RKD STUDIES

Jackson-Stops 1985
G. Jackson-Stops (ed.), The Treasure Houses of Britain. Five hundred years of private patronage and art collecting, Washington/New Haven/London 1985 [exh. NGA, Washington 1985–6]

Jacobus 1995
Jacobus de Voragine. The Golden Legend. Readings on the saints, transl. W. G. Ryan, 2 vols, Princeton, N.J. 19955 (19931)

Jacquot 2006
D. Jacquot (ed.), Le musée des Beaux-Arts de Strasbourg. Cinq siècles de peinture, Strasbourg 2006

Jaffé 1966a
M. Jaffé, ‘A landscape by Rubens, and another by Van Dyck’, Burl. Mag. 108 (1966), pp. 410–14

Jaffé 1966b
M. Jaffé, ‘Rubens as a collector of drawings, part three’, Master Drawings 4 (1966), pp. 127–48 (pls 1–16)

Jaffé 1966c
M. Jaffé, Van Dyck’s Antwerp Sketchbook [in the collection of the Duke of Devonshire], 2 vols, London [1966]

Jaffé 1967
M. Jaffé, ‘The Death of Adonis by Rubens’, Duits Quarterly 2 (1967), no. 11, pp. 3–16

Jaffé 1968
M. Jaffé, Jacob Jordaens. 1593–1678, Ottawa 1968 [exh. National Gallery of Canada, Ottawa 1968–9]

Jaffé 1969a
M. Jaffé, ‘Rediscovered oil sketches by Rubens: I’, Burl. Mag. 111 (1969), pp. 435–44

Jaffé 1969b
M. Jaffé, ‘Rediscovered oil sketches by Rubens – II’, Burl. Mag. 111 (1969), pp. 528–38

Jaffé 1977
M. Jaffé, Rubens and Italy, Oxford 1977. See reviews: Held 1978 and Vlieghe 1978

Jaffé 1979
M. Jaffé, ‘Rubens and Bruegel’, in Simson & Winner 1979, pp. 37–42, figs. 1–18

Jaffé 1982
M. Jaffé, ‘Book reviews. The oil sketches of Rubens’ [review of Held 1980], Apollo 115 (1982), pp. 61–5

Jaffé 1983a
M. Jaffé, ‘Rubens’s Aeneas Cartoons at Cardiff’, Burl. Mag. 125 (1983), pp. 136–51

Jaffé 1983b
M. Jaffé, ‘Rubens as a draughtsman: some fresh examples’, in Essays 1983, pp. 117–18

Jaffé 1983c
M. Jaffé, ‘The Aeneas Cartoons at Cardiff: not Boeckhorst, Rubens’, Burl. Mag. 125 (1983), pp. 480–87

Jaffé 1984
M. Jaffé, [under ‘Letters’] ‘The Cardiff Cartoons’, Burl. Mag. 126 (1984), pp. 40–41

Jaffé 1988a
D. Jaffé, Rubens’ Self-portrait in Focus, Brisbane 1988 [exh. Australian National Gallery, Canberra]

Jaffé 1988b
M. Jaffé, ‘Rubens and Nicolò Pallavicino’, Burl. Mag. 130 (1988), pp. 523–7

Jaffé 1989
M. Jaffé, Rubens. Catalogo completo, Milan 1989

Jaffé 1990
M. Jaffé, ‘Van Dyck’s “Venus and Adonis,”’ Burl. Mag. 132 (1990), pp. 696–703

Jaffé 1991
M. Jaffé, ‘Washington. Van Dyck at the National Gallery of Art’ [review of Washington 1990–91], Burl. Mag. 133 (1991), pp. 142–4

Jaffé 1992
D. Jaffé et al., Esso presents: Rubens and the Italian Renaissance [ital.], Canberra 1992 [exh. Australian National Gallery, Canberra/National Gallery of Victoria, Melbourne]

Jaffé 1993
M. Jaffé, Old Master Drawings from Chatsworth, London 1993 [exh. BM, London]

Jaffé 1994
M. Jaffé, ‘On some portraits painted by Van Dyck in Italy, mainly in Genoa’, in Barnes & Wheelock 1994, pp. 132–50

Jaffé 1996
M. Jaffé, ‘Dyck [Dijck], Sir Anthony [Anthonie; Antoon] van’, in Turner 1996, ix, pp. 475–89

Jaffé 1997
M. Jaffé, ‘Rubens e Genova’, in Barnes, Boccardo, Di Fabio & Tagliaferro 1997, pp. 59–63

Jaffé 2001
D. Jaffé, ‘New thoughts on Van Dyck’s Italian Sketchbook’, Burl. Mag. 143 (2001), pp. 614–24

Jaffé 2002
M. Jaffé, The Devonshire Collection of Northern European Drawings, 5 vols, Turin/London/Venice 2002 (Archives of art pre-1800). See review: White 2003b

Jaffé 2007
D. Jaffé, ‘Rubens’ Samson and Delilah, an Antwerp chimney piece in context’, in Jaffé, Touati, Van de Velde & Kräftner 2007, pp. 10–17

Jaffé & Cannon-Brookes 1986
M. Jaffé and P. Cannon-Brooks, ‘…Sono dissegni coloriti di Rubens’, Burl. Mag. 128 (1986), pp. 780–85

Jaffé, McClure & Chorley 1995
M. Jaffé, I. McClure and C. Chorley, ‘2 Sir Peter Paul Rubens […] Venus, Mars and Cupid’ [DPG285], in Conserving 1995, pp. 29–32

Jaffé & McGrath 2005
D. Jaffé and E. McGrath, with contrib. by A. Bradley, M. M. Ede et al., Rubens. A master in the making, London 2005 [exh. NG, London 2005–6]

Jaffé & Plender 1995
M. Jaffé and S. Plender, ‘3 Peter Paul Rubens […] Venus mourning Adonis’ [DPG451], in Conserving 1995, pp. 19 (fig.), 33–35

Jaffé, Touati, Van de Velde & Kräftner 2007
D. Jaffé, A.-M. Leander Touati, H. Van de Velde and J. Kräftner, Samson and Delilah. A Rubens painting returns, Milan 2007 [exh. Rockox House, Antwerp/Liechtenstein Museum, Vienna 2007–8]

Jager 2016
A. Jager, ‘“Galey-schilders” en “dosijnwerck”. De productie, distributie en consumptie van goedkope historiestukken in zeventiende-eeuws Amsterdam’, PhD, University of Amsterdam 2016

James 1994
R. James, ‘Van “boerenhuysen” en “stilstaende dingen,”’ in Schadee 1994, pp. 132–141

Jameson 1842
A. Jameson, Handbook to the Public Galleries of Art in and near London with catalogues of the pictures, 2 vols, London 1842 [DPG: ii, pp. 435–506]

Jameson 1845
A. Jameson, Handbook to the public galleries of art in and near London with critical, historical, and biographical notices of the painters and pictures, London 1845 (18421)

Jameson 1850
A. Jameson, Sacred and legendary art [...] containing legends of the angels and archangels, the Evangelists, the Apostles, the Doctors of the Church, St. Mary Magdalene, the patron saints, the martyrs, the early bishops, the hermits, and the warrior saints of Christendom, as represented in the fine arts, London 18502

Jansen 1985a
G. Jansen, ‘Cornelis Stangerus, an “artful painter,”’ The Hoogsteder-Naumann Mercury (1985), no. 1, pp. 43–52

Jansen 1985b
G. Jansen, ‘Berchem in Italy: notes on an unpublished painting’, The Hoogsteder–Naumann Mercury (1985), no. 2, pp. 13–17

Jansen 1988
G. Jansen, ‘Catalogus’, in Boschma 1988, pp. 102–265

Jansen 1996a
G. Jansen ‘Schalcken, Godfried’, in Turner 1996, xxviii, pp. 49–50

Jansen 1996b
G. M. C. Jansen, ‘“O Adam Adam”; God roept Adam en Eva ter verantwoording door Adriaen van der Werff’, Bulletin van het Rijksmuseum 44 (1996), pp. 3–8

Jansen 2007a
G. M. C. Jansen, ‘Herman van Swanevelt: zijn geschilderde oeuvre’, in Blankert & De Graaf 2007, pp. 32–47

Jansen 2007b
G. M. C. Jansen, ‘Nicolaes Berchem. Haarlem, Zürich and Schwerin’ [review of Biesboer 2006a], Burl. Mag. 149 (2007), pp. 354–6

Jansen 2011
A. Jansen, ‘De klanten van het atelier Van Mierevelt’, in Jansen, Ekkart & Verhave 2011, pp. 64–83

Jansen, Ekkart & Verhave 2011
A. Jansen, R. Ekkart and J. Verhave, De portretfabriek van Michiel van Mierevelt (1566–1641), Zwolle/Delft 2011 [exh. Museum Het Prinsenhof, Delft 2011–12]

Jansen & Luijten 1988
G. Jansen and G. Luijten (eds), Italianisanten en bamboccianten. Het italianiserende landschap en genre door Nederlandse kunstenaars uit de zeventiende eeuw, Rotterdam 1988 (from the collection Schilderijen en tekeningen (Paintings and drawings) [in Museum Boijmans Van Beuningen])

Jansen & Sutton 2002
G. Jansen and P.C. Sutton et al., Michael Sweerts (1618–1664), Amsterdam/San Francisco/Hartford/Zwolle 2002 [exh. RM, Amsterdam/Fine Arts Museum, San Francisco/Wadsworth Atheneum Museum of Art, Hartford, Conn.]

Janssen 2002
G. H. Janssen, ‘De kunst van het kopiëren. Opdrachten van stadhouder Willem Frederik van Nassau aan Pieter Nason’, Jaarboek Oranje-Nassau Museum 2001, Rotterdam 2002, pp. 37–47

Jantzen 1910/1979
H. Jantzen, Das niederländische Architekturbild, Leipzig 1910 (Brunswick 19792)

Japan 1999 see Shawe-Taylor, Senzoku & Dejardin 1999

Jarchow 1986
M. Jarchow, Roos. Eine deutsche Künstlerfamilie des 17. Jahrhunderts. Verzeichnis sämtlicher Zeichnungen und Radierungen von Johann Heinrich, Theodor, Philipp Peter, Johann Melchior, Johann Melchior, Franz und Peter Roos im Besitz des Berliner Kupferstichkabinetts, Berlin 1986 [exh. Kupferstichkabinett, Berlin 1986–7]

Jardine 2008
L. Jardine, Going Dutch. How England plundered Holland’s glory, London 2008

Jarry 1977
M. Jarry, ‘A propos de la Tenture des Maisons Royales: Peter Boel, peintre d’animaux’, Bulletin de liaison du Centre International d’Etude des Textiles Anciens 45/1 (1977), pp. 19–24

Jedding 1955
H. Jedding, Der Tiermaler Joh. Heinr. Roos (1631–1685), Strasbourg-Kehl 1955 (Studien zur deutschen Kunstgeschichte, 311)

Jedding 1996
H. Jedding, ‘Roos [Rosa; family] […] Johann Henrich Roos’, in Turner 1996, xxvii, pp. 134–5

Jedding 1998
H. Jedding, Johann Heinrich Roos. Werke einer Pfälzer Tiermalerfamilie in den Galerien Europas, Mainz 1998

Jeffree 1996
R. Jeffree, ‘Barlow, Francis’, in Turner 1996, iii, pp. 244–5. See also Grove Art Online (March 22, 2016)

Jellema & Plomp 1992
R. E. Jellema and M. Plomp, Episcopius. Jan de Bisschop (1628–1671). Advocaat en tekenaar (lawyer and draughtsman) [with English summary], Zwolle/Amsterdam 1992 [exh. Rembrandt House Museum, Amsterdam]

Jenkins 1947
M. Jenkins, The State Portrait. Its origin and evolution, New York 1947

Jenkins 1992
I. Jenkins, ‘Pars pro toto: A Muse from the Paper Museum’, in I. Jenkins et al., Cassiano dal Pozzo’s Paper Museum, i, s.l. 1992, pp. 49–65

Jerusalem 2012 see Steinberg 2012

Joachimides 2015
A. Joachimides, ‘’Lely, Peter’, in Saur, lxxxiv, 2015, pp. 48–9

Jöhnk & Kanzenbach 2010
C. Jöhnk and A. Kanzenbach (eds), Schein oder Wirklichkeit? Realismus in der Niederländischen Malerei des 17. Jahrhunderts, Emden 2010 [exh. Ostfriesisches Landesmuseum, Emden]

Jörg 1982
C. J. A. Jörg, Porcelain and the Dutch China Trade, The Hague 1982

Johnson 1991
W. McAllister Johnson, ‘From Verrue to Vence: Systematic engraving of private painting collections in France to 1760’, Gazette des Beaux-Arts 117 (1991), pp. 77–91

Jonckheere 2005
K. Jonckheere, ‘Kunsthandel en diplomatie. De veiling van de schilderijenverzameling van Willem III (1713) en de rol van het diplomatieke netwerk in de Europese kunsthandel’, 2 vols, PhD, University of Amsterdam 2005. See also Jonckheere 2008

Jonckheere 2007
K. Jonckheere, Adriaen Thomasz. Key (c. 1545–c. 1589). Portrait of a Calvinist painter, Turnhout 2007

Jonckheere 2008
K. Jonckheere, The Auction of King William’s Paintings, 1713. Elite international art trade at the end of the Dutch Golden Age, Amsterdam 2008 (Oculi, Studies in the arts of the Low Countries, xi) [transl. of Jonckheere 2005]

Jonckheere 2013
K. Jonckheere (ed.), Michiel Coxcie (1499–1592) and the Giants of his Age, London 2013 [exh. M-Museum Leuven 2013–14]

Jones & Penny 1983
R. Jones and N. Penny, Raphael, New Haven/London 1983

De Jonge 1932
C. H. de Jonge, ‘Utrechtsche schilders der XVIIde eeuw in de verzameling van Willem Vincent, baron van Wyttenhorst’, Oudheidkundig Jaarboek 4th series 1 (1932), pp. 120–34, xxxv–xxxvii

De Jonge 1952
C. H. de Jonge, Centraal Museum – Utrecht. Catalogus der Schilderijen, Utrecht 1952

De Jongh 1967
E. de Jongh, Zinne- en minnebeelden in de schilderkunst van de zeventiende eeuw, s.l. 1967

De Jongh 1968–9
E. de Jongh, ‘Erotica in vogelperspectief. De dubbelzinnigheid van een reeks 17de eeuwse genre-voorstellingen’, Simiolus 3 (1968–9), pp. 22–74

De Jongh 1975–6
E. de Jongh, ‘Pearls of virtue and pearls of vice’, Simiolus 8 (1975–6), pp. 69–97

De Jongh 1976
E. de Jongh (ed.), Tot Lering en vermaak. Betekenissen van Hollandse genrevoorstellingen uit de zeventiende eeuw, Amsterdam 1976 [exh. RM, Amsterdam]

De Jongh 2000a
E. de Jongh, Questions of Meaning. Theme and motif in Dutch seventeenth-century painting, Leiden 2000

De Jongh 2000b
E. de Jongh, ‘A bird’s-eye view of erotica. Double entendre in a series of seventeenth-century genre scenes’, in De Jongh 2000a, pp. 21–58, 245–59 [transl. of De Jongh 1968–9]

De Jongh & Luijten 1997
E. de Jongh and G. Luijten, Spiegel van alledag. Nederlandse genreprenten 1550–1700 (also in English: Mirror of Everyday Life. Genreprints in the Netherlands 1550–1700), Amsterdam/Ghent 1997 [exh. RM, Amsterdam]

Jonker 1997
J. P. B. Jonker, The Link between Past and Future. 275 years of tradition and innovation in Dutch banking, Amsterdam 1997

Jonker 2008
M. Jonker, ‘Meaning in art history: a philosophical analysis of the iconological debate and the Rembrandt Research Project’, Zeventiende Eeuw 24 (2008), pp. 146–61

Jonker 2012
M. Jonker, ‘Een man en zijn harnas’ [review of Salomon 2012 and London 2012b], Museumtijdschrift (April 2012), pp. 56–7

Jonker & Bergvelt 2016
M. Jonker and E. Bergvelt, Dutch and Flemish Paintings. Dulwich Picture Gallery, London 2016. See review: Gaskell 2018

Jordan 2010
A. Jordan, Love Well the Hour. The life of Lady Colin Campbell 1857–1911, Leicester 2010

Judson 1969
J. R. Judson, ‘Catalogue of paintings’, in Judson, Cunningham, Haverkamp-Begemann & Logan 1969, pp. 31–87

Judson 2000
J. R. Judson, Rubens. The Passion of Christ, Turnhout 2000 (Corpus Rubenianum Ludwig Burchard, vi)

Judson, Cunningham, Haverkamp-Begemann & Logan 1969
J. R. Judson, C. C. Cunningham, E. Haverkamp-Begemann and A.-M. Logan, Rembrandt after 300 Years. An exhibition of Rembrandt and his followers, Chicago 1969 [exh. Art Institute of Chicago/Minneapolis Institute of Arts/Detroit Institute of Arts 1969–70]

Judson & Ekkart 1999
J. R. Judson and R. E. O. Ekkart, Gerrit van Honthorst 1592–1656, Doornspijk 1999

Judson & Van de Velde 1977
J. R. Judson and C. Van de Velde, Book Illustrations and Title-pages, 2 vols, Brussels 1977 (Corpus Rubenianum Ludwig Burchard, xxi (1–2))

Juszczak & Małachowicz 1998
D. Juszczak and H. Małachowicz, Galeria Lanckoronskich. Obrazy z daru Professor Karoliny Lanckoronsto bekiej dla Zamku Królewskiego w Warszawie, Warsaw 1998

Juszczak & Małachowicz 2009
D. Juszczak and H. Małachowicz, ‘The Stanislaw August picture collection at the Royal Castle in Warsaw’, in Dejardin, Juszczak & Małachowicz 2009, pp. 15–38

Juszczak & Małachowicz 2013
D. Juszczak and H. Małachowicz, The Royal Castle in Warsaw. A complete catalogue of paintings, c. 1520–c. 1900, 2 vols, Warsaw 2013

Juynboll 1953/4
W. R. Juynboll, ‘Francis Barlow (c. 1626–1702)’, unpublished article, rejected by Burl. Mag., in RKD archive W. R. Juynboll

Kahr 1972
M. Kahr, ‘Delilah’, AB 54 (1972), pp. 282–99

Kahr 1973
M. Kahr, ‘Rembrandt and Delilah’, AB 55 (1973), pp. 240–59

Kahr 1978/1993
M. Millner Kahr, Dutch Painting in the Seventeenth Century, New York 1993 (19781)

Kaiser & Philipp 2016
F. W. Kaiser and M. Philipp (eds), Verkehrte Welt. Das Jahrhundert von Hieronymus Bosch, Munich 2016 [exh. Bucerius Kunst Forum, Hamburg]

Kalinsky 1995
N. Kalinsky, Gainsborough, London 1995

Kalinsky & Waterfield 1987
N. Kalinsky and G. Waterfield et al., Mr. Cartwright’s Pictures. A seventeenth century collection, London 1987 [exh. DPG 1987–8]

De Kam 2006
R. de Kam, Nijevelt. Een verdwenen kasteel in Leidsche Rijn, Utrecht 2006

Karlsruhe 2005–6 see Klinge & Lüdke 2005

Karst 2013–14
S. Karst, ‘Off to a new Cockaigne: Dutch migrant artists in London, 1660–1715’, Simiolus 37/1 (2013–14), pp. 25–60

Kassel/The Hague 2009–10 see Duparc & Buvelot 2009

Katritzky 2006
M. A. Katritzky, The Art of Commedia. A study in the Commedia dell’Arte 1560–1620 with special reference to the visual records, Amsterdam/New York 2006

Katwijk 2004 see Giepmans, Kos & Van ’t Zelfde 2004

Kauffmann 1943
H. Kauffmann, ‘Die Fünfsinne in der niederländischen Malerei des 17. Jahrhunderts, in H. Tintelnot (ed.), Kunstgeschichtliche studien Dagobert Frey zum 23. April 1943, Breslau 1943, pp. 133–57

Kauffmann, Jenkins & Wieseman 2009
C. M. Kauffmann, revised by S. Jenkins, with contributions from M. E.Wieseman, Catalogue of Paintings in the Wellington Museum Apsley House, London 2009

Keazor 2002
H. Keazor (ed.), Psychische Energien bildender Kunst. Festschrift Klaus Herding, Cologne 2002

Keiser 1966
H. W. Keiser, Landesmuseum Oldenburg. Gemäldegalerie Oldenburg, Munich [1966]

Keith 1999
L. Keith, ‘The Rubens Studio and the Drunken Silenus supported by Satyrs’, National Gallery Technical Bulletin (1999), no. 20 (Painting in Antwerp and London: Rubens and Van Dyck), pp. 96–104

Kelchtermans 2013
L. Kelchtermans, ‘Geschilderde gevechten, gekleurde verslagen. Een contextuele analyse van Peter Snayers’ (1592–1667) topografische strijdtaferelen voor de Habsburgse elite tussen herinnering en verheerlijking’, 3 vols, PhD, University of Leuven 2013

Kelchtermans 2020
L. Kelchtermans, Peter Snayers (1592–1667). Between remembrance and glorification: a contextual study of the topographical battle paintings for the Habsburg elite, Turnhout 2020 (Pictura nova, xxii)

Kersting 2003
M. Kersting (ed.), Barocke Sammellust. Die Sammlung Schönborn-Buchheim, Wolfratshausen 2003 [exh. Haus der Kunst, Munich]

Ketelsen 2000
T. Ketelsen, Rembrandt, oder nicht? Hamburger Kunsthalle. Die Gemälde, Ostfildern-Ruit 2000 [exh. Hamburger Kunsthalle 2000–2001]

Kettering 1983
A. McNeil Kettering, The Dutch Arcadia. Pastoral art and its audience in the Golden Age, Totowa, N.J./Montclair, N.J. 1983

Kettering 2007
A. M. Kettering, ‘Men at work in Dutch art, or keeping one’s nose to the grindstone’, AB 89 (2007), pp. 694–714

Kettering 2007–8
A. McNeil Kettering, ‘Landscape with sails: the windmill in Netherlandish prints, Simiolus 33 (2007–8), pp. 67–80

Kettering 2008
A. M. Kettering, ‘Country Home: Caspar Netscher and the Rotterdam Peasant Interior’, lecture, Sept. 2008, for the Medieval and Renaissance Colloquium, and 11 Dec. 2008 for the Golden Age Institute (sent in 2012)

Kettering 2012
A. M. Kettering, ‘The Rustic Still Life in Dutch Genre Painting: Bijwerck dat Verclaert’, lecture for conference New Perspectives on Early Modern Northern Genre Imagery, 20 July 2012

Keyes 1995
G. S. Keyes, ‘Meindert Hobbema’s Wooded Landscape with a Water Mill’, The Minneapolis Institute of Arts Bulletin 67 (1995), pp. 42–57

Keyes, Rassieur & Weller 2011
G. S. Keyes, T. Rassieur and D. P. Weller, with J. L. Seydl, Rembrandt in America. Collecting and connoisseurship, New York 2011 [exh. North Carolina Museum of Art, Raleigh/Cleveland Museum of Art/Minneapolis Institute of Arts 2011–12]

Kieckens 1886
F. Kieckens, ‘Daniel Seghers de la Compagnie de Jésus, peintre de fleurs. Sa vie et ses œuvres, 1590–1661’, Annales de l’Académie d’Archéologie de Belgique 40, 3e S. [ser.?] 10 (1886), pp. 355–467

Kiers & Tissink 2000
J. Kiers and F. Tissink et al., The Glory of the Golden Age. Dutch art of the 17th century. Painting, sculpture and decorative art, Zwolle/Amsterdam 2000 [exh. RM, Amsterdam]

Kieser 1933
E. Kieser, ‘Antikes im Werke des Rubens’, Münchner Jahrbuch der bildenden Kunst N.F. 10 (1933), pp. 110–37

Kilian 1996a
J. Kilian, ‘Berchem [Berghem; Berighem; Berrighem], Nicolaes (Pietersz.)’, in Turner 1996, iii, pp. 757–60

Kilian 1996b
J. Kilian, ‘Du Jardin [Dujardin; Du Gardijn] Karel [Carel]’, in Turner 1996, ix, pp. 379–81

Kilian 1996c
J. M. Kilian, ‘(2) Jan Weenix’, in Turner 1996, xxxiii, pp. 26–8

Kilian 2005
J. M. Kilian, The Paintings of Karel Du Jardin 1626–1678. Catalogue raisonné, Amsterdam/Philadelphia 2005 (Oculi, Studies in the arts of the Low Countries, viii)

Kirschenbaum 1977
B. D. Kirschenbaum, The Religious and Historical Paintings of Jan Steen, Oxford 1977 [19761]

Kitson 1958a
M. Kitson, ‘Swanefelt, Claude Lorrain et le Campo Vaccino I’, Revue des Arts 8/5 (1958), 215–20

Kitson 1958b
M. Kitson, ‘Swanevelt, Claude Lorrain et le Campo Vaccino II’, Revue des Arts 8/6 (1958), pp. 259–66

Kitson 1978
M. Kitson, Claude Lorrain: Liber Veritatis, London 1978

Kitson 1980
M. Kitson, review of ‘Ten paintings by Gerard Dou at David Carritt’, Burl. Mag. 122 (1980), pp. 849–51

Kitson 1992
M. Kitson, Rembrandt, London 19923 (19691, 19822)

Klauner & Heinz 1977
F. Klauner and G. Heinz, Peter Paul Rubens, 1577–1640. Ausstellung zur 400. Wiederkehr seines Geburtstages […], Vienna 1977 [exh. Kunsthistorisches Museum, Vienna]

Kleinert & Laurenze-Landsberg 2009
K. Kleinert and C. Laurenze-Landsberg, ‘Auf der Suche nach einer optimalen Bildlösung. Zur Bildgenese von Rembrandts Gemälde “Simson und Delila,”’ Jahrbuch der Berliner Museen NF 51 (2009; Beiheft Rembrandt – Wissenschaft auf der Suche. Beiträge des Internationalen Symposiums Berlin — 4. und 5. November 2006), pp. 147–55

Klemm & Lentzsch 2007
C. Klemm and F. Lentzsch (eds), Kunsthaus Zürich.Gesamtkatalog der Gemälde und Skulpturen, Ostfildern 2007

Klessmann 1965
R. Klessmann, ‘Rubens’s Saint Cecilia in the Berlin Gallery after cleaning’, Burl. Mag. 107 (1965), pp. 550–59

Klessmann 1979
R. Klessmann (ed.), Jan Lievens, ein Maler im Schatten Rembrandts, Brunswick 1979 [exh. Herzog Anton Ulrich-Museum, Brunswick]

Klessmann 1983
R. Klessmann, Die holländischen Gemälde. Herzog Anton Ulrich-Museum Braunschweig. Kritisches Verzeichnis, Brunswick 1983

Klessmann 1988
R. Klessmann (ed.), Hendrick ter Brugghen und die Nachfolger Caravaggios in Holland. Beiträge eines Symposions aus Anlass der Ausstellung ‘Holländische Malerei in neuem Licht. Hendrick ter Brugghen und seine Zeitgenossen’ im Herzog Anton Ulrich-Museum, Braunschweig, vom 23. bis 25. März 1987, Brunswick 1988

Klessmann 2003
R. Klessmann, Die flämischen Gemälde des 17. und 18. Jahrhunderts. Herzog Anton Ulrich-Museum Braunschweig. Kunstmuseum des Landes Niedersachsen, Brunswick/Munich 2003. See review: Martin 2004

Klessmann 2004
R. Klessmann, ‘Adam Elsheimer – Bemerkungen zur Rezeption seiner Kunst im Norden’, in Manuth & Rüger 2004, pp. 54–71

Klessmann 2006
R. Klessmann, with contrib. by E. E. S. Gordenker and C. T. Seifert, Adam Elsheimer 1578–1610, Edinburgh/London 2006 [exh. Städelsches Kunstinstituut und Städtische Galerie, Frankfurt/NGS, Edinburgh/DPG]

Klessmann 2010
R. Klessmann, ‘Wirklichkeit und Phantasie. Bemerkungen zur holländischen Interieurmalerei des 17. Jahrhunderts’, in Jöhnk & Kanzenbach 2010, pp. 20–29

Kline 1998
T. R. Kline, ‘Recent developments in the recovery of Old Master Drawings from Bremen’, The Spoils of War International Newsletter 5 (1998), pp. 15–19

Klinge-Gross 1976
M. Klinge-Gross, ‘Herman Saftleven als Zeichner und Maler bäuerlicher Interieurs. Zur Entstehung des südholländischen Bildtyps mit Stilleben aus ländichem Hausrat und Gerät’, Wallraf-Richartz-Jahrbuch. Westdeutsches Jahrbuch für Kunstgeschichte 38 (1976), pp. 68–91

Klinge 1980
M. Klinge, ‘David Teniers II. De schilderijen’, in Bruegel 1980, pp. 251–91

Klinge 1982
M. Klinge, Adriaen Brouwer. David Teniers the Younger, Bradford/London 1982 [exh. New York/Maastricht, Noortman & Brod]

Klinge 1991
M. Klinge, David Teniers the Younger. Paintings – drawings, Ghent 1991 [exh. KMSKA, Antwerp]

Klinge 1997
M. Klinge, ‘David Teniers der Jüngere als Zeichner. Die Antwerpener Schaffenszeit (1633–1651)’, Jaarboek KMSKA (1997), pp. 71–282

Klinge 1999
M. Klinge, ‘“Chardin le Teniers Français.” Genrebilder von David Teniers d. J. in Pariser Sammlungen 1700–1750’, in Michel 1999, pp. 57–65

Klinge 2006
M. Klinge, ‘David Teniers and the Theatre of Painting’, in Vegelin van Claerbergen 2006, pp. 10–39

Klinge & Lüdke 2005
M. Klinge and D. Lüdke (eds), David Teniers der Jüngere 1610–1690. Alltag und Vergnügen in Flandern, Heidelberg 2005 [exh. Staatliche Kunsthalle, Karlsruhe 2005–6]

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W. T. Kloek, ‘Catalogue. Drawings’ [Aelbert Cuyp], in Wheelock 2001a, pp. 214–91

Kloek 2002
W. T. Kloek, Aelbert Cuyp. Land, water, licht, Amsterdam/Zwolle 2002

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Koninklijke Musea voor Schone Kunsten van België. Inventariscatalogus van de oude schilderkunst, Brussels 1984

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Knab 1964
E. Knab, ‘Willem Romeyn: “Een gesicht van Tivoli naer Romen,”’ Master Drawings 2 (1964), pp. 163–8, figs 32–6

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P. Knolle, ‘Pronk, Cornelis’, in Turner 1996, xxv, pp. 649–50

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P. Knolle, ‘Duitse schilders in de Hollandsche school. Hun komst, verblijf en reputatie 1680–1820’, De achttiende eeuw 40/1 (2008), pp. 31–49

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P. Knolle, ‘De gedaanteverandering van twee portretten’ [by Cornelis Jonson van Ceulen], Magazine Rijksmuseum Twenthe 3/2 (2009), pp. 22–3

Knolle & Korthals Altes 2011
P. Knolle and E. Korthals Altes (eds), Nicolaas Verkolje, 1673–1746. De fluwelen hand, Zwolle/Enschede 2011 (exh. Rijksmuseum Twenthe, Enschede)

Knupfer 1986
G. Knupfer, The Cat at the Party, Menlo Park, Calif. 1986 (Archives of the Painted Cat. Glimpses of Art History for Cat Lovers, ii)

Knuttel 1962
G. Knuttel, Adriaen Brouwer. The master and his work, The Hague 1962

Kockelberg & Huvenne 1993
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U. R. Köhler-Lutterbeck, ‘P. P. Rubens und das Familienportrait. Kommentare zum Thema der Familie im Werk des Malers’, Kiel 1975, PhD, Christian-Albrecht-Universität, Kiel

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A.-F Köllermann and I. Wenderholm, The Bode-Museum. 100 masterpieces, Berlin 2006

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U. König-Nordhoff, Ignatius von Loyola. Studien zur Entwicklung einer neuen Heiligen-Ikonographie im Rahmen einer Kanonisationskampagne um 1600, Berlin 1982

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O. Koester et al., Illusions. Gijsbrechts. Royal master of deception, Copenhagen 1999 [exh. Statens Museum for Kunst, Copenhagen]

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Kofuku 2004
A. Kofuku (ed.), Rembrandt and Dutch History Painting in the 17th Century, Tokyo 2004

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A. Koldeweij, ‘Juriaan Pool (1666–1745). Pourtraitschilder van veel vermaardheid’, Desipientia 19/2 (2012), pp. 16–18

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E. Kolfin, Voor koningen en prinsen. De stillevens en landschappen van Jan van Huysum (1682–1749), Delft 2006 [exh. Prinsenhof, Delft 2006–7]

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S. Kollmann, Niederländische Künstler und Kunst im London des 17. Jahrhunderts, Hildesheim/Zürich/New York 2000 (Studien zur Kunstgeschichte, cxxxv)

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C. Kolman et al., Monumenten in Nederland. Utrecht, Zeist/Zwolle 1996

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M. K. Komanecky, E. P. Bowron et al., Copper as Canvas. Two centuries of masterpiece paintings on copper 1575–1775, New York/Oxford 1999 [exh. Phoenix Art Museum, Phoenix, Ariz./Nelson-Atkins Museum of Art, Kansas City/MH, The Hague 1998–9]

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L. Kooijmans, E. A. de Jong and H. M. Brokken, Pronk met Pen en Penseel. Cornelis Pronk (1691–1759) tekent Noord-Holland, Amsterdam 1997 [exh. FHM, Haarlem]

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V. Kopetzky [Kopecky], J. Kräftner and M. Schweller, Liechtenstein Museum Wien. Vorbild Rubens, Munich/Berlin/London/New York 2004 [exh. Rubens in Wien, Liechtenstein Museum and Gemäldegalerie, Vienna 2004–5]

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G. Korevaar, ‘Rembrandt’s Mother. Rise and fall of a myth’, in Vogelaar & Korevaar 2005 [exh. Stedelijk Museum De Lakenhal, Leiden 2005–6], pp. 33–52

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E. Korthals Altes, ‘The eighteenth-century gentleman dealer Willem Lormier and the international dispersal of seventeenth-century Dutch paintings’, Simiolus 28 (2000–2001), pp. 251–311

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E. Korthals Altes, ‘Félibien, de Piles and Dutch seventeenth-century paintings in France’, Simiolus 34 (2009–10), pp. 194–211

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A. Kosegarten and P. Tigler (eds), Festschrift Ulrich Middeldorf, 2 vols, Berlin 1968

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S. Koslow, Frans Snyders. The Noble Estate: seventeenth-century still-life and animal painting in the Southern Netherlands, Antwerp 1995

Koslow 1995b
S. Koslow, Frans Snyders. Stilleven- en dierenschilder, 1579–1657, Antwerp 1995

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S. Koslow, ‘Law and order in Rubens’s “Wolf and Fox Hunt,”’ AB 78 (1996), pp. 680–706

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O. Kotková, The National Gallery in Prague. Netherlandish Painting 1480–1600. Illustrated Summary Catalogue I/1, Prague 1999

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M. Krämer, ‘Die Brand von Troja und der Brand von Rom. Sieben Versionen von Pieter Schoubroeck’, in Hürkey 1995, pp. 97–102, 225, no. M 7

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L. Krempel, Holländische Gemälde im Städel, 1550–1800, ii: Künstler geboren 1615 bis 1630, Frankfurt 2005 (Kataloge der Gemälde im Städelschen Kunstinstitut Frankfurt am Main, ix)

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L. Krempel, Georg Petel 1601/02–1634. Bildhauer im Dreissigjährigen Krieg, Munich 2007 [exh. Haus der Kunst, Munich]

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T. Kren, Jan Miel (1599–1664), a Flemish Painter in Rome, 3 vols, Ann Arbor/London 1980 [PhD, Yale University 1978]

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T. Kren: ‘Jan Lingelbach in Rome’, J. Paul Getty Museum Journal 10 (1982), pp. 42–62

Kren 1983
T. Kren, ‘Some “Bambocciate” by Antoine Goubau’, in Essays 1983, pp. 123–6

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E. Kris and O. Kurz, Legend, Myth, and Magic in the Image of the Artist. A historical experiment, New Haven/London 1979 [transl. from the German by A. Laing and rev. by L. M. Newman]; preface by E. H. Gombrich [addns to the original text by Otto Kurz] (orig. German: Die Legende vom Künstler. Ein historischer Versuch, Vienna 1934)

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F. Kugler, A Hand-Book of the History of Painting, ii, The German, Flemish, and Dutch schools of painting, Tr. from the German by a lady [Mrs. Margaret Hutton]. Ed., with notes, by Sir Edmund Head, Bart., London 1846. See also Waagen 1860 and Crowe 1874

Ter Kuile 1976
O. ter Kuile, Adriaen Hanneman, 1604–1671. Een Haags portretschilder, Alphen aan den Rijn 1976 [with a summary in English]

Ter Kuile 1986
O. ter Kuile, Koper & Brons, The Hague 1986 (Catalogi van de verzameling kunstnijverheid van het Rijksmuseum te Amsterdam, i)

Kuojärvi-Närhi, Santala, Tanhuanpää & Forss 2005
B. Kuojärvi-Närhi, M. Santala, A. Tanhuanpää and A.-M. Forss, Taiteen Muisti. Konservoinnin kerrostumia (Art’s Memory. Layers of Conservation), Helsinki 2005 [exh. Synebrychoff Museum, Helsinki 2005–6] (Valtion taidemuseo. Sinebrychoffin taidemuseon julkaisuja)

Kuretsky 1979
S. D. Kuretsky, The Paintings of Jacob Ochtervelt (1634–1682) [with catalogue raisonné], Oxford 1979

Kuretsky 1996
S. D. Kuretsky, ‘Ochtervelt, Jacob’, in Turner 1996, xxiii, pp. 344–5

Kyoto 2002–3 see Giltaij & Shinji 2002