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A graduate of Oxford [J. Ruskin], Modern Painters: their superiority in the art of Landscape painting to all the ancient masters proved by examples of the True, the Beautiful, and the Intellectual from the works of Modern artists, especially from those of J. M. W. Turner, Esq. RA, London 1843; see http://www.lancaster.ac.uk/fass/ruskin/empi/1stedition/1a003.htm (Oct. 4, 2020)
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Russell 1996b
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R. Ruurs, ‘Saenredam: constructies’, OH 96 (1982), pp. 97–122
Ruurs 1983
R. Ruurs, ‘Pieter Saenredam: zijn boekenbezit en zijn relatie met de landmeter Pieter Wils’, OH 97 (1983), pp. 59–68
Ruurs 1987
R. Ruurs, Saenredam. The art of perspective, Amsterdam/Philadelphia/Groningen 1987 (Oculi. Studies in the arts of the Low Countries, i)
Van Ruyven-Zeman, Leesberg & Van der Stock 2003
Z. van Ruyven-Zeman with M. Leesberg, ed. by J. van der Stock and M. Leesberg, The Wierix Family, pt iii, Rotterdam 2003 (Hollstein’s Dutch & Flemish etchings, engravings and woodcuts 1450–1700, lxi)
Rye 1972 see High 1972
De Rynck 2009
P. De Rynck, Het Rubenshuis. Het ongeschreven verhaal van De Vrienden en de collectie, Louvain 2009
Sadion 2009
M. Sadion et al., Ni tout à fait la même, ni tout à fait une autre, ou des chefs-d’œuvre comme modèles, Epinal 2009 [exh. Musée de l’Image, Epinal]
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E. A. Safarik, with the assistance of C. Pujia, The Colonna Collection of Paintings. Inventories 1611–1795, Munich, etc. 1996 (Documents for the history of collecting: Italian inventories, ii)
Salerno 1977–80
L. Salerno, Pittori di paesaggio del seicento a Roma / Landscape Painters of the Seventeenth Century in Rome, 3 vols, Rome 1977–80 (vols i and ii, 1977–8; vol. iii, 1980)
Salomon 2010
X. F. Salomon, Masterpieces of European Painting from Dulwich Picture Gallery, New York 2010 [exh. The Frick Collection, New York]
Salomon 2012
X. F. Salomon, Van Dyck in Sicily. 1624–1625 painting and the plague, London/Milan 2012 [exh. DPG]
Salomon 2014
X. F. Salomon, Veronese, London 2014 [exh. NG, London]
Salomon 2016
X. F. Salomon, ‘Van Dyck in Sicilia, Il ritratto di Desiderio Segno’, in Simonetti & Zanelli 2016, pp. 6–39
Salomon 2017
X. F. Salomon, ‘Murillo’s Self-Portraits: a Sketch’, in Salomon & Treves 2017, pp. 8–67
Salomon & Treves 2017
X. F. Salomon, L. Treves et al., Murillo. The self-portraits, New York/New Haven/London 2017 [exh. The Frick Collection, New York/ NG, London 2017–18]
Sander & Brinkmann 1995
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Sass 1971
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Saur
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Saur 1999–2000
Saur Allgemeines Künstlerlexikon. Bio-bibliographischer Index A-Z / The Artists of the World. Bio-bibliographical index A–Z / Encyclopédie universelle des artistes. Index bio-bibliographique A–Z / Enciclopedia universale degli artisti. Indice bio-bibliografico A–Z / Enciclopedia universal de los artistas. Indice bio-bibliográfico A–Z, 10 vols, Munich/Leipzig 1999–2000
Saward 1981
S. V. Saward, Rubens’ Medici cycle, Ann Arbor 1981 [PhD, Bryn Mawr College]
Saxer 1959
V. Saxer, Le culte de Marie Madeleine en Occident des origines à la fin du moyen âge, 2 vols, Auxerre/Paris 1959 (Cahiers d’archéologie et d’histoire, iii)
S. B. 1932 see B. 1932
Scailliérez 1991
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Schaar 1956
E. Schaar, ‘Zu den Berchem-Zeichnungen in den Musées Royaux des Beaux-Arts zu Brüssel’, Bulletin KMSKB 5 (1956), pp. 209–20
Schaar 1958
E. Schaar, Studien zu Nicolaes Berchem, Cologne 1958 [PhD, University of Cologne 1957]
Schacht & Meiner 1999
M. Schacht and J. Meiner, Onder den Oranje boom. Niederländische Kunst und Kultur im 17. Und 18. Jahrhundert an deutschen Fürstenhöfen. Katalogband, Munich 1999 [exh. Kaiser Wilhelm Museum, Krefeld/Schloß Oranienbaum 1999]. Also in Dutch: Nederlandse kunst en cultuur aan Duitse vorstenhoven in de zeventiende en achttiende eeuw, Apeldoorn 1999 [exh. Paleis Het Loo, Apeldoorn 1999–2000]
Schadee 1994
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Schaeffer 1909
E. Schaeffer (ed.), Van Dyck. Des Meisters Gemälde in 537 Abbildungen, Stuttgart/Leipzig 1909. See also Glück 1931
Schaeps & Van der Veen 2014
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Schama 1987
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Schama 1999
S. Schama, Rembrandt’s Eyes, New York 1999
Schatborn 1975
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Schatborn 1981
P. Schatborn, Figuurstudies. Nederlandse tekeningen uit de 17de eeuw (also in English: Dutch figure Drawings from the Seventeenth Century), The Hague 1981 [exh. RPK, Amsterdam/NGA, Washington 1981–2]
Schatborn 2001
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Schatborn 2010
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Schatborn & Hinterding 2019
P. Schatborn and E. Hinterding, ed. by P. Lamers-Schütze, Rembrandt. The complete drawings and etchings, Cologne 2019. See also Manuth, De Winkel & Van Leeuwen 2019
Schavemaker 2001
E. Schavemaker, ‘Dubois (du Bois), Guillam (Willem)’, in Saur, xxx, 2001, pp. 52–3
Schawe 2006
M. Schawe, Alte Pinakothek. Altdeutsche und altniederländische Malerei, Munich 2006
Scheele & Kanzenbach 2008
F. Scheele and A. Kanzenbach (eds), Ludolf Backhuysen. Emden 1630–Amsterdam 1708, Munich/Berlin 2008 (Veröffentlichungen des Ostfriesischen Landesmuseum Emden, xxvii) [exh. Ostfriesisches Landesmuseum and Emder Rüstkammer, Emden 2008–9]
De Scheemaker 2000
J. de Scheemaker, ed. by D. de Hoop Scheffer, Joachim Wtewael to Frans van den Wyngaerde, Rotterdam/Amsterdam 2000 (Dutch and Flemish etchings, engravings and woodcuts ca. 1450–1700, lv)
Scheller 1969
R.W. Scheller, ‘Rembrandt en de encyclopedische kunstkamer’, OH 84 (1969), pp. 81–147
Scheltema 1853
P. Scheltema, Rembrand: redevoering over het leven en de verdiensten van Rembrand van Rijn met eene menigte geschiedkundige bijlagen meerendeels uit echte bronnen geput, Amsterdam 1853 (French edn 1866)
Van Schendel, Cleveringa, Haak & Röell 1956
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De Schepper 1953
L. De Schepper, Hemiksem. De Scheldeoever, nijverheid en lusthuizen, Antwerp 1953
De Schepper 1957
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D. Schlapeit-Beck, ‘Frauenarbeit und Stand der Technologie als Thema der Malerei: das Motiv der spinnenden Frau’, Kritische Berichte 15/2 (1987), pp. 20–31
Schleier 1992
M. Newcome Schleier, Kunst in der Republik Genua, 1528–1815, Frankfurt 1992 [exh. Schirn Kunsthalle, Frankfurt]. See review: H. Brigstocke 1992
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Schloss 1983
C. Schloss, ‘The early Italianate genre paintings by Jan Weenix (ca. 1642–1719)’, OH 97 (1983), pp. 69–97
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V. I. Schmid et al., The Orléans Collection, New Orleans [exh. New Orleans Museum of Art 2018–9]
Schmidt 1968
M. Schmidt, Der Basler Medeasarkophag. Ein Meisterwerk spätantoninischer Kunst, Tübingen [1968] (Monumenta artis antiquae, iii)
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W. Schmidt, Studien zur Landschaftskunst Jacob van Ruisdaels. Frühwerke und Wanderjahre, Hildesheim/New York 1981 (Studien zur Kunstgeschichte, xv)
Schmidt-Degener 1908
F. Schmidt-Degener, Adriaen Brouwer et son évolution artistique, Brussels 1908
Schnackenburg 1981
B. Schnackenburg, Adriaen van Ostade, Isack van Ostade. Zeichnungen und Aquarelle. Gesamtdarstellung mit Werkkatalogen, 2 vols, Hamburg 1981
Schnackenburg 1984
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Schnackenburg 1992
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Schnackenburg 1996b
B. Schnackenburg, ‘Dusart [du Sart], Cornelis’, in Turner 1996, ix, pp. 456–7
Schnackenburg 1996c
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Schnackenburg 2016
B. Schnackenburg, Jan Lievens: Friend and Rival of the Young Rembrandt: with a catalogue raisonné of his early Leiden work 1623–1632, Petersberg 2016
Schneider 1926
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Schneider 1932
H. Schneider, Jan Lievens. Sein Leben und seine Werke, Haarlem 1932. See also Schneider & Ekkart 1973
Schneider 1993
C. P. Schneider, ‘Death by Interpretation: Rembrandt’s Girl with Dead Peacocks’, in Cavalli-Björkman 1993a, pp. 55–67
Schneider & Ekkart 1973
H. Schneider with a suppl. by R. E. O. Ekkart, Jan Lievens. Sein Leben und seine Werke, Amsterdam 1973 (reprint of Schneider 1932)
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F. Scholten, Artus Quellinus. Sculptor of Amsterdam, Amsterdam 2010
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H. Scholz, Brouwer invenit. Druckgraphische Reproduktionen des 17.–19. Jahrhunderts nach Gemälden und Zeichnungen Adriaen Brouwers, Marburg 1985 (Studies zur Kunst und Kulturgeschichte, iii)
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Schuckman 1992a
C. Schuckman (D. de Hoop Scheffer ed.), Cornelis de Visscher, Cornelis Visscher, Hendrick Jansz Visscher, Lambert Visscher, Roosendaal 1992 (Hollstein’s Dutch & Flemish etchings, engravings and woodcuts, ca. 1450–1700, xl)
Schuckman 1992b
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Schuckman 1993
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Schulz 1978
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W. Schulz, Herman Saftleven 1609–1685. Leben und Werke. Mit einem kritischen Katalog der Gemälde und Zeichnungen, Berlin/New York 1982
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W. Schulz, ‘Herman Saftleven II’, in Turner 1996, xxvii, pp. 516–19
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W. Schulz, Aert van der Neer, Doornspijk 2002 (Aetas Aurea. Monographs on Dutch & Flemish painting, xviii)
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G. Schwartz, Rembrandt’s Universe. His art, his life, his world, London 2006
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C. T. Seifert, Pieter Lastman. Studien zu Leben und Werk. Mit einem kritischen Verzeichnis der Werke mit Themen aus der artike Mythologie und Historie, Petersberg 2011 (Studien zur internationalen Architektur- und Kunstgeschichte, lxxxviii)
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R. Sennewald in cooperation with P. Hrnčiřík, Pieter Snayers, 1592–1667. Battle painter of the 17th century, Berlin 2018
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M. Sitt, with collaboration of G. Walczak, Die deutschen, englischen, französischen, italienischen und spanischen Gemälde, 1350–1800 (Die Gemälde der alten Meister), Cologne 2007 (Die Sammlungen der Hamburger Kunsthalle, i)
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Spruyt 1829
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W. Stechow, ‘Über das Verhältnis zwischen Signatur und Chronologie bei einigen holländischen Künstler des 17. Jahrhunderts’, in H. Ladendorf (ed.), Festschrift Dr. h.c. Eduard Trautscholdt zum siebzigsten Geburtstag am 13. Januar 1963, Hamburg 1965, pp. 111–17
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Stechow 1973–4
W. Stechow, ‘An Early Landscape by David Teniers’, Allen Memorial Art Museum Bulletin, 31/1 (1973–4), pp. 1, 22–33
Stechow 1981 see Stechow 1966
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A. Stefes, ‘Nicolaes Pietersz Berchem (1620–1683). Die Zeichnungen’, 3 vols, PhD, University of Bern 1997
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Stewart 1988
J. D. Stewart, review of Freedberg 1984, RACAR (Revue d’art canadienne/Canadian Art Review) 15/1 (1988), pp. 74–5
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Stockholm 1992–3 see Cavalli-Björkman 1992
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W. L. Strauss and M. van der Meulen (eds), with the assistance of S. A. C. Dudok van Heel and P. J. M. de Baar, The Rembrandt Documents, New York 1979
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A. Strech, ‘Druckgraphik nach Bartolomäus Spranger (1546–1611). Kupferstiche 1573–1610 (Text und Katalog)’, 2 vols, PhD, Freie Universität Berlin 1996
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Strinati & Vodret 1998b
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Stroo 1985
C. Stroo, ‘De iconografie van de Heilige Walburga in Vlaanderen’, Jaarboek KMSKA (1985), pp. 189–276
Stryienski 1913
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Sullivan 1996
S. A. Sullivan, ‘Hamilton, Philipp Ferdinand de’, in Turner 1996, xiv, p. 111
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Sumner 1994a
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Sumner 1994b
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Sumner 1999
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Sumowski 1983–94
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Sutton 1984b
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Sutton 1987c
P. C. Sutton, ‘Meindert Hobbema […]’, in Sutton 1987a, p. 345
Sutton 1987d
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Sutton 1987e
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Sutton & Wieseman 1993
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Sutton & Wieseman 2004
P. C. Sutton, M. E. Wieseman, with N. Van Hout, Drawn with the Brush. Oil sketches by Peter Paul Rubens, New Haven/London 2004 [exh. Bruce Museum of Arts and Science, Greenwich, Conn./Cincinnati Art Museum, Cincinnati, O./Berkeley Art Museum 2004–5, Berkeley, Calif.]
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