, geportretteerd door Cornelis Jonson van Ceulen’, in Buijsen, Dumas & Manuth 2012, pp. 215–26

Prigot 2018
A. Prigot, La réception de Rembrandt à travers les estampes en France au XVIIIe siècle, Rennes 2018

Prohaska 2002
W. Prohaska, ‘Das geistliche Stilleben – Blumenkränze und Girlanden’, in C. Nitze-Ertz, U. Kleinmann and S. Brakensiek (eds), Das flämische Stillleben 1559–1689, Lingen 2002 [exh. Villa Hügel, Essen/Kulturhistorisches Museum, Vienna] pp. 320–25

Pronk 1982
S. E. P[ronk], ‘Iconografie van Cornelis Pronk’, Pronk-stukken. Mededelingenblad van de Stichting Familiarchief Pronk [newsletter of the Pronk family archives foundation] (April 1982), no. 12, pp. 38–77

Pujmanová 1997–8
O. Pujmanová, ‘Girolamo Bedoli in Prague Collections’, Bulletin of the National Gallery in Prague 7/8 (1997–8), pp. 14–27

Van de Put 1912
A. van de Put, ‘The Prince of Oneglia by Van Dyck’, Burl. Mag. 21 (1912), pp. 311–14

Van de Put 1914
A. van de Put, ‘Van Dyck’s “Prince of Oneglia,”’ Burl. Mag. 25 (1914), p. 59

Puttfarken 2004
T. Puttfarken et al., Rubens contre Poussin. La querelle du coloris dans la peinture française à la fin du XVIIe siècle, Ghent 2004 [exh. Musée des Beaux-Arts, Arras/Musée départemental d’art ancien et contemporain, Épinal]

Van Puyvelde 1937
L. Van Puyvelde, ‘Les portraits des femmes de Rubens’, Revue de l’art ancien et moderne 71 (1937), pp. 1–25

Van Puyvelde 1940
L. Van Puyvelde, Les esquisses de Rubens, Basel 1940. See also English edn: Van Puyvelde 1947

Van Puyvelde 1942
L. Van Puyvelde, ‘Van Dyck replicas and a Virgin and Child at Baltimore’, Journal of the Walters Art Gallery 5 (1942), pp. 114–18

Van Puyvelde 1947
L. van Puyvelde, The Sketches of Rubens, London 1947 (transl. of Van Puyvelde 1940)

Van Puyvelde, Lebeer & Jansen 1965
L. Van Puyvelde, L. Lebeer, A. Jansen et al., De eeuw van Rubens (also in French: Le Siècle de Rubens), Brussels 1965 [exh. Musées Royaux des Beaux-Arts, Brussels]


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