RKD STUDIES

Waagen 1837–9
G. F. Waagen, Kunstwerke und Künstler in England und Paris, 3 vols, Berlin 1837–9 (vol. i, 1837; vol. ii, 1838; vol. iii, 1839 [Paris])

Waagen 1854–7
[G. F.] Waagen, Treasures of Art in Great Britain being an account of the chief collections of paintings, drawings, sculptures, illuminated mss., &c. &c., 4 vols, London 1854 (vols i-iii; suppl. London 1857 (vol. iv) [DPG in vol. ii, pp. 341–9]

Waagen 1860
G. F. Waagen, Handbook of Painting. The German, Flemish, and Dutch schools. Based on the Handbook of Kugler. Enlarged and for the most part re-written, 2 vols, London 1860

Van der Waals 2006
J. van der Waals, P. van der Coelen and G. Luijten, Prenten in de Gouden eeuw. Van kunst tot kastpapier, Rotterdam 2006 [exh. BvB, Rotterdam]

Waddingham 1960
M. R. Waddingham, ‘Herman van Swanevelt in Rome’, Paragone 11 (1960), no. 121, pp. 37–50

Waddingham 1966
M. R. Waddingham, I paesaggisti nordici italianizzanti del XVII secolo, Milan 1966 (I maestri del colore; ccxvii)

Waddingham 1970
M. R. Waddingham, ‘Proposte per Teniers il Vecchio’, Arte Illustrata 3/1 (1970), nos 25–6, pp. 58–69

Waddingham 1972
M. Waddingham, ‘Elsheimer Revised’, Burl. Mag. 114 (1972), pp. 600–611

Wadum 1999
J. Wadum, ‘Antwerp copper plates’, in Komanecky & Bowron 1999, pp. 93–116

Wagenaar 2014
L. Wagenaar (ed.), transl. from the Italian by B. Eringa, Een Toscaanse prins bezoekt Nederland. De twee reizen van Cosimo de’ Medici 1667–1669, Amsterdam 2014

Van Wagenberg-ter Hoeven 2018a
A. A. van Wagenberg-ter Hoeven, Jan Baptist Weenix. The paintings. A story of versatility, success and bankruptcy in seventeenth-century Holland, Zwolle 2018

Van Wagenberg-ter Hoeven 2018b
A. A. van Wagenberg-ter Hoeven, Jan Weenix. The paintings. Master of the Dutch hunting still life, Zwolle 2018

Wagner 1971
H. Wagner, Jan van der Heyden, 1637–1712, Amsterdam/Haarlem 1971

Waiboer 2012
A. E. Waiboer, Gabriel Metsu. Life and work. A catalogue raisonné, New Haven/London 2012

Waiboer 2013
A.Waiboer, ‘Willem de Poorter: Rembrandt/Not Rembrandt Pupil’, Journal of the Historians of Netherlandish Art 5/2 (2013). See http://www.jhna.org/index.php/past-issues/volume-5-issue-2-2013/193-willem-de-poorter-rembrandtnot-rembrandt-pupil (May 25, 2015)

Waiboer 2017
A. E. Waiboer (ed.) with A. K. Wheelock and B. Ducos et al., Vermeer and the Masters of Genre Painting. Inspiration and rivalry, New Haven/London 2017 (also in French: Vermeer et les maîtres de la peinture de genre, Paris 2017) [exh. Louvre, Paris/National Gallery of Ireland, Dublin/NGA, Washington 2017–18]

Walford 1991
E. J. Walford, Jacob van Ruisdael and the Perception of Landscape, New Haven/London 1991

Wallen 1983
B. Wallen, Jan van Hemessen. An Antwerp painter between Reform and Counter-Reform, Ann Arbor 1983 (Studies in Renaissance Art History, ii)

Wallen 1996
B. Wallen, ‘Jan Sanders van Hemessen’, in Turner 1996, xiv, pp. 379–82

Wallert 2006
A. Wallert, ‘Een onopgelost probleem: Samson en Delila’, Bulletin van het Rijksmuseum 54 (2006), pp. 154–61

Wallis 1881
H. Wallis, The Magazine of Art 4 (1881), pp. 221–6

Walpole 1876
H. Walpole, with add. notes by R. N. Wornum, Anecdotes of Painting in England; with some account of the principal artists, 3 vols, London 1876

Walsh 1989
A. L. Walsh, ‘Paulus Potter: His works and their meaning’, Ann Arbor 1989 [PhD, Columbia University, New York 1985]

Walsh 1994
A. L. Walsh, ‘Van Dyck at the Court of Frederik Hendrik’, in Barnes & Wheelock 1994, pp. 222–44

Walsh 1996
A. L. Walsh, ‘(2) Paulus (Pietersz.) Potter’, in Turner 1996, xxv, pp. 369–71

Walsh, Buijsen & Broos 1994
A. Walsh, E. Buijsen and B. Broos, Paulus Potter. Paintings, drawings and etchings, The Hague/Zwolle 1994 [exh. MH, The Hague 1994–5]

Walsh & Jeffree 1975
E. Walsh and R. Jeffree (eds), ‘The excellent Mrs Mary Beale’, London 1975 [exh. Geffrye Museum, London/ Towner Art Gallery, Eastbourne 1975–6]

Walther 1987 see Mayer-Meintschel & Walther 1987

Wandschneider 2008
A. Wandschneider, Die Entdeckung der inneren aund äusseren Welt: Meister der Niederländischen Malerei des 17. Jahrhunderts aus dem Staatlichen Museum Schwerin, Bönen 2008 [exh. Paderborn 2008–9]

Wansart 2006
N. Wansart,‘Du cabinet de la comtesse de Verrue aux collections de Glucq de Saint-Port: de nouveaux chefs d’œuvre identifiés’, Bulletin de la Société de l’Histoire de l’Art français (2006), 2007), pp. 131–49

Wansart 2009
N. Wansart, ‘L’entourage de la comtesse de Verrue: une circulation originale des œuvres d’art’, Cahiers Saint Simon 37/1 (2009), pp. 3–16

Wansink 1988
C. J. A. Wansink, ‘Simson en Delila: niet Gesina ter Borch maar Hendrik Bloemaert’, OH 102 (1988), pp. 236–42

Wansink 1996
C. J. A. Wansink, ‘Gerard Hoet (i) and Gerard Hoet (ii)’, in Turner 1996, xiv, pp. 621–2

Warner 1881
G. F. Warner, Catalogue of the Manuscripts and Muniments of Alleyn’s College of God’s Gift at Dulwich, London 1881

Warner 1994
M. Warner, From the Beast to the Blonde. On fairy tales and their tellers, London 1994

Warnke 1993
M. Warnke, The Court Artist. On the ancestry of the modern artist, Cambridge 1993

Warsaw 1992 see Waterfield & Brown 1992

Washington 1985–6 see Jackson-Stops 1985

Washington 1990–91 see Wheelock, Barnes & Held 1990

Washington 2009 see Soler del Campo 2009

Washington/London/The Hague 2000–2001 see Baer 2000a

Washington/London/Amsterdam 2001–2 see Wheelock 2001a

Washington/Rome 2020–21 [postponed] see Bober, Boccardo & Boggero 2020

Waterfield 1985 and 1994
G. Waterfield, ‘Introduction’, in Waterfield & Brown 1985 and 1994, pp. 8–37

Waterfield 1987
G. Waterfield, Soane and After. The architecture of Dulwich Picture Gallery, London 1987 [exh. DPG]

Waterfield 1988
G. Waterfield, Rich Summer of Art: A Regency picture collection seen through Victorian eyes, London 1988 [exh. DPG]

Waterfield 1989
G. Waterfield, ‘“That White-Faced Man”: Sir Francis Bourgeois, 1756–1811’, Turner Studies. His Art & Epoch 1775–1851 9/2 (1989), pp. 36–48

Waterfield 1996
G. Waterfield (ed.), Soane and Death. The tombs and monuments of Sir John Soane, London 1996 [exh. DPG]

Waterfield 2011
G. Waterfield, ‘Die Frühgeschichte der Museen in Groβbritannien’, in E. Weisser-Lohmann (ed.), ‘Kunst’ und ‘Staat’, Munich 2011 (A. Gethmann-Siefert, B. Collenberg-Plotnikov, and E. Weisser-Lohmann (eds.), Kunst als Kulturgut, vol. 2), pp. 275–84

Waterfield & Brown 1985
G. Waterfield and C. Brown, Collection for a King: Old Master paintings from the Dulwich Picture Gallery, London 1985 [exh. DPG/NGA, Washington/County Museum of Art, Los Angeles 1985–6]. See also Waterfield & Brown 1994

Waterfield & Brown 1992
G. Waterfield and C. Brown, Kolekcja dla Króla. Treasures of a Polish King: Stanislaus Augustus as patron and collector, Warsaw 1992 [exh. Royal Castle, Warsaw]

Waterfield & Brown 1994
G. Waterfield and C. Brown, Collection for a King: Old Master paintings from the Dulwich Picture Gallery, London 19942 [see Waterfield & Brown 19851]

Waterfield, Plender & Spring 1995a
G. Waterfield, S. Plender and M. Spring, ‘4. David Teniers the Younger, Peasants Conversing’ [DPG76], in Conserving 1995, pp. 19 (fig.), 36–8

Waterfield, Plender & Spring 1995b
G. Waterfield, S. Plender and M. Spring, ‘5. David Teniers the Younger, A Castle and its Proprietors’ [DPG95], in Conserving 1995, pp. 20 (fig.), 36, 39–40

Waterfield, Serraller & Dejardin 1999
G. Waterfield, F. C. Serraller and I. Dejardin, Obras Maestras de la Dulwich Picture Gallery, Madrid 1999 [exh. Banco Bilbao Vizcaya, Madrid/Museo de Bellas Artes, Bilbao]

Waterhouse 1938
(paintings, catalogued by) E. K. Waterhouse, F. Dodd & H. Isherwood; (drawings & engravings, by) A. E. Popham, A. E. Richardson, L. Ashton & M. N. F. Stewart, (preface, by) W. Llewellyn, Catalogue of the Exhibition of 17th Century Art in Europe 1938, London 1938 [exh. RA, London]. See also Illustrated Souvenir 1938

Waterhouse 1950
E. K. Waterhouse, An Exhibition of Paintings by Rembrandt arranged by the Arts Council of Great Britain for the Edinburgh Festival Society, [Plaistow 1950] [exh. NGS, Edinburgh]

Waterhouse 1953
E. Waterhouse, Painting in Britain 1530 to 1790, London/Baltimore/Melbourne 1953

Waterhouse 1988
E. Waterhouse, The Dictionary of 16th & 17th century British Painters, Woodbridge 1988

Watkin & Hewat-Jaboor 2008
D. Watkin and P. Hewat-Jaboor (eds), Thomas Hope. Regency designer, New Haven/London 2008 [exh. Victoria & Albert Museum, London/The Bard Graduate Center for Studies in the Decorative Arts, Design and Culture, New York]

Watteeuw 2010
B. Watteeuw, ‘Een neus voor kunst. De Antwerpse liefhebber Jacomo de Cachiopin (1591/92–1659) en zijn collectie’, in Van der Stighelen, Magnus & Watteeuw 2010, pp. 69–100

Weber 1993
G. J. M. Weber, ‘Antoine Dézallier d’Argenville und fünf Künstler namens Jan van der Meer’, OH 107 (1993), pp. 298–304

Weber 2005
G. J. M. Weber, Rembrandt im Kontrast. Die Blendung Simsons und der Segen Jakobs, Kassel/Munich 2005 [exh. Gemäldegalerie Alte Meister, Kassel 2005–6]

Weber 2006
G. J. M. Weber (ed.), Rembrandt-Bilder. Die historische Sammlung der Kasseler Gemäldegalerie, Kassel/Munich 2006 [exh. Gemäldegalerie Alte Meister, Kassel [date?]; 34 Gemälde “Rembrandts” in Kassel! Die historische Sammlung von Landgraf Wilhelm VIII]

Wegener 2020
U. B. Wegener, ‘Storck […], Abraham […], in Saur, cvi, 2020, p. 325

Wegner 1969
W. Wegner, ‘Bemerkungen zu Jakob Ernst Thomann von Hagelstein und zur Kunst des Elsheimerskreises’, Städel-Jahrbuch N.F. 2 (1969), pp. 178–88

Wegner 1973
W. Wegner, ‘Werke deutscher und niederländischer Künstler in Rom und Neapel um 1600’, Pantheon 31 (1973), pp. 40–45

Weiher 1937
L. von Weiher, Der Innenraum in der holländischen Malerei des 17. Jahrhunderts, Würzburg 1937

Weizsäcker 1928–9
H. Weizsäcker, ‘Vergessene Jugendwerke Elsheimers’, Zeitschrift für bildende Kunst 62 (1928–9), pp. 68–72

Weizsäcker 1936–52
H. Weizsäcker, Adam Elsheimer. Der Maler von Frankfurt, 3 vols, Berlin 1936–52 (vols i–ii 1936; vol. iii 1952)

Welu 1983
J. A. Welu, The Collector’s Cabinet. Flemish paintings from New England private collections, Worcester, Mass. 1983 [exh. Worcester Art Museum 1983–4]

Werche 2004
B. Werche, Hendrick van Balen (1575–1632). Ein Antwerpener Kabinettbildmaler der Rubenszeit, 2 vols, Turnhout 2004 (Pictura nova, vii)

Wescher 1960
P. Wescher, La prima idea. Die Entwicklung der Ölskizze von Tintoretto bis Picasso, Munich 1960

Wescher 1970
P. Wescher, ‘Jan van Hemessen und Jan van Amstel’, Jahrbuch der Berliner Museen N.F. 12 (1970), pp. 34–60

Westermann 1997
M. Westermann, The Amusements of Jan Steen. Comic painting in the seventeenth century, Zwolle 1997 (Studies in Netherlandish Art and Cultural History, i)

Westermann 1999
E. Westermann, ‘Copper production, trade and use in Europe from the end of the fifteenth century to the end of the eighteenth century’, in Komanecky & Bowron 1999, pp. 117–30

Westermann 2001
M. Westermann, review of Laabs 2000, Burl. Mag. 148 (2001), pp. 641–2

Westermann 2008
M. Westermann, ‘Rembrandt intemporal: la antigüedad como fuente para el pintore de historia de la edad moderna’, in Vergara 2008, pp. 58–93

Van Westrheene 1856
T. van Westrheene Wzn., Jan Steen: étude sur l'art en Hollande, The Hague 1856

Van Westrheene 1867
T. van Westrheene Wzn., Paulus Potter. Sa vie et ses œuvres, The Hague 1867

Weststeijn 2015a
M. A. Weststeijn, ‘De Zichtbare Wereld. Samuel van Hoogstratens kunsttheorie en de legitimering van de schilderkunst in de zeventiende eeuw’, 2 vols, PhD, University of Amsterdam 2005

Weststeijn 2015b
T. Weststeijn, Art and Antiquity in the Netherlands and Britain. The vernacular Arcadia of Franciscus Junius (1591–1677), Leiden/Boston 2015 (Studies in Netherlandish Art and Cultural History, xii)

Van de Wetering 2001
E. van de Wetering, ‘Delimiting Rembrandt’s Autograph Œuvre – an Insoluble Problem?’, in Van de Wetering & Schnackenburg 2001, pp. 58–81

Van de Wetering 2005
E. van de Wetering, with contrib. by K. Groen et al., A Corpus of Rembrandt Paintings. Vol. IV: The selfportraits [1625–1669], Dordrecht 2005

Van de Wetering 2006a
E. van de Wetering et al., Rembrandt. Quest of a genius, Zwolle/Amsterdam 2006 [exh. Rembrandt House Museum, Amsterdam]. See also Rembrandt 2006

Van de Wetering 2006b
E. van de Wetering, ‘Rembrandt’s oil studies: new light on an old problem’, in Van de Wetering 2006a, pp. 179–207

Van de Wetering 2006c
E. van de Wetering, ‘Rembrandts Ölstudien: neues Licht auf ein altes Problem’, in Rembrandt 2006, pp. 164–85

Van de Wetering 2006d
E. van de Wetering, ‘“Principaelen” and satellites: pupils’ Production in Rembrandt’s workshop’, in Rønberg & De la Fuente Pedersen 2006, pp. 106–22

Van de Wetering 2011
E. van de Wetering, with contrib. by J. Bruyn et al., Small-scale History Paintings, Dordrecht 2011 (A Corpus of Rembrandt Paintings, v)

Van de Wetering 2011a
E. van de Wetering, ‘More than one hand in paintings by Rembrandt’, in Van de Wetering 2011, pp. 310–21

Van de Wetering 2015
E. van de Wetering, with contrib. by C. van Nes, Rembrandt’s Paintings Revisited. A complete survey, Dordrecht 2015 (A Corpus of Rembrandt Paintings, vi). See also Van de Wetering 2017

Van de Wetering 2017
E. van de Wetering, Rembrandt’s Paintings Revisited. A complete survey. A reprint of A Corpus of Rembrandt Paintings VI, Dordrecht 2017

Van de Wetering & Schnackenburg 2001
E. van de Wetering and B. Schnackenburg et al., The Mystery of the Young Rembrandt, Kassel/Amsterdam/Wolfratshausen 2001 [exh. Gemäldegalerie Alte Meister, Kassel/Rembrandt House Museum, Amsterdam 2001–2]

Wethey 1962
H. E. Wethey, El Greco and his School, 2 vols, Princeton, N.J. 1962

Wethey 1969–75
H. E. Wethey, The Paintings of Titian. Complete edition, 3 vols, [London 1969, 1971, 1975]

Weyerman 1729
J. C. Weyerman, De levens-beschryvingen der Nederlandsche konst-schilders en konst-schilderessen, met een uytbreyding over de schilder-konst der ouden: […], 3 vols, The Hague 1729

Van Wezel 2005
E. van Wezel, ’11. Museumconcept en geschiedopvatting. Het Alte en Neue Museum in Berlijn’, in E. Bergvelt, D. J. Meijers and M. Rijnders (eds), Kabinetten, galerijen en musea. Het verzamelen en presenteren van naturalia en kunst van 1500 tot heden, Heerlen/Zwolle 2005, pp. 289–318

Wheelock 1993
A. K. Wheelock, ‘A Girl with a Broom: A Problem of Attribution’, in Cavalli-Björkman 1993a, pp. 142–55

Wheelock 1995
A. K. Wheelock Jr, Dutch Paintings of the Seventeenth Century. The collections of the National Gallery of Art. Systematic catalogue, Washington 1995

Wheelock 2000
A. K. Wheelock Jr, ‘Dou’s Reputation’, in Baer 2000a, pp. 12–24

Wheelock 2001a
A. K. Wheelock Jr (ed.), Aelbert Cuyp, New York 2001 [exh. NGA, Washington/NG, London/RM, Amsterdam 2001–2]

Wheelock 2001b
A. K. Wheelock Jr, with contrib. by J. M. de Groot , ‘Aelbert Cuyp and the Depiction of the Dutch Arcadia’, in Wheelock 2001a, pp. 14–33

Wheelock 2005
A. K. Wheelock Jr, Flemish Paintings of the Seventeenth Century. The collections of the National Gallery of Art. Systematic catalogue, New York/Oxford, etc. 2005

Wheelock 2008
A. K. Wheelock Jr et al., Jan Lievens. A Dutch master rediscovered, Washington 2008 [exh. NGA, Washington/Milwaukee Art Museum/Rembrandt House Museum, Amsterdam 2008–9]

Wheelock 2017
A. K. Wheelock Jr (ed.), The Leiden Collection Catalogue, New York 2017. See https://www.theleidencollection.com/archive/

Wheelock, Barnes & Held 1990
A. K. Wheelock Jr, S. J. Barnes and J. Held et al., Anthony van Dyck, New York 1990 [exh. NGA, Washington 1990–91]

Whinney & Millar 1957
M. Whinney and O. Millar, English Art 1625–1714, Oxford 1957 (Oxford History of English Art, viii)

White 1964
C. White, The Flower Drawings of Jan van Huysum, Leigh-on-Sea, Essex 1964

White 1982
C. White, The Dutch Pictures in the Collection of Her Majesty the Queen, Cambridge, etc. 1982

White 1984
C. White, Rembrandt, London 1984

White 1985
C. J. White, Girl leaning on a Stone Pedestal (DPG163), in Waterfield & Brown 1985, pp. 100–102, no. 26. See also Sumner 1994b

White 1987
C. White, Peter Paul Rubens: man and artist, New Haven/London 1987

White 1989
C. White, ‘Masterful Choice’, Country Life (9 Nov. 1989), pp. 94–5

White 1995
C. White, Anthony van Dyck. Thomas Howard, the Earl of Arundel, Malibu, Calif. 1995 (Getty Museum Studies on Art)

White 1999a
C. White, Ashmolean Museum Oxford. Catalogue of the collection of paintings: Dutch, Flemish and German paintings before 1900 (excluding the Daisy Linda Ward collection), Oxford 1999

White 1999b
C. White, ‘London, Antwerp and Amsterdam. The Van Dyck quatercentenary exhibitions’, review of Antwerp/London 1999 and Antwerp/Amsterdam 1999–2000, Burl. Mag. 141 (1999), pp. 634–7

White 2003a
C. White, review of Rubens 2003, Burl. Mag. 145 (2003), pp. 806–8

White 2003b
C. White, review of Jaffé 2002, Master Drawings 41 (2003), pp. 399–404

White 2007
C. White, The Later Flemish Pictures in the Collection of Her Majesty the Queen, London 2007

White 2008
C. White, review of Vander Auwera, Van Sprang & Rossi-Schrimpf 2007, Burl. Mag. 150 (2008), pp. 48–50]

White 2010
C. White, review of Wood 2010a, Master Drawings 48 (2010), pp. 393–6

White, Alexander & D’Oench 1983
C. White, D. Alexander and E. d’Oench, Rembrandt in Eighteenth century England, New Haven 1983 [exh. Yale Center for British Art, New Haven]

White & Buvelot 1999
C. White and Q. Buvelot (eds), Rembrandt by Himself, London/The Hague 1999 [exh. NG, London/MH, The Hague 1999–2000]

Whitechapel 1888
Whitechapel Exhibition of Drawings and Engravings in St. Jude's School House, Commercial Street, E., Christmas, 1888, London 1888 [exh. St Jude’s School House, London]

Whitley 1928a
W. T. Whitley, Art in England, 1800–1820, Cambridge 1928

Whitley 1928b
W. T. Whitley, Artists and their Friends in England. 1700–1799, 2 vols, London/Boston [1928]

Widauer 2004a
H. Widauer, ‘36. Sine Cerere et Baccho friget Venus (Die Frierende Venus), in Schröder & Widauer 2004, pp. 230–33

Widauer 2004b
H. Widauer, ‘121. Hagar in der Wüste’, in Schröder & Widauer 2004, pp. 458–60

Wiegand 1971
W. Wiegand, ‘Ruisdael-Studien. Ein Versuch zur Ikonologie der Landschaftsmalerei’, PhD, Hamburg University 1971

Wieseman 2002
M. E. Wieseman, Caspar Netscher and Late Seventeenth-century Dutch Painting, Doornspijk 2002

Wieseman 2004
M. E. Wieseman, ‘Pursuing and Possessing Passion: Two Hunderd Years of Collecting Rubens’s Oil Sketches’, in Sutton & Wieseman 2004, pp. 43–71

Wieseman 2011
M. E. Wieseman, with contrib. by H. P. Chapman and W. Franits, Vermeer’s Women. Secrets and silence, Cambridge/New Haven/London 2011 [exh. Fitzwilliam Museum, Cambridge 2011–12]

Wieseman 2013
M. E. Wieseman, Vermeer and Music. The art of love and leisure, London 2013 [exh. NG, London]

Wieseman 2017
M. E. Wieseman, ‘Ch. 4. Acquisition or inheritance? Material goods in paintings by Vermeer and his contemporaries’ and ‘Inviting duets’, in Waiboer 2017, pp. 50–63, 279–80, and 135–9, 243 (no. 4.1), 286

Wijnman & Roosegaarde Bisschop 1976
H. F. Wijnman with G. Roosegaarde Bisschop, ‘Beschrijving van elk pand aan de Herengracht met zijn eigenaars en bewoners’, in Vier eeuwen Herengracht. Geveltekeningen van alle huizen aan de gracht, twee historische overzichten en de beschrijving van elk pand met zijn eigenaars en bewoners, Amsterdam 1976, pp. 181–619

Wilcox 1993
T. Wilcox (ed.), The Romantic Windmill. The windmill in British art from Gainsborough to David Cox, 1750–1850, Hove 1993 [exh. Hove Museum and Art Gallery, Hove, Sx/Usher Gallery, Lincoln/Gainsborough’s House, Sudbury, Suff.]

Wildenstein 1924
G. Wildenstein, Le Salon de 1725. Compte rendu par le Mercure de France […], Paris 1924

Wilenski 1929
R. H. Wilenski, An Introduction to Dutch Art, London [1929]

Wilenski 1955
R. H. Wilenski, Dutch Painting, [London 1955; 19291 see Wilenski 1929]

Williams 1992
J. Lloyd Williams, Dutch Art and Scotland. A reflection of taste, Edinburgh 1992 [exh. NGS, Edinburgh]

Williams 2001
J. Lloyd Williams et al., Rembrandt’s Women, Edinburgh 2001 [exh. NGS, Edinburgh/RA, London]

Williamsburg/Fresno/Pittsburgh/Oklahoma City 2008–10 see Dejardin 2008

Williamstown/Sarasota 1994–5 see Harwood 1994

Van der Willigen & De Kinkelder 1993–8
A. van der Willigen and M. de Kinkelder, Dictionary of Dutch and Flemish Landscape and Marine Painters working in Oils, active before 1725 (typescript 1993–8, with later additions by Marijke de Kinkelder, curator Old Master Paintings, RKD)

Van der Willigen & Meijer 2003
A. van der Willigen and F. G. Meijer, A Dictionary of Dutch and Flemish Still-life Painters Working in Oils, 1525–1725, Leiden 2003

Willoch 1973
S. Willoch, Katalog over utenlandsk malerkunst Nasjonalgalleriet [Oslo], Oslo 1973 [NB according to the British Library and the RKD the author is Leif Østby]

Wine 2001
H. Wine, The Seventeenth Century French Paintings, London 2001 (National Gallery Catalogues)

De Winkel 1999
M. de Winkel, ‘Costume in Rembrandt’s self portraits’, in White & Buvelot 1999, pp. 58–74

De Winkel 2001
M. de Winkel, ‘Fashion or fancy? Some interpretations of the dress of Rembrandt’s women re-evaluated’, in Williams 2001, pp. 54–63, 249–51

De Winkel 2005
M. de Winkel, ‘Rembrandt’s clothes – dress and meaning in his self-portraits’, in Van de Wetering 2005, pp. 45–87

De Winkel 2006
M. de Winkel, Fashion and Fancy. Dress and meaning in Rembrandt’s paintings, Amsterdam 2006

De Winter 1767
H. de Winter, Beredeneerde catalogus van alle de prenten van Nicolaas Berchem. […] Beschryving van al het geene dat na de schilderyen en teekeningen van dien voortreffelyken meester, zo door hem zelven ge-etst als door anderen is in ’t koper gebragt, Amsterdam 1767 [NB no figs, 238 nos]

Winternitz 1943–4
E. Winternitz, ‘Bagpipes and hurdy-gurdies in their social setting’, Bulletin of The Metropolitan Museum of Art NS 2 (1943–4), pp. 56–83

De Witt 2006
L. DeWitt, ‘Evolution and ambition in the career of Jan Lievens (1607–1674)’, PhD, University of Maryland 2006

De Witt 2008
D. de Witt, The Bader Collection. Dutch and Flemish paintings, Kingston 2008

De Witt, Van Sloten & Van der Veen 2015
D. De Witt, L. van Sloten and J. van der Veen, Rembrandt’s Late Pupils. Studying under a genius, Houten/Amsterdam 2015 [exh. Rembrandt House Museum, Amsterdam]

Woerden 2007 see Blankert & De Graaf 2007

Wolleswinkel 1986
E. J. Wolleswinkel, ‘Drie voorbeelden van teruggevonden pendant-portretten’, Jaarboek van het Centraal Bureau voor Genealogie en het Iconografisch Bureau 40 (1986), pp. 133–44

Wollheim 1987
R. Wollheim, Painting as an Art, London 1987

Wollheim 1991
R. Wollheim, ‘What the spectator sees’, in Bryson, Holly & Moxey 1991, pp. 101–50

Wood 1990
J. Wood, ‘Padre Resta’s Flemish Drawings. Van Diepenbeeck, Van Thulden, Rubens, and the School of Fontainebleau’, Master Drawings 28 (1990), pp. 3–53

Wood 1992a
J. Wood, review of Mai & Vlieghe 1992, Burl. Mag. 134 (1992), pp. 824–7

Wood 1992b
J. Wood, ‘Van Dyck’s pictures for the Duke of Buckingham. The elephant in the carpet and the dead tree with ivy, Apollo 136 (1992), no. 365, pp. 37–47

Wood 1995
J. Wood, ‘“Damaged by Time and Rubens.” Rubens’s restorations and retouchings’, Apollo 142 (Dec. 1995), pp. 16–23

Wood 2000
J. Wood, ‘Rubens as Thief: His Use of Past Art and Some Adaptations from Primaticcio’, in Vlieghe, Balis & Van de Velde 2000, pp. 153–70

Wood 2002
J. Wood, Rubens. Drawing on Italy, Edinburgh 2002 [exh. NGS, Edinburgh/Djanogly Art Gallery, Nottingham]

Wood 2010a
J. Wood, Rubens. Copies and adaptations from Renaissance and later artists. Italian artists, i. Raphael and his school, 2 vols, London/Turnhout 2010 (Corpus Rubenianum Ludwig Burchard, xxvi (2)). See review: White 2010

Wood 2010b
J. Wood, Rubens. Copies and adaptations from Renaissance and later artists. Italian artists, ii (1 and 2): Titian and North Italian Art, 2 vols, London/Turnhout 2010 (Corpus Rubenianum Ludwig Burchard, xxvi (2))

Wood 2011
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