RKD STUDIES

Cabanne 1991
P. Cabanne, Rembrandt, s.l. 1991

Cafritz 1988
R. C. Cafritz, ‘Netherlandish reflections of the Venetian landscape tradition’, in Cafritz, Gowing & Rosand 1988, pp. 112–29

Cafritz, Gowing & Rosand 1988
R. C. Cafritz, L. Gowing and D. Rosand, Places of Delight. The Pastoral Landscape from Giorgione to Matisse, Washington/New York [1988] [exh. NGA, Washington 1988–9]

Cailleux 1975
J. Cailleux, ‘Les artistes français du dix-huitième siècle et Rembrandt’, in Châtelet & Reynaud 1975, pp. 287–305, figs 183–94

De Callatay 1960
E. de Callatay, ‘Etudes sur les paysagistes bruxellois du XVIIe siècle’, Revue belge d’archéologie et d’histoire de l’art 29 (1960), pp. 155–203

Campbell 1903
Lady C. Campbell, ‘Walks at home, chapter XII: A Suburban Gallery [DPG]’, in idem, A Woman’s Walks. Studies in Colour Abroad and at Home, London 1903, pp. 237–44

Campbell 2012a
C. Campbell (ed.), Peter Lely. A Lyrical Vision, London 2012 [exh. Courtauld Institute Gallery, London 2012–13]

Capitelli 2005
G. Capitelli, ‘The landscapes for the Buen Retiro Palace’, in Úbeda de los Cobos 2005, pp. 240–61

Cappelletti 2005–2006
F. Cappelletti, Paul Bril e la pittura di paesaggio a Roma 1580–1630, Rome 2005–6

Cappelletti 2011
F. Cappelletti, ‘Le paysage nordique à Rome dans les premières décennies du XVIIe siècle: de Bril à Van Swanevelt et aux peintres italiens’, in Loire 2011, pp. 29–41

Capwell 2011
T. Capwell with D. Edge and J. Warren, Masterpieces of European arms and armour in the Wallace Collection, London 2011

Caraceni Poleggi 2001
F. Caraceni Poleggi, Palazzi di Genova / The Palazzi of Genoa / Pietro Paulo Rubens, Genoa 2001

Carasso 1999
D. Carasso, ‘A new image. German and French thought on Dutch art, 1775–1860’, in Grijzenhout & Van Veen 1999, pp. 108–29, 283–4

Di Carpegna, Kultzen & Lavagnino 1958
N. di Carpegna, R. Kultzen and E. Lavagnino, Michiel Sweerts en tijdgenoten, Rotterdam 1958 [exh. BvB, Rotterdam]

Casley, Harrison & Whiteley 2004
C. Casley, C. Harrison and J. Whiteley (eds), The Ashmolean Museum. Complete Illustrated Catalogue of Paintings, Oxford 2004

Cassani 1995
S. Cassani (ed.), La Collezione Farnese. I dipinti lombardi, liguri, veneti, toscani, umbri, romani, fiamminghi. Altre scuole. Fasti Farnesiani, Naples 1995

Castelnuovo 2007
E. Castelnuovo et al. (eds), La reggia di Venaria e i Savoia. Arte, magnificenza e storia di una corte europea [essay volume], Turin/London 2007 [exh. Palazzo della Venaria Reale, Turin 2007–8]. See also Favaro 2007

Castor 1999
T. Castor, ‘Crayer (Craeyer), Gaspard (Caspar; Gaspard II, Jasper) de’, in Saur, xxii, 1999, pp. 208–10

Cat. 1817 [copy in RM: 453 D 62]
R. Cockburn, Catalogue of the Collection of Pictures Bequeathed to Dulwich College by the late Sir Francis Bourgeois, 356 nos [Prospectus of the Cockburn prints, bound with the catalogue, dated ‘Oct. 1817’]

Cat. 1820 [c. 1820; copy in NAL, London, 79A]
R. Cockburn, Catalogue of the Collection of Pictures Bequeathed to Dulwich College by the late Sir Francis Bourgeois, 356 nos

Cat. 1830 [c. 1830 + annotations; copy in NAL, London, 79A]
Catalogue of the Collection of Pictures Bequeathed to Dulwich College by the late Sir Francis Bourgeois, London n.d., 355 nos

Cat. 1831–3 [c. 1831–3; annotated and dated 27 June 1833; ex. DPG Library; the author has signed as E. (or C?) Carson]
Catalogue of the Collection of Pictures Bequeathed to Dulwich College by Sir Francis Bourgeois, London n.d., 355 nos

Cat. 1905 see Richter & Sparkes 1905

Cat. 1953
A Brief Catalogue of the Pictures in Dulwich College Picture Gallery, London 1953

Cataldi Gallo 2003
M. Cataldi Gallo et al., Anversa & Genova. Een hoogtepunt in de barokschilderkunst (also in French: Anversa & Genova. Un sommet dans la peinture baroque) Ghent 2003 [exh. KMSKA, Antwerp 2003–4]

De Cavalleriis 1593 and 1594
J. B. de Cavalleriis, Antiquarum statuarum urbis Romae tertius et quartus liber, Rome 1593 and 1594

Cavalli-Björkman 1985a
G. Cavalli-Björkman, ‘The Laughing Jester’, Nationalmuseum Bulletin 9/2 (1985), pp. 100–110

Cavalli-Björkman 1985b
G. Cavalli-Björkman (ed.), Netherlandish Mannerism. Papers given at a Symposium in Nationalmuseum Stockholm, September 21–22, 1984, Stockholm 1985

Cavalli-Björkman 1986–2010
G. Cavalli-Björkman et al., Dutch and Flemish Paintings, 3 vols, Stockholm 1986–2010 (i, c. 1400–c. 1600,1986; ii, Dutch paintings c. 1600–c. 1800, 2005; iii, Flemish paintings c. 1600–c. 1800, 2010)

Cavalli-Björkman 1990
G. Cavalli-Björkman, Nationalmuseum Stockholm. Illustrerad katalog över äldre utländskt måleri / Illustrated Catalogue – European Paintings, Stockholm 1990

Cavalli-Björkman 1992
G. Cavalli-Björkman (ed.), Rembrandt och hans tid. Människan i Centrum / Rembrandt and his Age. Focus on Man, Stockholm 1992 [exh. Nationalmuseum, Stockholm 1992–3]. See review: Liedtke 1992b

Cavalli-Björkman 1993a
G. Cavalli-Björkman (ed.), Rembrandt and his Pupils. Papers given at a Symposium in Nationalmuseum Stockholm, 2–3 October 1992, Stockholm 1993

Cavalli-Björkman 1993b
G. Cavalli-Björkman, ‘Rembrandt’s The Kitchen Maid. Problems of Provenance and Iconography’, in Cavalli-Björkman 1993a, pp. 68–76

Cavalli-Björkman 1993c
G. Cavalli-Björkman, ‘Developing Themes in the Art of Rembrandt’, in Bomford, Sumner & Waterfield 1993, pp. 14–18

Cavalli-Björkman 2003
G. Cavalli-Björkman, ‘Rembrandt’s Girl at the Window. A dialogue with the beholder’, Art Bulletin of the National Museum Stockholm 9 (2003), pp. 81–6

Cavalli-Björkman 2005 see Cavalli-Björkman 1986–2010

Cavalli-Björkman 2006
G. Cavalli-Björkman, ‘no. 13, The Kitchen Maid’, in Rønberg & De la Fuente Pedersen 2006, pp. 194–5, 285

Cavalli-Björkman 2010 see Cavalli-Björkman 1986–2010

Ch. D. 1920–21 see D. 1920–21

Chadwick 1981
A.-M. Chadwick, ‘The Arts Reviewed. Great Britain’, Connoisseur 206, no. 827 (Jan. 1981), pp. 6–10 [about the Dulwich reopening on p. 9]

Chapman 1984
B. Chapman, Catalogue of Oil Paintings from the Permanent Collection of the Queen Victoria Museum and Art Gallery, Launceston 1984

Chapman 1990
H. P. Chapman, Rembrandt’s Self-portraits. A Study in Seventeenth-century Identity, Princeton, N.J. 1990

Chapman 2011
H. P. Chapman, ‘Inside Vermeer’s women’, in Wieseman 2011, pp. 64–123

Chapman, Kloek & Wheelock 1996
H. P. Chapman, W. T. Kloek, A. K. Wheelock Jr et al., Jan Steen, Painter and Storyteller, Washington/New Haven/London 1996 [exh. NGA, Washington/RM, Amsterdam 1996–7]

Châtelet & Reynaud 1975
A. Châtelet and N. Reynaud (eds), Etudes d’art français offertes à Charles Sterling, Paris 1975

Checa 1994
F. Checa (ed.), El Real Alcázar de Madrid. Dos siglos de arquitectura y coleccionismo en la corte de los reyes de España, Madrid 1994 [exh. Palacio Real, Museo Nacional del Prado, and other venues, Madrid]

Cheney 1992
L. DeGirolami Cheney, ‘Dutch Vanitas paintings: the skull’, in L. DeGirolami Cheney (ed.), The Symbolism of Vanitas in the Arts, Literature, and Music. Comparative and historical studies, Lewiston, N.Y./Queenston/Lampeter 1992

Chiarini 1972
M. Chiarini, ‘Filippo Napoletano, Van Poelenburgh, Breenbergh e la nascita del paesaggio realistico in Italia’, Paragone 23, no. 269 (1972), pp. 18–34

Chiarini 2007
M. Chiarini, Teodoro Filippo di Liagno detto Filippo Napoletano, 1589–1629. Vita e opere, Florence 2007

Chiarini & Padovani 2003
M. Chiarini and S. Padovani, with contrib. by S. Casciu and F. Navarro, La Galleria Palatina e gli appartamenti reali di Palazzo Pitti. Catalogo dei dipinti, 2 vols, Florence 2003

De Chirico 1985
G. de Chirico, De Chirico. Néo-baroque, Paris 1985 [exh. Artcurial, Paris]

Chong 1–172 see List of Accepted works by Aelbert Cuyp, Chong 1993, pp. 267–428

Chong B 1–B 19 see List of Paintings which cannot be firmly attributed to Aelbert Cuyp, Chong 1993, pp. 429–44

Chong C 1–C 166 see List of Paintings incorrectly attributed to Aelbert Cuyp, Chong 1993, pp. 445–501

Chong Calr 1–Calr 86 see List of Paintings by Abraham van Calraet, Chong 1993, pp. 502–29

Chong 1987a
A. Chong, ‘Anthonij van Borssom […]’, in Sutton 1987a, p. 274

Chong 1987b
A. Chong, ‘Jan Both […]’, in Sutton 1987a, pp. 276–7

Chong 1987c
A. Chong, ‘Aelbert Cuyp […]’, in Sutton 1987a, p. 290

Chong 1987d
A. Chong, ‘The Mill at Wijk, c. 1670’, in Sutton 1987a, pp. 458–63

Chong 1987e
A. Chong, ‘Cornelis van Poelenburch […]’, in Sutton 1987a, pp. 402–3

Chong 1987f
A. Chong, ‘Herman van Swanevelt […]’, in Sutton 1987a, pp. 489–90

Chong 1987g
A. Chong, ‘Adriaen van de Velde […]’, in Sutton 1987a, p. 492

Chong 1987h
A. Chong, ‘Philips Wouwermans […]’, in Sutton 1987a, p. 527

Chong 1988
A. Chong, ‘“In ‘t verbeelden van Slachtdieren.” Associaties en betekenissen, verbonden aan het Hollandse veestuk in de zeventiende eeuw’, in Boschma 1988, pp. 56–86

Chong 1992
A. D. Chong, ‘Social Meanings in the Paintings of Aelbert Cuyp’, PhD, New York University 1992

Chong 1993
A. D. Chong, Aelbert Cuyp and the Meanings of Landscape, Ann Arbor 1993 [based on Chong 1992, with differences]

Chong 1995
A. Chong, ‘Aelbert Cuyp (1620–1691)’, in Conserving 1995, pp. 45–7

Chong 1996a
A. Chong, ‘Calraet [Kalraet], Abraham (Pietersz.) van’, in Turner 1996, v, p. 440

Chong 1996b
A. Chong, ‘Aelbert [Albert] Cuyp’, in Turner 1996, viii, pp. 293–8

Chong 2002
A. Chong, ‘Catalogue raisonné. Paintings’ [of Jacob Gerritsz. Cuyp], in Paarlberg 2002, pp. 168–91

Chong 2003
A. Chong, ‘Cat. no. 7 Aelbert Cuyp […] A Wide Country Road, with Rhenen in the Distance’, in Lilian 2003, pp. 22–5

Chong 2012
A. Chong, ‘no. 9. Aelbert Cuyp […] Milking Scene along a River’, in sale catalogue Richard Green. Dutch and Flemish Paintings, London 2012, pp. 34–9

Chorley 1994
C. Chorley, ‘Conservation Notes’, DPG Private View no. 14 (Autumn 1994), n.p.

Christiansen & Mann 2001
K. Christiansen and J. W. Mann (eds), Orazio e Artemisia Gentileschi, Milan 2001 [exh. Museo Nazionale del Palazzo di Venezia, Rome/MMA, New York/St Louis Art Museum 2001–2]

Christianson 2005
C. P. Christianson, The Riverside Gardens of Thomas More’s London, New Haven/London 2005

Chu 1974
P. ten Doesschate Chu, French Realism and the Dutch Masters. The influence of Dutch seventeenth-century painting on the development of French painting between 1830 and 1870, Utrecht 1974

Cifani, Moretti & Pepper 1990
A. Cifani, F. Moretti and D. S. Pepper, ‘A new altar-piece [sic] by Guido Reni’, Burl. Mag. 132 (1990), pp. 634–6

Ciudad 2004
La Ciudad que nunca existió. Arquitecturas fantásticas en el arte occidental [La ciutat que mai no existí: arquitectures fantàstiques en l'art occidental. The City that never was. Fantasy architecture in Western art], Bilbao 2004 [exh. Museo de Bellas Artes, Bilbao]

Claessens-Peré 1999
A. M. Claessens-Peré et al., Zilver voor Sir Anthony/Silver for Sir Anthony, Ghent/Antwerp 1999 [exh. Provinciaal Museum Sterckshof/Zilvercentrum, Antwerp]

Clark 1978
K. Clark, An Introduction to Rembrandt, London 1978

Clark & Whitfield 2010
E. Clark and C. Whitfield, Caravaggio’s Friends and Foes, London 2010 [exh. Whitfield Fine Art, London]

Clarke 1842
H. G. Clarke, The Dulwich Gallery; its Pictures and their Painters. A Guide-book for Visiters [sic], London 1842 [n.p.]

Cleaver 1986
F. B. Cleaver, ‘The Cardiff Cartoons’, unpublished BA diss., Oxford Polytechnic, 1986

Cleaver 1988
B. Cleaver, ‘Catalogue of Drawings’, in Cleaver, White & Wood 1988, pp. 19–80

Cleaver, White & Wood 1988
B. Cleaver, C. White and J. Wood, Rubens in Oxford. An Exhibition of Drawings from Christ Church and the Ashmolean Museum, London 1988 [exh. Christ Church Picture Gallery, Oxford/P. & D. Colnaghi, London]

Clemen 1923
P. Clemen (ed.), Belgische Kunstdenkmäler, 2 vols, Munich 1923

Clément de Ris 1877
L. Clément de Ris, Les Amateurs d'autrefois, Paris 1877

Clifford & Clifford 1968
D. Clifford and T. Clifford, John Crome, London 1968

Clifford, Dick & Weston-Lewis 1994
T. Clifford, J. Dick and A. Weston-Lewis, Raphael. The Pursuit of Perfection, Edinburgh 1994 [exh. NGS, Edinburgh]

De Clippel 2003
K. de Clippel, ‘Adriaen Brouwer, portrait painter: new identifications and an iconographic novelty’, Simiolus 30 (2003), pp. 196–216

De Clippel 2007
K. De Clippel, ‘Rubens’s “Nymphs and Satyrs” in the Prado: Observations on its genesis and meaning’, Burl. Mag. 149 (2007), pp. 76–81

De Clippel 2010
K. De Clippel, ‘Naked or not? Some thoughts on nudity and portraiture in seventeenth-century painting’, in Van der Stighelen, Magnus & Watteeuw 2010, pp. 141–61

De Clippel 2011
K. De Clippel, ‘Hemessen, Jan Sanders (Jan; Joannes) van (auch Sanders, Jan [Ioannes])’, in Saur, lxxi, 2011, pp. 419–21

De Clippel & Vermeylen 2013
K. de Clippel and F. Vermeylen, ‘Frans Hals en zijn Vlaamse collega’s: dialoog of eenrichtingsverkeer ?’, in Tummers 2013, pp. 41–54, 145

Cloutier-Blazzard 2009
K. Cloutier-Blazzard, ‘The wise man has two tongues: images of the Satyr and peasant by Jordaens and Steen’ in L. Cruz and W. Frijhoff (eds), Myth in History, History in Myth. Proceedings of the Third International Conference of the Society for Netherlandic History (New York: June 5–6, 2006), Leiden 2009, pp. 87–115. Also online: https:/rkddb.rkd.nl/rkddb/digital_book/201214297.pdf (March 16, 2015)

Cobbenhagen-Verhaak 1980
P. L. M. Cobbenhagen-Verhaak, ‘Index op de tekeningen in de veiling C. Ploos van Amstel, 3.III.1800 e.v.d.’ [Lugt 6031], in Laurentius, Niemeijer & Ploos van Amstel 1980, pp. 337–79

Cockburn 1830
R. Cockburn, Dulwich Gallery. Fifty Engravings. Celebrated pictures in the collection, London 1830 (also as title: Dulwich Gallery, a series of 50 beautiful aquatint plates, from the most celebrated Pictures in this remarkable collection, executed by R. Cockburn (Custodian)) [according to the DPG files these prints had been executed and published by Cockburn between 1816 and 1820]

Coekelberghs & Loze 1985
D. Coekelberghs and P. Loze, Autour du néo-classicisme en Belgique. 1770–1830 (also in Dutch: Om en rond het neo-classicisme in België. 1770–1830), Brussels 1985 [exh. Musée d’Ixelles, Brussels 1985–6]

Van der Coelen 1996
P. van der Coelen et al., Patriarchs, Angels & Prophets. The Old Testament in Netherlandish Printmaking from Lucas van Leyden to Rembrandt, Amsterdam 1996 (Studies in Dutch graphic art, ii) [exh. Rembrandt House Museum, Amsterdam 1996–7]

Van der Coelen 1998
P. van der Coelen (ed.), Everyday Life in Holland’s Golden Age. The Complete Etchings of Adriaen van Ostade, Amsterdam 1998 (Studies in Dutch graphic Art, iii) [published in conjunction with exh. Van Ostade & Rembrandt – A meeting of artists, Rembrandt House Museum, Amsterdam]

Van der Coelen 2008
P. van der Coelen et al., Erasmus in beeld, Rotterdam 2008 [exh. BvB, Rotterdam 2008–9]

Colonna 1561
[F. Colonna,] Hypnerotomachie, ou Discours du songe de Poliphile, deduisant comme Amour le combat a l'occasion de Polia […]. Nouuellement traduict de langage Italien en Francois, Paris 1561

Collins Baker see Baker

Cologne/Antwerp/Vienna 1992–3 see Mai & Vlieghe 1992 and Baudouin 1992c

Cologne/Dordrecht/Kassel 2006–7 see Mai, Paarlberg &Weber 2006

Conlin 2002
J. G. W. Conlin, ‘The Origins and History of the National Gallery, 1753–1860’, PhD, University of Cambridge 2002

Conlin 2006
J. Conlin, The Nation’s Mantelpiece. A History of the National Gallery, London 2006

Conserving 1995
Conserving Old Masters. Paintings recently restored at Dulwich Picture Gallery, London 1995 [exh. DPG]

Conticelli, Gennaioli & Sframeli 2017
V. Conticelli, R. Gennaioli and M. Sframeli (eds), Leopoldo de’ Medici. Principe dei collezionisti, Livorno 2017 [exh. Gallerie degli Uffizi/Palazzo Pitti – Tesoro dei Granduchi, Florence 2017–8]

Cook 1888
E. T. Cook, A Popular Handbook to the National Gallery, including, by special permission, notes collected from the works of Mr. Ruskin. Compiled by E. T. Cook. With preface by John Ruskin, London 1888 (London/New York 18892)

Cook 1914
E. Cook, Catalogue of the Pictures in the Gallery of Alleyn’s College of God’s Gift at Dulwich with Biographical Notices of the Painters, London 1914 [nos 1-593 listed in order of accession number]

Cook 1926
E. Cook, Catalogue of the Pictures in the Gallery of Alleyn’s College of God’s Gift at Dulwich with Biographical Notices of the Painters […], London 1926 (1st edn 1914) [nos 1-608 listed in order of accession number]

Cook & Wedderburn 1903–12/2009–10
E. T. Cook and A. Wedderburn, The Works of John Ruskin, 39 vols, Cambridge 2009–10 (facsimile of 1903–12 edn)

Cordingly 1996
D. Cordingly, ‘(2) Willem [William] van de Velde II [de jonge; the younger]’, in Turner 1996, xxxii, pp. 142–4

Cornelis 1998
B. Cornelis, ‘Arnold Houbraken’s Groote Schouburgh and the canon of seventeenth-century Dutch painting’, Simiolus 26 (1998), pp. 144–61

Cornelis & Schapelhouman 2016
B. Cornelis and M. Schapelhouman, Adriaen van de Velde. Dutch Master of Landscape, London/Amsterdam 2016 [exh. RM, Amsterdam/DPG 2016–17]

Corpus Rembrandt 1982–2015
A Corpus of Rembrandt Paintings see Bruyn 1982–9 (vols i–iii), Van de Wetering 2005 (vol. iv), Van de Wetering 2011 (vol. v), Van de Wetering 2015 (vol. vi) and Van de Wetering 2017 (vol. vi). See also http://rembrandtdatabase.org/literature/corpus (Dec. 8, 2020; 5 vols)

Corpus Rubenianum 1968–
Corpus Rubenianum Ludwig Burchard see Adler 1982, Alpers 1971, Balis 1986, Belkin 2009, Brosens 2011, Büttner 2018a, Büttner 2019, Devisscher & Vlieghe 2014, Fabri & Lombaerde 2018, Freedberg 1984, Herremans 2019, Huemer 1977, D’Hulst & Vandenven 1989, Judson 2000, Judson & Van de Velde 1977, Martin 1968a, Martin 1972a, Martin 2005, McGrath 1997, McGrath 2016, Van der Meulen 1994–5, Rott 2002, Vlieghe 1972–3, Vlieghe 1987, Wood 2010a, Wood 2010b, Wood 2011. See also https://www.rubenianum.be/en/page/corpus-rubenianum-ludwig-burchard-online (Jan. 23, 2021)

Country Life 1928
‘The Dulwich Gallery’, Country Life (18 Feb. 1928), pp. 248–50

Courtright 2016
N. Courtright, ‘The representation of the French-Spanish marriage alliance in the Medici-cycle: “Concorde perpetuelle,”’ in Duerloo & Smuts 2016, pp. 39–63

Coutré 2013
J. N. Coutré, ‘Décoration à l’Orange: Jan Lievens’s Mars and Venus in Context’, Journal of Historians of Netherlandish Art 5/2 (Summer 2013), DOI: 10.5092/jhna.2013.5.2.14

Couvreur 1967
W. Couvreur, ‘Daniël Seghers’ inventaris van door hem geschilderde bloemstukken’ [Daniel Seghers’s inventory of all his flower paintings], Gentse Bijdragen tot de Kunstgeschiedenis en de Oudheidkunde 20 (1967), pp. 87–158

Craft-Giepmans 2006
S. Craft-Giepmans, Hollandse meesters. Catalogus van de schilderijen van Hollandse meesters, zeventiende en achttiende eeuw. Museum Mayer van den Bergh, Collectie Smidt van Gelder, Antwerpen met een geïllustreerde inventarislijst van de Hollandse schilderijen uit de negentiende en twintigste eeuw, Antwerp 2006 [exh. Museum Mayer van den Bergh, Antwerp]

Cristina 2003
Cristina di Svezia. Le collezioni reali, Milan 2003 [exh. Fondazione Memmo, Rome 2003–4]

Croft-Murray & Hulton 1960
E. Croft-Murray and P. Hulton, supplemented with a list of foreign artists’ drawings connected with Britain by C. White, Catalogue of British Drawings XVI and XVII Centuries, 2 vols, London 1960 (The British Museum. Drawings by British Artists, i)

Crowe 1874
J. A. Crowe, Handbook of Painting. The German, Flemish, and Dutch schools. Based on the Handbook of Kugler. Re-modelled by the late Prof. Dr. Waagen, 2 vols, London 1874 (new edn, thoroughly rev. and in part rewritten). See also Kugler 1846 and Waagen 1860

Curd 2010
M. B. H. Curd, ‘4. Multicultural maneuvering: the collaborations of Peter Lely, court painter, 1660–1680’, in idem, Flemish and Dutch Artists in Early Modern England. Collaboration and Competition, 1460–1680, Farnham 2010, pp. 99–126

Cust 1900
L. Cust, Anthony van Dyck. An Historical Study of his Life and Works, London 1900

Cuvelier 1944–6
J. Cuvelier, ‘Peeter Snayers, peintre de batailles (1592–1667). Notes et documents pour servir à sa biographie’, Bulletin de l’Institut historique belge de Rome 23 (1944–6), pp. 25–72 (+ 4 figs.)

Cuyp 1856
‘Cuyp’, Illustrated London News (12 April 1856), p. 386

Czére 2007
A. Czére (ed.), In arte venustas. Studies on Drawings in Honour of Teréz Gerszi. Presented on her eightieth birthday, Budapest 2007

D. 1920–21
Ch. D., ‘Deux paysages de Gérard de Lairesse’, La Vie Wallonne 1 (1920–21), pp. 365–9

Daalder & Spits 2005
R. Daalder and E. K. Spits (eds), Schepen van de Gouden Eeuw, Amsterdam/Zutphen 2005 (Jaarboek van de Vereeniging Nederlandsch Historisch Scheepvaart Museum (2005))

Daalder 2013
R. Daalder, ‘Van de Velde & Zoon, zeeschilders. Het bedrijf van Willem van de Velde de Oude en Willem van de Velde de Jonge, 1640–1707’, PhD, University of Amsterdam 2013

Daalder 2016
R. Daalder, Van de Velde & Son. Marine Painters. The firm of Willem van de Velde the Elder and Willem van de Velde the Younger, 1640–1707, Leiden 2016

Dacier 1910
E. Dacier (ed.), Catalogues de ventes et livrets de salons illustrés par Gabriel de Saint-Aubin. III. Catalogue de la vente A. du Barry (1774); IV. Livret de Salon de 1777, Paris 1910 (Publications de la Société des Reproductions des Dessins de Maîtres)

Dauer 1988
H. Dauer, Staatliches Museum Schloss Mosigkau. Katalog der Gemälde. Alter Bestand, Dessau-Mosigkau 1988

Davidson 1975/2004
J. P. Davidson, Religious and Mythological Paintings by David II Teniers, Ann Arbor 2004 [PhD, University of Kansas 1975]

Davies 1978
A. I. Davies, ‘Allart van Everdingen’, PhD, Harvard University 1978

Davies 1989
D. Davies, El Greco. Mystery and Illumination, Edinburgh 1989 [exh. NGS, Edinburgh]

Davies 1992
A. I. Davies, Jan van Kessel (1641–1680), Doornspijk 1992

Davies 1996
A. I. Davies, ‘Kessel, Jan [Johan] van’, in Turner 1996, xvii, p. 920

Decoen 1933
J. Decoen, ‘Deux imitateurs de David Teniers le Jeune’, Clarté 6 (1933), no. 9, pp. 1–5

De Coo 1978
J. De Coo, Museum Mayer van den Bergh. Catalogus 1. Schilderijen, verluchte handschriften, tekeningen, Antwerp 19783

Deen 2018
F. Deen, Anna van Saksen. Verstoten bruid van Willem van Oranje, Amsterdam [2018]

Dejardin 2008
I. A. C. Dejardin, The Dutch Italianates. 17th-century Masterpieces from Dulwich Picture Gallery, London, London 2008 [exh. Muscarelle Museum of Art, Williamsburg, Va. /Metropolitan Museum of Art and Science, Fresno, Calif./Frick Art Museum, Pittsburgh, Pa./Oklahoma City Museum of Art, Okla. 2008–10]

Dejardin 2009a
I. A. C. Dejardin, ‘Dulwich Picture Gallery: the Polish connection’, in Dejardin, Juszczak & Malachowicz 2009, pp. 3–14

Dejardin 2009b
I. Dejardin, Director’s Choice. Dulwich Picture Gallery, London, London 2009

Dejardin, Juszczak & Małachowicz 2009
I. A. C. Dejardin, D. Juszczak & H. Małachowicz, Dulwich Picture Gallery. The Polish Connection, London 2009 [exh. DPG]

Dejardin, Shawe-Taylor & Waterfield 1999
I. A. C. Dejardin, D. Shawe-Taylor and G. Waterfield, Rembrandt to Gainsborough. Masterpieces from Dulwich Picture Gallery, London/New York 1999 [exh. Museum of Fine Arts, Houston/Speed Art Museum, Louisville, Ky. 1999–2000]

Dejardin, Silcox & Charsley-Jory 2013
I. A. C. Dejardin, D. P. Silcox and L. Charsley-Jory, Bright Land. West of the Rockies, South of the Thames. An exhibition of work by Liz Charsley-Jory, Canadian artist in residence, Dulwich Picture Gallery, October 2011–October 2012, London 2013 [exh. DPG]

Dekiert 2006
M. Dekiert (ed.), Alte Pinakothek. Holländische und deutsche Malerei des 17. Jahrhunderts, Munich/Ostfildern 2006

Delen 1938
A. J. J. Delen, Catalogue des dessins anciens (Ecoles Flamande et Hollandaise). Cabinet des estampes de la Ville d’Anvers (Musée Plantin-Moretus), 2 vols, Brussels 1938

Delmarcel 1983
G. Delmarcel, ‘The Cardiff Cartoons’, Burl. Mag. 125 (1983), p. 692

Delmarcel 1999
G. Delmarcel, Het Vlaamse wandtapijt van de 15de tot de 18de eeuw, Tielt 1999

Dempsey 1971
C. Dempsey, ‘Botticelli’s’ Three Graces’, Journal of the Warburg and Courtauld Institutes 34 (1971), pp. 326–30

Denk 2000
C. Denk, ‘Der gebändigte Amor – Antoine Watteaus Einschiffung nach Kythera und die Hypnerotomachia Poliphili des Francesco Colonna’, in Mai & Weber-Woelk 2000, pp. 161–71

Denk 2001
C. Denk, ‘Der gebändigte Amor – Antoine Watteaus Einschiffung nach Kythera und die Hypnerotomachia Poliphili des Francesco Colonna’, in Denk, Paul & Renger 2001, pp. 91–105

Denk, Paul & Renger 2001
C. Denk, E. Paul and K. Renger (eds), Venus. Bilder einer Göttin, herausgegeben von den Bayerischen Staatsgemäldesammlungen, Munich [2001] [exh. Alte Pinakothek, Munich]. See also Mai & Weber-Woelk 2000

Denning 1858
S. P. Denning, ‘A Catalogue of the Dulwich Gallery’, ms, DPG archive; unfoliated; picture numbers up to no. 366, including a list of works of reference and a list of artists’ names

Denning 1859
S. P. Denning [assisted by the Rev Stephen Denning], ‘MS. of a new catalogue of the pictures in the Dulwich Gallery’, ms, DPG archive; unfoliated; picture numbers up to no. 202 [essentially a neater version of Denning 1858]

Denucé 1932
J. Denucé, De Antwerpsche ‘Konstkamers’. Inventarissen van kunstverzamelingen te Antwerp in de 16e en 17e eeuwen, Amsterdam 1932

Depauw & Luijten 1999
C. Depauw and G. Luijten, with contrib. by E. Duverger, D. Maufort, S. Sombogaart and A. Stijnman, Anthony van Dyck as a Printmaker/Anton van Dyck en de prentkunst, [Antwerp]/[Amsterdam]/New York 1999 [exh. Museum Plantin-Moretus and Stedelijk Prentenkabinet, Antwerp/RPK, Amsterdam 1999–2000]

Deprez & Vos 1998
K. Deprez and L. Vos (eds), Nationalism in Belgium. Shifting Identities, 1780–1995, London 1998

Dequeker 2001
J. Dequeker, ‘Rheumatology in Art. Benign familial hypermobility syndrome and Trendelenburg sign in a painting “The Three Gracesˮ by Peter Paul Rubens (1577–1640)’, in Annals of the Rheumatic Diseases – British Medical Journal 60 (2001), pp. 894–5. See also https://ard.bmj.com/content/60/9/894

Descamps 1753–63
J. B. Descamps, La vie des peintres flamands, allemands et hollandois, avec des portraits […], 4 vols, Paris 1753–63 (i, 1753; ii, 1754; iii, 1760; iv, 1763)

Desenfans 1799
N. Desenfans, A Plan, preceded by a short review of the Fine Arts, to preserve among us, and transmit to posterity, the Portraits of the most Distinguished Characters of England, Scotland, and Ireland, Since His Majesty’s accession to the Throne. Also, to give Encouragement to British Artists, and to enrich and adorn London with some galleries of Pictures, Statues, Antiques, Medals, and other valuable Curiosities, without any Expence to Government, London 1799

Desenfans 1802
N. Desenfans, A Descriptive Catalogue (with remarks and anecdotes never before published in English) of some pictures, of the different schools, purchased for His Majesty the late King of Poland; Which will be exhibited early in 1802, At the Great Room, No. 3, in Berners-Street, The third door on the right, from Oxford-Street, By Noel Desenfans, Esq. Late Consul-general of Poland, in Great-Britain, 2 vols, London 1802 (2nd edn, revised and corrected)

Dethloff 1996a
D. Dethloff, ‘Maitland, John, Duke of Lauderdale […]’, in Turner 1996, xx, pp. 141–42

Dethloff 1996b
D. Dethloff, ‘Lely, Sir Peter’, in Turner 1996, xix, pp. 119–24

Dethloff 1996c
D. Dethloff, ‘The Executors’ account book and the dispersal of Sir Peter Lely’s collection’, Journal of the History of Collections 8/1 (1996), 15–51

Deuchar 1988
S. Deuchar, Sporting art in Eighteenth-century England. A Social and Political History, New Haven/London 1988

DeVane 1964
W. C. DeVane, Browning’s Parleyings. The Autobiography of a Mind, New York 1964

Devisscher 1985
H. Devisscher, ‘Enkele schilderijen van Enghelbert Ergo’, in Rubens and his World 1985, pp. 235–44

Devisscher 1996a
H. Devisscher, ‘Uden, Lucas van’, in Turner 1996, xxxi, pp. 521–3

Devisscher 2004
H. Devisscher, ‘Rubens and the Antwerp Jesuit church’, in Rubens 2004, pp. 248–61

Devisscher & Vlieghe 2014
H. Devisscher and H. Vlieghe, Rubens. The Life of Christ before the Passion. The Youth of Christ, 2 vols, London 2014 (Corpus Rubenianum Ludwig Burchard, v (1))

Deys 1981
H. P. Deys, Achter Berg en Rijn. Over boeren, burgers en buitenlui in Rhenen, [Rhenen 1981]

Dézallier d’Argenville 1745–52
[A.-J. Dézallier d’Argenville], Abregé de la vie des plus fameux peintres, avec leurs portraits gravés en taille-douce, les indications de leurs principaux ouvrages, quelques réflexions sur leurs caractères, et la manière de connoître les desseins des grands maîtres, 2 vols, Paris 1745 (suppl. 1752)

Díaz Padrón 1975
M. Díaz Padrón, Museo del Prado. Catálogo de pinturas, escuela flamenca siglo XVII, 2 vols, Madrid 1975

Díaz Padrón 1977
M. Díaz Padrón et al., Pedro Pablo Rubens (1577–1640). Exposición homenaje, Madrid 1977 [exh. Palacio de Velazquez, Madrid 1977–8]

Díaz Padrón 1996
M. Díaz Padrón, with contrib. by A. Padrón Mérida, El siglo de Rubens en el Museo del Prado. Catálogo razonado de pintura flamenca del siglo XVII, 3 vols, Barcelona 1996

Díaz Padrón & Padrón Mérida 1999
M. Díaz Padrón and A. Padrón Mérida (eds), Rubens e il suo secolo, Ferrara 1999 [exh. Museo Nacional de San Carlos, Mexico City/Palazzo dei Diamanti, Ferrara 1998–9]

Díaz Padrón & Royo-Villanova 1992
M. Díaz Padrón and M. Royo-Villanova, David Teniers, Jan Brueghel y los gabinetes de pinturas, Madrid 1992 [exh. Museo Nacional del Prado, Madrid]

Dickey 1995
S. S. Dickey, ‘“Met een wenende ziel … doch droge ogen”: Women holding handkerchiefs in seventeenth-century Dutch portraits’, in Beeld en zelfbeeld in de Nederlandse kunst, 1550–1750 / Image and self-image in Netherlandish art, 1550–1750, Zwolle 1995 (NKJ 46 (1995)), pp. 332–67

Dickey 2017
S. S. Dickey (ed.), Ferdinand Bol and Govert Flinck. New Research, Zwolle 2017

Diels & Leesberg 2005–6
A. Diels and M. Leesberg; M. Leesberg and A. Balis (eds) until vol. 6; M. Leesberg and K. L. Bowen (eds) vol. 7; M. Leesberg (ed.) vol. 8, The Collaert Dynasty, 8 vols, Ouderkerk aan den IJssel/Amsterdam 2005–6 (The New Hollstein. Dutch & Flemish etchings, engravings and woodcuts 1450–1700, xiii)

Diercks 2010
F. Diercks with S. A. C. Dudok van Heel and N. E. Middelkoop (eds), Backer – Een Amsterdamse familie in beeld, Zwolle/Amsterdam 2010 [exh. Museum Willet-Holthuysen, Amsterdam 2010–11]

Diez 1909
E. Diez, Der Hofmaler Bartholomäus Spranger, Vienna 1909, pp. 93–151 [offprint of
Jahrbuch der kunsthistorischen Sammlungen der allerhöchsten Kaiserhauses 28 (1909) no. 3]

Van Dijck & Koopman 1987
L. van Dijck and T. Koopman, Het Klavecimbel in de Nederlandse Kunst tot 1800 / The Harpsichord in Dutch Art before 1800, Zutphen 1987

Dillon 1909
E. Dillon, Rubens, London 1909

Dirkse 1989
P. Dirkse, ‘Cornelis de Visscher en de iconografie van het Noordnederlands pastoorsportret’, LKJ 8 (1989; Nederlandse portretten. Bijdragen aan de portretkunst in de Nederlanden uit de zestiende, zeventiende en achttiende eeuw), pp. 255–86

Dittrich & Ketelsen 2004
C. Dittrich and T. Ketelsen; with contrib. by K. Bielmeier and C. Melzer, Rembrandt. Die Dresdener Zeichnungen, Cologne 2004 [exh. Dresdener Residenzschloss, Austellungsräume des Kupferstich-Kabinetts, Dresden]

Dixon 1995
L. S. Dixon, Perilous Chastity. Women and illness in pre-Enlightenment art and medicine, Ithaca/London 1995

Döring 1993
T. Döring et al., Bilder vom alten Menschen in der niederländischen und deutschen Kunst 1550–1750, Brunswick 1993 [exh. Herzog-Anton-Ulrich-Museum, Brunswick 1993–4]

Döring 1999
T. Döring, Van Dyck und sein Kreis. Zeichnungen und Druckgraphik aus den Kupferstichkabinett des Herzog Anton Ulrich-Museums, Brunswick 1999

Dohe, Falk & Stamm 2017
S. Dohe, M. A. Falk and R. Stamm (eds), Die Gemäldegalerie Oldenburg: eine europäische Altmeistersammlung, Petersberg 2017

Domela Nieuwenhuis 1996
E. Domela Nieuwenhuis,’Lievens [Lievensz.], Jan’, in Turner 1996, xix, pp. 347–50

Donovan 2004
F. Donovan, Rubens and England, New Haven/London 2004

Dorsch 1985
K. J. Dorsch, ‘Das Gemälde “Susanna im Bade” der Hamburger Kunsthalle – ein Hauptwerk Johann Koenigs’, Jahrbuch der Hamburger Kunsthalle 4 (1985), pp. 75–82

Dordrecht 1977–8 see Van Gelder & De Groot 1977

Dordrecht/Cologne 1998–9 see Schoon & Sluiter 1998

Downes 1980
K. Downes, Rubens, London 1980

Downes 1983
K. Downes, ‘Rubens’s prices’, Burl. Mag. 125 (1983), p. 362

Dreher 1975
F. P. Dreher, The Vision of Country Life in the Paintings of David Teniers II, Ann Arbor 1975 [PhD, Columbia University 1975]

Dreher 1978
F. P. Dreher, ‘The Artist as seigneur: chateaux and their proprietors in the work of David Teniers II’, AB 60 (1978), pp. 682–703

Drie Eeuwen 1952
Drie eeuwen portret in Nederland 1500–1800, Amsterdam 1952 [exh. RM, Amsterdam]

Drost 1933
W. Drost, Adam Elsheimer und sein Kreis, Potsdam [1933] (Die grossen Deutschen Maler. Leben und Werk beschrieben und gedeutet, i)

Dubois de Saint-Gelais 1727
[L. F. Dubois de Saint-Gelais], Description des tableaux du Palais Royal avec la vie des peintres à la tête de leurs ouvrages, Paris 1727

Duchesne & Réveil 1828–34
J. Duchesne and E. A. Réveil, Musée de peinture et de sculpture, ou recueil des principaux tableaux, statues et bas-reliefs des collections publiques et particulières de l'Europe, dessiné et gravé à l'eau-forte par Réveil, avec des notices descriptives, critiques et historiques par [Jean] Duchesne ainé, 16 vols, Paris 1828–34

Ducos 2011
B. Ducos, Frans Pourbus le Jeune (1569–1622). Le portrait d’apparat à l’aube du Grand Siècle entre Habsbourg, Médicis et Bourbons, Dijon 2011

Ducos 2013
B. Ducos (ed.), L’Europe de Rubens, Lens/Paris 2013 [exh. Louvre-Lens, Lens]

Dudok van Heel 1982
S. A. C. Dudok van Heel, ‘Het sterfjaar van de schilder Abraham Storck (1644–…)’, Maandblad Amstelodamum 69 (1982), pp. 76–7

Dudok van Heel 2002
S. A. C. Dudok van Heel, ‘Toen hingen er burgers als vorsten aan de muur’, in Middelkoop 2002, pp. 46–63

Dudok van Heel 2006
S. A. C. Dudok van Heel, De jonge Rembrandt onder tijdgenoten. Godsdienst en schilderkunst in Leiden en Amsterdam, Nijmegen 2006 [PhD, Radboud University Nijmegen 2006]

Duerloo & Smuts 2016
L. Duerloo and R. M. Smuts, The Age of Rubens. Diplomacy, dynastic politics and the visual arts in early seventeenth-century Europe, Turnhout 2016

Duits 1968
[C. Duits (ed.)], ‘A landscape by Albert Cuyp’, Duits Quarterly (1968), no. 12, pp. 3–7

Dukelskaya & Renne 1990
L. A. Dukelskaya and E. P. Renne, British Painting, Sixteenth to Nineteenth Centuries, Florence 1990 (The Hermitage Catalogue of Western European Painting, xiii)

Dumas 2000
C. Dumas (ed.), In helder licht. Abraham en Jacob van Strij. Hollandse meesters van landschap en interieur omstreeks 1800, Dordrecht/Enschede/Zwolle 2000 [exh. Dordrechts Museum, Dordrecht/Rijksmuseum Twenthe, Enschede]

Dumas 2007
A. Dumas (ed.), Inspiring Impressionism. The Impressionists and the art of the past, Denver/New Haven/London 2007 [exh. High Museum of Art, Atlanta/Denver Art Museum/Seattle Art Museum 2007–8]

Dumas 2015
C. Dumas, ‘Biografie Abraham van Calraet (1642–1722)’, in Dumas, Meijer & Paarlberg 2015, pp. 25–9

Dumas 2021a
C. Dumas, ‘Kopietekeningen en ander werk door Gerrit Dadelbeek (1731–1781)’, Delineavit et Sculpsit, no. 48 (Spring 2021), forthcoming

Dumas 2021b
C. Dumas, ‘Enkele opmerkingen bij achttiende-eeuwse kopietekeningen, met een uitstapje naar Jan Matthias Cok', Delineavit & Sculpsit, no. 48 (Spring 2021), forthcoming

Dumas, Ekkart & Van de Puttelaar 2020
C. Dumas, R. Ekkart and C. van de Puttelaar (eds), Connoisseurship. Essays in honour of Fred G. Meijer, Leiden 2020

Dumas, Meijer & Paarlberg 2015
C. Dumas, F. G. Meijer and S. Paarlberg et al., Kennerschap Bredius. Geen Cuyp, wel Calraet, The Hague 2015 [exh. Museum Bredius, The Hague 2015–16]

Dunthorne & Wintle 2013
H. Dunthorne and M. Wintle (eds), The Historical Imagination in Nineteenth-century Britain and the Low Countries, Leiden/Boston 2013

Duparc 1980
[F. J. Duparc], Mauritshuis Hollandse Schilderkunst. Landschappen 17de Eeuw, The Hague 1980

Duparc 1993
F. J. Duparc, ‘Philips Wouwerman, 1619–1668’, OH 107 (1993), pp. 257–86

Duparc 1996
F. J. Duparc, ‘Wouwerman [Wouwermans], Philips [Philippus]’, in Turner 1996, xxxiii, pp. 389–91

Duparc & Buvelot 2009
F. Duparc and Q. Buvelot, with essays by K. Bürger, G. Wuestman et al., Philips Wouwerman 1619–1668, The Hague/Zwolle 2009 (also in German: Philips Wouwerman 1619–1668, Kassel/Munich/Zwolle 2009) [exh. Gemäldegalerie Alte Meister, Kassel/MH, The Hague 2009–10]

Duparc & Graif 1990
F. J. Duparc and L. J. Graif, Italian Recollections. Dutch painters of the Golden Age, Montreal 1990 [exh. Montreal Museum of Fine Arts]

Durante 2003
S.-S. Durante, ‘The ceilings of the Jesuit Church, Antwerp’, in Rubens 2003, pp. 74–6

Durantini 1983
M. F. Durantini, The Child in Seventeenth-century Dutch Painting, Ann Arbor 1983 [revision of PhD, University of California, Berkeley 1979] (Studies in the Fine Arts: Iconography, vii)

Duro 1902
C. F. Duro, El último Almirante de Castilla, Don Juan Tomás Enríquez de Cabrera, Madrid 1902

Dutuit 1882–8
E. Dutuit, Manuel de l’Amateur d’Estampes, 6 vols, 1882–8

Dutuit 1883
E. Dutuit, L'œuvre complet de Rembrandt décrit et commenté par M. Eugène Dutuit; et reproduit à l'aide des procédés de l'héliogravure par M. Charreyre, 3 vols, Paris 1883

Dutuit 1885
E. Dutuit, Tableaux et dessins de Rembrandt. Catalogue historique et descriptif, Supplément à l’œuvre complet de Rembrandt, Paris 1885

Duverger 1984–2009
E. Duverger, Antwerpse kunstinventarissen uit de zeventiende eeuw, 14 vols, Brussels 1984–2009 (Fontes historiae artis neerlandicae, i)

Duverger 1992
E. Duverger, ‘Abbé, Hendrik’, in Saur, i, 1992, p. 55

Duverger 2004
E. Duverger, Documents concernant le commerce d’art de Francisco-Jacomo van den Berghe et Gilles van der Vennen de Gand avec la Hollande et la France pendant les premières décades du XVIIIe siècle, Ghent 2004

Duverger & Vlieghe 1971
E. Duverger and H. Vlieghe, David Teniers der Ältere. Ein vergessener flämischer Nachfolger Adam Elsheimers, Utrecht 1971