RKD STUDIES

Laabs 2000
A. Laabs, with a contrib. by C. Schölzel, The Leiden Fijnschilders from Dresden, Zwolle/Dresden/Leiden 2000 (also in German: Von der lustvollen Betrachtung der Bilder: Leidener Feinmaler in der Dresdener Gemäldegalerie, Leipzig 2000; and in Dutch: De Leidse fijnschilders uit Dresden, Zwolle 2001). See review: Westermann 2001

Van de Laar 2010
M. van de Laar et al., ‘From wood to canvas. Anthonis Mor, portraits of Sir Thomas Gresham and Anne Fernely’, Rijksmuseum Bulletin 58 (2010), pp. 246–65

Lahrkamp 1982
H. Lahrkamp, ‘Der “Lange Jan.” Leben und Werk des Barockmalers Johann Bockhorst aus Münster’ and ‘Werkverzeichnis’, Westfalen. Mitteilungen des Verein für Geschichte […] 60 (1982), pp. 1–22, 23–184, 197–9

Laing 1999
A. Laing, ‘Dulwich Picture Gallery: Complete Illustrated Catalogue. By Richard Beresford’ [review], Burl. Mag. 141 (1999), pp. 548–50

Lairesse 1716
G. de Lairesse, Groot schilderboek, waarin de schilderkonst in al haar deelen grondig werd onderweezen, ook door redeneeringen en prentverbeeldingen verklaard; met voorbeelden uit de beste konststukken der oude en nieuwe puikschilderen bevestigd. en derzelver wel- en misstand aangeweezen, 2 vols, Amsterdam 1716

Lammertse 1997
F. Lammertse, ‘Veranderen na verloop van jaren. Over Gerard Dou’s Kwakzalver in Rotterdam en het Zelfportret in Kansas City’, in Van den Brink & Helmus 1997, pp. 110–20

Lammertse 1998
F. Lammertse, with contrib. by J. Giltaij and A. Janssen, Nederlandse genreschilderijen uit de zeventiende eeuw. Eigen collectie Museum Boijmans van Beuningen, Rotterdam 1998

Lammertse & Van der Veen 2006
F. Lammertse and J. van der Veen, Uylenburgh & Son. Art and commerce from Rembrandt to De Lairesse. 1625–1675, Zwolle/Amsterdam 2006 [exh. DPG/Rembrandt House Museum, Amsterdam]

Lammertse & Vergara 2012
F. Lammertse and A. Vergara, ‘A portrait of Van Dyck as a young artist’, in Vergara & Lammertse 2012, pp. 23–73

Lammertse & Vergara 2018
F. Lammertse and A. Vergara, Rubens. Painter of sketches (also in Dutch: Rubens. Schilder van schetsen; and in Spanish: Rubens. Pintor de bocetos), Madrid/Rotterdam 2018 [exh. Museo Nacional del Prado, Madrid/BvB, Rotterdam (title: Pure Rubens) 2018–19]

Langendijk 1964
K. Langendijk, ‘Silentium’, NKJ 15 (1964), pp. 3–18

Larsen 1975
E. Larsen (ed.), La vie, les ouvrages et les élèves de Van Dyck. Manuscrit inédit des Archives du Louvre. Par un auteur anonyme, Brussels 1975 (Académie Royale de Belgique. Mémoires de la Classe des Beaux-Arts, Collection in-8o, 2e sér. xiv 2 (1975)). See also Vaes 1924

Larsen 1980a
E. Larsen, L’opera completa di Van Dyck. Presentazione e apparati critici e filologici, 2 vols, Milan 1980

Larsen 1980b
E. Larsen, Alle tot nu toe bekende schilderijen van Van Dyck, Rotterdam 1980 (Milan 19791; Meesters der schilderkunst)

Larsen 1985
E. Larsen, Seventeenth Century Flemish Painting, Freren 1985

Larsen 1988
E. Larsen, The Paintings of Anthony van Dyck, 2 vols, Freren 1988

Larsen 1992
E. Larsen, ‘Das erste Porträt des Grafen von Arundel und andere Vandyckiana I’, Jaarboek KMSKA (1992), pp. 165–86

Lasius 1987
A. Lasius, ‘Quiringh Gerritsz. van Brekelenkam’, PhD, University of Göttingen 1987

Lasius 1992
A. Lasius, Quiringh van Brekelenkam, Doornspijk 1992

De Lattin 1955
A. De Lattin, Doorheen Oud-Antwerpen. Gids en inventaris van het hedendaagse Oud-Antwerpen, Antwerp 19554 (19341)

Laureati 1983a
L. Laureati, ‘The Master of the Small Trades or the Young Lingelbach?’, in Briganti, Trezzani & Laureati 1983b, pp. 250–57

Laureati 1983b
L. Laureati, ‘Johannes Lingelbach?’, in Briganti, Trezzani & Laureati 1983b, pp. 259–85

Laureati 1996
L. Laureati, ‘Lingelbach, Johannes [Jan]’, in Turner 1996, xix, pp. 420–21

Laurentius, Niemeijer & Ploos van Amstel 1980
Th. Laurentius, J. W. Niemeijer and G. Ploos van Amstel, Cornelis Ploos van Amstel, 1726–1798. Kunstverzamelaar en prentuitgever, Assen 1980

Lauts 1966
J. Lauts, Katalog alte Meister bis 1800. Staatliche Kunsthalle Karlsruhe, 2 vols, Karlsruhe 1966

Lauts 1983
J. Lauts, Stilleben alter Meister, i, Niederländer und Deutsche, Karlsruhe 1983 (Bildhefte der Staatlichen Kunsthalle Karlsruhe, vi)

Lavice 1867
A. Lavice, Revue des musées d'Angleterre. Catalogue raisonné des peintures et sculptures exposées dans les galeries publiques et particulières et dans les églises. Précédé d’un examen sommaire des monuments les plus remarquables, Paris 1867

Lawrence 1999
C. Lawrence, ‘Before The Raising of the Cross: the origins of Rubens’s earliest Antwerp altarpieces’, AB 81 (1999), pp. 267–96

Lawrence 2005
C. Lawrence, ‘Rubens’s Raising of the Cross in context: the “Early Christian” past and the evocation of the Sacred in Post-Tridentine Antwerp’, in A. Spicer and S. Hamilton (eds), Defining the Holy. Sacred space in medieval and early modern Europe, Aldershot/Burlington, Vt. 2005, pp. 251–75

Lawson 1999
J. Lawson, Van Dyck. Paintings and drawings, Munich/London/New York 1999

Lebeer 1969
L. Lebeer, Beredeneerde catalogus van de prenten naar Pieter Bruegel de Oude, Brussels 1969 [exh. Bibliothèque Royale Albert 1er, Brussels]

Lebrun 1792–6
J.-B. P. Lebrun, Galerie des peintres flamands, hollandais et allemands, 3 vols, Paris 1792 (vols i–ii) and 1796 (vol. iii). See also Pommier & Le Brun 1992/1793

Lecaldano 1980
P. Lecaldano (ed.), Alle tot nu toe bekende schilderijen van Rubens, 2 vols, Rotterdam 1980 (Milan 19791; Meesters der schilderkunst)

Leclair 2002
Anne Leclair, ‘Les plafonds peints de l’hôtel d’Argenson: commande d’un amateur parisien (1767–1773)’, Gazette des Beaux Arts 144 (2002), pp. 273–307

Leeds see London/Leeds 1947–53

Leeds 1868
National Exhibition of Works of Art, at Leeds, 1868: Official Catalogue, Leeds 1868 [exh. The New Infirmary, Leeds]

Leeflang 1998
H. Leeflang, ‘Dutch landscape: the urban view. Haarlem and its environs in literature and art, 15th–17th century’, in Natuur en landschap in de Nederlandse Kunst 1500–1850 / Nature and landscape in Netherlandish art 1500–1850, Zwolle 1998 [NKJ 48 (1997)], pp. 52–115

Leeflang 2003
H. Leeflang, ‘Een Proteus of Vertumnus in de kunst. De virtuoze gravures 1592–1600’, in Leeflang & Luijten 2003, pp. 202–33

Leeflang 2007
M. Leeflang, ‘“Uytnemende schilder van Antwerpen.” Joos van Cleve: atelier, productie en werkmethoden’, PhD, Rijksuniversiteit Groningen 2007

Leeflang 2008
H. Leeflang, ‘Post uit Praag. Over een teruggevonden tekening van Bartholomeus Spranger, Bulletin van het Rijksmuseum 56 (2008), pp. 114–27

Leeflang & Luijten 2003
H. Leeflang and G. Luijten et al., Hendrick Goltzius (1558–1617). Tekeningen, prenten en schilderijen, Zwolle/Amsterdam/New York/Toledo, O. 2003 [exh. RM, Amsterdam/ MMA, New York/Toledo Museum of Art, Toledo, O. 2003–4]

Leerintveld 2013
A. Leerintveld et al., Constantijn & Christiaan Huygens. Een gouden erfenis, [Eindhoven] 2013 [exh. Grote Kerk, The Hague]

Leeuwarden/Kassel 2018–19 see Stoter & Lange 2018

Leiden 1665 see Dou DPG56

Leiden/Oxford 2019–20 see Brown, Van Camp & Vogelaar 2019

Leistra 1996
J. E. P. Leistra, ‘Werff, Adriaen van der’, in Turner 1996, xxxiii, pp. 79–80

Leistra 2004
J. E. P. Leistra, Contouren van de kunstgeschiedenis: het Musée de peinture et de sculpture (1828–1834), PhD, Free University, Amsterdam 2004

Lejeune 1864–65
T. M. Lejeune, Guide théorique et pratique de l’amateur de tableaux. Études sur les imitateurs et les copistes des maîtres de toutes les écoles, dont les œuvres forment la base ordinaire des galeries, 3 vols, Paris 1864–5. See https://gallica.bnf.fr/ark:/12148/bpt6k6210287k.texteImage (vol. 2; July 16, 2020)

Lenz 1985
C. Lenz, ‘Rembrandts Auseinandersetzung mit Rubens: “Die Blendung Simsons,”’ in F. Büttner & C. Lenz (eds), Intuition und Darstellung. E. Hubala zum 24. März 1985, Munich 1985, pp. 137–58

Lepape 2009a
S. Lepape, ‘Rubens et la gravure’, in Sadion 2009, pp. 62–3

Lepape 2009b
S. Lepape, ‘Rubens à Paris’, in Sadion 2009, p. 64

Lepape 2009c
S. Lepape, ‘Sainte Catherine de Rubens’, in Sadion 2009, pp. 66–7

Leslie 1855
C. R. Leslie, A Hand-book for Young Painters, London 1855

Leslie 1951/1845
C. R. Leslie, ed. J. Mayne, Memoirs of the Life of John Constable composed chiefly of his Letters, London 1951 [based on 18452]

Lesné 1988
C. Lesné, ‘Jean-Baptiste Santerre (1651–1717). Etude et catalogue’, Bulletin de la Société de l’Histoire de l’Art français 1988 (published in 1989), pp. 76–118

Lesné & Waro 2011
C. Lesné and F. Waro, Jean-Baptiste Santerre, 1651–1717, [Colombelles 2011]

Leuschner 2010
E. Leuschner, ‘Die Versuchungen der Jugend. Internationale Bildkulturen der barocken Allegorie am Beispiel von Venius und Rubens, Cortona und Giordano’, Wiener Jahrbuch für Kunstgeschichte 59 (2010), pp. 65–85

Levert 2017
S. Levert, ‘“Étrangers, mais habitués en cette ville de Paris.” Les artistes Néerlandais à Paris (1550–1700): une prosopographie’, PhD, Utrecht University 2017

Levine 1984
D. A. Levine, ‘The art of the Bamboccianti’, PhD, Princeton University 1984

Levine 1986
D. A. Levine, ‘The art of the Bamboccianti’, Ann Arbor 1986 [PhD, Princeton University 1984]

Levine & Mai 1991
D. A. Levine and E. Mai (eds), I Bamboccianti. Niederländische Malerrebellen im Rom des Barock, Milan 1991 [exh. Wallraf-Richartz-Museum, Cologne/Centraal Museum, Utrecht 1991–2]

Levinson-Lessing 1958
V. F. Levinson-Lessing et al. (eds), Gosudartsvennyj Ermitaz: otdel zapadnoevropejskogo iskusstva, katalog zivopisi / Musée de l'Ermitage, département de l'art occidental: catalogue des peintures, 2 vols, St Petersburg 1958

Lewine 1963
M. J. Lewine, ‘The source of Rubens’ Miracles of St. Ignatius’, AB 45 (1963), pp. 143–7

Lichtert 2018
K. Lichtert, Adriaen Brouwer. Master of emotions. Between Rubens and Rembrandt, Amsterdam 2018 [exh. MOU Museum of Oudenaarde and the Flemish Ardennes, Oudenaarde]

Liebaers 1985
H. Liebaers et al., Vlaamse kunst van de oorsprong tot heden, Antwerp 1985 (also in English: Flemish Art. From the beginning till now, Antwerp 1991)

Liedtke 1970
W. A. Liedtke, ‘From Vredeman de Vries to Dirck van Delen: Sources of Imaginary Architectural Painting’, Bulletin of Rhode Island School of Design Museum Notes 57/2 (Winter 1970), pp. 15–25

Liedtke 1984
W. A. Liedtke, Flemish Paintings in the Metropolitan Museum of Art, 2 vols, New York 1984

Liedtke 1985
W. A. Liedtke, Anthony van Dyck, New York 1985 (reprinted from The Metropolitan Museum of Art Bulletin, Winter 1984/5)

Liedtke 1992a
W. Liedtke, ‘Learning in the Dutch School’ [review of MacLaren & Brown 1991], Apollo 135 (May 1992), pp. 334–5

Liedtke 1992b
W. Liedtke, ‘Stockholm. Rembrandt and his age’ [review of Cavalli-Björkman 1992], Burl. Mag. 134 (1992), pp. 829–30

Liedtke 1995
W. Liedtke, C. Logan, N. M. Orenstein and S. S. Dickey, Rembrandt/Not Rembrandt in the Metropolitan Museum of Art: aspects of connoisseurship, ii, Paintings, drawings, and prints: art-historical perspectives, New York 1995 [exh. MMA, New York 1995–6]. See also Sonnenburg 1995

Liedtke 1996
W. Liedtke, ‘2. Pieter (Jansz.) Saenredam’, in Turner 1996, xxvii, pp. 507–11

Liedtke 2007a
W. Liedtke, Dutch Paintings in the Metropolitan Museum of Art, 2 vols, New York/New Haven/London 2007

Liedtke 2007b
W. Liedtke, ‘Christoffel van den Berghe […] cat. no. 6, A Winter Landscape with Ice Skaters and an Imaginary Castle’, in Liedtke 2007a, i, pp. 28–30

Liedtke, Plomp & Rüger 2001
W. Liedtke, with M. Plomp, A. Rüger et al., Vermeer and the Delft School, New York/New Haven/London 2001 [exh. MMA, New York/NG, London]

Liedtke & Wheelock 2017
W. A. Liedtke and A. K. Wheelock Jr, ‘“Young Woman Seated at a Virginal,” (JVe-100)’, in A.K. Wheelock Jr (ed.), The Leiden Collection Catalogue, New York 2017. See https://www.theleidencollection.com/archives/artwork/Johannes_Vermeer_JVe-100_2017-01.pdf

Liess 1977
R. Liess, Die Kunst des Rubens, Brunswick 1977

Lilian 2003
Salomon Lilian. Old Masters 2003, Zwolle 2003

Lilian 2009
Salomon Lilian. Old Masters 2009, Amsterdam 2009

Lilian 2010
Salomon Lilian. Old Masters 2010, Amsterdam 2010

Lilienfeld 1913
K. Lilienfeld, ‘Dubois (du Bois), Guillam (Willem)’, in Thieme & Becker, ix, 1913, p. 607

Lilienfeld 1914
K. Lilienfeld, Arent de Gelder. Sein Leben und seine Kunst, The Hague 1914 (Quellenstudien zur Holländischen Kunstgeschichte, iv)

Lilienfeld 1920
K. Lilienfeld, ‘Gelder, Arent (Aert) de’, in Thieme & Becker, xiii, 1920, pp. 359–60

Lille 2004 see Rubens 2004

Lindemann 1995
B. W. Lindemann, ‘“Wie der Flaum auf einer nicht ausgereiften Nektarine.” Das Basler David und Abigail-Bild und die Kunst Aelbert Cuyps’, in idem, Mit Turban und Fahne. Aelbert Cuyps Basler Familenbildnis wiederentdeckt, Basel 1995 [exh. Kunstmuseum, Basel 1995–6], pp. 7–19

Lindemann & Contini 2010
B. W. Lindemann and R. Contini, Hommage an Caravaggio 1610/2010 [exh. Gemäldegalerie, Staatliche Museen, Berlin 2010–11]

Lindsay & Reeve 1995
P. Lindsay and A. Reeve, ‘9 Aelbert Cuyp, A Road near a River’ [DPG124], in Conserving 1995, pp. 21 (fig.), 52–3

Ling n.d.
E. Ling, Prized Possessions. Lord Fitzwilliam’s album of prints after Adam Elsheimer, Cambridge n.d.

Lipton 1985
L. Lipton, A Truthful Likeness. Chester Harding and his portraits, Washington 1985 [exh. National Portrait Gallery, Smithsonian Institution, Washington/J. B. Speed Art Museum, Louisville, Ky.]

Lister & Palmer 1974
R. Lister, The Letters of Samuel Palmer, 2 vols [vol. i, 1814–59; vol. ii, 1860–81], Oxford 1974

Livy 2009
Livy (Titus Livius) transl. by J. H. Freese and A. J. Church, Roman History [Ab Urbe Condita]. Books I–III, Auckland 2009 (from a 1904 edn)

Löffler 1998
E. Löffler et al., ‘Illustrated index of painters active in The Hague between 1600–1700’, in Buijsen 1998, pp. 280–362

Löffler 2000
E. P. Löffler, ‘Theodor Vercruys (ca. 1680–1739), een vergeten Nederlandse kunstenaar in Florence’, OH 114, pp. 195–220

Lörz 2011
M. Lörz, ‘Karl Wilhelm de Hamilton und seine Tierstudien im Kupferstichkabinett der Staatlichen Kunsthalle Karlsruhe’, in Friesen 2011, pp. 80–91

Logan 1979
A.-M. Logan, The ‘Cabinet’ of the Brothers Gerard and Jan Reynst, Amsterdam/Oxford/New York 1979 (Koninklijke Nederlandse Akademie van Wetenschappen. Verhandelingen afdeling Letterkunde new ser., ic)

Logan 1981
A.-M. Logan, review of Held 1980, AB 63 (1981), pp. 512–18

Logan 1987
A.-M. Logan, review of Held 1986, Master Drawings 25 (1987), pp. 63–82

Logan 1990
A.-M. Logan, ‘Jan Boeckhorst als tekenaar’, in Huvenne 1990, pp. 118–32

Logan 1991
A.-M. Logan, review of Braham 1988, Master Drawings 29 (1991), pp. 314–15

Logan 2001
A.-M. Logan, ‘Distinguishing the Drawings by Anthony van Dyck from those of Peter Paul Rubens’, in Vlieghe 2001, pp. 7–28

Logan 2007
A.-M. Logan, ‘44 Rubens’ Studio Assistant, Cattle in pasture […]’, in Czére 2007, pp. 139–41

Logan 2012
A.-M. Logan, ‘Anthony van Dyck: His Early Drawings during the First Antwerp Period’, in Vergara & Lammertse 2012, pp. 74–91

Logan & Plomp 2004a
A.-M. Logan with M. C. Plomp, ‘Rubens als Zeichner’, in Schröder & Widauer 2004, pp. 20–80

Logan & Plomp 2004b
A.-M. Logan and M. C. Plomp, ‘Katalog’, in Schröder & Widauer 2004, pp. 128–510

Logan & Plomp 2004c
A.-M. Logan with M. C. Plomp, Peter Paul Rubens. The Drawings, New York/New Haven/London 2004 [exh. MMA, New York 2005]

Loire 1990
S. Loire, Le Guerchin en France, Paris 1990 (Les dossiers du département des peintures, xxxviii) [exh. Louvre, Paris]

Loire 1995
S. Loire, ‘Antoine Pesne et son morceau de réception à l’Académie (1720): une nouvelle identification’, Revue du Louvre/La Revue des Musées de France 44/5–6 (1995), pp. 53–7

Loire 2011
S. Loire et al., Nature et idéal. Le paysage à Rome, 1600–1650, Paris 2011 [exh. Grand Palais, Paris/ Museo Nacional del Prado, Madrid]

London 1761
London and its Environs described. Containing an account of whatever is most remarkable [...] in the city and in the country twenty miles round it. [...], 6 vols, London 1761

London 1813
British Institution for the promoting the Fine Arts in the United Kingdom. Founded, June 4, 1805, opened, January 18, 1806 [...]; Catalogue [...], London 1813

London 1814
British Institution for the promoting the Fine Arts in the United Kingdom. Founded, June 4, 1805, opened, January 18, 1806 [...]; Catalogue [...], London 1814

London 1815
British Institution for the promoting the Fine Arts in the United Kingdom. Founded, June 4, 1805, opened, January 18, 1806 […]; Catalogue of pictures by Rubens, Rembrandt, Vandyke, and other artists of the Flemish and Dutch Schools, with which the proprietors have favoured the British Institution [...], London 1815 [exh. British Institution, London]. See also British Institution 1815

London 1818
British Institution for the promoting the Fine Arts in the United Kingdom. Founded, June 4, 1805, opened, January 18, 1806 [...]; Catalogue of pictures of the Italian, Spanish, Flemish, Dutch, and French Schools, with which the proprietors have favoured the British Institution [...], London 1818

London 1824
British Institution for the promoting the Fine Arts in the United Kingdom. Founded, June 4, 1805, Opened, January 18, 1806 [...]; Catalogue of pictures of the Italian, Spanish, Flemish, Dutch, and English Schools. With which the proprietors have favoured the Institution, London 1824 [exh. British Institution, London]

London 1828
British Institution for the promoting the Fine Arts in the United Kingdom. Founded, June 4, 1805, Opened, January 18, 1806 [...]; Catalogue of pictures by Italian, Spanish, Flemish, and Dutch masters, with which the proprietors have favoured the Institution, London 1828 [exh. British Institution, London]

London 1843
British Institution for promoting the Fine Arts in the United Kingdom [...]; Catalogue of the works of Sir Joshua Reynolds, together with a selection of pictures by ancient, and deceased English, masters, London 1843

London 1876
Exhibition of works by the Old Masters and by Deceased Masters of the British School. Winter exhibition, London 1876 [exh. RA, London]

London 1899
Exhibition of works by Rembrandt. Winter Exhibition, thirtieth year, London 1899 [exh. RA, London]

London 1901 see Temple 1901

London 1903
Exhibition of Works by the Old Masters and Deceased Masters of the British School. Including a collection of paintings by Aelbert Cuyp […], London 1903 [exh. RA, London]

London 1907
Animals in Art, London 1907 [exh. Whitechapel Art Gallery, London]

London 1938 see Waterhouse 1938 and Illustrated Souvenir 1938

London 1950
Catalogue of an Exhibition of Paintings and Silver from Woburn Abbey, lent by the Duke of Bedford, London 1950 [exh. RA, London]

London 1950–51
Exhibition of Works by Holbein & Other Masters of the 16th and 17th Centuries, London 1950 [exh. RA, London 1950–51]

London 1952–3
Dutch Pictures 1450–1750 [Winter exhibition, 1952–3], London 19523 [exh. RA, London 1952–3]

London 1953 see Gerson 1953

London 1953–4
Flemish Art, 1300–1700, London 1953 [exh. RA, London 1953–4]

London 1960–61 see Millar & Edwards 1960

London 1964 see Orange 1964

London 1971 see Bachrach & Sandberg 1971

London 1973 see Reiss 1973

London 1974 see Brown 1974

London 1976 see Brown 1976

London 1977 see Rowlands 1977

London 1979 see Brown 1979

London 1980 see Ten paintings 1980

London 1982–3 see Millar 1982

London 1983 see Brown 1983

London 1986 see Brown 1986

London 1987–8 see Kalinsky & Waterfield 1987

London 1988–9 see Braham 1988

London 1991a see Harwood 1991

London 1991b see Brown 1991b

London 1992 see Berlin/Amsterdam/London 1991–2

London 1993 see Bomford, Sumner & Waterfield 1993

London 1994–5 see Reid & Maniura 1994

London 1995 see Beresford, Hassall & Ryder 1995; Beresford & Plender 1995; Bobak, Spring & Tasker 1995; Chong 1995; Hassall, Plender & Spring 1995; Jaffé, McClure & Chorley 1995; Jaffé & Plender 1995; Lindsay & Reeve 1995; Waterfield, Plender & Spring 1995a and 1995b

London 1995–6 see Hearn 1995

London 1996 see Taylor 1996

London 1996–7 see Brown 1996

London 1999a see Wright 1999

London 1999b see Harris 1999

London 2002 see Harwood 2002

London 2003–4 see Rubens 2003

London 2005–6 see Jaffé & McGrath 2005

London 2012a see Batchelor 2012

London 2012b see Salomon 2012

London 2013 see Wieseman 2013

London 2019–2020 see Scott & Hillyard 2019

London/Amsterdam 2006 see Lammertse & Van der Veen 2006

London/Leeds 1947–53
Some Pictures from the Dulwich Gallery, London 1947 [exh. NG]; Pictures from the Dulwich Gallery, London 1947 [exh. City Art Gallery, Leeds 1947–53 [same text; L. Burchard: Rubens and Van Dyck; E. K. Waterhouse: the portraits by Gainsborough and Hogarth; A.F. Blunt the remaining entries.] [54 Dulwich paintings were lent to the City Art Gallery, Leeds, while the Dulwich Gallery was being rebuilt after the war; the pictures were first shown for a few months in 1947 at the National Gallery, London. Additional loans, hors catalogue, were made to Leeds in 1949 and 1952]

London/Paris/Madrid 2009 see Solkin 2009

London/Washington/Los Angeles 1985–6 see Waterfield & Brown 1985. See also Waterfield & Brown 1994

Longleat 2002
Pictures and Watercolours from Longleat. Sold by Order of the Trustees of the Longleat Chattels Settlement. Friday 14 June 2002 (Christie’s), London 2002

Lossky 1967
B. Lossky, ‘Peintures peu connues du XVIIIe siècle au château de Fontainebleau’, Bulletin de la Société de l’Histoire de l’Art français (1966), 1967, pp. 177–88

Loughman 1992
J. Loughman, ‘Godfried Schalcken’, in Marijnissen, De Paus, Schoon & Schweitzer 1992, p. 263

Loughman 1996
J. Loughman, ‘Hobbema, Meindert [Meyndert]’, in Turner 1996, xiv, pp. 600–603

Lowell 1894
J. Russell Lowell (ed. by C. E. Norton), Letters of James Russell Lowell, vol. i, 1894

Lüdke 1999
D. Lüdke, ‘Chardin und die niederländische Malerei des 17. Jahrhunderts. Dargestellt an sieben Stilleben’, in Michel 1999, pp. 40–56

Lüdke 2005a
D. Lüdke, ‘Warum David Teniers d. J. in Karlsruhe?’, in Klinge & Lüdke 2005, pp. 20–25

Lüdke 2005b
D. Lüdke, ‘David Teniers d.J. – Maler von Stilleben’, in Klinge & Lüdke 2005, pp. 64–75

Lugt 1927
F. Lugt, Les Dessins des Écoles du Nord de la Collection Dutuit au Musée des Beaux-Arts de la Ville de Paris (Petit Palais), Paris 1927 (Inventaire général des dessins dans les collections publiques de France)

Lugt 1929–33
F. Lugt, Musée du Louvre. Inventaire général des dessins des écoles du nord. École hollandaise, 3 vols, Paris 1929–33

Lugt 1938–87
F. Lugt, Répertoire des catalogues de ventes publiques intéressant l'art ou la curiosité, 4 vols, The Hague 1938 (vol. i), 1953 (vol. ii), 1964 (vol. iii), Paris 1987 (vol. iv) [microfiches]. See also http://lugt.idcpublishers.info/

Lugt 1949
F. Lugt, Musée du Louvre. Inventaire général des dessins des écoles du nord, publié sous les auspices du Cabinet des dessins. École flamande, 2 vols, Paris 1949

Lugt 1968
F. Lugt, Musée du Louvre. Inventaire général des dessins des écoles du nord publié sous les auspices du cabinet des dessins. Maîtres des anciens Pays-Bas nés avant 1550, Paris 1968

Luijten 1999
G. Luijten, ‘De Iconographie, Van Dycks portretten in prent’, in Depauw & Luijten 1999, pp. 72–91

Luijten & De Hoop Scheffer 1988
G. Luijten and D. de Hoop Scheffer, Petrus Valck to Esaias van de Velde, Roosendaal 1988 (Dutch and Flemish etchings, engravings and woodcuts ca. 1450–1700, xxxii)

Luijten & Schuckman 1999
G. Luijten and C. Schuckman (eds), The Muller dynasty, 3 vols, Rotterdam/Amsterdam 1999 (The new Hollstein. Dutch & Flemish etchings, engravings and woodcuts 1450–1700, vii, I–III)

Lurie 1969
A. Tzeutschler Lurie, ‘Gerard van Honthorst. Samson and Delilah’, The Bulletin of The Cleveland Museum of Art 56 (1969; Nov.), pp. 332–44

Lurie 1995
D. J. Lurie, Van Dyck and his Age, Tel Aviv 1995 [exh. Tel Aviv Museum of Art]

Lusheck 1995
(unpublished essay) C. Lusheck, The Death of Adonis (with Venus, Cupid and the Three Graces) in The Saul P. Steinberg Collection ed. by D. J. Leo and privately printed by Richard Feigen Gallery, New York 1995

Van Luttervelt 1959
R. van Luttervelt, ‘Een schilderij van Anna van Buren en andere portretten uit haar omgeving’, OH 74 (1959), pp. 183–202

Lysons 1792–6
D. Lysons, The Environs of London: being an historical account of the town, villages, and hamlets, within twelve miles of that Capital [...], 4 vols, London 1792–6

Di Macco 1995
M. di Macco, ‘“L’ornamento del Principe.” Cultura figurativa di Maurizio di Savoia (1619–1627)’, in Romano 1995, pp. 349–74

MacGregor 2007
A. MacGregor, Curiosity and Enlightenment. Collectors and collections from the sixteenth to the nineteenth century, New Haven/London 2007

Mack-Andrick 2005
J. Mack-Andrick, ‘“Teniers pinxit.” Die Rezeption von David Teniers D.J. in der Reproduktionsgraphik des 17. und 18. Jahrhunderts’, in Klinge & Lüdke 2005, pp. 76–86

MacLaren 1960
N. MacLaren, National Gallery Catalogues: The Dutch School, London 1960

MacLaren & Brown 1991
N. MacLaren, rev. and expanded by C. Brown, The National Gallery Catalogues: The Dutch School 1600–1900, 2 vols, London 1991. See review: Liedtke 1992a

MacLeod 2001
C. MacLeod, ‘ “Good, but not like”: Peter Lely, portrait practice and the creation of a court look’, in MacLeod & Alexander 2001, pp. 50–61

MacLeod & Alexander 2001
C. MacLeod and J. Marciari Alexander et al., Painted Ladies. Women at the court of Charles II, London 2001 [exh. NPG, London/Yale Center for British Art, New Haven 2001–2]

Madou 1981
M. Madou, ‘Engels borduurwerk in de Nederlanden. Bijdrage tot de oplossing van een omstreden probleem’, in Nederlandse kunstnijverheid en interieurkunst, opgedragen aan professor Th. H. Lunsingh Scheurleer, Haarlem 1981 (NKJ 31 (1980)), pp. 16–23

Madrid 1994 see Sutton & Loughman 1994

Madrid 2003 see Vergara & Westermann 2003

Madrid 2012–13 see Vergara & Lammertse 2012

Madrid/Bilbao 1999 see Waterfield, Serraller & Dejardin 1999

Madrid/Rotterdam 2018–19 see Lammertse & Vergara 2018

De Maere & Wabbes 1994
J. De Maere and M. Wabbes, ed. by J. A. Martin, Illustrated Dictionary of 17th Century Flemish Painters, 3 vols, Brussels 1994

Maës 2005
G. Maës, ‘La réception de Rubens en France au XVIIIe siècle: quelque jalons’, in Heck 2005, pp. 55–67

Maës 2009–10
G. Maës, ‘Dutch art collections and connoisseurship in the eighteenth century: the contributions of Dezallier [sic] d’Argenville and Descamps’, Simiolus 34 (2009–10), pp. 226–38

Maës 2010
G. Maës, ‘Le gout “français” pour la peinture hollandaise et flamande au XVIIIe siècle: goût national ou goût commercial? Réflexions autour de Houbraken, Dezallier [sic] d’Argenville et Hoet’, in Maës & Blanc 2010, pp. 195–213

Maës 2015
G. Maës, ‘From Antwerp Cathedral to the Musée Napoléon. Rubens’s Descent from the Cross between devotion, delectation and nationalism’, in H. P. Chapman, F. Scholten, J. Woodall (eds), Arts of Display / Het vertoon van de kunst, Leiden 2015 (NKJ 65 (2015)), pp. 266–91

Maës & Blanc 2010
G. Maës and J. Blanc (eds), Les échanges artistiques entre les anciens Pays-Bas et la France, 1482–1814, Turnhout 2010

De Maeyer 1955
M. De Maeyer, Albrecht en Isabella en de schilderkunst. Bijdrage tot de geschiedenis van de XVIIe-eeuwse schilderkunst in de Zuidelijke Nederlanden, Brussels 1955 (Verhandelingen van de Koninklijke Vlaamse Academie voor Wetenschappen, Letteren en Schone Kunsten; Klasse der Schone Kunsten, Verhandelingen, ix)

Magurn 1955
R. S. Magurn (ed. and transl.), The Letters of Peter Paul Rubens, Cambridge, Mass. 1955

Mahon 1949a
D. Mahon, ‘Notes on the “Dutch Gift” to Charles II: I’, Burl. Mag. 91 (1949), pp. 303–5

Mahon 1949b
D. Mahon, ‘Notes on the “Dutch Gift” to Charles II: II’, Burl. Mag. 91 (1949), pp. 349–50

Mahon 1950
D. Mahon, ‘Notes on the “Dutch Gift” to Charles II: III’, Burl. Mag. 92 (1950), pp. 12–18

Mahon, Pulini & Sgarbi 2003
D. Mahon, M. Pulini and V. Sgarbi (eds), Guercino. Poesia e sentimento nella pittura del ’600, Novara 2003 [exh. Palazzo Reale, Milan 2003–4]

Mai, Paarlberg & Weber 2006
E. Mai, S. Paarlberg and G. J. M. Weber (eds), Vom Adel der Malerei. Holland um 1700, Cologne 2006 [exh. Wallraf-Richartz-Museum & Fondation Corboud, Cologne/Dordrechts Museum/Gemäldegalerie Alte Meister, Kassel 2006–7]

Mai & Vlieghe 1992
E. Mai and H. Vlieghe (eds), Von Bruegel bis Rubens. Das goldene Jahrhundert der flämischen Malerei, Cologne 1992 [exh. Wallraf-Richartz-Museum, Cologne/Koninklijk Museum voor Schone Kunsten, Antwerp/Kunsthistorisches Museum, Vienna 1992–3]. See review: Wood 1992a. See also Baudouin 1992c

Mai & Weber-Woelk 2000
E. Mai and U. Weber-Woelk, Faszination Venus. Bilder einer Göttin von Cranach bis Cabanel, Cologne/Ghent/Antwerp 2000 [exh. Wallraf-Richartz-Museum, Cologne/Alte Pinakothek, Munich/Koninklijk Museum voor Schone Kunsten, Antwerp 2000–2001]. See also Denk, Paul & Renger 2001

Maier-Preusker 1991
W. C. Maier-Preusker, ‘Christiaen van Couwenbergh (1604–1667): Œuvre und Wandlungen eines holländischen Caravaggisten’, Wallraf-Richartz-Jahrbuch 52 (1991), pp. 163–236

Maillet 2012
B. G. Maillet et al., Intérieurs d’églises. La peinture architecturale des écoles du Nord 1580–1720 [Wijnegem 2012]

Maisch 1998
I. Maisch, Between Contempt and Veneration. Mary Magdalene: the image of a woman through the centuries, Collegeville, Minn. 1998

Malgouyres 2007
P. Malgouyres, ‘La collection d’ivoires de Louis XIV: l’acquisition du fonds d’atelier de Gérard van Opstal (vers 1604–1668)’, La Revue des Musées de France 57/5 (2007), pp. 46–54

De Man 1980
R. De Man, ‘Documenten over het maecenaat van R. Braye (ca. 1550–1632) te Kortrijk en de schilderijen van G. de Crayer en A. van Dijck’, Jaarboek KMSKA (1980), pp. 233–59

Van Mander 1604a
K. van Mander, Het schilder-boeck waer in voor eerst de leerlustighe iueght den grondt der edel vry schilderconst in verscheyden deelen wort voorghedraghen, Haarlem 1604

Van Mander 1604b
C. van Mander, Uytbeeldinge der figueren: waer in te sien is / hoe d’heydenen hun Goden uytgebeeldt / en onderscheyden hebben […], Alkmaar 1604 (Appendix in Van Mander 1604a)

Mandle 1971
E. R. Mandle, Dutch Masterpieces from the Eighteenth Century: paintings & drawings 1700–1800, Minneapolis 1971 [exh. Minneapolis Institute of Arts/Toledo Museum of Art, Toledo, O./Philadelphia Museum of Art 1971–2]

Mandrella 2012
D. Mandrella, ‘Karel du Jardin à Paris’, in Buijsen, Dumas & Manuth 2012, pp. 285–92

Mann 1962
J. Mann, Wallace Collection Catalogues. European arms and armour, 2 vols, London 1962

Manneback 1965
M. Manneback, ‘Paul De Vos’, in Van Puyvelde, Lebeer & Jansen 1965, pp. 283–5

Mannings & Postle 2000
D. Mannings and M. Postle, Sir Joshua Reynolds. A complete catalogue of his paintings. The subject pictures catalogued by Martin Postle, 2 vols, New Haven/London 2000

Mansfeld 1951
H. Mansfeld, Katalog Holländische Maler des XVII. Jahrhunderts im Mecklenburgischen Landes Museum, Schwerin 1951

Manuth 1990
V. Manuth, ‘Die Augen des Sünders – Überlegungen zu Rembrandts Blendung Simsons von 1636 in Frankfurt’, Artibus et historiae. An art anthology 11/21 (1990), pp. 169–98

Manuth & Rüger 2004
V. Manuth and A. Rüger (eds), Collected Opinions. Essays on Netherlandish art in honour of Alfred Bader, London 2004

Manuth, De Winkel & Van Leeuwen 2019
V. Manuth, M. de Winkel and R. van Leeuwen, Rembrandt: the Complete Paintings, Cologne 2019. See also Schatborn & Hinterding 2019

Manzitti 1972
C. Manzitti, Valerio Castello, Genoa [1972]

Marandel 2012
J. P. Marandel (ed.), Caravaggio and his Legacy, Los Angeles/Munich, etc. 2012 [exh. Musée Fabre de Montpellier Agglomération/Musée des Augustins, Toulouse/Los Angeles County Museum of Art/Wadsworth Atheneum Museum of Art, Hartford, Conn. 2012–13]

Marandet 2003
F. Marandet, ‘Pierre Rémy (1715–97). The Parisian art market in the mid-eighteenth century’, Apollo 158 (Aug. 2003), pp. 32–42

Marcenaro & Boragina 2001
G. Marcenaro and P. Boragina, Viaggio in Italia. Un corteo magico dal Cinquecento al Novecento, Milan 2001 [exh. Palazzo Ducale, Genoa]

De Marchi & Van Miegroet 2006
N. De Marchi and H. J. Van Miegroet (eds), Mapping markets for paintings in Europe 1450–1750, Turnhout 2006

Marijnissen, De Paus, Schoon & Schweitzer 1992
P. Marijnissen, W. de Paus, P. Schoon and G. Schweitzer (eds), De Zichtbaere Werelt. Schilderkunst uit de Gouden Eeuw in Hollands oudste stad, Zwolle/Dordrecht 1992 [exh. Dordrechts Museum 1992–3]

De Marly 1990
D. de Marly, Dress in North America. The New World, 1492–1800, vol. i, New York/London 1990

Marshall 1973
Mr. and Mrs. F. L. Marshall, Exhibition of the Marshall Collection, which will be sold by auction by Sotheby & Co, in several parts during 1974, London 1973 [exh. Sotheby´s, London 1973–4]

Martin 1901
W. Martin, Het leven en de werken van Gerrit Dou beschouwd in verband met het schildersleven van zijn tijd, PhD, Leiden University 1901

Martin 1902
W. Martin, Gerard Dou (transl. from the Dutch by Clara Bell), London 1902

Martin 1911
W. Martin, Gérard Dou. Sa vie et son œuvre. Étude sur la peinture hollandaise et les marchands au dix-septième siècle. Traduit du hollandais, avec un avant-propos par Louis Dimier, Paris 1911

Martin 1913
W. Martin (ed.), Gerard Dou. Des Meisters Gemälde in 247 Abbildungen, Stuttgart/Berlin 1913 (Klassiker der Kunst, xxiv)

Martin 1921–2
W. Martin, ‘Rembrandt-Rätsel’, Der Kunstwanderer 3–4 (1921–2), pp. 30–34

Martin 1968a
J. R. Martin, The ceiling paintings for the Jesuit Church in Antwerp, Brussels 1968 (Corpus Rubenianum Ludwig Burchard, i)

Martin 1968b
G. Martin, ‘A View of Het Sterckshof by David Teniers the Younger’, Burl. Mag. 110 (1968), pp. 574–7

Martin 1969
J. R. Martin (ed.), Rubens: The Antwerp altarpieces: the Raising of the Cross, the Descent from the Cross […], New York 1969 (A Norton Critical Study in Art History)

Martin 1970
G. Martin, National Gallery Catalogues. The Flemish School circa 1600–circa 1900, London 1970

Martin 1972a
J. R. Martin, The Decorations for the Pompa Introitus Ferdinandi, Brussels/London 1972 (Corpus Rubenianum Ludwig Burchard, xvi)

Martin 1972b
J. R. Martin (ed.), Rubens before 1620, Princeton (NJ) 1972 [exh. The Art Museum, Princeton University]

Martin 1983a
G. Martin, review of Adler 1982, Burl. Mag. 125 (1983), pp. 165–6

Martin 1983b
J. R. Martin, ‘The Young van Dyck and Rubens’, Revue d’Art canadienne/ Canadian Art Review (RACAR) 10/1 (1983), pp. 37–43; also in Essays Van Dyck 1983, pp. 37–43

Martin 2004
G. Martin, review of Klessmann 2003, Burl. Mag. 146 (2004), pp. 180–81

Martin 2011
G. Martin, Rubens in London. Art and diplomacy, London 2011

Martin & Feigenbaum 1979
J. R. Martin and G. Feigenbaum, Van Dyck as religious artist, Princeton (NJ) 1979 [exh. The Art Museum, Princeton University]

Martyn 1766
[T. Martyn,] The English connoisseur: containing an account of whatever is curious in painting, sculpture, &c. In the palaces and seats of the nobility and principal gentry of England, both in town and country [...], 2 vols, London 1766

Marx 2005–6
H. Marx (ed.), Illustrierter Katalog. Gemäldegalerie Alte Meister Dresden, 2 vols, Cologne 2005–6

Marx & Hipp 2007
H. Marx and E. Hipp (eds), Gemäldegalerie Alte Meister. Band II. Illustriertes Gesamtverzeichnis, Cologne 2007

Mason 2012
P. Mason, ‘Gerrit Dou […] A young Lady playing the Virginal […]’, typescript London, Johnny Van Haeften Ltd undated (June 2012)

Masterpieces Wouwerman 1907
The Masterpieces of Wouwerman. Sixty reproductions of photographs from the original paintings by F. Hanfstaengl, affording examples of the different characteristiscs of the Artist’s work, London/Glasgow 1907

Matranga 1908
C. Matranga, ‘Dipinti di Antonio van Dijck e della sua scuola nel Museo Nazionale di Palermo’, Bolletino d’Arte del Ministero della P. Istruzione 2 (1908), pp. 11–18

Matthews 2002
P. G. Matthews, ‘Masks of Authority. Charles V and state portraiture at the Habsburg courts, c. 1500–1533’, PhD, University of Cambridge 2002

Mauquoy-Hendrickx 1978–83
M. Mauquoy-Hendrickx, Les estampes des Wierix conservées au Cabinet des Estampes de la Bibliothèque Royale Albert 1er [Bruxelles]. Catalogue raisonné enrichi de notes prises dans diverses autres collections, 4 vols, Brussels 1978–83

Mauroner 1943
F. Mauroner, Le incisioni di Tiziano [Padua 1943]

Mayer-Meintschel & Walther 1987
A. Mayer-Meintschel (A. Walther ed.), Gemäldegalerie Alte Meister Dresden. Katalog der ausgestellten Werke, Dresden [19876]

McClellan 1999
A. McClellan, Inventing the Louvre. Art, Politics, and the Origins of the Modern Museum in Eighteenth-Century Paris, Berkeley/Los Angeles/London 1999 (19941)

McGrath 1975
E. McGrath, ‘A Netherlandish History by Joachim Wtewael’, Journal of the Warburg and Courtauld Institutes 38 (1975), pp. 182–217

McGrath 1977
E. McGrath, ‘Rubens’s Infant-cornucopia’, Journal of the Warburg and Courtauld Institutes 40 (1977), pp. 315–18, figs 26b, d; 27a–g

McGrath 1978
E. McGrath, ‘The Painted Decoration of Rubens’s House’, Journal of the Warburg and Courtauld Institutes 41 (1978), pp. 245–77

McGrath 1997
E. McGrath, Rubens. Subjects from History, 2 vols, London 1997 (Corpus Rubenianum Ludwig Burchard, xiii (1–2))

McGrath 2006
E. McGrath, ‘Garlanding the Great Mother: Rubens, Jan Breughel and the Celebration of Nature’s Fertility’, in Van der Stighelen 2006a, i, pp. 103–22

McGrath undated
E. McGrath, ‘Rubens and the Graces’, undated typescript (DPG262 file), a short essay on the Graces for McGrath 2016

McGrath 2016
E. McGrath et al., Rubens. Mythological Subjects. Achilles to the Graces, 2 vols, London/Turnhout 2016 (Corpus Rubenianum Ludwig Burchard, xi (1–2))

McNairn 1980
A. McNairn, The young van Dyck/Le jeune van Dyck, Ottawa 1980 [exh. National Gallery of Canada, Ottawa]. See review: Stewart 1981

McQueen 2003
A. McQueen, The Rise of the Cult of Rembrandt. Reinventing an Old Master in Nineteenth-Century France, Amsterdam 2003

Meek 1993
M. Meek, Dunluce Castle, [Belfast 1993]

Meganck 2007
T. Meganck, ‘Peter Paul Rubens and the Antwerp Jesuit Church (now the Church of St. Charles Borromeus)’, in Vander Auwera, Van Sprang & Rossi-Schrimpf 2007, pp. 215–23

Meij & De Haan 2001
A. W. F. M. Meij, with M. de Haan, Rubens, Jordaens, Van Dyck and Their Circle. Flemish Master Drawings from the Museum Boijmans Van Beuningen, Rotterdam 2001 [exh. BvB, Rotterdam/travelling in the US]

Meijer 1994
F. G. Meijer, ‘Twee monogrammisten in rijksbezit geïdentificeerd. Christoffel van den Berghe en misschien Jan Vosmaer’, Bulletin van het Rijksmuseum 42 (1994), pp. 150–56

Meijer 1995
F. G. Meijer, review of Buma 1994, OH 109 (1995), pp. 217–21 [with additions to œuvre catalogue]

Meijer 1996
F. G. Meijer, ‘Brakenburgh (Brackenburgh), Richard’, in Saur, xiii, 1996, p. 566

Meijer 2006
F. G. Meijer, Cat. no. 29 [Jan van Huysum, DPG120] in Mai, Paarlberg & Weber 2006, pp. 162–3

Meijer 2008
B. W. Meijer, ‘Rubens e la collezione di Leopoldo de Medici’, in Anastasio & Geerts 2008, pp. 63–106

Meijer, Sluiter & Brizio 2011
B. W. Meijer, G. Sluiter, P. Squellati Brizio; with a contrib. by C. E. Spantigati, Piedmont and Valle d’Aosta, 2 vols, Florence 2011 (Repertory of Dutch and Flemish paintings in Italian public collections, iii)

Melbourne/Canberra 1997–8 see Blankert & Blokhuis 1997

Melion 2009
W. S. Melion, The meditative art. Studies in the Northern devotional print, 1550–1625, Philadelphia 2009 (Early modern catholicism and the visual arts series, i)

Mendola 1999a
G. Mendola, ‘Un approdo sicuro. Nuovi documenti per Van Dyck e Gerardi a Palermo’, in Abbate 1999a, pp. 88–105

Mendola 1999b
G. Mendola, ‘Van Dyck in Sicily’, in Brown & Vlieghe 1999, pp. 58–63

Merle du Bourg 2004
A. Merle du Bourg, Peter Paul Rubens et la France, 1600–1640, Villeneuve d’Ascq 2004

Merriam 2011
S. Merriam, Seventeenth-Century Flemish Garland Paintings. Still Life, Vision, and the Devotional Image, Farnham/Burlington VI 2011 (Visual Culture in Early Modernity)

Mertens 1994
V. Mertens, Die drei Grazien. Studien zu einem Bildmotiv in der Kunst der Neuzeit, Wiesbaden 1994

Metzler 2014
S. Metzler, Bartholomeus Spranger. Splendor and eroticism in Imperial Prague. The complete works, New York 2014 [exh. MMA, New York 2014–15]

Van der Meulen 1994–5
M. van der Meulen, Rubens. Copies after the Antique, 3 vols, London 1994–5 (vols i, ii, 1994, iii, 1995; Corpus Rubenianum Ludwig Burchard, xxiii (1–3)

Meyer zur Capellen 2001–
J. Meyer zur Capellen, Raphael. A critical catalogue of his paintings, 4 vols, Landshut 2001– (vol. i, 2001, The Beginnings in Umbria and Florence, ca. 1500–1508; vol. ii, 2005, The Roman religious paintings, ca. 1508–1520; vol. iii, 2008, The Roman Portraits, ca. 1508–1520)

Michaelis 1994
R. Michaelis, ‘Un dessin préparatoire pour Samson et Dalila, morceau de réception d’Antoine Pesne (1683–1757) à l’Académie en 1720’, Revue du Louvre/La Revue des Musées de France 43/4 (1994), pp. 41–2

Michel 1771
J. F. M. Michel, Histoire de la vie de P.P. Rubens, chevalier, & Seigneur de Steen, illustrée d’Anecdotes qui n’ont jamais paru au Public, & de ses Tableaux étalés dans les Palais, Églises & Places publiques de l’Europe, & par la démonstration des Estampes existantes & relatives à ses Ouvrages [...], Brussels 1771

Michel 1890a
E. Michel, Hobbema et les paysagistes de son temps en Hollande, Paris [1890] (Les artistes célèbres)

Michel 1890b
E. Michel, Jacob van Ruysdael et les paysagistes de l’école de Harlem, Paris [1890] (Les artistes célèbres)

Michel 1890c
E. Michel, Les Van de Velde. I Esaïas van de Velde [pp. 177–96] II. Jan van de Velde.[pp. 397–406] IV. Adrien van de Velde [p. 265–84], 3 instalments, Paris [1890; off-print from Gazette des Beaux Arts 1888]

Michel 1893
E. Michel, Rembrandt. Sa vie, son œuvre et son temps, 2 vols, Paris 1893

Michel 1894
E. Michel, Rembrandt. His life, his work and his time, 2 vols; transl. F. Simmonds, ed. F. Wedmore, London 1894

Michel 1999
M. R. Michel et al., Jean Siméon Chardin 1699-1779.Werk, Herkunft, Wirkung, Karlsruhe 1999 [exh. Staatliche Kunsthalle Karlsruhe]

Michel 2007
P. Michel, Le commerce du tableau à Paris dans la seconde moitié du XVIIIe siècle. Acteurs et pratiques, Villeneuve d'Ascq 2007

Michel 2009–10
P. Michel, ‘Dezallier d’Argenville’s Abrégé de la vie des plus fameux peintres: a guide for contemporary collectors or a survey of the taste for paintings of the northern schools?’, Simiolus 34 (2009–10), pp. 212–25

Michel 2010
P. Michel, Peinture et plaisir. Les goûts picturaux des collectionneurs parisiens au XVIIIe siècle, Rennes 2010

Michiels 1868
A. Michiels, ‘Ommeganck’, in C. le Blanc (ed.), Histoire des Peintres de toutes les écoles. L’Ecole flamande, Brussels 1868, pp. 1–8

Middelkoop 2002
N. Middelkoop (ed.), Kopstukken. Amsterdammers geportretteerd, 1600–1800, Bussum/Amsterdam 2002 [exh. Amsterdam Museum 2002–3]

Middelkoop, Van Gent & Reichwein 2008
N. E. Middelkoop, with contrib. of J. van Gent and G. Reichwein, De oude meesters van de stad Amsterdam. Schilderijen tot 1800, Bussum/Amsterdam 2008

Middelkoop, Van Sloten & Larsen 2017
N. Middelkoop, L. van Sloten, and P. Larsen (eds), Ferdinand Bol en Govert Flinck. Rembrandts meesterleerlingen (also in English: Ferdinand Bol and Govert Flinck. Rembrandt’s master pupils), Zwolle/Amsterdam 2017 [exh. Rembrandt House Museum, Amsterdam and Amsterdam Museum 2017–2018]

Miedema 1973
H. Miedema (ed.), Karel van Mander. Den grondt der edel vry schilder-const, 2 vols, Utrecht 1973

Miedema 1980
H. Miedema (ed.), De archiefbescheiden van het St. Lukasgilde te Haarlem. 1497–1798, 2 vols, Alphen aan den Rijn 1980

Miedema 2006
H. Miedema, Denkbeeldig schoon. Lambert ten Kates opvattingen over beeldende kunst. Tekstuitgaven met commentaar, 2 vols, Leiden 2006

Mielke & Luijten 2017
U. Mielke, ed. by G. Luijten, Abraham de Bruijn, 2 vols, Ouderkerk aan den IJssel/Amsterdam 2017 (The new Hollstein. Dutch and Flemish etchings, engravings and woodcuts 1450–1700, xxxii)

Mielke & Winner 1977
H. Mielke and M. Winner, Peter Paul Rubens. Kritischer Katalog der Zeichnungen. Originale – Umkreis – Kopien. Staatliche Museen Preussischer Kulturbesitz, Berlin 1977 (Staatliche Museen Preussischer Kulturbesitz. Die Zeichnungen alter Meister im Berliner Kupferstichkabinett)

Van der Mije 1957
P. van der Mije KCzn., Geschiedenis van de Nederlandse Hervormde Kerk te Zandvoort, Zandvoort 1957

Milan 2004 see Bernardini 2004

Miles & Hannah 1961
H. Miles and A. Hannah, Dutch and Flemish, Netherlandish and German paintings [in the Glasgow Art Gallery and Museum], Glasgow 1961

Millar 1978
O. Millar, Sir Peter Lely, 1618–80, London 1978 [exh. NPG Exhibition Rooms at 15 Carlton House Terrace, London SW1]

Millar 1982
O. Millar, Van Dyck in England, London 1982 [exh. NPG, London 1982–3]

Millar 2002
O. Millar, ‘Van Dyck: horses and a landscape’, Burl. Mag. 144 (2002), no. 1188, pp. 161–3

Millar 2004
O. Millar, ‘Van Dyck in England’, in Barnes, De Poorter, Millar & Vey 2004, pp. 417–642

Millar & Edwards 1960
O. Millar, R. Edwards et al., The age of Charles II, London 1960 [exh. RA, London]

Miller 1992
L. B. Miller, 'In pursuit of fame: the European travels of Rembrandt Peale', The Magazine Antiques 142/5 (Nov. 1992), pp. 736–45

Milstein 1978
A. R. Milstein, The paintings of Girolamo Mazzola Bedoli, New York/London 1978 [PhD, Harvard University 1977]

Minutes 1859–
(Printed) College Governor’s Minutes, including the minutes and reports of the Picture Collection Committee or Picture Gallery Committee, London 1859– (DPG archive)

Mirot 1924
L. Mirot, Roger de Piles. Peintre, amateur, critique, membre de l'Académie de Peinture (1635–1709), Paris 1924

Mitchell 1985
S. Mitchell, The dictionary of British equestrian artists, Woodbridge 1985

Mitsch 1977
E. Mitsch, Die Rubenszeichnungen der Albertina. Zum 400. Geburtstag, Vienna 1977 [exh. Albertina, Vienna]

Mochi Onori & Vodret 2008
L. Mochi Onori and R. Vodret, Galleria Nazionale d'Arte Antica. Palazzo Barberini – i dipinti – catalogo sistematico, Rome 2008

Moes 1897–1905
E. W. Moes, Iconographia Batava. Beredeneerde lijst van geschilderde en gebeeldhouwde portretten van Noord-Nederlanders in vorige eeuwen, 2 vols, Amsterdam 1897–1905

Moes 1911
E. W. Moes, ‘Camphuysen, Govert Dircksz.’, Thieme & Becker, v, 1911, p. 465

Ter Molen 1984
J. R. ter Molen, ‘Van Vianen. Een Utrechtse familie van zilversmeden met een internationale faam’, 2 vols, PhD, Leiden University 1984

Van der Molen 2015
T. van der Molen, ‘Luttichuijs […], Simon’, in Saur, lxxxvi, 2015, pp. 33–4

Van der Molen 2017
T. van der Molen, ‘Pool, Juriaen […], II’, in Saur, xcvi, 2017, pp. 321–2

Moltke 1994
J. W. von Moltke (K. L. Belkin ed.), Arent de Gelder, Dordrecht 1645–1727, Doornspijk 1994

Moltke 1996
J. W. von Moltke, ‘Gelder, Arent [Aert] de’, in Turner 1996, xii, pp. 240–42

Monbeig Goguel 2011
C. Monbeig Goguel, ‘Le portrait de femme en Diane au château d’Anet. Une proposition pour Francesco Salviati en France’, Revue de l’art no. 172 (2011/2), pp. 23–30

Monnas 2008
L. Monnas, Merchants, princes and painters. Silk fabrics in Italian and Northern paintings, 1300–1550, New Haven/London 2008

Monochrome 2012
Monochrome masterworks. Grisaille and brunaille painting from 1550–1800, London 2012 [exh. Rafael Valls Limited, London]

Montana 2016
S. Montana, ‘Emanuele Filiberto di Savoia committente di architttura in Sicilia (1622–1624)’, in Piazza 2016, pp. 187–204

Montreal 1990 see Duparc & Graif 1990

Moore 1988
A.W. Moore, Dutch and Flemish Painting in Norfolk. A history of taste and influence, fashion and collecting, London 1988 [exh. Norwich Castle Museum]

Morawińska 1974
A. Morawińska, ‘Kolekcjonerstwo polskie i Anglia w dobie Oświecenia. Kontakty artystyczne Stanisaława Augusta I Michała Poniatowskich z Noelem Desenfansem’, in Białostocki & Kołoszyńska 1974, pp. 19–44, figs. 32–55

Morford 1991
M. Morford, Stoics and Neostoics. Rubens and the Circle of Lipsius, Princeton (NJ) 1991

Mortari 1995
L. Mortari, Bernardo Strozzi, Rome 1995

Moulden 2009
S. Moulden, The Furniture at Dulwich Picture Gallery, London 2009

Mount 1996
H. Mount (ed.), Sir Joshua Reynolds.A Journey to Flanders and Holland, Cambridge 1996

Moyreau 1737–62
J. Moyreau, Œuvres de Ppe Wouwermans [sic] Hollandois: gravés d’après ses meilleurs tableaux qui sont dans les plus beaux cabinets de Paris et ailleurs […], Paris, 1737–62

Mühlberger 1991
R. Mühlberger, The Bible in art. The Old Testament, New York 1991

Müllenmeister 1973–81
K. J. Müllenmeister, Meer und Land im Licht des 17. Jahrhunderts, 3 vols, Bremen 1973–81 (vol. i, 1973; vol. ii, 1978; vol. iii, 1981)

Müllenmeister 1981
K. J. Müllenmeister, Tierdarstellungen in Werken niederländischen Künstler N–Z […], Bremen 1981 (Meer und Land im Licht des 17. Jahrhunderts, iii)

Müller & Schädler 1964
T. Müller and A. Schädler, Georg Petel, 1601–1634, Munich 1964 [exh. Bayerisches Nationalmuseum, Munich]

Müller Hofstede 1965
J. Müller Hofstede, ‘Zeichnungen des späten Rubens’, Pantheon 23 (1965), pp. 163–80

Müller Hofstede 1966
J. Müller Hofstede, ‘Zwei Hirtenidyllen des späten Rubens’, Pantheon 24 (1966), pp. 31–42

Müller Hofstede 1967a
J. Müller Hofstede, ‘Aspekte der Entwurfszeichnung bei Rubens’, in Stil und Überlieferung 1967, iii, pp. 114–25, figs III/18–19

Müller Hofstede 1967b
J. Müller Hofstede, ‘Eine Kreidestudie von Rubens für den Kreuzaufrichtungsaltar’, Pantheon 25 (1967), pp. 35–43

Müller Hofstede 1967c
J. Müller Hofstede, ‘Vier Modelli von Rubens’, Pantheon 25 (1967), pp. 430–44

Müller Hofstede 1968
J. Müller Hofstede, ‘Rubens und Jan Brueghel: Diana und ihre Nymphen’, Jahrbuch Berliner Museen N.F. 10 (1968), pp. 200–232

Müller Hofstede 1969
J. Müller Hofstede, ‘Neue Ölskizzen von Rubens’, Städel Jahrbuch N. F. 2 (1969), pp. 189–242

Müller Hofstede 1988
J. Müller Hofstede, ‘Artificial Light in Honthorst and Terbrugghen: Form and Iconography’, in Klessmann 1988, pp. 13–43

Münster & Bauch 1979
M. A. B. zu Münster and A. Bauch, Heilige Walburga. Leben und Wirken, Abbey St. Walburg, Eichstätt 1979

Münster/Osnabrück 1998–9 see Bussmann & Schilling 1998a and 1998b

Muller 1863–82
F. Muller, De Nederlandsche geschiedenis in platen: beredeneerde beschrijving van Nederlandsche historieplaten, zinneprenten en historische kaarten, 4 vols, Amsterdam 1863–82

Muller 1982
J. M. Muller, ‘Rubens’s Theory and Practice of the Imitation of Art’, AB 64 (1982), pp. 229–47

Muller 1985
S. D. Muller, Charity in the Dutch Republic. Pictures of Rich and Poor for Charitable Institutions, Ann Arbor 1985 [PhD, University of California, Berkeley 1982]

Muller 1989
J. M. Muller, Rubens: The Artist as Collector, Princeton (NJ) 1989

Muller 2004
J. M. Muller, ‘De verzameling van Rubens in historisch perspectief’, in Belkin & Healy 2004, pp. 10–85

Munich 2001 see Denk, Paul & Renger 2001

Murray 1980a
P. Murray, Dulwich Picture Gallery. A Catalogue, London 1980 [listed alphabetically by artist, divided into Exhibited and Non-Exhibited Paintings, the latter summarily listed pp. 299-305]

Murray 1980b
P. Murray, Dulwich Picture Gallery. A Handlist, London 1980

Museo 1985
Museo del Prado: catálogo de las pinturas, Madrid [1985]