RKD STUDIES

Abbate 1990
V. Abbate, ‘Quadrerie e collezionisti palermitani del Seicento’, in A. Abbate (ed.), Pittori del Seicento a Palazzo Abatellis, Milan 1990 [exh. Galleria Regionale della Sicilia, Palermo], pp. 13–57

Abbate 1999a
V. Abbate (ed.), Porto di Mare. 1570–1670. Pittori e Pittura a Palermo tra memoria e recupero, Naples 1999 [exh. Chiesa di San Giorgio dei Genovesi, Palermo/Palazzo Barberini, Rome 1999–2000]

Abbate 1999b
V. Abbate, ‘La stagione del grande collezionismo’, in Abbate 1999a, pp. 107–40

Abbate 2004
V. Abbate, ‘Van Dyck a Palermo’, in Bernardini 2004, pp. 68–81

Abbate 2011
V. Abbate, La grande stagione del collezionismo. Mecenati, accademie e mercato dell’arte in Sicilia tra Cinque e Seicento, Palermo 2011

Aberystwyth 1947 see Ellis 1947

Account 1824
An Account of all the Pictures exhibited in the Rooms of the British Institution, from 1813 to 1823, belonging to the Nobility and Gentry of England with remarks, critical and explanatory, London 1824

Ackermann 1993
P. Ackermann, Textfunktion und Bild in Genreszenen der niederländischen Graphik des 17. Jahrhunderts, Alfter 1993 [PhD, University of Bonn 1993]

Ackley 1981
C. S. Ackley, Printmaking in the Age of Rembrandt, Boston 1981 [exh. Museum of Fine Arts, Boston/St Louis Art Museum 1981–2]

Adamson 2016
J. Adamson, ‘Policy and Pomegranates: Art, Iconography and Counsel in Rubens’s Anglo-Spanish Diplomacy of 1629–1630’, in Duerloo & Smuts 2016, pp. 143–79

Adler 1980
W. Adler, Jan Wildens. Der Landschaftsmitarbeiter des Rubens, Fridingen 1980

Adler 1982
W. Adler, Landscapes, London/Oxford/New York 1982 (Corpus Rubenianum Ludwig Burchard, xviii (1)). See review: Martin 1983a

Adriani 1940
G. Adriani (ed.), Anton van Dyck. Italienisches Skizzenbuch, Vienna 1940

Adriani 1965
G. Adriani, Anton van Dyck. Italienisches Skizzenbuch, Vienna 1965 (19401)

Aerts 1993
W. Aerts et al., The Cathedral of Our Lady in Antwerp, Antwerp 1993

Aikema 2006
B. Aikema, ‘Rubens’s “meraviglia,”’ in Van der Stighelen 2006a, i, pp. 213–32

Aikema & Mijnlieff 1993
B. Aikema and E. Mijnlieff, ‘Giovanni Antonio Pellegrini 1716–1718. A Venetian painter in the Low Countries’, in J. de Jong et al. (eds), Nederland – Italië. Relaties in de beeldende kunst van de Nederlanden en Italië 1400–1750/Nederland – Italië. Artistic relations between the Low Countries and Italy 1400–1750, Zwolle 1993 (NKJ 44 (1993)), pp. 215–42

Akveld 1996
L. M. Akveld, ‘Verklaring van de namen van enige zeventiende-eeuwse Nederlandse scheepstypen, en van sommige van hun constructiedelen’, in Giltaij & Kelch 1996, pp. 21–35

Aldersey-Williams 2020
H. Aldersey-Williams, Dutch Light. Christiaan Huygens and the Making of Science in Europe, London 2020

Aliverti 2000
M. I. Aliverti, ‘Il cavaliere con la picca spezzata. Appunti per una lettura della famiglia Lomellini di Van Dyck’, Studi di Storia delle Arti 9 (1997–9; issued March 2000), pp. 96–127

Allport 1841
D. Allport, Collections, illustrative of the Geology, History, Antiquities, and Associations, of Camberwell, and the Neighbourhood, London (Camberwell) 1841

Alpers 1971
S. Alpers, The Decoration of the Torre de la Parada, Brussels/London/New York 1971 (Corpus Rubenianum Ludwig Burchard, ix)

Alsteens 2004
S. Alsteens et al., Regards sur l’art hollandais du XVIIe siècle. Frits Lugt et les frères Dutuit, collectionneurs, Paris 2004 [exh. Institut Néerlandais, Paris]

Alsteens 2007
S. Alsteens, ‘Joseph Heintz the Elder […] Nymphs and Satyrs in a Landscape’, in ‘Recent Acquisitions, A Selection: 2006–2007’, Metropolitan Museum of Art Bulletin 65/2 (Fall 2007), pp. 20–21

Alsteens & Buijs 2008
S. Alsteens and H. Buijs, with a contrib. by V. Mathot, Paysages de France dessinés par Lambert Doomer et les artistes hollandais et flamands des XVIe et XVIIe siècles, Paris 2008

Ambulator 1774
The Ambulator, or the Stranger’s Companion in a Tour round London [...]. To which is prefixed, a Concise Account of London, Southwark and Westminster, etc., London 1774

Amsterdam 1952 see Drie Eeuwen 1952

Amsterdam 1989 see Hecht 1989

Amsterdam 2000 see Kiers & Tissink 2000

Amsterdam 2006 see Van de Wetering 2006a and Rembrandt 2006

Amsterdam/Boston/Philadelphia 1987–8 see Sutton 1987a

Amsterdam/Rotterdam 1956 see Van Schendel, Cleveringa, Haak & Röell 1956

Anastasio & Geerts 2008
P. Anastasio and W. Geerts (eds), La Konstkamer italiana. I ‘Fiamminghi’ nelle collezioni italiane all’età di Rubens [Atti delle Giornate di studio; Rome, Academia Belgica, 9–10 Dec. 2004], Brussels/Rome 2008 [Bulletin de l’Institut historique belge de Rome 76 (2006)]

Anderman 2004
B. Anderman, ‘La notion de peinture de genre à l’époque de Watteau’, in Eidelberg 2004, pp. 29–43

Anderson 2010
S. Anderson, ‘The library of Cornelis Dusart: between artist and gentleman’, OH 123 (2010), pp. 133–65

Andrews 1977
K. Andrews, Adam Elsheimer. Paintings – Drawings – Prints, Oxford 1977

Andrews 2006
K. Andrews, Adam Elsheimer. Werkverzeichnis der Gemälde, Zeichnungen und Radierungen, Munich 2006 (19851)

Antwerp 1977 see D’Hulst 1977

Antwerp 1991 see Klinge 1991

Antwerp/Amsterdam 1999–2000 see Depauw & Luijten 1999

Antwerp/London 1999 see Brown & Vlieghe 1999

Antwerp/Rotterdam 1960 see D’Hulst & Vey 1960

Anzelewsky 1971
F. Anzelewsky, Albrecht Dürer. Das malerische Werk [kritischer Katalog], Berlin 1971

Aono 2011
J. Aono, ‘Imitation and innovation: Dutch genre painting 1680–1750 and its reception of the Golden Age’, PhD, University of Amsterdam 2011 [including CD-rom]

Aono 2015
J. Aono, Confronting the Golden Age. Imitation and Innovation in Dutch Genre Painting 1680–1750, Amsterdam 2015 (Amsterdam Studies in the Dutch Golden Age)

Armstrong 1891–2
W. Armstrong, ‘The Dulwich Gallery. In two parts’, The Magazine of Art 15 (1891–2), part I, pp. 65–9; part II, pp. 100–103

Arnold, Tiramani & Levey 2008
J. Arnold (conceived & ill. by), completed with additional material by J. Tiramani and S. M. Levey, Patterns of fashion 4. The cut and construction of linen shirts, smocks, neckwear, and accessories for men and women c. 1540–1660, London/Basingstoke/Oxford 2008

L’Art 1956
L’Art flamand dans les collections britanniques, Brussels 1956 [exh. Groeninge Museum, Bruges]

Athenaeum 1876
‘Fine Arts’ [about the RA Winter exh., ‘Old Masters and deceased British Painters’], Athenaeum 2517 (1876), pp. 133–5

Athens/Dordrecht 2000–2001 see Schoon & Paarlberg 2000

Atlanta/Denver/Seattle 2007–2008 see Dumas 2007

Atwater 1989
V. L. Atwater, A Catalogue and Analysis of Eighteenth-century French Prints after Netherlandish Baroque Paintings, 4 vols, Ann Arbor 1989 [PhD, University of Washington 1988]

Atwater 1995a
V. L. Atwater, ‘Les Graveurs et la vogue néerlandaise dans le Paris du XVIIIe siècle. I. La revanche des magots: Moyreau et la sentimentalisation de l’expérience militaire’, Nouvelles de l’Estampe 141 (July 1995), pp. 3–10

Atwater 1995b
V. L. Atwater, ‘Les Graveurs et la vogue néerlandaise dans le Paris du XVIIIe siècle. II. Le Bas, Teniers et l’idéalisation de la vie paysanne’, Nouvelles de l’Estampe 142–3 (Oct. 1995), pp. 3–12

Atwater 2009–10
V. L. Atwater, ‘The Netherlandish vogue and print culture in Paris, 1730–50’, Simiolus 34 (2009–10), pp. 239–50

Vander Auwera 1979
J. Vander Auwera, ‘Sebastiaen Vrancx (1573–1647): Een monografische benadering’, PhD, Rijksuniversiteit, Ghent 1979

Vander Auwera 1996
J. Vander Auwera, ‘Vrancx [Vranckx], Sebastiaen [Sebastian; Sébastien]’, in Turner 1996, xxxiv, pp. 722–4

Vander Auwera 1998a
J. Vander Auwera, ‘Historical Fact and Artistic Fiction. The face of the Eighty Years’ War in Southern Netherlandish paintings, in particular those of Sebastiaen Vrancx (1573–1647) and Pieter Snayers (1592–1667)’, in Bussmann & Schilling 1998a, ii, pp. 461–8

Vander Auwera 1998b
J. Vander Auwera, ‘421; Pieter Snayers. Reitergefecht, nach 1634’ [NB in English: after 1635, in Bussmann & Schilling 1998b, i, pp. 146–7

Vander Auwera 2007
J. Vander Auwera, ‘Rubens en zijn beeldende bronnen: haar honing vergaart de bij uit vele van de mooiste bloemen’, in Vander Auwera, Van Sprang & Rossi-Schrimpf 2007, pp. 66–70, and pp. 71–106, cat. nos 1–23

Vander Auwera 2012
J. Vander Auwera, ‘The Abundance of Peace’, in Vander Auwera & Schaudies 2012, pp. 164–9, 191

Vander Auwera, Van Sprang & Rossi-Schrimpf 2007
J. Vander Auwera, S. van Sprang and I. Rossi-Schrimpf, Rubens. A Genius at Work. The Works of Peter Paul Rubens in the Royal Museums of Fine Arts of Belgium Reconsidered, Tielt 2007 [exh. KMSKB, Brussels 2007–8]. See review: White 2008

Vander Auwera & Schaudies 2012
J. Vander Auwera and I. Schaudies (eds), Jordaens and the Antique, Brussels 2012 [exh. KMSKB, Brussels/Museum Fridericianum, Kassel 2012–13]